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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA6C7D it is the complementary color #159382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA6C7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA6C7D shade: #EF6C78, #FF7E8B, #FF909E, #FFA2B1 and #FFB4C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA6C7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA6C7D shade: #EA6C7D, #D95A6A, #C84857, #B73644 and #A62431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA6C7D shade: #E96B7C and #E96B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA6C7D shade: #E96B7C, #E96B9E, #E96BC0, #E96BE2 and #CE6BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA6C7D shade matches the following richer shades: #E96B7C and #F75E72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA6C7D shade: #E96B7C, #DC7986, #CE8690, #C1949A and #B3A2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA6C7D shade: #E96BC1, #E96BA0, #E96B7E, #E97A6B and #E99C6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA6C7D shade: #DF233C, #E4475C, #E96B7C, #EF8F9C and #F4B3BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA6C7D shade: #EA6C7D, #E3E96B and #6BB1E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA6C7D shade: #EA6C7D, #7EE96B and #6B7EE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA6C7D shade: #EA6C7D, #E3E96B, #6BE9D7 and #726BE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA6C7D shade: #EA6C7D, #BDE96B, #6BE9D7 and #976BE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 47 / 8

HEX #EA6C7D

RGB 234 108 125

HSL 351.9, 0.75%, 0.67%

LAB 61.39, 50.23, 14.55

 

Complementary color

CMYK 86 / 0 / 12 / 42

HEX #159382

RGB 21 147 130

HSL 171.9, 0.75%, 0.33%

LAB 54.7, -35.91, -0.1

 

CMYK 0 / 55 / 50 / 6

HEX #EF6C78

RGB 239 108 120

HSL 354.5, 0.8%, 0.68%

LAB 62.03, 51.5, 18.41

 

CMYK 0 / 51 / 45 / 0

HEX #FF7E8B

RGB 255 126 139

HSL 353.95, 1%, 0.75%

LAB 68.05, 50.17, 16.31

 

CMYK 0 / 44 / 38 / 0

HEX #FF909E

RGB 255 144 158

HSL 352.43, 1%, 0.78%

LAB 72.01, 43.24, 11.24

 

CMYK 0 / 36 / 31 / 0

HEX #FFA2B1

RGB 255 162 177

HSL 350.32, 1%, 0.82%

LAB 76.24, 36.28, 6.79

 

CMYK 0 / 29 / 23 / 0

HEX #FFB4C4

RGB 255 180 196

HSL 347.2, 1%, 0.85%

LAB 80.68, 29.44, 2.86

 

CMYK 0 / 54 / 47 / 8

HEX #EA6C7D

RGB 234 108 125

HSL 351.9, 0.75%, 0.67%

LAB 61.39, 50.23, 14.55

 

CMYK 0 / 59 / 51 / 15

HEX #D95A6A

RGB 217 90 106

HSL 352.44, 0.63%, 0.6%

LAB 55.18, 51.14, 16.62

 

CMYK 0 / 64 / 57 / 22

HEX #C84857

RGB 200 72 87

HSL 352.97, 0.54%, 0.53%

LAB 49.01, 51.91, 19.09

 

CMYK 0 / 70 / 63 / 28

HEX #B73644

RGB 183 54 68

HSL 353.49, 0.54%, 0.46%

LAB 42.95, 52.4, 22.1

 

CMYK 0 / 78 / 70 / 35

HEX #A62431

RGB 166 36 49

HSL 354, 0.64%, 0.4%

LAB 37.1, 52.35, 25.81

 

CMYK 0 / 54 / 47 / 9

HEX #E96B7C

RGB 233 107 124

HSL 351.9, 0.74%, 0.67%

LAB 61.04, 50.27, 14.62

 

CMYK 0 / 54 / 54 / 9

HEX #E96B6B

RGB 233 107 107

HSL 0, 0.74%, 0.67%

LAB 60.69, 48.79, 23.91

 

CMYK 0 / 54 / 47 / 9

HEX #E96B7C

RGB 233 107 124

HSL 351.9, 0.74%, 0.67%

LAB 61.04, 50.27, 14.62

 

CMYK 0 / 54 / 32 / 9

HEX #E96B9E

RGB 233 107 158

HSL 335.71, 0.74%, 0.67%

LAB 61.92, 53.94, -3.73

 

CMYK 0 / 54 / 18 / 9

HEX #E96BC0

RGB 233 107 192

HSL 319.52, 0.74%, 0.67%

LAB 63.05, 58.49, -21.46

 

CMYK 0 / 54 / 3 / 9

HEX #E96BE2

RGB 233 107 226

HSL 303.33, 0.74%, 0.67%

LAB 64.43, 63.81, -38.44

 

CMYK 12 / 54 / 0 / 9

HEX #CE6BE9

RGB 206 107 233

HSL 287.14, 0.74%, 0.67%

LAB 61.24, 57.98, -47.6

 

CMYK 0 / 54 / 47 / 9

HEX #E96B7C

RGB 233 107 124

HSL 351.9, 0.74%, 0.67%

LAB 61.04, 50.27, 14.62

 

CMYK 0 / 62 / 54 / 3

HEX #F75E72

RGB 247 94 114

HSL 352.16, 0.91%, 0.67%

LAB 60.78, 59.91, 20.37

 

CMYK 0 / 54 / 47 / 9

HEX #E96B7C

RGB 233 107 124

HSL 351.9, 0.74%, 0.67%

LAB 61.04, 50.27, 14.62

 

CMYK 0 / 45 / 39 / 14

HEX #DC7986

RGB 220 121 134

HSL 352.12, 0.59%, 0.67%

LAB 62.18, 39.75, 10.2

 

CMYK 0 / 35 / 30 / 19

HEX #CE8690

RGB 206 134 144

HSL 351.67, 0.42%, 0.67%

LAB 63.5, 28.93, 6.14

 

CMYK 0 / 23 / 20 / 24

HEX #C1949A

RGB 193 148 154

HSL 352, 0.27%, 0.67%

LAB 65.63, 17.82, 3.38

 

CMYK 0 / 9 / 8 / 30

HEX #B3A2A4

RGB 179 162 164

HSL 352.94, 0.1%, 0.67%

LAB 68.1, 6.53, 1.21

 

CMYK 0 / 54 / 17 / 9

HEX #E96BC1

RGB 233 107 193

HSL 319.05, 0.74%, 0.67%

LAB 63.09, 58.63, -21.97

 

CMYK 0 / 54 / 31 / 9

HEX #E96BA0

RGB 233 107 160

HSL 334.76, 0.74%, 0.67%

LAB 61.98, 54.18, -4.79

 

CMYK 0 / 54 / 46 / 9

HEX #E96B7E

RGB 233 107 126

HSL 350.95, 0.74%, 0.67%

LAB 61.09, 50.46, 13.53

 

CMYK 0 / 48 / 54 / 9

HEX #E97A6B

RGB 233 122 107

HSL 7.14, 0.74%, 0.67%

LAB 63.59, 41.41, 27.73

 

CMYK 0 / 33 / 54 / 9

HEX #E99C6B

RGB 233 156 107

HSL 23.33, 0.74%, 0.67%

LAB 70.98, 23.65, 37.22

 

CMYK 0 / 84 / 73 / 13

HEX #DF233C

RGB 223 35 60

HSL 352.02, 0.75%, 0.51%

LAB 48.53, 69.13, 35.5

 

CMYK 0 / 69 / 60 / 11

HEX #E4475C

RGB 228 71 92

HSL 351.97, 0.74%, 0.59%

LAB 53.79, 61.57, 23.32

 

CMYK 0 / 54 / 47 / 9

HEX #E96B7C

RGB 233 107 124

HSL 351.9, 0.74%, 0.67%

LAB 61.04, 50.27, 14.62

 

CMYK 0 / 40 / 35 / 6

HEX #EF8F9C

RGB 239 143 156

HSL 351.88, 0.75%, 0.75%

LAB 69.75, 37.8, 8.86

 

CMYK 0 / 27 / 23 / 4

HEX #F4B3BC

RGB 244 179 188

HSL 351.69, 0.75%, 0.83%

LAB 79.1, 24.89, 4.77

 

CMYK 0 / 54 / 47 / 8

HEX #EA6C7D

RGB 234 108 125

HSL 351.9, 0.75%, 0.67%

LAB 61.39, 50.23, 14.55

 

CMYK 3 / 0 / 54 / 9

HEX #E3E96B

RGB 227 233 107

HSL 62.86, 0.74%, 0.67%

LAB 89.71, -18.59, 59.51

 

CMYK 54 / 24 / 0 / 9

HEX #6BB1E9

RGB 107 177 233

HSL 206.67, 0.74%, 0.67%

LAB 69.79, -6.38, -34.77

 

CMYK 0 / 54 / 47 / 8

HEX #EA6C7D

RGB 234 108 125

HSL 351.9, 0.75%, 0.67%

LAB 61.39, 50.23, 14.55

 

CMYK 46 / 0 / 54 / 9

HEX #7EE96B

RGB 126 233 107

HSL 110.95, 0.74%, 0.67%

LAB 83.85, -54.45, 51.19

 

CMYK 54 / 46 / 0 / 9

HEX #6B7EE9

RGB 107 126 233

HSL 230.95, 0.74%, 0.67%

LAB 56.02, 23.19, -56.47

 

CMYK 0 / 54 / 47 / 8

HEX #EA6C7D

RGB 234 108 125

HSL 351.9, 0.75%, 0.67%

LAB 61.39, 50.23, 14.55

 

CMYK 3 / 0 / 54 / 9

HEX #E3E96B

RGB 227 233 107

HSL 62.86, 0.74%, 0.67%

LAB 89.71, -18.59, 59.51

 

CMYK 54 / 0 / 8 / 9

HEX #6BE9D7

RGB 107 233 215

HSL 171.43, 0.74%, 0.67%

LAB 85.15, -39.31, -1.9

 

CMYK 51 / 54 / 0 / 9

HEX #726BE9

RGB 114 107 233

HSL 243.33, 0.74%, 0.67%

LAB 51.81, 36.01, -63.2

 

CMYK 0 / 54 / 47 / 8

HEX #EA6C7D

RGB 234 108 125

HSL 351.9, 0.75%, 0.67%

LAB 61.39, 50.23, 14.55

 

CMYK 19 / 0 / 54 / 9

HEX #BDE96B

RGB 189 233 107

HSL 80.95, 0.74%, 0.67%

LAB 87.07, -33.32, 55.79

 

CMYK 54 / 0 / 8 / 9

HEX #6BE9D7

RGB 107 233 215

HSL 171.43, 0.74%, 0.67%

LAB 85.15, -39.31, -1.9

 

CMYK 35 / 54 / 0 / 9

HEX #976BE9

RGB 151 107 233

HSL 260.95, 0.74%, 0.67%

LAB 55.05, 44.21, -57.82

 

Description

Color code: HEX #EA6C7D | qconv.com Color code: HEX #EA6C7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 108 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 108 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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