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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA87D0 it is the complementary color #15782F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA87D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA87D0 shade: #EF87CB, #FF99DE, #FFABF1, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA87D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA87D0 shade: #EA87D0, #D975BD, #C863AA, #B75197 and #A63F84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA87D0 shade: #E985CF, #E985B4, #E98599 and #E98585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA87D0 shade: #E985CF, #E885E9, #CD85E9, #B285E9 and #9885E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA87D0 shade matches the following richer shades: #E985CF and #F57AD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA87D0 shade: #E985CF, #DE91C9, #D29CC4, #C6A8BE and #BBB3B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA87D0 shade: #CD85E9, #E785E9, #E985D0, #E985B5 and #E9859B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA87D0 shade: #DD3FB3, #E362C1, #E985CF, #EFA8DD and #F5CBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA87D0 shade: #EA87D0, #E9B285 and #85E9DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA87D0 shade: #EA87D0, #D0E985 and #85D0E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA87D0 shade: #EA87D0, #E9B285, #85E99E and #85BCE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA87D0 shade: #EA87D0, #E9D085, #85E99E and #859EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 11 / 8

HEX #EA87D0

RGB 234 135 208

HSL 315.76, 0.7%, 0.72%

LAB 69.02, 47.59, -21.32

 

Complementary color

CMYK 83 / 0 / 61 / 53

HEX #15782F

RGB 21 120 47

HSL 135.76, 0.7%, 0.28%

LAB 43.94, -43.54, 31.94

 

CMYK 0 / 44 / 15 / 6

HEX #EF87CB

RGB 239 135 203

HSL 320.77, 0.76%, 0.73%

LAB 69.46, 48.38, -17.81

 

CMYK 0 / 40 / 13 / 0

HEX #FF99DE

RGB 255 153 222

HSL 319.41, 1%, 0.8%

LAB 75.65, 47.32, -18.74

 

CMYK 0 / 33 / 5 / 0

HEX #FFABF1

RGB 255 171 241

HSL 310, 1%, 0.84%

LAB 80.03, 41.19, -22.4

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 42 / 11 / 8

HEX #EA87D0

RGB 234 135 208

HSL 315.76, 0.7%, 0.72%

LAB 69.02, 47.59, -21.32

 

CMYK 0 / 46 / 13 / 15

HEX #D975BD

RGB 217 117 189

HSL 316.8, 0.57%, 0.65%

LAB 62.63, 48.33, -20.59

 

CMYK 0 / 51 / 15 / 22

HEX #C863AA

RGB 200 99 170

HSL 317.82, 0.48%, 0.59%

LAB 56.19, 49.03, -19.73

 

CMYK 0 / 56 / 17 / 28

HEX #B75197

RGB 183 81 151

HSL 318.82, 0.41%, 0.52%

LAB 49.72, 49.63, -18.7

 

CMYK 0 / 62 / 20 / 35

HEX #A63F84

RGB 166 63 132

HSL 319.81, 0.45%, 0.45%

LAB 43.25, 50.04, -17.4

 

CMYK 0 / 43 / 11 / 9

HEX #E985CF

RGB 233 133 207

HSL 315.6, 0.69%, 0.72%

LAB 68.46, 48.14, -21.62

 

CMYK 0 / 43 / 23 / 9

HEX #E985B4

RGB 233 133 180

HSL 331.8, 0.69%, 0.72%

LAB 67.57, 44.02, -7.86

 

CMYK 0 / 43 / 34 / 9

HEX #E98599

RGB 233 133 153

HSL 348, 0.69%, 0.72%

LAB 66.82, 40.46, 6.26

 

CMYK 0 / 43 / 43 / 9

HEX #E98585

RGB 233 133 133

HSL 0, 0.69%, 0.72%

LAB 66.36, 38.2, 16.88

 

CMYK 0 / 43 / 11 / 9

HEX #E985CF

RGB 233 133 207

HSL 315.6, 0.69%, 0.72%

LAB 68.46, 48.14, -21.62

 

CMYK 0 / 43 / 0 / 9

HEX #E885E9

RGB 232 133 233

HSL 299.4, 0.69%, 0.72%

LAB 69.34, 52.27, -34.68

 

CMYK 12 / 43 / 0 / 9

HEX #CD85E9

RGB 205 133 233

HSL 283.2, 0.69%, 0.72%

LAB 66.24, 44.43, -39.74

 

CMYK 24 / 43 / 0 / 9

HEX #B285E9

RGB 178 133 233

HSL 267, 0.69%, 0.72%

LAB 63.44, 36.75, -44.33

 

CMYK 35 / 43 / 0 / 9

HEX #9885E9

RGB 152 133 233

HSL 251.4, 0.69%, 0.72%

LAB 61.07, 29.69, -48.22

 

CMYK 0 / 43 / 11 / 9

HEX #E985CF

RGB 233 133 207

HSL 315.6, 0.69%, 0.72%

LAB 68.46, 48.14, -21.62

 

CMYK 0 / 50 / 13 / 4

HEX #F57AD4

RGB 245 122 212

HSL 316.1, 0.86%, 0.72%

LAB 68.08, 57.98, -24.85

 

CMYK 0 / 43 / 11 / 9

HEX #E985CF

RGB 233 133 207

HSL 315.6, 0.69%, 0.72%

LAB 68.46, 48.14, -21.62

 

CMYK 0 / 35 / 9 / 13

HEX #DE91C9

RGB 222 145 201

HSL 316.36, 0.54%, 0.72%

LAB 69.47, 37.35, -16.88

 

CMYK 0 / 26 / 7 / 18

HEX #D29CC4

RGB 210 156 196

HSL 315.56, 0.38%, 0.72%

LAB 70.5, 26.52, -12.69

 

CMYK 0 / 15 / 4 / 22

HEX #C6A8BE

RGB 198 168 190

HSL 316, 0.21%, 0.72%

LAB 72.05, 14.71, -7.19

 

CMYK 0 / 4 / 1 / 27

HEX #BBB3B9

RGB 187 179 185

HSL 315, 0.06%, 0.72%

LAB 73.74, 3.93, -2.04

 

CMYK 12 / 43 / 0 / 9

HEX #CD85E9

RGB 205 133 233

HSL 283.2, 0.69%, 0.72%

LAB 66.24, 44.43, -39.74

 

CMYK 1 / 43 / 0 / 9

HEX #E785E9

RGB 231 133 233

HSL 298.8, 0.69%, 0.72%

LAB 69.22, 51.98, -34.88

 

CMYK 0 / 43 / 11 / 9

HEX #E985D0

RGB 233 133 208

HSL 315, 0.69%, 0.72%

LAB 68.5, 48.3, -22.13

 

CMYK 0 / 43 / 22 / 9

HEX #E985B5

RGB 233 133 181

HSL 331.2, 0.69%, 0.72%

LAB 67.6, 44.17, -8.38

 

CMYK 0 / 43 / 33 / 9

HEX #E9859B

RGB 233 133 155

HSL 346.8, 0.69%, 0.72%

LAB 66.87, 40.7, 5.2

 

CMYK 0 / 71 / 19 / 13

HEX #DD3FB3

RGB 221 63 179

HSL 315.95, 0.7%, 0.56%

LAB 54.22, 71.19, -27.73

 

CMYK 0 / 57 / 15 / 11

HEX #E362C1

RGB 227 98 193

HSL 315.81, 0.7%, 0.64%

LAB 60.71, 60.99, -25.69

 

CMYK 0 / 43 / 11 / 9

HEX #E985CF

RGB 233 133 207

HSL 315.6, 0.69%, 0.72%

LAB 68.46, 48.14, -21.62

 

CMYK 0 / 30 / 8 / 6

HEX #EFA8DD

RGB 239 168 221

HSL 315.21, 0.69%, 0.8%

LAB 77.03, 34.16, -16.29

 

CMYK 0 / 17 / 4 / 4

HEX #F5CBEA

RGB 245 203 234

HSL 315.71, 0.68%, 0.88%

LAB 86.04, 19.87, -9.72

 

CMYK 0 / 42 / 11 / 8

HEX #EA87D0

RGB 234 135 208

HSL 315.76, 0.7%, 0.72%

LAB 69.02, 47.59, -21.32

 

CMYK 0 / 24 / 43 / 9

HEX #E9B285

RGB 233 178 133

HSL 27, 0.69%, 0.72%

LAB 76.59, 14.39, 30.71

 

CMYK 43 / 0 / 6 / 9

HEX #85E9DA

RGB 133 233 218

HSL 171, 0.69%, 0.72%

LAB 86.17, -32.85, -1.88

 

CMYK 0 / 42 / 11 / 8

HEX #EA87D0

RGB 234 135 208

HSL 315.76, 0.7%, 0.72%

LAB 69.02, 47.59, -21.32

 

CMYK 11 / 0 / 43 / 9

HEX #D0E985

RGB 208 233 133

HSL 75, 0.69%, 0.72%

LAB 88.63, -23.54, 45.75

 

CMYK 43 / 11 / 0 / 9

HEX #85D0E9

RGB 133 208 233

HSL 195, 0.69%, 0.72%

LAB 79.6, -16.87, -19.63

 

CMYK 0 / 42 / 11 / 8

HEX #EA87D0

RGB 234 135 208

HSL 315.76, 0.7%, 0.72%

LAB 69.02, 47.59, -21.32

 

CMYK 0 / 24 / 43 / 9

HEX #E9B285

RGB 233 178 133

HSL 27, 0.69%, 0.72%

LAB 76.59, 14.39, 30.71

 

CMYK 43 / 0 / 32 / 9

HEX #85E99E

RGB 133 233 158

HSL 135, 0.69%, 0.72%

LAB 84.86, -45.09, 27.54

 

CMYK 43 / 19 / 0 / 9

HEX #85BCE9

RGB 133 188 233

HSL 207, 0.69%, 0.72%

LAB 74.08, -6.36, -28.04

 

CMYK 0 / 42 / 11 / 8

HEX #EA87D0

RGB 234 135 208

HSL 315.76, 0.7%, 0.72%

LAB 69.02, 47.59, -21.32

 

CMYK 0 / 11 / 43 / 9

HEX #E9D085

RGB 233 208 133

HSL 45, 0.69%, 0.72%

LAB 84.03, -1.32, 40.36

 

CMYK 43 / 0 / 32 / 9

HEX #85E99E

RGB 133 233 158

HSL 135, 0.69%, 0.72%

LAB 84.86, -45.09, 27.54

 

CMYK 43 / 32 / 0 / 9

HEX #859EE9

RGB 133 158 233

HSL 225, 0.69%, 0.72%

LAB 66, 10.34, -40.57

 

Description

Color code: HEX #EA87D0 | qconv.com Color code: HEX #EA87D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 135 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 135 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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