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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAED2A it is the complementary color #1512D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAED2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAED2A shade: #EFED25, #FFFF38, #FFFF4B, #FFFF5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAED2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAED2A shade: #EAED2A, #D9DB17, #C8C904, #B7B700 and #A6A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAED2A shade: #E9EC2B, #ECBB2B, #EC872B, #EC532B and #EC2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAED2A shade: #E9EC2B, #B5EC2B, #81EC2B, #4DEC2B and #2BEC3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAED2A shade matches the following richer shades: #E9EC2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAED2A shade: #E9EC2B, #D7DA3E, #C5C750, #B3B463 and #A1A276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAED2A shade: #EC852B, #ECB92B, #ECEC2B, #B9EC2B and #85EC2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAED2A shade: #B3B60F, #D9DC13, #E9EC2B, #EDEF51 and #F1F377

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAED2A shade: #EAED2A, #2BEC52 and #9F2BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAED2A shade: #EAED2A, #2BECEC and #EC2BEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAED2A shade: #EAED2A, #2BEC52, #2B2BEC and #EC2BC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAED2A shade: #EAED2A, #2BEC8C, #2B2BEC and #EC2B8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 82 / 7

HEX #EAED2A

RGB 234 237 42

HSL 60.92, 0.84%, 0.55%

LAB 90.88, -21.02, 83.62

 

Complementary color

CMYK 90 / 92 / 0 / 16

HEX #1512D5

RGB 21 18 213

HSL 240.92, 0.84%, 0.45%

LAB 27.83, 65.57, -91.37

 

CMYK 0 / 1 / 85 / 6

HEX #EFED25

RGB 239 237 37

HSL 59.41, 0.86%, 0.54%

LAB 91.26, -19.08, 85.15

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 1 / 0 / 82 / 7

HEX #EAED2A

RGB 234 237 42

HSL 60.92, 0.84%, 0.55%

LAB 90.88, -21.02, 83.62

 

CMYK 1 / 0 / 89 / 14

HEX #D9DB17

RGB 217 219 23

HSL 60.61, 0.81%, 0.47%

LAB 84.73, -19.8, 81.67

 

CMYK 0 / 0 / 98 / 21

HEX #C8C904

RGB 200 201 4

HSL 60.3, 0.96%, 0.4%

LAB 78.5, -18.41, 78.49

 

CMYK 0 / 0 / 100 / 28

HEX #B7B700

RGB 183 183 0

HSL 60, 1%, 0.36%

LAB 72.18, -16.8, 73.64

 

CMYK 0 / 1 / 100 / 35

HEX #A6A500

RGB 166 165 0

HSL 59.64, 1%, 0.33%

LAB 65.76, -15.12, 68.31

 

CMYK 1 / 0 / 82 / 7

HEX #E9EC2B

RGB 233 236 43

HSL 60.93, 0.84%, 0.55%

LAB 90.55, -20.92, 83.07

 

CMYK 0 / 21 / 82 / 7

HEX #ECBB2B

RGB 236 187 43

HSL 44.77, 0.84%, 0.55%

LAB 78.2, 5, 72.66

 

CMYK 0 / 43 / 82 / 7

HEX #EC872B

RGB 236 135 43

HSL 28.6, 0.84%, 0.55%

LAB 66.01, 32.4, 62.03

 

CMYK 0 / 65 / 82 / 7

HEX #EC532B

RGB 236 83 43

HSL 12.44, 0.84%, 0.55%

LAB 56.28, 57.18, 53.26

 

CMYK 0 / 82 / 82 / 7

HEX #EC2B2B

RGB 236 43 43

HSL 0, 0.84%, 0.55%

LAB 51.54, 70.3, 48.85

 

CMYK 1 / 0 / 82 / 7

HEX #E9EC2B

RGB 233 236 43

HSL 60.93, 0.84%, 0.55%

LAB 90.55, -20.92, 83.07

 

CMYK 23 / 0 / 82 / 7

HEX #B5EC2B

RGB 181 236 43

HSL 77.1, 0.84%, 0.55%

LAB 86.99, -41.69, 78.62

 

CMYK 45 / 0 / 82 / 7

HEX #81EC2B

RGB 129 236 43

HSL 93.26, 0.84%, 0.55%

LAB 84.4, -59.67, 75.33

 

CMYK 67 / 0 / 82 / 7

HEX #4DEC2B

RGB 77 236 43

HSL 109.43, 0.84%, 0.55%

LAB 82.78, -72.6, 73.26

 

CMYK 82 / 0 / 74 / 7

HEX #2BEC3D

RGB 43 236 61

HSL 125.6, 0.84%, 0.55%

LAB 82.29, -76.45, 67.38

 

CMYK 1 / 0 / 82 / 7

HEX #E9EC2B

RGB 233 236 43

HSL 60.93, 0.84%, 0.55%

LAB 90.55, -20.92, 83.07

 

CMYK 1 / 0 / 82 / 7

HEX #E9EC2B

RGB 233 236 43

HSL 60.93, 0.84%, 0.55%

LAB 90.55, -20.92, 83.07

 

CMYK 1 / 0 / 72 / 15

HEX #D7DA3E

RGB 215 218 62

HSL 61.15, 0.68%, 0.55%

LAB 84.45, -18.95, 71.66

 

CMYK 1 / 0 / 60 / 22

HEX #C5C750

RGB 197 199 80

HSL 61.01, 0.52%, 0.55%

LAB 78.05, -15.99, 57.7

 

CMYK 1 / 0 / 45 / 29

HEX #B3B463

RGB 179 180 99

HSL 60.74, 0.35%, 0.55%

LAB 71.64, -12.14, 41

 

CMYK 1 / 0 / 27 / 36

HEX #A1A276

RGB 161 162 118

HSL 61.36, 0.19%, 0.55%

LAB 65.53, -7.68, 22.84

 

CMYK 0 / 44 / 82 / 7

HEX #EC852B

RGB 236 133 43

HSL 27.98, 0.84%, 0.55%

LAB 65.58, 33.44, 61.65

 

CMYK 0 / 22 / 82 / 7

HEX #ECB92B

RGB 236 185 43

HSL 44.15, 0.84%, 0.55%

LAB 77.7, 6.04, 72.23

 

CMYK 0 / 0 / 82 / 7

HEX #ECEC2B

RGB 236 236 43

HSL 60, 0.84%, 0.55%

LAB 90.78, -19.69, 83.36

 

CMYK 22 / 0 / 82 / 7

HEX #B9EC2B

RGB 185 236 43

HSL 75.85, 0.84%, 0.55%

LAB 87.23, -40.16, 78.92

 

CMYK 44 / 0 / 82 / 7

HEX #85EC2B

RGB 133 236 43

HSL 92.02, 0.84%, 0.55%

LAB 84.56, -58.44, 75.54

 

CMYK 2 / 0 / 92 / 29

HEX #B3B60F

RGB 179 182 15

HSL 61.08, 0.85%, 0.39%

LAB 71.61, -17.85, 71.31

 

CMYK 1 / 0 / 91 / 14

HEX #D9DC13

RGB 217 220 19

HSL 60.9, 0.84%, 0.47%

LAB 84.99, -20.35, 82.44

 

CMYK 1 / 0 / 82 / 7

HEX #E9EC2B

RGB 233 236 43

HSL 60.93, 0.84%, 0.55%

LAB 90.55, -20.92, 83.07

 

CMYK 1 / 0 / 66 / 6

HEX #EDEF51

RGB 237 239 81

HSL 60.76, 0.83%, 0.63%

LAB 91.83, -19.2, 72.72

 

CMYK 1 / 0 / 51 / 5

HEX #F1F377

RGB 241 243 119

HSL 60.97, 0.84%, 0.71%

LAB 93.51, -16.95, 58.79

 

CMYK 1 / 0 / 82 / 7

HEX #EAED2A

RGB 234 237 42

HSL 60.92, 0.84%, 0.55%

LAB 90.88, -21.02, 83.62

 

CMYK 82 / 0 / 65 / 7

HEX #2BEC52

RGB 43 236 82

HSL 132.12, 0.84%, 0.55%

LAB 82.44, -74.62, 59.83

 

CMYK 33 / 82 / 0 / 7

HEX #9F2BEC

RGB 159 43 236

HSL 276.06, 0.84%, 0.55%

LAB 45.85, 75, -74.35

 

CMYK 1 / 0 / 82 / 7

HEX #EAED2A

RGB 234 237 42

HSL 60.92, 0.84%, 0.55%

LAB 90.88, -21.02, 83.62

 

CMYK 82 / 0 / 0 / 7

HEX #2BECEC

RGB 43 236 236

HSL 180, 0.84%, 0.55%

LAB 85.28, -43.62, -12.92

 

CMYK 0 / 82 / 0 / 7

HEX #EC2BEC

RGB 236 43 236

HSL 300, 0.84%, 0.55%

LAB 57.67, 87.68, -54.67

 

CMYK 1 / 0 / 82 / 7

HEX #EAED2A

RGB 234 237 42

HSL 60.92, 0.84%, 0.55%

LAB 90.88, -21.02, 83.62

 

CMYK 82 / 0 / 65 / 7

HEX #2BEC52

RGB 43 236 82

HSL 132.12, 0.84%, 0.55%

LAB 82.44, -74.62, 59.83

 

CMYK 82 / 82 / 0 / 7

HEX #2B2BEC

RGB 43 43 236

HSL 240, 0.84%, 0.55%

LAB 34.59, 63.63, -93.29

 

CMYK 0 / 82 / 16 / 7

HEX #EC2BC6

RGB 236 43 198

HSL 311.81, 0.84%, 0.55%

LAB 55.72, 82.41, -36.18

 

CMYK 1 / 0 / 82 / 7

HEX #EAED2A

RGB 234 237 42

HSL 60.92, 0.84%, 0.55%

LAB 90.88, -21.02, 83.62

 

CMYK 82 / 0 / 41 / 7

HEX #2BEC8C

RGB 43 236 140

HSL 150.16, 0.84%, 0.55%

LAB 83.12, -66.42, 33.94

 

CMYK 82 / 82 / 0 / 7

HEX #2B2BEC

RGB 43 43 236

HSL 240, 0.84%, 0.55%

LAB 34.59, 63.63, -93.29

 

CMYK 0 / 82 / 41 / 7

HEX #EC2B8C

RGB 236 43 140

HSL 329.84, 0.84%, 0.55%

LAB 53.44, 75.96, -5.66

 

Description

Color code: HEX #EAED2A | qconv.com Color code: HEX #EAED2A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 237 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 237 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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