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Color name
HEX #EAAD2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAAD2D it is the complementary color #1552D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAAD2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAAD2D shade: #EFAD28, #FFBF3B, #FFD14E, #FFE361 and #FFF574

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAAD2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAAD2D shade: #EAAD2D, #D99B1A, #C88907, #B77700 and #A66500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAAD2D shade: #EAAD2E, #EA7A2E, #EA482E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAAD2D shade: #EAAD2E, #EAE02E, #C1EA2E, #8EEA2E and #5CEA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAAD2D shade matches the following richer shades: #EAAD2E and #FCB41B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAAD2D shade: #EAAD2E, #D7A740, #C5A053, #B29965 and #A09378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAAD2D shade: #EA472E, #EA792E, #EAAB2E, #EADD2E and #C4EA2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAAD2D shade: #B47F11, #D99A15, #EAAD2E, #EEBC53 and #F1CA79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAAD2D shade: #EAAD2D, #47EA2E and #602EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAAD2D shade: #EAAD2D, #2EEAAB and #AB2EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAAD2D shade: #EAAD2D, #47EA2E, #2E6CEA and #D12EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAAD2D shade: #EAAD2D, #2EEA4D, #2E6CEA and #EA2ECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 81 / 8

HEX #EAAD2D

RGB 234 173 45

HSL 40.63, 0.82%, 0.55%

LAB 74.55, 11.56, 68.8

 

Complementary color

CMYK 90 / 61 / 0 / 18

HEX #1552D2

RGB 21 82 210

HSL 220.63, 0.82%, 0.45%

LAB 39.32, 31.5, -70.64

 

CMYK 0 / 28 / 83 / 6

HEX #EFAD28

RGB 239 173 40

HSL 40.1, 0.86%, 0.55%

LAB 75.07, 13.55, 71

 

CMYK 0 / 25 / 77 / 0

HEX #FFBF3B

RGB 255 191 59

HSL 40.41, 1%, 0.62%

LAB 81.2, 11.51, 70.92

 

CMYK 0 / 18 / 69 / 0

HEX #FFD14E

RGB 255 209 78

HSL 44.41, 1%, 0.65%

LAB 85.71, 3.04, 68.15

 

CMYK 0 / 11 / 62 / 0

HEX #FFE361

RGB 255 227 97

HSL 49.37, 1%, 0.69%

LAB 90.35, -5.01, 65.21

 

CMYK 0 / 4 / 55 / 0

HEX #FFF574

RGB 255 245 116

HSL 55.68, 1%, 0.73%

LAB 95.09, -12.63, 62.24

 

CMYK 0 / 26 / 81 / 8

HEX #EAAD2D

RGB 234 173 45

HSL 40.63, 0.82%, 0.55%

LAB 74.55, 11.56, 68.8

 

CMYK 0 / 29 / 88 / 15

HEX #D99B1A

RGB 217 155 26

HSL 40.52, 0.79%, 0.48%

LAB 68.22, 13.31, 68.14

 

CMYK 0 / 32 / 97 / 22

HEX #C88907

RGB 200 137 7

HSL 40.41, 0.93%, 0.41%

LAB 61.81, 15.32, 66.06

 

CMYK 0 / 35 / 100 / 28

HEX #B77700

RGB 183 119 0

HSL 39.02, 1%, 0.36%

LAB 55.34, 17.59, 61.85

 

CMYK 0 / 39 / 100 / 35

HEX #A66500

RGB 166 101 0

HSL 36.51, 1%, 0.33%

LAB 48.78, 20.05, 56.5

 

CMYK 0 / 26 / 80 / 8

HEX #EAAD2E

RGB 234 173 46

HSL 40.53, 0.82%, 0.55%

LAB 74.56, 11.59, 68.48

 

CMYK 0 / 48 / 80 / 8

HEX #EA7A2E

RGB 234 122 46

HSL 24.26, 0.82%, 0.55%

LAB 63.02, 38.37, 58.05

 

CMYK 0 / 69 / 80 / 8

HEX #EA482E

RGB 234 72 46

HSL 8.3, 0.82%, 0.55%

LAB 54.37, 60.92, 49.91

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 26 / 80 / 8

HEX #EAAD2E

RGB 234 173 46

HSL 40.53, 0.82%, 0.55%

LAB 74.56, 11.59, 68.48

 

CMYK 0 / 4 / 80 / 8

HEX #EAE02E

RGB 234 224 46

HSL 56.81, 0.82%, 0.55%

LAB 87.49, -14.58, 79.76

 

CMYK 18 / 0 / 80 / 8

HEX #C1EA2E

RGB 193 234 46

HSL 73.09, 0.82%, 0.55%

LAB 87.18, -36.06, 78.34

 

CMYK 39 / 0 / 80 / 8

HEX #8EEA2E

RGB 142 234 46

HSL 89.36, 0.82%, 0.55%

LAB 84.38, -54.65, 74.77

 

CMYK 61 / 0 / 80 / 8

HEX #5CEA2E

RGB 92 234 46

HSL 105.32, 0.82%, 0.55%

LAB 82.55, -68.7, 72.42

 

CMYK 0 / 26 / 80 / 8

HEX #EAAD2E

RGB 234 173 46

HSL 40.53, 0.82%, 0.55%

LAB 74.56, 11.59, 68.48

 

CMYK 0 / 29 / 89 / 1

HEX #FCB41B

RGB 252 180 27

HSL 40.8, 0.97%, 0.55%

LAB 78.12, 15.12, 77.27

 

CMYK 0 / 26 / 80 / 8

HEX #EAAD2E

RGB 234 173 46

HSL 40.53, 0.82%, 0.55%

LAB 74.56, 11.59, 68.48

 

CMYK 0 / 22 / 70 / 16

HEX #D7A740

RGB 215 167 64

HSL 40.93, 0.65%, 0.55%

LAB 71.18, 7.36, 57.76

 

CMYK 0 / 19 / 58 / 23

HEX #C5A053

RGB 197 160 83

HSL 40.53, 0.5%, 0.55%

LAB 67.75, 4.6, 44.7

 

CMYK 0 / 14 / 43 / 30

HEX #B29965

RGB 178 153 101

HSL 40.52, 0.33%, 0.55%

LAB 64.31, 2.03, 30.72

 

CMYK 0 / 8 / 25 / 37

HEX #A09378

RGB 160 147 120

HSL 40.5, 0.17%, 0.55%

LAB 61.39, 0.37, 16.06

 

CMYK 0 / 70 / 80 / 8

HEX #EA472E

RGB 234 71 46

HSL 7.98, 0.82%, 0.55%

LAB 54.23, 61.29, 49.78

 

CMYK 0 / 48 / 80 / 8

HEX #EA792E

RGB 234 121 46

HSL 23.94, 0.82%, 0.55%

LAB 62.81, 38.88, 57.87

 

CMYK 0 / 27 / 80 / 8

HEX #EAAB2E

RGB 234 171 46

HSL 39.89, 0.82%, 0.55%

LAB 74.07, 12.65, 68.05

 

CMYK 0 / 6 / 80 / 8

HEX #EADD2E

RGB 234 221 46

HSL 55.85, 0.82%, 0.55%

LAB 86.7, -13.1, 79.09

 

CMYK 16 / 0 / 80 / 8

HEX #C4EA2E

RGB 196 234 46

HSL 72.13, 0.82%, 0.55%

LAB 87.38, -34.88, 78.58

 

CMYK 0 / 29 / 91 / 29

HEX #B47F11

RGB 180 127 17

HSL 40.49, 0.83%, 0.39%

LAB 57, 12.04, 59.69

 

CMYK 0 / 29 / 90 / 15

HEX #D99A15

RGB 217 154 21

HSL 40.71, 0.82%, 0.47%

LAB 67.96, 13.75, 69.06

 

CMYK 0 / 26 / 80 / 8

HEX #EAAD2E

RGB 234 173 46

HSL 40.53, 0.82%, 0.55%

LAB 74.56, 11.59, 68.48

 

CMYK 0 / 21 / 65 / 7

HEX #EEBC53

RGB 238 188 83

HSL 40.65, 0.82%, 0.63%

LAB 78.91, 7.08, 58.39

 

CMYK 0 / 16 / 50 / 5

HEX #F1CA79

RGB 241 202 121

HSL 40.5, 0.81%, 0.71%

LAB 83.08, 3.84, 45.32

 

CMYK 0 / 26 / 81 / 8

HEX #EAAD2D

RGB 234 173 45

HSL 40.63, 0.82%, 0.55%

LAB 74.55, 11.56, 68.8

 

CMYK 70 / 0 / 80 / 8

HEX #47EA2E

RGB 71 234 46

HSL 112.02, 0.82%, 0.55%

LAB 82.05, -72.92, 71.77

 

CMYK 59 / 80 / 0 / 8

HEX #602EEA

RGB 96 46 234

HSL 255.96, 0.82%, 0.55%

LAB 38.52, 65.6, -85.53

 

CMYK 0 / 26 / 81 / 8

HEX #EAAD2D

RGB 234 173 45

HSL 40.63, 0.82%, 0.55%

LAB 74.55, 11.56, 68.8

 

CMYK 80 / 0 / 27 / 8

HEX #2EEAAB

RGB 46 234 171

HSL 159.89, 0.82%, 0.55%

LAB 83.11, -59.17, 18.06

 

CMYK 27 / 80 / 0 / 8

HEX #AB2EEA

RGB 171 46 234

HSL 279.89, 0.82%, 0.55%

LAB 47.69, 75.55, -70.14

 

CMYK 0 / 26 / 81 / 8

HEX #EAAD2D

RGB 234 173 45

HSL 40.63, 0.82%, 0.55%

LAB 74.55, 11.56, 68.8

 

CMYK 70 / 0 / 80 / 8

HEX #47EA2E

RGB 71 234 46

HSL 112.02, 0.82%, 0.55%

LAB 82.05, -72.92, 71.77

 

CMYK 80 / 54 / 0 / 8

HEX #2E6CEA

RGB 46 108 234

HSL 220.21, 0.82%, 0.55%

LAB 48.57, 25.58, -69.18

 

CMYK 11 / 80 / 0 / 8

HEX #D12EEA

RGB 209 46 234

HSL 292.02, 0.82%, 0.55%

LAB 53.44, 81.91, -60.57

 

CMYK 0 / 26 / 81 / 8

HEX #EAAD2D

RGB 234 173 45

HSL 40.63, 0.82%, 0.55%

LAB 74.55, 11.56, 68.8

 

CMYK 80 / 0 / 67 / 8

HEX #2EEA4D

RGB 46 234 77

HSL 129.89, 0.82%, 0.55%

LAB 81.82, -74.19, 61.14

 

CMYK 80 / 54 / 0 / 8

HEX #2E6CEA

RGB 46 108 234

HSL 220.21, 0.82%, 0.55%

LAB 48.57, 25.58, -69.18

 

CMYK 0 / 80 / 14 / 8

HEX #EA2ECA

RGB 234 46 202

HSL 310.21, 0.82%, 0.55%

LAB 55.8, 81.86, -38.39

 

Description

Color code: HEX #EAAD2D | qconv.com Color code: HEX #EAAD2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 173 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 173 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 81% 8% C M Y K

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Provide designers and agencies with accurate color values.

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