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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAD799 it is the complementary color #152866. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAD799. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAD799 shade: #EFD794, #FFE9A7, #FFFBBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAD799. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAD799 shade: #EAD799, #D9C586, #C8B373, #B7A160 and #A68F4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAD799 shade: #EAD799, #EAC199, #EAAB99 and #EA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAD799 shade: #EAD799, #E7EA99, #D1EA99, #BBEA99 and #A5EA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAD799 shade matches the following richer shades: #EAD799, #F4DC8F and #FDE185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAD799 shade: #EAD799, #E0D1A3, #D6CCAD, #CCC7B7 and #C2C2C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAD799 shade: #EAAA99, #EAC099, #EAD599, #E8EA99 and #D3EA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAD799 shade: #DCBC54, #E3C977, #EAD799, #F1E4BB and #F8F2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAD799 shade: #EAD799, #9DEA99 and #B599EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAD799 shade: #EAD799, #99EAD5 and #D599EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAD799 shade: #EAD799, #9DEA99, #99ADEA and #E699EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAD799 shade: #EAD799, #99EAAD, #99ADEA and #EA99D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

Complementary color

CMYK 79 / 61 / 0 / 60

HEX #152866

RGB 21 40 102

HSL 225.93, 0.66%, 0.24%

LAB 18.52, 17, -38.7

 

CMYK 0 / 10 / 38 / 6

HEX #EFD794

RGB 239 215 148

HSL 44.18, 0.74%, 0.76%

LAB 86.55, -0.96, 36.1

 

CMYK 0 / 9 / 35 / 0

HEX #FFE9A7

RGB 255 233 167

HSL 45, 1%, 0.83%

LAB 92.72, -1.8, 34.84

 

CMYK 0 / 2 / 27 / 0

HEX #FFFBBA

RGB 255 251 186

HSL 56.52, 1%, 0.86%

LAB 97.55, -8.48, 31.72

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 0 / 9 / 38 / 15

HEX #D9C586

RGB 217 197 134

HSL 45.54, 0.52%, 0.69%

LAB 79.84, -1.88, 34.17

 

CMYK 0 / 11 / 43 / 22

HEX #C8B373

RGB 200 179 115

HSL 45.18, 0.44%, 0.62%

LAB 73.39, -1.35, 35.38

 

CMYK 0 / 12 / 48 / 28

HEX #B7A160

RGB 183 161 96

HSL 44.83, 0.38%, 0.55%

LAB 66.83, -0.74, 36.65

 

CMYK 0 / 14 / 54 / 35

HEX #A68F4D

RGB 166 143 77

HSL 44.49, 0.37%, 0.48%

LAB 60.15, 0.01, 37.96

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 0 / 18 / 35 / 8

HEX #EAC199

RGB 234 193 153

HSL 29.63, 0.66%, 0.76%

LAB 80.7, 9.11, 25.64

 

CMYK 0 / 27 / 35 / 8

HEX #EAAB99

RGB 234 171 153

HSL 13.33, 0.66%, 0.76%

LAB 75.4, 20.77, 18.37

 

CMYK 0 / 35 / 35 / 8

HEX #EA9999

RGB 234 153 153

HSL 0, 0.66%, 0.76%

LAB 71.27, 30.35, 12.59

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 1 / 0 / 35 / 8

HEX #E7EA99

RGB 231 234 153

HSL 62.22, 0.66%, 0.76%

LAB 90.84, -13.05, 39.05

 

CMYK 11 / 0 / 35 / 8

HEX #D1EA99

RGB 209 234 153

HSL 78.52, 0.66%, 0.76%

LAB 89.25, -21.29, 36.68

 

CMYK 20 / 0 / 35 / 8

HEX #BBEA99

RGB 187 234 153

HSL 94.81, 0.66%, 0.76%

LAB 87.83, -29.21, 34.54

 

CMYK 29 / 0 / 35 / 8

HEX #A5EA99

RGB 165 234 153

HSL 111.11, 0.66%, 0.76%

LAB 86.58, -36.66, 32.65

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 0 / 10 / 41 / 4

HEX #F4DC8F

RGB 244 220 143

HSL 45.74, 0.82%, 0.76%

LAB 88.16, -2.09, 40.8

 

CMYK 0 / 11 / 47 / 1

HEX #FDE185

RGB 253 225 133

HSL 46, 0.97%, 0.76%

LAB 90.06, -2.05, 48.29

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 0 / 7 / 27 / 12

HEX #E0D1A3

RGB 224 209 163

HSL 45.25, 0.5%, 0.76%

LAB 84.01, -1.82, 24.74

 

CMYK 0 / 5 / 19 / 16

HEX #D6CCAD

RGB 214 204 173

HSL 45.37, 0.33%, 0.76%

LAB 82.11, -1.56, 16.71

 

CMYK 0 / 2 / 10 / 20

HEX #CCC7B7

RGB 204 199 183

HSL 45.71, 0.17%, 0.76%

LAB 80.24, -1.03, 8.62

 

CMYK 0 / 0 / 1 / 24

HEX #C2C2C1

RGB 194 194 193

HSL 60, 0.01%, 0.76%

LAB 78.41, -0.18, 0.49

 

CMYK 0 / 27 / 35 / 8

HEX #EAAA99

RGB 234 170 153

HSL 12.59, 0.66%, 0.76%

LAB 75.17, 21.31, 18.05

 

CMYK 0 / 18 / 35 / 8

HEX #EAC099

RGB 234 192 153

HSL 28.89, 0.66%, 0.76%

LAB 80.46, 9.63, 25.31

 

CMYK 0 / 9 / 35 / 8

HEX #EAD599

RGB 234 213 153

HSL 44.44, 0.66%, 0.76%

LAB 85.7, -1.3, 32.34

 

CMYK 1 / 0 / 35 / 8

HEX #E8EA99

RGB 232 234 153

HSL 61.48, 0.66%, 0.76%

LAB 90.92, -12.67, 39.17

 

CMYK 10 / 0 / 35 / 8

HEX #D3EA99

RGB 211 234 153

HSL 77.04, 0.66%, 0.76%

LAB 89.39, -20.55, 36.88

 

CMYK 0 / 15 / 62 / 14

HEX #DCBC54

RGB 220 188 84

HSL 45.88, 0.66%, 0.6%

LAB 77.17, -0.43, 55.54

 

CMYK 0 / 11 / 48 / 11

HEX #E3C977

RGB 227 201 119

HSL 45.56, 0.66%, 0.68%

LAB 81.53, -1.49, 44.11

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 0 / 5 / 22 / 5

HEX #F1E4BB

RGB 241 228 187

HSL 45.56, 0.66%, 0.84%

LAB 90.68, -1.95, 21.63

 

CMYK 0 / 2 / 11 / 3

HEX #F8F2DD

RGB 248 242 221

HSL 46.67, 0.66%, 0.92%

LAB 95.45, -1.48, 10.84

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 33 / 0 / 35 / 8

HEX #9DEA99

RGB 157 234 153

HSL 117.04, 0.66%, 0.76%

LAB 86.16, -39.23, 32.03

 

CMYK 23 / 35 / 0 / 8

HEX #B599EA

RGB 181 153 234

HSL 260.74, 0.66%, 0.76%

LAB 68.42, 26.67, -37.07

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 35 / 0 / 9 / 8

HEX #99EAD5

RGB 153 234 213

HSL 164.44, 0.66%, 0.76%

LAB 87.2, -29.27, 2.36

 

CMYK 9 / 35 / 0 / 8

HEX #D599EA

RGB 213 153 234

HSL 284.44, 0.66%, 0.76%

LAB 71.47, 36.3, -32.11

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 33 / 0 / 35 / 8

HEX #9DEA99

RGB 157 234 153

HSL 117.04, 0.66%, 0.76%

LAB 86.16, -39.23, 32.03

 

CMYK 35 / 26 / 0 / 8

HEX #99ADEA

RGB 153 173 234

HSL 225.19, 0.66%, 0.76%

LAB 71.28, 7.42, -32.8

 

CMYK 2 / 35 / 0 / 8

HEX #E699EA

RGB 230 153 234

HSL 297.04, 0.66%, 0.76%

LAB 73.25, 41.52, -29.21

 

CMYK 0 / 8 / 35 / 8

HEX #EAD799

RGB 234 215 153

HSL 45.93, 0.66%, 0.76%

LAB 86.2, -2.32, 33.01

 

CMYK 35 / 0 / 26 / 8

HEX #99EAAD

RGB 153 234 173

HSL 134.81, 0.66%, 0.76%

LAB 86.32, -37.14, 21.97

 

CMYK 35 / 26 / 0 / 8

HEX #99ADEA

RGB 153 173 234

HSL 225.19, 0.66%, 0.76%

LAB 71.28, 7.42, -32.8

 

CMYK 0 / 35 / 9 / 8

HEX #EA99D5

RGB 234 153 213

HSL 315.56, 0.66%, 0.76%

LAB 72.94, 39.09, -18.13

 

Description

Color code: HEX #EAD799 | qconv.com Color code: HEX #EAD799 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 215 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 215 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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