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Color name
HEX #EAA718

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAA718 it is the complementary color #1558E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAA718. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAA718 shade: #EFA713, #FFB926, #FFCB39, #FFDD4C and #FFEF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAA718. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAA718 shade: #EAA718, #D99505, #C88300, #B77100 and #A65F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAA718 shade: #E9A71A, #E96F1A, #E9371A and #E91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAA718 shade: #E9A71A, #E9DF1A, #BCE91A, #84E91A and #4CE91A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAA718 shade matches the following richer shades: #E9A71A and #FDAE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAA718 shade: #E9A71A, #D5A02E, #C19842, #AD9156 and #988A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAA718 shade: #E9351A, #E96D1A, #E9A41A, #E9DB1A and #C0E91A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAA718 shade: #A2730F, #C88E12, #E9A71A, #EDB640 and #F0C465

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAA718 shade: #EAA718, #35E91A and #511AE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAA718 shade: #EAA718, #1AE9A4 and #A41AE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAA718 shade: #EAA718, #35E91A, #1A5FE9 and #CE1AE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAA718 shade: #EAA718, #1AE93C, #1A5FE9 and #E91AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 90 / 8

HEX #EAA718

RGB 234 167 24

HSL 40.86, 0.83%, 0.51%

LAB 73.02, 14.23, 73.13

 

Complementary color

CMYK 91 / 62 / 0 / 9

HEX #1558E7

RGB 21 88 231

HSL 220.86, 0.83%, 0.49%

LAB 42.62, 35.62, -77.21

 

CMYK 0 / 30 / 92 / 6

HEX #EFA713

RGB 239 167 19

HSL 40.36, 0.87%, 0.51%

LAB 73.57, 16.3, 74.73

 

CMYK 0 / 27 / 85 / 0

HEX #FFB926

RGB 255 185 38

HSL 40.65, 1%, 0.57%

LAB 79.67, 14.01, 76.07

 

CMYK 0 / 20 / 78 / 0

HEX #FFCB39

RGB 255 203 57

HSL 44.24, 1%, 0.61%

LAB 84.1, 5.23, 74.27

 

CMYK 0 / 13 / 70 / 0

HEX #FFDD4C

RGB 255 221 76

HSL 48.6, 1%, 0.65%

LAB 88.68, -3.15, 71.92

 

CMYK 0 / 6 / 63 / 0

HEX #FFEF5F

RGB 255 239 95

HSL 54, 1%, 0.69%

LAB 93.37, -11.1, 69.3

 

CMYK 0 / 29 / 90 / 8

HEX #EAA718

RGB 234 167 24

HSL 40.86, 0.83%, 0.51%

LAB 73.02, 14.23, 73.13

 

CMYK 0 / 31 / 98 / 15

HEX #D99505

RGB 217 149 5

HSL 40.75, 0.95%, 0.44%

LAB 66.72, 16.24, 70.68

 

CMYK 0 / 35 / 100 / 22

HEX #C88300

RGB 200 131 0

HSL 39.3, 1%, 0.39%

LAB 60.35, 18.51, 66.16

 

CMYK 0 / 38 / 100 / 28

HEX #B77100

RGB 183 113 0

HSL 37.05, 1%, 0.36%

LAB 53.9, 20.92, 60.91

 

CMYK 0 / 43 / 100 / 35

HEX #A65F00

RGB 166 95 0

HSL 34.34, 1%, 0.33%

LAB 47.35, 23.41, 55.6

 

CMYK 0 / 28 / 89 / 9

HEX #E9A71A

RGB 233 167 26

HSL 40.87, 0.82%, 0.51%

LAB 72.92, 13.83, 72.57

 

CMYK 0 / 52 / 89 / 9

HEX #E96F1A

RGB 233 111 26

HSL 24.64, 0.82%, 0.51%

LAB 60.58, 42.98, 63.14

 

CMYK 0 / 76 / 89 / 9

HEX #E9371A

RGB 233 55 26

HSL 8.41, 0.82%, 0.51%

LAB 51.98, 65.88, 56.74

 

CMYK 0 / 89 / 89 / 9

HEX #E91A1A

RGB 233 26 26

HSL 0, 0.82%, 0.51%

LAB 49.66, 72.47, 55.05

 

CMYK 0 / 28 / 89 / 9

HEX #E9A71A

RGB 233 167 26

HSL 40.87, 0.82%, 0.51%

LAB 72.92, 13.83, 72.57

 

CMYK 0 / 4 / 89 / 9

HEX #E9DF1A

RGB 233 223 26

HSL 57.1, 0.82%, 0.51%

LAB 87.08, -14.98, 83.6

 

CMYK 19 / 0 / 89 / 9

HEX #BCE91A

RGB 188 233 26

HSL 73.04, 0.82%, 0.51%

LAB 86.53, -38.12, 81.78

 

CMYK 43 / 0 / 89 / 9

HEX #84E91A

RGB 132 233 26

HSL 89.28, 0.82%, 0.51%

LAB 83.58, -58.17, 78.14

 

CMYK 67 / 0 / 89 / 9

HEX #4CE91A

RGB 76 233 26

HSL 105.51, 0.82%, 0.51%

LAB 81.78, -72.52, 75.9

 

CMYK 0 / 28 / 89 / 9

HEX #E9A71A

RGB 233 167 26

HSL 40.87, 0.82%, 0.51%

LAB 72.92, 13.83, 72.57

 

CMYK 0 / 31 / 98 / 1

HEX #FDAE06

RGB 253 174 6

HSL 40.81, 0.98%, 0.51%

LAB 76.78, 18.44, 79.41

 

CMYK 0 / 28 / 89 / 9

HEX #E9A71A

RGB 233 167 26

HSL 40.87, 0.82%, 0.51%

LAB 72.92, 13.83, 72.57

 

CMYK 0 / 25 / 78 / 16

HEX #D5A02E

RGB 213 160 46

HSL 40.96, 0.67%, 0.51%

LAB 69.1, 9.45, 62.71

 

CMYK 0 / 21 / 66 / 24

HEX #C19842

RGB 193 152 66

HSL 40.63, 0.51%, 0.51%

LAB 65.11, 6.03, 49.76

 

CMYK 0 / 16 / 50 / 32

HEX #AD9156

RGB 173 145 86

HSL 40.69, 0.35%, 0.51%

LAB 61.49, 2.76, 35.05

 

CMYK 0 / 9 / 30 / 40

HEX #988A6B

RGB 152 138 107

HSL 41.33, 0.18%, 0.51%

LAB 57.96, 0.26, 18.54

 

CMYK 0 / 77 / 89 / 9

HEX #E9351A

RGB 233 53 26

HSL 7.83, 0.82%, 0.51%

LAB 51.77, 66.47, 56.59

 

CMYK 0 / 53 / 89 / 9

HEX #E96D1A

RGB 233 109 26

HSL 24.06, 0.82%, 0.51%

LAB 60.19, 43.96, 62.85

 

CMYK 0 / 30 / 89 / 9

HEX #E9A41A

RGB 233 164 26

HSL 40, 0.82%, 0.51%

LAB 72.19, 15.42, 72.02

 

CMYK 0 / 6 / 89 / 9

HEX #E9DB1A

RGB 233 219 26

HSL 55.94, 0.82%, 0.51%

LAB 86.04, -13, 82.78

 

CMYK 18 / 0 / 89 / 9

HEX #C0E91A

RGB 192 233 26

HSL 71.88, 0.82%, 0.51%

LAB 86.78, -36.55, 82.09

 

CMYK 0 / 29 / 91 / 36

HEX #A2730F

RGB 162 115 15

HSL 40.82, 0.83%, 0.35%

LAB 51.81, 10.54, 55.23

 

CMYK 0 / 29 / 91 / 22

HEX #C88E12

RGB 200 142 18

HSL 40.88, 0.83%, 0.43%

LAB 63.07, 12.73, 65.12

 

CMYK 0 / 28 / 89 / 9

HEX #E9A71A

RGB 233 167 26

HSL 40.87, 0.82%, 0.51%

LAB 72.92, 13.83, 72.57

 

CMYK 0 / 23 / 73 / 7

HEX #EDB640

RGB 237 182 64

HSL 40.92, 0.83%, 0.59%

LAB 77.18, 8.81, 64.54

 

CMYK 0 / 18 / 58 / 6

HEX #F0C465

RGB 240 196 101

HSL 41.01, 0.82%, 0.67%

LAB 81.26, 4.93, 52.82

 

CMYK 0 / 29 / 90 / 8

HEX #EAA718

RGB 234 167 24

HSL 40.86, 0.83%, 0.51%

LAB 73.02, 14.23, 73.13

 

CMYK 77 / 0 / 89 / 9

HEX #35E91A

RGB 53 233 26

HSL 112.17, 0.82%, 0.51%

LAB 81.35, -76.21, 75.37

 

CMYK 65 / 89 / 0 / 9

HEX #511AE9

RGB 81 26 233

HSL 255.94, 0.82%, 0.51%

LAB 34.74, 70.89, -91.26

 

CMYK 0 / 29 / 90 / 8

HEX #EAA718

RGB 234 167 24

HSL 40.86, 0.83%, 0.51%

LAB 73.02, 14.23, 73.13

 

CMYK 89 / 0 / 30 / 9

HEX #1AE9A4

RGB 26 233 164

HSL 160, 0.82%, 0.51%

LAB 82.47, -61.81, 20.79

 

CMYK 30 / 89 / 0 / 9

HEX #A41AE9

RGB 164 26 233

HSL 280, 0.82%, 0.51%

LAB 44.96, 79.12, -74.07

 

CMYK 0 / 29 / 90 / 8

HEX #EAA718

RGB 234 167 24

HSL 40.86, 0.83%, 0.51%

LAB 73.02, 14.23, 73.13

 

CMYK 77 / 0 / 89 / 9

HEX #35E91A

RGB 53 233 26

HSL 112.17, 0.82%, 0.51%

LAB 81.35, -76.21, 75.37

 

CMYK 89 / 59 / 0 / 9

HEX #1A5FE9

RGB 26 95 233

HSL 220, 0.82%, 0.51%

LAB 44.64, 32.12, -75.04

 

CMYK 12 / 89 / 0 / 9

HEX #CE1AE9

RGB 206 26 233

HSL 292.17, 0.82%, 0.51%

LAB 51.55, 85.2, -63.08

 

CMYK 0 / 29 / 90 / 8

HEX #EAA718

RGB 234 167 24

HSL 40.86, 0.83%, 0.51%

LAB 73.02, 14.23, 73.13

 

CMYK 89 / 0 / 74 / 9

HEX #1AE93C

RGB 26 233 60

HSL 129.86, 0.82%, 0.51%

LAB 81.19, -77.08, 66.56

 

CMYK 89 / 59 / 0 / 9

HEX #1A5FE9

RGB 26 95 233

HSL 220, 0.82%, 0.51%

LAB 44.64, 32.12, -75.04

 

CMYK 0 / 89 / 15 / 9

HEX #E91AC7

RGB 233 26 199

HSL 309.86, 0.82%, 0.51%

LAB 54.22, 84.93, -39.15

 

Description

Color code: HEX #EAA718 | qconv.com Color code: HEX #EAA718 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 167 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 167 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 90 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 90% 8% C M Y K

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Provide designers and agencies with accurate color values.

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