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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB0BC it is the complementary color #154F43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB0BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB0BC shade: #EFB0B7, #FFC2CA, #FFD4DD, #FFE6F0 and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB0BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB0BC shade: #EAB0BC, #D99EA9, #C88C96, #B77A83 and #A66870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB0BC shade: #E9AEBA and #E9AEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB0BC shade: #E9AEBA, #E9AECA, #E9AEDA, #E8AEE9 and #D8AEE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB0BC shade matches the following richer shades: #E9AEBA, #F1A6B5 and #FA9DB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB0BC shade: #E9AEBA, #E1B6BF, #D9BEC4, #D0C7C9 and #C8CFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB0BC shade: #E9AEDA, #E9AECB, #E9AEBB, #E9B1AE and #E9C1AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB0BC shade: #D86D83, #E08D9F, #E9AEBA, #F2CFD6 and #FAEFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB0BC shade: #EAB0BC, #E9E8AE and #AED2E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB0BC shade: #EAB0BC, #BBE9AE and #AEBBE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB0BC shade: #EAB0BC, #E9E8AE, #AEE9DC and #AEAFE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB0BC shade: #EAB0BC, #D8E9AE, #AEE9DC and #BFAEE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 20 / 8

HEX #EAB0BC

RGB 234 176 188

HSL 347.59, 0.58%, 0.8%

LAB 77.38, 22.88, 2.15

 

Complementary color

CMYK 73 / 0 / 15 / 69

HEX #154F43

RGB 21 79 67

HSL 167.59, 0.58%, 0.2%

LAB 29.8, -21.82, 1.69

 

CMYK 0 / 26 / 23 / 6

HEX #EFB0B7

RGB 239 176 183

HSL 353.33, 0.66%, 0.81%

LAB 77.77, 23.95, 5.49

 

CMYK 0 / 24 / 21 / 0

HEX #FFC2CA

RGB 255 194 202

HSL 352.13, 1%, 0.88%

LAB 84.02, 22.95, 4.48

 

CMYK 0 / 17 / 13 / 0

HEX #FFD4DD

RGB 255 212 221

HSL 347.44, 1%, 0.92%

LAB 88.72, 16.42, 1.21

 

CMYK 0 / 10 / 6 / 0

HEX #FFE6F0

RGB 255 230 240

HSL 336, 1%, 0.95%

LAB 93.51, 10.18, -1.75

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 25 / 20 / 8

HEX #EAB0BC

RGB 234 176 188

HSL 347.59, 0.58%, 0.8%

LAB 77.38, 22.88, 2.15

 

CMYK 0 / 27 / 22 / 15

HEX #D99EA9

RGB 217 158 169

HSL 348.81, 0.44%, 0.74%

LAB 70.92, 23.53, 2.98

 

CMYK 0 / 30 / 25 / 22

HEX #C88C96

RGB 200 140 150

HSL 350, 0.35%, 0.67%

LAB 64.35, 24.25, 3.89

 

CMYK 0 / 33 / 28 / 28

HEX #B77A83

RGB 183 122 131

HSL 351.15, 0.3%, 0.6%

LAB 57.68, 25.05, 4.88

 

CMYK 0 / 37 / 33 / 35

HEX #A66870

RGB 166 104 112

HSL 352.26, 0.26%, 0.53%

LAB 50.89, 25.93, 6

 

CMYK 0 / 25 / 20 / 9

HEX #E9AEBA

RGB 233 174 186

HSL 347.8, 0.57%, 0.8%

LAB 76.76, 23.28, 2.33

 

CMYK 0 / 25 / 25 / 9

HEX #E9AEAE

RGB 233 174 174

HSL 0, 0.57%, 0.8%

LAB 76.47, 21.55, 8.44

 

CMYK 0 / 25 / 20 / 9

HEX #E9AEBA

RGB 233 174 186

HSL 347.8, 0.57%, 0.8%

LAB 76.76, 23.28, 2.33

 

CMYK 0 / 25 / 13 / 9

HEX #E9AECA

RGB 233 174 202

HSL 331.53, 0.57%, 0.8%

LAB 77.2, 25.77, -5.76

 

CMYK 0 / 25 / 6 / 9

HEX #E9AEDA

RGB 233 174 218

HSL 315.25, 0.57%, 0.8%

LAB 77.67, 28.46, -13.75

 

CMYK 0 / 25 / 0 / 9

HEX #E8AEE9

RGB 232 174 233

HSL 298.98, 0.57%, 0.8%

LAB 78.06, 30.81, -21.3

 

CMYK 7 / 25 / 0 / 9

HEX #D8AEE9

RGB 216 174 233

HSL 282.71, 0.57%, 0.8%

LAB 76.53, 25.66, -23.77

 

CMYK 0 / 25 / 20 / 9

HEX #E9AEBA

RGB 233 174 186

HSL 347.8, 0.57%, 0.8%

LAB 76.76, 23.28, 2.33

 

CMYK 0 / 31 / 25 / 5

HEX #F1A6B5

RGB 241 166 181

HSL 348, 0.73%, 0.8%

LAB 75.64, 29.7, 3.54

 

CMYK 0 / 37 / 30 / 2

HEX #FA9DB0

RGB 250 157 176

HSL 347.74, 0.9%, 0.8%

LAB 74.55, 36.97, 4.84

 

CMYK 0 / 25 / 20 / 9

HEX #E9AEBA

RGB 233 174 186

HSL 347.8, 0.57%, 0.8%

LAB 76.76, 23.28, 2.33

 

CMYK 0 / 19 / 15 / 12

HEX #E1B6BF

RGB 225 182 191

HSL 347.44, 0.42%, 0.8%

LAB 78.01, 16.89, 1.32

 

CMYK 0 / 12 / 10 / 15

HEX #D9BEC4

RGB 217 190 196

HSL 346.67, 0.26%, 0.8%

LAB 79.37, 10.57, 0.5

 

CMYK 0 / 4 / 3 / 18

HEX #D0C7C9

RGB 208 199 201

HSL 346.67, 0.09%, 0.8%

LAB 81, 3.48, 0.11

 

CMYK 3 / 0 / 0 / 19

HEX #C8CFCE

RGB 200 207 206

HSL 171.43, 0.07%, 0.8%

LAB 82.57, -2.56, -0.34

 

CMYK 0 / 25 / 6 / 9

HEX #E9AEDA

RGB 233 174 218

HSL 315.25, 0.57%, 0.8%

LAB 77.67, 28.46, -13.75

 

CMYK 0 / 25 / 13 / 9

HEX #E9AECB

RGB 233 174 203

HSL 330.51, 0.57%, 0.8%

LAB 77.23, 25.94, -6.26

 

CMYK 0 / 25 / 20 / 9

HEX #E9AEBB

RGB 233 174 187

HSL 346.78, 0.57%, 0.8%

LAB 76.79, 23.43, 1.82

 

CMYK 0 / 24 / 25 / 9

HEX #E9B1AE

RGB 233 177 174

HSL 3.05, 0.57%, 0.8%

LAB 77.18, 19.95, 9.45

 

CMYK 0 / 17 / 25 / 9

HEX #E9C1AE

RGB 233 193 174

HSL 19.32, 0.57%, 0.8%

LAB 81.03, 11.45, 14.9

 

CMYK 0 / 50 / 39 / 15

HEX #D86D83

RGB 216 109 131

HSL 347.66, 0.58%, 0.64%

LAB 59.14, 44.11, 7.53

 

CMYK 0 / 37 / 29 / 12

HEX #E08D9F

RGB 224 141 159

HSL 346.99, 0.57%, 0.72%

LAB 67.58, 33.8, 3.82

 

CMYK 0 / 25 / 20 / 9

HEX #E9AEBA

RGB 233 174 186

HSL 347.8, 0.57%, 0.8%

LAB 76.76, 23.28, 2.33

 

CMYK 0 / 14 / 12 / 5

HEX #F2CFD6

RGB 242 207 214

HSL 348, 0.57%, 0.88%

LAB 86.19, 13.37, 1.08

 

CMYK 0 / 4 / 4 / 2

HEX #FAEFF1

RGB 250 239 241

HSL 349.09, 0.52%, 0.96%

LAB 95.33, 4.04, 0.35

 

CMYK 0 / 25 / 20 / 8

HEX #EAB0BC

RGB 234 176 188

HSL 347.59, 0.58%, 0.8%

LAB 77.38, 22.88, 2.15

 

CMYK 0 / 0 / 25 / 9

HEX #E9E8AE

RGB 233 232 174

HSL 58.98, 0.57%, 0.8%

LAB 90.82, -8.69, 28.43

 

CMYK 25 / 10 / 0 / 9

HEX #AED2E9

RGB 174 210 233

HSL 203.39, 0.57%, 0.8%

LAB 82.37, -6.8, -15.24

 

CMYK 0 / 25 / 20 / 8

HEX #EAB0BC

RGB 234 176 188

HSL 347.59, 0.58%, 0.8%

LAB 77.38, 22.88, 2.15

 

CMYK 20 / 0 / 25 / 9

HEX #BBE9AE

RGB 187 233 174

HSL 106.78, 0.57%, 0.8%

LAB 87.92, -25.61, 23.95

 

CMYK 25 / 20 / 0 / 9

HEX #AEBBE9

RGB 174 187 233

HSL 226.78, 0.57%, 0.8%

LAB 76.33, 5.48, -24.38

 

CMYK 0 / 25 / 20 / 8

HEX #EAB0BC

RGB 234 176 188

HSL 347.59, 0.58%, 0.8%

LAB 77.38, 22.88, 2.15

 

CMYK 0 / 0 / 25 / 9

HEX #E9E8AE

RGB 233 232 174

HSL 58.98, 0.57%, 0.8%

LAB 90.82, -8.69, 28.43

 

CMYK 25 / 0 / 6 / 9

HEX #AEE9DC

RGB 174 233 220

HSL 166.78, 0.57%, 0.8%

LAB 88.18, -21.31, 0.25

 

CMYK 25 / 25 / 0 / 9

HEX #AEAFE9

RGB 174 175 233

HSL 238.98, 0.57%, 0.8%

LAB 73.25, 12.08, -29.1

 

CMYK 0 / 25 / 20 / 8

HEX #EAB0BC

RGB 234 176 188

HSL 347.59, 0.58%, 0.8%

LAB 77.38, 22.88, 2.15

 

CMYK 7 / 0 / 25 / 9

HEX #D8E9AE

RGB 216 233 174

HSL 77.29, 0.57%, 0.8%

LAB 89.83, -15.42, 26.87

 

CMYK 25 / 0 / 6 / 9

HEX #AEE9DC

RGB 174 233 220

HSL 166.78, 0.57%, 0.8%

LAB 88.18, -21.31, 0.25

 

CMYK 18 / 25 / 0 / 9

HEX #BFAEE9

RGB 191 174 233

HSL 257.29, 0.57%, 0.8%

LAB 74.34, 17.79, -27.31

 

Description

Color code: HEX #EAB0BC | qconv.com Color code: HEX #EAB0BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 176 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 176 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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