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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB09F it is the complementary color #154F60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB09F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB09F shade: #EFB09A, #FFC2AD, #FFD4C0, #FFE6D3 and #FFF8E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB09F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB09F shade: #EAB09F, #D99E8C, #C88C79, #B77A66 and #A66853

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB09F shade: #E9AF9E and #E99E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB09F shade: #E9AF9E, #E9C49E, #E9D89E, #E7E99E and #D2E99E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB09F shade matches the following richer shades: #E9AF9E, #F3AA95 and #FCA58B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB09F shade: #E9AF9E, #E0B5A8, #D6BAB1, #CDBFBB and #C3C4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB09F shade: #E99EB6, #E99EA2, #E9AF9E, #E9C39E and #E9D79E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB09F shade: #DB785B, #E2937C, #E9AF9E, #F1CBC0 and #F8E7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB09F shade: #EAB09F, #CAE99E and #9EACE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB09F shade: #EAB09F, #9EE9AF and #AF9EE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB09F shade: #EAB09F, #CAE99E, #9ED9E9 and #BE9EE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB09F shade: #EAB09F, #B4E99E, #9ED9E9 and #D49EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 32 / 8

HEX #EAB09F

RGB 234 176 159

HSL 13.6, 0.64%, 0.77%

LAB 76.71, 18.85, 16.94

 

Complementary color

CMYK 78 / 18 / 0 / 62

HEX #154F60

RGB 21 79 96

HSL 193.6, 0.64%, 0.23%

LAB 30.87, -12.01, -15.25

 

CMYK 0 / 26 / 36 / 6

HEX #EFB09A

RGB 239 176 154

HSL 15.53, 0.73%, 0.77%

LAB 77.12, 20.15, 20.29

 

CMYK 0 / 24 / 32 / 0

HEX #FFC2AD

RGB 255 194 173

HSL 15.37, 1%, 0.84%

LAB 83.37, 19.04, 19.03

 

CMYK 0 / 17 / 25 / 0

HEX #FFD4C0

RGB 255 212 192

HSL 19.05, 1%, 0.88%

LAB 88.04, 12.13, 15.52

 

CMYK 0 / 10 / 17 / 0

HEX #FFE6D3

RGB 255 230 211

HSL 25.91, 1%, 0.91%

LAB 92.82, 5.57, 12.35

 

CMYK 0 / 3 / 10 / 0

HEX #FFF8E6

RGB 255 248 230

HSL 43.2, 1%, 0.95%

LAB 97.68, -0.65, 9.46

 

CMYK 0 / 25 / 32 / 8

HEX #EAB09F

RGB 234 176 159

HSL 13.6, 0.64%, 0.77%

LAB 76.71, 18.85, 16.94

 

CMYK 0 / 27 / 35 / 15

HEX #D99E8C

RGB 217 158 140

HSL 14.03, 0.5%, 0.7%

LAB 70.25, 19.61, 18.06

 

CMYK 0 / 30 / 40 / 22

HEX #C88C79

RGB 200 140 121

HSL 14.43, 0.42%, 0.63%

LAB 63.69, 20.45, 19.3

 

CMYK 0 / 33 / 44 / 28

HEX #B77A66

RGB 183 122 102

HSL 14.81, 0.36%, 0.56%

LAB 57.02, 21.41, 20.66

 

CMYK 0 / 37 / 50 / 35

HEX #A66853

RGB 166 104 83

HSL 15.18, 0.33%, 0.49%

LAB 50.25, 22.52, 22.2

 

CMYK 0 / 25 / 32 / 9

HEX #E9AF9E

RGB 233 175 158

HSL 13.6, 0.63%, 0.77%

LAB 76.35, 18.88, 16.96

 

CMYK 0 / 32 / 32 / 9

HEX #E99E9E

RGB 233 158 158

HSL 0, 0.63%, 0.77%

LAB 72.39, 27.94, 11.41

 

CMYK 0 / 25 / 32 / 9

HEX #E9AF9E

RGB 233 175 158

HSL 13.6, 0.63%, 0.77%

LAB 76.35, 18.88, 16.96

 

CMYK 0 / 16 / 32 / 9

HEX #E9C49E

RGB 233 196 158

HSL 30.4, 0.63%, 0.77%

LAB 81.44, 7.76, 23.99

 

CMYK 0 / 7 / 32 / 9

HEX #E9D89E

RGB 233 216 158

HSL 46.4, 0.63%, 0.77%

LAB 86.46, -2.62, 30.76

 

CMYK 1 / 0 / 32 / 9

HEX #E7E99E

RGB 231 233 158

HSL 61.6, 0.63%, 0.77%

LAB 90.66, -11.96, 36.31

 

CMYK 10 / 0 / 32 / 9

HEX #D2E99E

RGB 210 233 158

HSL 78.4, 0.63%, 0.77%

LAB 89.13, -19.79, 34.01

 

CMYK 0 / 25 / 32 / 9

HEX #E9AF9E

RGB 233 175 158

HSL 13.6, 0.63%, 0.77%

LAB 76.35, 18.88, 16.96

 

CMYK 0 / 30 / 39 / 5

HEX #F3AA95

RGB 243 170 149

HSL 13.4, 0.8%, 0.77%

LAB 76.05, 24.28, 21.59

 

CMYK 0 / 35 / 45 / 1

HEX #FCA58B

RGB 252 165 139

HSL 13.81, 0.95%, 0.77%

LAB 75.74, 29.29, 26.74

 

CMYK 0 / 25 / 32 / 9

HEX #E9AF9E

RGB 233 175 158

HSL 13.6, 0.63%, 0.77%

LAB 76.35, 18.88, 16.96

 

CMYK 0 / 19 / 25 / 12

HEX #E0B5A8

RGB 224 181 168

HSL 13.93, 0.47%, 0.77%

LAB 77.11, 13.61, 12.49

 

CMYK 0 / 13 / 17 / 16

HEX #D6BAB1

RGB 214 186 177

HSL 14.59, 0.31%, 0.77%

LAB 77.63, 8.55, 8.23

 

CMYK 0 / 7 / 9 / 20

HEX #CDBFBB

RGB 205 191 187

HSL 13.33, 0.15%, 0.77%

LAB 78.36, 4.23, 3.78

 

CMYK 1 / 0 / 0 / 23

HEX #C3C4C4

RGB 195 196 196

HSL 180, 0.01%, 0.77%

LAB 79.08, -0.34, -0.13

 

CMYK 0 / 32 / 22 / 9

HEX #E99EB6

RGB 233 158 182

HSL 340.8, 0.63%, 0.77%

LAB 72.99, 31.22, -0.98

 

CMYK 0 / 32 / 30 / 9

HEX #E99EA2

RGB 233 158 162

HSL 356.8, 0.63%, 0.77%

LAB 72.49, 28.46, 9.33

 

CMYK 0 / 25 / 32 / 9

HEX #E9AF9E

RGB 233 175 158

HSL 13.6, 0.63%, 0.77%

LAB 76.35, 18.88, 16.96

 

CMYK 0 / 16 / 32 / 9

HEX #E9C39E

RGB 233 195 158

HSL 29.6, 0.63%, 0.77%

LAB 81.19, 8.28, 23.65

 

CMYK 0 / 8 / 32 / 9

HEX #E9D79E

RGB 233 215 158

HSL 45.6, 0.63%, 0.77%

LAB 86.2, -2.11, 30.42

 

CMYK 0 / 45 / 58 / 14

HEX #DB785B

RGB 219 120 91

HSL 13.59, 0.64%, 0.61%

LAB 61, 35.86, 32.91

 

CMYK 0 / 35 / 45 / 11

HEX #E2937C

RGB 226 147 124

HSL 13.53, 0.64%, 0.69%

LAB 68.38, 27.24, 24.5

 

CMYK 0 / 25 / 32 / 9

HEX #E9AF9E

RGB 233 175 158

HSL 13.6, 0.63%, 0.77%

LAB 76.35, 18.88, 16.96

 

CMYK 0 / 16 / 20 / 5

HEX #F1CBC0

RGB 241 203 192

HSL 13.47, 0.64%, 0.85%

LAB 84.6, 11.71, 10.46

 

CMYK 0 / 7 / 9 / 3

HEX #F8E7E2

RGB 248 231 226

HSL 13.64, 0.61%, 0.93%

LAB 92.84, 4.94, 4.5

 

CMYK 0 / 25 / 32 / 8

HEX #EAB09F

RGB 234 176 159

HSL 13.6, 0.64%, 0.77%

LAB 76.71, 18.85, 16.94

 

CMYK 13 / 0 / 32 / 9

HEX #CAE99E

RGB 202 233 158

HSL 84.8, 0.63%, 0.77%

LAB 88.59, -22.7, 33.2

 

CMYK 32 / 26 / 0 / 9

HEX #9EACE9

RGB 158 172 233

HSL 228.8, 0.63%, 0.77%

LAB 71.32, 9.11, -32.17

 

CMYK 0 / 25 / 32 / 8

HEX #EAB09F

RGB 234 176 159

HSL 13.6, 0.64%, 0.77%

LAB 76.71, 18.85, 16.94

 

CMYK 32 / 0 / 25 / 9

HEX #9EE9AF

RGB 158 233 175

HSL 133.6, 0.63%, 0.77%

LAB 86.33, -34.82, 20.98

 

CMYK 25 / 32 / 0 / 9

HEX #AF9EE9

RGB 175 158 233

HSL 253.6, 0.63%, 0.77%

LAB 69.08, 21.87, -35.54

 

CMYK 0 / 25 / 32 / 8

HEX #EAB09F

RGB 234 176 159

HSL 13.6, 0.64%, 0.77%

LAB 76.71, 18.85, 16.94

 

CMYK 13 / 0 / 32 / 9

HEX #CAE99E

RGB 202 233 158

HSL 84.8, 0.63%, 0.77%

LAB 88.59, -22.7, 33.2

 

CMYK 32 / 7 / 0 / 9

HEX #9ED9E9

RGB 158 217 233

HSL 192.8, 0.63%, 0.77%

LAB 83.33, -14.98, -13.9

 

CMYK 18 / 32 / 0 / 9

HEX #BE9EE9

RGB 190 158 233

HSL 265.6, 0.63%, 0.77%

LAB 70.37, 26.34, -33.42

 

CMYK 0 / 25 / 32 / 8

HEX #EAB09F

RGB 234 176 159

HSL 13.6, 0.64%, 0.77%

LAB 76.71, 18.85, 16.94

 

CMYK 23 / 0 / 32 / 9

HEX #B4E99E

RGB 180 233 158

HSL 102.4, 0.63%, 0.77%

LAB 87.22, -30.45, 31.12

 

CMYK 32 / 7 / 0 / 9

HEX #9ED9E9

RGB 158 217 233

HSL 192.8, 0.63%, 0.77%

LAB 83.33, -14.98, -13.9

 

CMYK 9 / 32 / 0 / 9

HEX #D49EE9

RGB 212 158 233

HSL 283.2, 0.63%, 0.77%

LAB 72.45, 33.08, -30.05

 

Description

Color code: HEX #EAB09F | qconv.com Color code: HEX #EAB09F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 176 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 176 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 32% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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