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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EABD61 it is the complementary color #15429E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EABD61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EABD61 shade: #EFBD5C, #FFCF6F, #FFE182, #FFF395 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EABD61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EABD61 shade: #EABD61, #D9AB4E, #C8993B, #B78728 and #A67515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EABD61 shade: #EABD61, #EA9861, #EA7361 and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EABD61 shade: #EABD61, #EAE261, #CDEA61, #A8EA61 and #83EA61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EABD61 shade matches the following richer shades: #EABD61 and #F8C252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EABD61 shade: #EABD61, #DCB86F, #CDB37D, #BFAE8C and #B0A99A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EABD61 shade: #EA7361, #EA9861, #EABC61, #EAE161 and #CEEA61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EABD61 shade: #DC9D1C, #E5AE3C, #EABD61, #EFCC85 and #F3DBAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EABD61 shade: #EABD61, #73EA61 and #8561EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EABD61 shade: #EABD61, #61EABC and #BC61EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EABD61 shade: #EABD61, #73EA61, #618EEA and #D861EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EABD61 shade: #EABD61, #61EA77, #618EEA and #EA61D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

Complementary color

CMYK 87 / 58 / 0 / 38

HEX #15429E

RGB 21 66 158

HSL 220.29, 0.77%, 0.35%

LAB 30.7, 21.68, -54.05

 

CMYK 0 / 21 / 62 / 6

HEX #EFBD5C

RGB 239 189 92

HSL 39.59, 0.82%, 0.65%

LAB 79.34, 7.54, 54.81

 

CMYK 0 / 19 / 56 / 0

HEX #FFCF6F

RGB 255 207 111

HSL 40, 1%, 0.72%

LAB 85.52, 6.12, 53.43

 

CMYK 0 / 12 / 49 / 0

HEX #FFE182

RGB 255 225 130

HSL 45.6, 1%, 0.75%

LAB 90.19, -1.53, 49.95

 

CMYK 0 / 5 / 42 / 0

HEX #FFF395

RGB 255 243 149

HSL 53.21, 1%, 0.79%

LAB 94.96, -8.74, 46.68

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 0 / 21 / 64 / 15

HEX #D9AB4E

RGB 217 171 78

HSL 40.14, 0.65%, 0.58%

LAB 72.51, 6.88, 53.04

 

CMYK 0 / 24 / 71 / 22

HEX #C8993B

RGB 200 153 59

HSL 40, 0.56%, 0.51%

LAB 66.04, 8.14, 54.11

 

CMYK 0 / 26 / 78 / 28

HEX #B78728

RGB 183 135 40

HSL 39.86, 0.64%, 0.44%

LAB 59.48, 9.62, 54.8

 

CMYK 0 / 30 / 87 / 35

HEX #A67515

RGB 166 117 21

HSL 39.72, 0.78%, 0.37%

LAB 52.82, 11.38, 54.65

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 0 / 35 / 59 / 8

HEX #EA9861

RGB 234 152 97

HSL 24.09, 0.77%, 0.65%

LAB 70.04, 25.4, 41.31

 

CMYK 0 / 51 / 59 / 8

HEX #EA7361

RGB 234 115 97

HSL 7.88, 0.77%, 0.65%

LAB 62.18, 44.51, 31.52

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 0 / 3 / 59 / 8

HEX #EAE261

RGB 234 226 97

HSL 56.5, 0.77%, 0.65%

LAB 88.33, -13.08, 62.49

 

CMYK 12 / 0 / 59 / 8

HEX #CDEA61

RGB 205 234 97

HSL 72.7, 0.77%, 0.65%

LAB 88.3, -28.52, 61.85

 

CMYK 28 / 0 / 59 / 8

HEX #A8EA61

RGB 168 234 97

HSL 88.91, 0.77%, 0.65%

LAB 86.02, -42.33, 58.68

 

CMYK 44 / 0 / 59 / 8

HEX #83EA61

RGB 131 234 97

HSL 105.11, 0.77%, 0.65%

LAB 84.24, -54.47, 56.18

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 0 / 22 / 67 / 3

HEX #F8C252

RGB 248 194 82

HSL 40.48, 0.92%, 0.65%

LAB 81.37, 8.07, 61.77

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 0 / 16 / 50 / 14

HEX #DCB86F

RGB 220 184 111

HSL 40.18, 0.61%, 0.65%

LAB 76.46, 3.8, 41.7

 

CMYK 0 / 13 / 39 / 20

HEX #CDB37D

RGB 205 179 125

HSL 40.5, 0.44%, 0.65%

LAB 74, 1.77, 31.02

 

CMYK 0 / 9 / 27 / 25

HEX #BFAE8C

RGB 191 174 140

HSL 40, 0.28%, 0.65%

LAB 71.72, 0.78, 19.7

 

CMYK 0 / 4 / 13 / 31

HEX #B0A99A

RGB 176 169 154

HSL 40.91, 0.12%, 0.65%

LAB 69.43, -0.12, 8.63

 

CMYK 0 / 51 / 59 / 8

HEX #EA7361

RGB 234 115 97

HSL 7.88, 0.77%, 0.65%

LAB 62.18, 44.51, 31.52

 

CMYK 0 / 35 / 59 / 8

HEX #EA9861

RGB 234 152 97

HSL 24.09, 0.77%, 0.65%

LAB 70.04, 25.4, 41.31

 

CMYK 0 / 20 / 59 / 8

HEX #EABC61

RGB 234 188 97

HSL 39.85, 0.77%, 0.65%

LAB 78.65, 6.33, 51.53

 

CMYK 0 / 4 / 59 / 8

HEX #EAE161

RGB 234 225 97

HSL 56.06, 0.77%, 0.65%

LAB 88.07, -12.58, 62.2

 

CMYK 12 / 0 / 59 / 8

HEX #CEEA61

RGB 206 234 97

HSL 72.26, 0.77%, 0.65%

LAB 88.37, -28.13, 61.95

 

CMYK 0 / 29 / 87 / 14

HEX #DC9D1C

RGB 220 157 28

HSL 40.31, 0.77%, 0.49%

LAB 69.05, 13.58, 68.46

 

CMYK 0 / 24 / 74 / 10

HEX #E5AE3C

RGB 229 174 60

HSL 40.47, 0.76%, 0.57%

LAB 74.35, 9.45, 63.05

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 0 / 15 / 44 / 6

HEX #EFCC85

RGB 239 204 133

HSL 40.19, 0.77%, 0.73%

LAB 83.56, 3.13, 39.87

 

CMYK 0 / 10 / 30 / 5

HEX #F3DBAA

RGB 243 219 170

HSL 40.27, 0.75%, 0.81%

LAB 88.27, 1.14, 27.15

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 51 / 0 / 59 / 8

HEX #73EA61

RGB 115 234 97

HSL 112.12, 0.77%, 0.65%

LAB 83.63, -59, 55.31

 

CMYK 43 / 59 / 0 / 8

HEX #8561EA

RGB 133 97 234

HSL 255.77, 0.77%, 0.65%

LAB 51.24, 46, -64.6

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 59 / 0 / 20 / 8

HEX #61EABC

RGB 97 234 188

HSL 159.85, 0.77%, 0.65%

LAB 84.49, -48.05, 11.29

 

CMYK 20 / 59 / 0 / 8

HEX #BC61EA

RGB 188 97 234

HSL 279.85, 0.77%, 0.65%

LAB 57.25, 58.53, -54.63

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 51 / 0 / 59 / 8

HEX #73EA61

RGB 115 234 97

HSL 112.12, 0.77%, 0.65%

LAB 83.63, -59, 55.31

 

CMYK 59 / 39 / 0 / 8

HEX #618EEA

RGB 97 142 234

HSL 220.29, 0.77%, 0.65%

LAB 59.73, 11.92, -51.14

 

CMYK 8 / 59 / 0 / 8

HEX #D861EA

RGB 216 97 234

HSL 292.12, 0.77%, 0.65%

LAB 60.86, 65.34, -48.67

 

CMYK 0 / 19 / 59 / 8

HEX #EABD61

RGB 234 189 97

HSL 40.29, 0.77%, 0.65%

LAB 78.9, 5.81, 51.82

 

CMYK 59 / 0 / 49 / 8

HEX #61EA77

RGB 97 234 119

HSL 129.64, 0.77%, 0.65%

LAB 83.29, -60.68, 44.66

 

CMYK 59 / 39 / 0 / 8

HEX #618EEA

RGB 97 142 234

HSL 220.29, 0.77%, 0.65%

LAB 59.73, 11.92, -51.14

 

CMYK 0 / 59 / 10 / 8

HEX #EA61D3

RGB 234 97 211

HSL 310.07, 0.77%, 0.65%

LAB 62.29, 66.07, -33.36

 

Description

Color code: HEX #EABD61 | qconv.com Color code: HEX #EABD61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 189 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 189 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 59 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 59% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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