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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAD90B it is the complementary color #1526F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAD90B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAD90B shade: #EFD906, #FFEB19, #FFFD2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAD90B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAD90B shade: #EAD90B, #D9C700, #C8B500, #B7A300 and #A69100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAD90B shade: #E9D80B, #E99C0B, #E9600B, #E9240B and #E90B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAD90B shade: #E9D80B, #BEE90B, #82E90B, #46E90B and #0BE90B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAD90B shade matches the following richer shades: #E9D80B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAD90B shade: #E9D80B, #D5C81E, #C2B732, #AEA646 and #9A955A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAD90B shade: #E9600B, #E99B0B, #E9D70B, #C0E90B and #85E90B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAD90B shade: #9A8F07, #C2B409, #E9D80B, #F4E529 and #F6EA50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAD90B shade: #EAD90B, #0BE925 and #7E0BE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAD90B shade: #EAD90B, #0BE9D7 and #D70BE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAD90B shade: #EAD90B, #0BE925, #0B1DE9 and #E90BCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAD90B shade: #EAD90B, #0BE967, #0B1DE9 and #E90B8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 95 / 8

HEX #EAD90B

RGB 234 217 11

HSL 55.43, 0.91%, 0.48%

LAB 85.58, -11.78, 84.37

 

Complementary color

CMYK 91 / 84 / 0 / 4

HEX #1526F4

RGB 21 38 244

HSL 235.43, 0.91%, 0.52%

LAB 34.14, 67.4, -98.59

 

CMYK 0 / 9 / 97 / 6

HEX #EFD906

RGB 239 217 6

HSL 54.33, 0.95%, 0.48%

LAB 86, -9.69, 85.3

 

CMYK 0 / 8 / 90 / 0

HEX #FFEB19

RGB 255 235 25

HSL 54.78, 1%, 0.55%

LAB 92.02, -11.66, 88.38

 

CMYK 0 / 1 / 83 / 0

HEX #FFFD2C

RGB 255 253 44

HSL 59.43, 1%, 0.59%

LAB 96.69, -20.01, 88.69

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 7 / 95 / 8

HEX #EAD90B

RGB 234 217 11

HSL 55.43, 0.91%, 0.48%

LAB 85.58, -11.78, 84.37

 

CMYK 0 / 8 / 100 / 15

HEX #D9C700

RGB 217 199 0

HSL 55.02, 1%, 0.43%

LAB 79.38, -10.12, 80.18

 

CMYK 0 / 10 / 100 / 22

HEX #C8B500

RGB 200 181 0

HSL 54.3, 1%, 0.39%

LAB 73.11, -8.32, 74.98

 

CMYK 0 / 11 / 100 / 28

HEX #B7A300

RGB 183 163 0

HSL 53.44, 1%, 0.36%

LAB 66.72, -6.46, 69.69

 

CMYK 0 / 13 / 100 / 35

HEX #A69100

RGB 166 145 0

HSL 52.41, 1%, 0.33%

LAB 60.21, -4.54, 64.3

 

CMYK 0 / 7 / 95 / 9

HEX #E9D80B

RGB 233 216 11

HSL 55.41, 0.91%, 0.48%

LAB 85.23, -11.7, 84.07

 

CMYK 0 / 33 / 95 / 9

HEX #E99C0B

RGB 233 156 11

HSL 39.19, 0.91%, 0.48%

LAB 70.26, 19.46, 73.25

 

CMYK 0 / 59 / 95 / 9

HEX #E9600B

RGB 233 96 11

HSL 22.97, 0.91%, 0.48%

LAB 57.76, 49.9, 64.92

 

CMYK 0 / 85 / 95 / 9

HEX #E9240B

RGB 233 36 11

HSL 6.76, 0.91%, 0.48%

LAB 50.23, 70.5, 60.54

 

CMYK 0 / 95 / 95 / 9

HEX #E90B0B

RGB 233 11 11

HSL 0, 0.91%, 0.48%

LAB 48.99, 74.05, 59.9

 

CMYK 0 / 7 / 95 / 9

HEX #E9D80B

RGB 233 216 11

HSL 55.41, 0.91%, 0.48%

LAB 85.23, -11.7, 84.07

 

CMYK 18 / 0 / 95 / 9

HEX #BEE90B

RGB 190 233 11

HSL 71.62, 0.91%, 0.48%

LAB 86.63, -37.57, 83.73

 

CMYK 44 / 0 / 95 / 9

HEX #82E90B

RGB 130 233 11

HSL 87.84, 0.91%, 0.48%

LAB 83.47, -59.09, 79.89

 

CMYK 70 / 0 / 95 / 9

HEX #46E90B

RGB 70 233 11

HSL 104.05, 0.91%, 0.48%

LAB 81.62, -73.95, 77.63

 

CMYK 95 / 0 / 95 / 9

HEX #0BE90B

RGB 11 233 11

HSL 120, 0.91%, 0.48%

LAB 80.95, -79.96, 76.8

 

CMYK 0 / 7 / 95 / 9

HEX #E9D80B

RGB 233 216 11

HSL 55.41, 0.91%, 0.48%

LAB 85.23, -11.7, 84.07

 

CMYK 0 / 7 / 95 / 9

HEX #E9D80B

RGB 233 216 11

HSL 55.41, 0.91%, 0.48%

LAB 85.23, -11.7, 84.07

 

CMYK 0 / 6 / 86 / 16

HEX #D5C81E

RGB 213 200 30

HSL 55.74, 0.75%, 0.48%

LAB 79.36, -11.94, 76

 

CMYK 0 / 6 / 74 / 24

HEX #C2B732

RGB 194 183 50

HSL 55.42, 0.59%, 0.48%

LAB 73.26, -10.82, 64.53

 

CMYK 0 / 5 / 60 / 32

HEX #AEA646

RGB 174 166 70

HSL 55.38, 0.43%, 0.48%

LAB 67.06, -9.47, 49.55

 

CMYK 0 / 3 / 42 / 40

HEX #9A955A

RGB 154 149 90

HSL 55.31, 0.26%, 0.48%

LAB 60.87, -7.11, 31.78

 

CMYK 0 / 59 / 95 / 9

HEX #E9600B

RGB 233 96 11

HSL 22.97, 0.91%, 0.48%

LAB 57.76, 49.9, 64.92

 

CMYK 0 / 33 / 95 / 9

HEX #E99B0B

RGB 233 155 11

HSL 38.92, 0.91%, 0.48%

LAB 70.03, 19.99, 73.08

 

CMYK 0 / 8 / 95 / 9

HEX #E9D70B

RGB 233 215 11

HSL 55.14, 0.91%, 0.48%

LAB 84.97, -11.2, 83.88

 

CMYK 18 / 0 / 95 / 9

HEX #C0E90B

RGB 192 233 11

HSL 71.08, 0.91%, 0.48%

LAB 86.76, -36.78, 83.88

 

CMYK 43 / 0 / 95 / 9

HEX #85E90B

RGB 133 233 11

HSL 87.03, 0.91%, 0.48%

LAB 83.59, -58.15, 80.05

 

CMYK 0 / 7 / 95 / 40

HEX #9A8F07

RGB 154 143 7

HSL 55.51, 0.91%, 0.32%

LAB 58.54, -8.86, 61.48

 

CMYK 0 / 7 / 95 / 24

HEX #C2B409

RGB 194 180 9

HSL 55.46, 0.91%, 0.4%

LAB 72.32, -10.34, 73.15

 

CMYK 0 / 7 / 95 / 9

HEX #E9D80B

RGB 233 216 11

HSL 55.41, 0.91%, 0.48%

LAB 85.23, -11.7, 84.07

 

CMYK 0 / 6 / 83 / 4

HEX #F4E529

RGB 244 229 41

HSL 55.57, 0.9%, 0.56%

LAB 89.59, -13, 83.09

 

CMYK 0 / 5 / 67 / 4

HEX #F6EA50

RGB 246 234 80

HSL 55.66, 0.9%, 0.64%

LAB 91.24, -13.15, 72.73

 

CMYK 0 / 7 / 95 / 8

HEX #EAD90B

RGB 234 217 11

HSL 55.43, 0.91%, 0.48%

LAB 85.58, -11.78, 84.37

 

CMYK 95 / 0 / 84 / 9

HEX #0BE925

RGB 11 233 37

HSL 127.03, 0.91%, 0.48%

LAB 81.01, -79.18, 72.77

 

CMYK 46 / 95 / 0 / 9

HEX #7E0BE9

RGB 126 11 233

HSL 271.08, 0.91%, 0.48%

LAB 38.83, 77.2, -84.34

 

CMYK 0 / 7 / 95 / 8

HEX #EAD90B

RGB 234 217 11

HSL 55.43, 0.91%, 0.48%

LAB 85.58, -11.78, 84.37

 

CMYK 95 / 0 / 8 / 9

HEX #0BE9D7

RGB 11 233 215

HSL 175.14, 0.91%, 0.48%

LAB 83.58, -49.76, -4.4

 

CMYK 8 / 95 / 0 / 9

HEX #D70BE9

RGB 215 11 233

HSL 295.14, 0.91%, 0.48%

LAB 52.48, 88.24, -61.51

 

CMYK 0 / 7 / 95 / 8

HEX #EAD90B

RGB 234 217 11

HSL 55.43, 0.91%, 0.48%

LAB 85.58, -11.78, 84.37

 

CMYK 95 / 0 / 84 / 9

HEX #0BE925

RGB 11 233 37

HSL 127.03, 0.91%, 0.48%

LAB 81.01, -79.18, 72.77

 

CMYK 95 / 88 / 0 / 9

HEX #0B1DE9

RGB 11 29 233

HSL 235.14, 0.91%, 0.48%

LAB 31.42, 67.49, -96.89

 

CMYK 0 / 95 / 11 / 9

HEX #E90BCF

RGB 233 11 207

HSL 307.03, 0.91%, 0.48%

LAB 54.1, 87.51, -43.94

 

CMYK 0 / 7 / 95 / 8

HEX #EAD90B

RGB 234 217 11

HSL 55.43, 0.91%, 0.48%

LAB 85.58, -11.78, 84.37

 

CMYK 95 / 0 / 56 / 9

HEX #0BE967

RGB 11 233 103

HSL 144.86, 0.91%, 0.48%

LAB 81.47, -73.3, 49.62

 

CMYK 95 / 88 / 0 / 9

HEX #0B1DE9

RGB 11 29 233

HSL 235.14, 0.91%, 0.48%

LAB 31.42, 67.49, -96.89

 

CMYK 0 / 95 / 40 / 9

HEX #E90B8C

RGB 233 11 140

HSL 325.14, 0.91%, 0.48%

LAB 51.22, 80.09, -9.04

 

Description

Color code: HEX #EAD90B | qconv.com Color code: HEX #EAD90B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 217 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 217 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 95 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 95% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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