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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAE789 it is the complementary color #151876. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAE789. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAE789 shade: #EFE784, #FFF997, #FFFFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAE789. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAE789 shade: #EAE789, #D9D576, #C8C363, #B7B150 and #A69F3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAE789 shade: #EAE789, #EACD89, #EAB389, #EA9989 and #EA8989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAE789 shade: #EAE789, #D3EA89, #B9EA89, #9FEA89 and #89EA8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAE789 shade matches the following richer shades: #EAE789 and #F5F17E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAE789 shade: #EAE789, #DFDC95, #D4D2A0, #C8C8AB and #BDBDB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAE789 shade: #EAB389, #EACD89, #EAE789, #D3EA89 and #BAEA89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAE789 shade: #DDD943, #E4E066, #EAE789, #F0EEAD and #F6F5D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAE789 shade: #EAE789, #89EA9A and #C089EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAE789 shade: #EAE789, #89EAE7 and #E789EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAE789 shade: #EAE789, #89EA9A, #898DEA and #EA89DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAE789 shade: #EAE789, #89EAB6, #898DEA and #EA89BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

Complementary color

CMYK 82 / 80 / 0 / 54

HEX #151876

RGB 21 24 118

HSL 238.14, 0.7%, 0.27%

LAB 16.11, 34.15, -53.05

 

CMYK 0 / 3 / 45 / 6

HEX #EFE784

RGB 239 231 132

HSL 55.51, 0.77%, 0.73%

LAB 90.4, -10.69, 48.94

 

CMYK 0 / 2 / 41 / 0

HEX #FFF997

RGB 255 249 151

HSL 56.54, 1%, 0.8%

LAB 96.51, -11.5, 47.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 0 / 2 / 46 / 15

HEX #D9D576

RGB 217 213 118

HSL 57.58, 0.57%, 0.66%

LAB 83.78, -11.73, 47.18

 

CMYK 0 / 3 / 51 / 22

HEX #C8C363

RGB 200 195 99

HSL 57.03, 0.48%, 0.59%

LAB 77.41, -11.23, 48.35

 

CMYK 0 / 3 / 56 / 28

HEX #B7B150

RGB 183 177 80

HSL 56.5, 0.42%, 0.52%

LAB 70.93, -10.62, 49.47

 

CMYK 0 / 4 / 63 / 35

HEX #A69F3D

RGB 166 159 61

HSL 56, 0.46%, 0.45%

LAB 64.35, -9.88, 50.45

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 0 / 12 / 41 / 8

HEX #EACD89

RGB 234 205 137

HSL 42.06, 0.7%, 0.73%

LAB 83.42, 1.04, 37.56

 

CMYK 0 / 24 / 41 / 8

HEX #EAB389

RGB 234 179 137

HSL 25.98, 0.7%, 0.73%

LAB 77, 14.68, 29.15

 

CMYK 0 / 35 / 41 / 8

HEX #EA9989

RGB 234 153 137

HSL 9.9, 0.7%, 0.73%

LAB 70.93, 28.51, 20.95

 

CMYK 0 / 41 / 41 / 8

HEX #EA8989

RGB 234 137 137

HSL 0, 0.7%, 0.73%

LAB 67.42, 36.92, 16.12

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 10 / 0 / 41 / 8

HEX #D3EA89

RGB 211 234 137

HSL 74.23, 0.7%, 0.73%

LAB 89.16, -22.45, 44.51

 

CMYK 21 / 0 / 41 / 8

HEX #B9EA89

RGB 185 234 137

HSL 90.31, 0.7%, 0.73%

LAB 87.47, -32.01, 42.02

 

CMYK 32 / 0 / 41 / 8

HEX #9FEA89

RGB 159 234 137

HSL 106.39, 0.7%, 0.73%

LAB 86.02, -40.91, 39.87

 

CMYK 41 / 0 / 39 / 8

HEX #89EA8E

RGB 137 234 142

HSL 123.09, 0.7%, 0.73%

LAB 85.06, -46.98, 35.94

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 0 / 2 / 49 / 4

HEX #F5F17E

RGB 245 241 126

HSL 57.98, 0.86%, 0.73%

LAB 93.38, -13.81, 55.5

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 0 / 1 / 33 / 13

HEX #DFDC95

RGB 223 220 149

HSL 57.57, 0.54%, 0.73%

LAB 86.53, -9.58, 35.32

 

CMYK 0 / 1 / 25 / 17

HEX #D4D2A0

RGB 212 210 160

HSL 57.69, 0.38%, 0.73%

LAB 83.25, -7.27, 25.1

 

CMYK 0 / 0 / 15 / 22

HEX #C8C8AB

RGB 200 200 171

HSL 60, 0.21%, 0.73%

LAB 79.91, -4.94, 14.53

 

CMYK 0 / 0 / 4 / 26

HEX #BDBDB6

RGB 189 189 182

HSL 60, 0.05%, 0.73%

LAB 76.43, -1.27, 3.52

 

CMYK 0 / 24 / 41 / 8

HEX #EAB389

RGB 234 179 137

HSL 25.98, 0.7%, 0.73%

LAB 77, 14.68, 29.15

 

CMYK 0 / 12 / 41 / 8

HEX #EACD89

RGB 234 205 137

HSL 42.06, 0.7%, 0.73%

LAB 83.42, 1.04, 37.56

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 10 / 0 / 41 / 8

HEX #D3EA89

RGB 211 234 137

HSL 74.23, 0.7%, 0.73%

LAB 89.16, -22.45, 44.51

 

CMYK 21 / 0 / 41 / 8

HEX #BAEA89

RGB 186 234 137

HSL 89.69, 0.7%, 0.73%

LAB 87.53, -31.65, 42.11

 

CMYK 0 / 2 / 70 / 13

HEX #DDD943

RGB 221 217 67

HSL 58.44, 0.69%, 0.56%

LAB 84.69, -15.73, 70.31

 

CMYK 0 / 2 / 55 / 11

HEX #E4E066

RGB 228 224 102

HSL 58.1, 0.7%, 0.65%

LAB 87.37, -14.16, 59.09

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 0 / 1 / 28 / 6

HEX #F0EEAD

RGB 240 238 173

HSL 58.21, 0.69%, 0.81%

LAB 92.88, -9.22, 31.8

 

CMYK 0 / 0 / 15 / 4

HEX #F6F5D0

RGB 246 245 208

HSL 58.42, 0.68%, 0.89%

LAB 95.77, -5.69, 17.97

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 41 / 0 / 34 / 8

HEX #89EA9A

RGB 137 234 154

HSL 130.52, 0.7%, 0.73%

LAB 85.25, -45.08, 30.14

 

CMYK 18 / 41 / 0 / 8

HEX #C089EA

RGB 192 137 234

HSL 274.02, 0.7%, 0.73%

LAB 65.78, 38.74, -41.12

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 41 / 0 / 1 / 8

HEX #89EAE7

RGB 137 234 231

HSL 178.14, 0.7%, 0.73%

LAB 86.96, -29.28, -7.53

 

CMYK 1 / 41 / 0 / 8

HEX #E789EA

RGB 231 137 234

HSL 298.14, 0.7%, 0.73%

LAB 70.05, 50.13, -34.14

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 41 / 0 / 34 / 8

HEX #89EA9A

RGB 137 234 154

HSL 130.52, 0.7%, 0.73%

LAB 85.25, -45.08, 30.14

 

CMYK 41 / 40 / 0 / 8

HEX #898DEA

RGB 137 141 234

HSL 237.53, 0.7%, 0.73%

LAB 61.92, 21.47, -47.52

 

CMYK 0 / 41 / 7 / 8

HEX #EA89DA

RGB 234 137 218

HSL 309.9, 0.7%, 0.73%

LAB 69.79, 48.23, -25.7

 

CMYK 0 / 1 / 41 / 8

HEX #EAE789

RGB 234 231 137

HSL 58.14, 0.7%, 0.73%

LAB 90.07, -12.15, 46.01

 

CMYK 41 / 0 / 22 / 8

HEX #89EAB6

RGB 137 234 182

HSL 147.84, 0.7%, 0.73%

LAB 85.78, -40.02, 16.43

 

CMYK 41 / 40 / 0 / 8

HEX #898DEA

RGB 137 141 234

HSL 237.53, 0.7%, 0.73%

LAB 61.92, 21.47, -47.52

 

CMYK 0 / 41 / 19 / 8

HEX #EA89BD

RGB 234 137 189

HSL 327.84, 0.7%, 0.73%

LAB 68.79, 43.62, -11.07

 

Description

Color code: HEX #EAE789 | qconv.com Color code: HEX #EAE789 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 231 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 231 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 41 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 41% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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