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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA8BE1 it is the complementary color #15741E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA8BE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA8BE1 shade: #EF8BDC, #FF9DEF, #FFAFFF, #FFC1FF and #FFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA8BE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA8BE1 shade: #EA8BE1, #D979CE, #C867BB, #B755A8 and #A64395

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA8BE1 shade: #E98AE0, #E98AC7, #E98AAD, #E98A93 and #E98A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA8BE1 shade: #E98AE0, #D98AE9, #BF8AE9, #A58AE9 and #8C8AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA8BE1 shade matches the following richer shades: #E98AE0 and #F47FE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA8BE1 shade: #E98AE0, #DE95D7, #D3A0CE, #C8ACC5 and #BDB7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA8BE1 shade: #BE8AE9, #D88AE9, #E98AE1, #E98AC8 and #E98AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA8BE1 shade: #DC44CE, #E367D7, #E98AE0, #F0ADE9 and #F6D0F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA8BE1 shade: #EA8BE1, #E9A58A and #8AE9CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA8BE1 shade: #EA8BE1, #E1E98A and #8AE1E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA8BE1 shade: #EA8BE1, #E9A58A, #8AE992 and #8ACEE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA8BE1 shade: #EA8BE1, #E9C28A, #8AE992 and #8AB2E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 4 / 8

HEX #EA8BE1

RGB 234 139 225

HSL 305.68, 0.69%, 0.73%

LAB 70.45, 48.41, -28.54

 

Complementary color

CMYK 82 / 0 / 74 / 55

HEX #15741E

RGB 21 116 30

HSL 125.68, 0.69%, 0.27%

LAB 42.37, -44.16, 38.1

 

CMYK 0 / 42 / 8 / 6

HEX #EF8BDC

RGB 239 139 220

HSL 311.4, 0.76%, 0.74%

LAB 70.86, 49.09, -25.1

 

CMYK 0 / 38 / 6 / 0

HEX #FF9DEF

RGB 255 157 239

HSL 309.8, 1%, 0.81%

LAB 77.04, 48.05, -25.87

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 41 / 4 / 8

HEX #EA8BE1

RGB 234 139 225

HSL 305.68, 0.69%, 0.73%

LAB 70.45, 48.41, -28.54

 

CMYK 0 / 44 / 5 / 15

HEX #D979CE

RGB 217 121 206

HSL 306.88, 0.56%, 0.66%

LAB 64.07, 49.13, -27.98

 

CMYK 0 / 49 / 7 / 22

HEX #C867BB

RGB 200 103 187

HSL 308.04, 0.47%, 0.59%

LAB 57.62, 49.83, -27.33

 

CMYK 0 / 54 / 8 / 28

HEX #B755A8

RGB 183 85 168

HSL 309.18, 0.4%, 0.53%

LAB 51.14, 50.44, -26.54

 

CMYK 0 / 60 / 10 / 35

HEX #A64395

RGB 166 67 149

HSL 310.3, 0.42%, 0.46%

LAB 44.65, 50.88, -25.54

 

CMYK 0 / 41 / 4 / 9

HEX #E98AE0

RGB 233 138 224

HSL 305.68, 0.68%, 0.73%

LAB 70.09, 48.44, -28.55

 

CMYK 0 / 41 / 15 / 9

HEX #E98AC7

RGB 233 138 199

HSL 321.47, 0.68%, 0.73%

LAB 69.2, 44.3, -16.05

 

CMYK 0 / 41 / 26 / 9

HEX #E98AAD

RGB 233 138 173

HSL 337.89, 0.68%, 0.73%

LAB 68.4, 40.47, -2.71

 

CMYK 0 / 41 / 37 / 9

HEX #E98A93

RGB 233 138 147

HSL 354.32, 0.68%, 0.73%

LAB 67.73, 37.15, 10.93

 

CMYK 0 / 41 / 41 / 9

HEX #E98A8A

RGB 233 138 138

HSL 0, 0.68%, 0.73%

LAB 67.53, 36.14, 15.69

 

CMYK 0 / 41 / 4 / 9

HEX #E98AE0

RGB 233 138 224

HSL 305.68, 0.68%, 0.73%

LAB 70.09, 48.44, -28.55

 

CMYK 7 / 41 / 0 / 9

HEX #D98AE9

RGB 217 138 233

HSL 289.89, 0.68%, 0.73%

LAB 68.61, 45.3, -35.94

 

CMYK 18 / 41 / 0 / 9

HEX #BF8AE9

RGB 191 138 233

HSL 273.47, 0.68%, 0.73%

LAB 65.85, 37.69, -40.45

 

CMYK 29 / 41 / 0 / 9

HEX #A58AE9

RGB 165 138 233

HSL 257.05, 0.68%, 0.73%

LAB 63.39, 30.33, -44.49

 

CMYK 40 / 41 / 0 / 9

HEX #8C8AE9

RGB 140 138 233

HSL 241.26, 0.68%, 0.73%

LAB 61.34, 23.7, -47.87

 

CMYK 0 / 41 / 4 / 9

HEX #E98AE0

RGB 233 138 224

HSL 305.68, 0.68%, 0.73%

LAB 70.09, 48.44, -28.55

 

CMYK 0 / 48 / 5 / 4

HEX #F47FE9

RGB 244 127 233

HSL 305.64, 0.84%, 0.73%

LAB 69.68, 58.67, -34.04

 

CMYK 0 / 41 / 4 / 9

HEX #E98AE0

RGB 233 138 224

HSL 305.68, 0.68%, 0.73%

LAB 70.09, 48.44, -28.55

 

CMYK 0 / 33 / 3 / 13

HEX #DE95D7

RGB 222 149 215

HSL 305.75, 0.53%, 0.73%

LAB 70.82, 37.66, -22.58

 

CMYK 0 / 24 / 2 / 17

HEX #D3A0CE

RGB 211 160 206

HSL 305.88, 0.37%, 0.73%

LAB 71.86, 26.48, -16.15

 

CMYK 0 / 14 / 1 / 22

HEX #C8ACC5

RGB 200 172 197

HSL 306.43, 0.2%, 0.73%

LAB 73.43, 14.51, -8.96

 

CMYK 0 / 3 / 1 / 26

HEX #BDB7BC

RGB 189 183 188

HSL 310, 0.04%, 0.73%

LAB 75.02, 3.03, -1.79

 

CMYK 18 / 41 / 0 / 9

HEX #BE8AE9

RGB 190 138 233

HSL 272.84, 0.68%, 0.73%

LAB 65.75, 37.4, -40.62

 

CMYK 7 / 41 / 0 / 9

HEX #D88AE9

RGB 216 138 233

HSL 289.26, 0.68%, 0.73%

LAB 68.5, 45, -36.12

 

CMYK 0 / 41 / 3 / 9

HEX #E98AE1

RGB 233 138 225

HSL 305.05, 0.68%, 0.73%

LAB 70.13, 48.62, -29.04

 

CMYK 0 / 41 / 14 / 9

HEX #E98AC8

RGB 233 138 200

HSL 320.84, 0.68%, 0.73%

LAB 69.23, 44.46, -16.56

 

CMYK 0 / 41 / 25 / 9

HEX #E98AAF

RGB 233 138 175

HSL 336.63, 0.68%, 0.73%

LAB 68.46, 40.74, -3.74

 

CMYK 0 / 69 / 6 / 14

HEX #DC44CE

RGB 220 68 206

HSL 305.53, 0.68%, 0.56%

LAB 55.89, 73.13, -40.68

 

CMYK 0 / 55 / 5 / 11

HEX #E367D7

RGB 227 103 215

HSL 305.81, 0.69%, 0.65%

LAB 62.45, 62.19, -35.43

 

CMYK 0 / 41 / 4 / 9

HEX #E98AE0

RGB 233 138 224

HSL 305.68, 0.68%, 0.73%

LAB 70.09, 48.44, -28.55

 

CMYK 0 / 28 / 3 / 6

HEX #F0ADE9

RGB 240 173 233

HSL 306.27, 0.69%, 0.81%

LAB 78.63, 33.93, -20.35

 

CMYK 0 / 15 / 2 / 4

HEX #F6D0F2

RGB 246 208 242

HSL 306.32, 0.68%, 0.89%

LAB 87.54, 18.98, -11.71

 

CMYK 0 / 41 / 4 / 8

HEX #EA8BE1

RGB 234 139 225

HSL 305.68, 0.69%, 0.73%

LAB 70.45, 48.41, -28.54

 

CMYK 0 / 29 / 41 / 9

HEX #E9A58A

RGB 233 165 138

HSL 17.05, 0.68%, 0.73%

LAB 73.59, 21.85, 24.01

 

CMYK 41 / 0 / 13 / 9

HEX #8AE9CB

RGB 138 233 203

HSL 161.05, 0.68%, 0.73%

LAB 86, -34.97, 5.78

 

CMYK 0 / 41 / 4 / 8

HEX #EA8BE1

RGB 234 139 225

HSL 305.68, 0.69%, 0.73%

LAB 70.45, 48.41, -28.54

 

CMYK 3 / 0 / 41 / 9

HEX #E1E98A

RGB 225 233 138

HSL 65.05, 0.68%, 0.73%

LAB 89.92, -16.52, 45.19

 

CMYK 41 / 3 / 0 / 9

HEX #8AE1E9

RGB 138 225 233

HSL 185.05, 0.68%, 0.73%

LAB 84.55, -24.18, -12.16

 

CMYK 0 / 41 / 4 / 8

HEX #EA8BE1

RGB 234 139 225

HSL 305.68, 0.69%, 0.73%

LAB 70.45, 48.41, -28.54

 

CMYK 0 / 29 / 41 / 9

HEX #E9A58A

RGB 233 165 138

HSL 17.05, 0.68%, 0.73%

LAB 73.59, 21.85, 24.01

 

CMYK 41 / 0 / 37 / 9

HEX #8AE992

RGB 138 233 146

HSL 125.05, 0.68%, 0.73%

LAB 84.87, -45.65, 33.7

 

CMYK 41 / 12 / 0 / 9

HEX #8ACEE9

RGB 138 206 233

HSL 197.05, 0.68%, 0.73%

LAB 79.29, -14.61, -20.08

 

CMYK 0 / 41 / 4 / 8

HEX #EA8BE1

RGB 234 139 225

HSL 305.68, 0.69%, 0.73%

LAB 70.45, 48.41, -28.54

 

CMYK 0 / 17 / 41 / 9

HEX #E9C28A

RGB 233 194 138

HSL 35.37, 0.68%, 0.73%

LAB 80.6, 6.48, 33.35

 

CMYK 41 / 0 / 37 / 9

HEX #8AE992

RGB 138 233 146

HSL 125.05, 0.68%, 0.73%

LAB 84.87, -45.65, 33.7

 

CMYK 41 / 24 / 0 / 9

HEX #8AB2E9

RGB 138 178 233

HSL 214.74, 0.68%, 0.73%

LAB 71.64, 0.36, -31.78

 

Description

Color code: HEX #EA8BE1 | qconv.com Color code: HEX #EA8BE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 139 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 139 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 4 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 4% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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