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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAD999 it is the complementary color #152666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAD999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAD999 shade: #EFD994, #FFEBA7, #FFFDBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAD999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAD999 shade: #EAD999, #D9C786, #C8B573, #B7A360 and #A6914D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAD999 shade: #EAD999, #EAC399, #EAAD99 and #EA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAD999 shade: #EAD999, #E5EA99, #CFEA99, #B9EA99 and #A4EA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAD999 shade matches the following richer shades: #EAD999, #F4DE8F and #FDE485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAD999 shade: #EAD999, #E0D3A3, #D6CDAD, #CCC8B7 and #C2C2C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAD999 shade: #EAAD99, #EAC399, #EAD899, #E6EA99 and #D0EA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAD999 shade: #DCBF54, #E3CC77, #EAD999, #F1E5BB and #F8F2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAD999 shade: #EAD999, #9AEA99 and #B899EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAD999 shade: #EAD999, #99EAD8 and #D899EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAD999 shade: #EAD999, #9AEA99, #99AAEA and #E899EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAD999 shade: #EAD999, #99EAB0, #99AAEA and #EA99D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

Complementary color

CMYK 79 / 63 / 0 / 60

HEX #152666

RGB 21 38 102

HSL 227.41, 0.66%, 0.24%

LAB 17.94, 18.46, -39.65

 

CMYK 0 / 9 / 38 / 6

HEX #EFD994

RGB 239 217 148

HSL 45.49, 0.74%, 0.76%

LAB 87.05, -1.98, 36.76

 

CMYK 0 / 8 / 35 / 0

HEX #FFEBA7

RGB 255 235 167

HSL 46.36, 1%, 0.83%

LAB 93.22, -2.8, 35.5

 

CMYK 0 / 1 / 27 / 0

HEX #FFFDBA

RGB 255 253 186

HSL 58.26, 1%, 0.86%

LAB 98.06, -9.47, 32.4

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 0 / 8 / 38 / 15

HEX #D9C786

RGB 217 199 134

HSL 46.99, 0.52%, 0.69%

LAB 80.36, -2.91, 34.84

 

CMYK 0 / 10 / 43 / 22

HEX #C8B573

RGB 200 181 115

HSL 46.59, 0.44%, 0.62%

LAB 73.91, -2.41, 36.05

 

CMYK 0 / 11 / 48 / 28

HEX #B7A360

RGB 183 163 96

HSL 46.21, 0.38%, 0.55%

LAB 67.36, -1.81, 37.31

 

CMYK 0 / 13 / 54 / 35

HEX #A6914D

RGB 166 145 77

HSL 45.84, 0.37%, 0.48%

LAB 60.69, -1.09, 38.61

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 0 / 17 / 35 / 8

HEX #EAC399

RGB 234 195 153

HSL 31.11, 0.66%, 0.76%

LAB 81.19, 8.06, 26.31

 

CMYK 0 / 26 / 35 / 8

HEX #EAAD99

RGB 234 173 153

HSL 14.81, 0.66%, 0.76%

LAB 75.87, 19.71, 19.03

 

CMYK 0 / 35 / 35 / 8

HEX #EA9999

RGB 234 153 153

HSL 0, 0.66%, 0.76%

LAB 71.27, 30.35, 12.59

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 2 / 0 / 35 / 8

HEX #E5EA99

RGB 229 234 153

HSL 63.7, 0.66%, 0.76%

LAB 90.69, -13.81, 38.83

 

CMYK 12 / 0 / 35 / 8

HEX #CFEA99

RGB 207 234 153

HSL 80, 0.66%, 0.76%

LAB 89.12, -22.02, 36.47

 

CMYK 21 / 0 / 35 / 8

HEX #B9EA99

RGB 185 234 153

HSL 96.3, 0.66%, 0.76%

LAB 87.71, -29.91, 34.36

 

CMYK 30 / 0 / 35 / 8

HEX #A4EA99

RGB 164 234 153

HSL 111.85, 0.66%, 0.76%

LAB 86.52, -36.99, 32.57

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 0 / 9 / 41 / 4

HEX #F4DE8F

RGB 244 222 143

HSL 46.93, 0.82%, 0.76%

LAB 88.67, -3.11, 41.45

 

CMYK 0 / 10 / 47 / 1

HEX #FDE485

RGB 253 228 133

HSL 47.5, 0.97%, 0.76%

LAB 90.81, -3.57, 49.22

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 0 / 6 / 27 / 12

HEX #E0D3A3

RGB 224 211 163

HSL 47.21, 0.5%, 0.76%

LAB 84.53, -2.85, 25.44

 

CMYK 0 / 4 / 19 / 16

HEX #D6CDAD

RGB 214 205 173

HSL 46.83, 0.33%, 0.76%

LAB 82.37, -2.08, 17.07

 

CMYK 0 / 2 / 10 / 20

HEX #CCC8B7

RGB 204 200 183

HSL 48.57, 0.17%, 0.76%

LAB 80.5, -1.55, 8.99

 

CMYK 0 / 0 / 1 / 24

HEX #C2C2C1

RGB 194 194 193

HSL 60, 0.01%, 0.76%

LAB 78.41, -0.18, 0.49

 

CMYK 0 / 26 / 35 / 8

HEX #EAAD99

RGB 234 173 153

HSL 14.81, 0.66%, 0.76%

LAB 75.87, 19.71, 19.03

 

CMYK 0 / 17 / 35 / 8

HEX #EAC399

RGB 234 195 153

HSL 31.11, 0.66%, 0.76%

LAB 81.19, 8.06, 26.31

 

CMYK 0 / 8 / 35 / 8

HEX #EAD899

RGB 234 216 153

HSL 46.67, 0.66%, 0.76%

LAB 86.46, -2.84, 33.35

 

CMYK 2 / 0 / 35 / 8

HEX #E6EA99

RGB 230 234 153

HSL 62.96, 0.66%, 0.76%

LAB 90.77, -13.43, 38.94

 

CMYK 11 / 0 / 35 / 8

HEX #D0EA99

RGB 208 234 153

HSL 79.26, 0.66%, 0.76%

LAB 89.18, -21.66, 36.57

 

CMYK 0 / 13 / 62 / 14

HEX #DCBF54

RGB 220 191 84

HSL 47.21, 0.66%, 0.6%

LAB 77.94, -1.99, 56.39

 

CMYK 0 / 10 / 48 / 11

HEX #E3CC77

RGB 227 204 119

HSL 47.22, 0.66%, 0.68%

LAB 82.3, -3.03, 45.06

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 0 / 5 / 22 / 5

HEX #F1E5BB

RGB 241 229 187

HSL 46.67, 0.66%, 0.84%

LAB 90.93, -2.45, 21.98

 

CMYK 0 / 2 / 11 / 3

HEX #F8F2DD

RGB 248 242 221

HSL 46.67, 0.66%, 0.92%

LAB 95.45, -1.48, 10.84

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 34 / 0 / 35 / 8

HEX #9AEA99

RGB 154 234 153

HSL 119.26, 0.66%, 0.76%

LAB 86.01, -40.17, 31.81

 

CMYK 21 / 35 / 0 / 8

HEX #B899EA

RGB 184 153 234

HSL 262.96, 0.66%, 0.76%

LAB 68.69, 27.55, -36.63

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 35 / 0 / 8 / 8

HEX #99EAD8

RGB 153 234 216

HSL 166.67, 0.66%, 0.76%

LAB 87.28, -28.62, 0.9

 

CMYK 8 / 35 / 0 / 8

HEX #D899EA

RGB 216 153 234

HSL 286.67, 0.66%, 0.76%

LAB 71.77, 37.21, -31.61

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 34 / 0 / 35 / 8

HEX #9AEA99

RGB 154 234 153

HSL 119.26, 0.66%, 0.76%

LAB 86.01, -40.17, 31.81

 

CMYK 35 / 27 / 0 / 8

HEX #99AAEA

RGB 153 170 234

HSL 227.41, 0.66%, 0.76%

LAB 70.5, 9.09, -34.01

 

CMYK 1 / 35 / 0 / 8

HEX #E899EA

RGB 232 153 234

HSL 298.52, 0.66%, 0.76%

LAB 73.47, 42.14, -28.86

 

CMYK 0 / 7 / 35 / 8

HEX #EAD999

RGB 234 217 153

HSL 47.41, 0.66%, 0.76%

LAB 86.71, -3.35, 33.68

 

CMYK 35 / 0 / 25 / 8

HEX #99EAB0

RGB 153 234 176

HSL 137.04, 0.66%, 0.76%

LAB 86.38, -36.61, 20.5

 

CMYK 35 / 27 / 0 / 8

HEX #99AAEA

RGB 153 170 234

HSL 227.41, 0.66%, 0.76%

LAB 70.5, 9.09, -34.01

 

CMYK 0 / 35 / 10 / 8

HEX #EA99D3

RGB 234 153 211

HSL 317.04, 0.66%, 0.76%

LAB 72.88, 38.75, -17.13

 

Description

Color code: HEX #EAD999 | qconv.com Color code: HEX #EAD999 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 217 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 217 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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