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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA61CD it is the complementary color #159E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA61CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA61CD shade: #EF61C8, #FF73DB, #FF85EE, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA61CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA61CD shade: #EA61CD, #D94FBA, #C83DA7, #B72B94 and #A61981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA61CD shade: #EA61CD, #EA61A8, #EA6183 and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA61CD shade: #EA61CD, #E261EA, #BD61EA, #9861EA and #7361EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA61CD shade matches the following richer shades: #EA61CD and #F852D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA61CD shade: #EA61CD, #DC6FC5, #CD7DBC, #BF8CB4 and #B09AAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA61CD shade: #BC61EA, #E161EA, #EA61CE, #EA61AA and #EA6185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA61CD shade: #DC1CB3, #E53CC1, #EA61CD, #EF85D8 and #F3AAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA61CD shade: #EA61CD, #EA9861 and #61EACE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA61CD shade: #EA61CD, #CEEA61 and #61CEEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA61CD shade: #EA61CD, #EA9861, #61EA7C and #61B3EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA61CD shade: #EA61CD, #EAC161, #61EA7C and #618AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

Complementary color

CMYK 87 / 0 / 68 / 38

HEX #159E32

RGB 21 158 50

HSL 132.7, 0.77%, 0.35%

LAB 56.92, -55.97, 45.15

 

CMYK 0 / 59 / 16 / 6

HEX #EF61C8

RGB 239 97 200

HSL 316.48, 0.82%, 0.66%

LAB 62.57, 65.77, -26.66

 

CMYK 0 / 55 / 14 / 0

HEX #FF73DB

RGB 255 115 219

HSL 315.43, 1%, 0.73%

LAB 68.49, 65.12, -28.01

 

CMYK 0 / 48 / 7 / 0

HEX #FF85EE

RGB 255 133 238

HSL 308.36, 1%, 0.76%

LAB 72.37, 59.76, -32.51

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 64 / 14 / 15

HEX #D94FBA

RGB 217 79 186

HSL 313.48, 0.64%, 0.58%

LAB 55.98, 65.31, -29.11

 

CMYK 0 / 70 / 17 / 22

HEX #C83DA7

RGB 200 61 167

HSL 314.24, 0.56%, 0.51%

LAB 49.99, 65.08, -27.54

 

CMYK 0 / 77 / 19 / 28

HEX #B72B94

RGB 183 43 148

HSL 315, 0.62%, 0.44%

LAB 44.14, 64.27, -25.51

 

CMYK 0 / 85 / 22 / 35

HEX #A61981

RGB 166 25 129

HSL 315.74, 0.74%, 0.37%

LAB 38.53, 62.54, -22.84

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 59 / 28 / 8

HEX #EA61A8

RGB 234 97 168

HSL 328.91, 0.77%, 0.65%

LAB 60.67, 60.03, -11.33

 

CMYK 0 / 59 / 44 / 8

HEX #EA6183

RGB 234 97 131

HSL 345.11, 0.77%, 0.65%

LAB 59.6, 55.89, 8.55

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 3 / 59 / 0 / 8

HEX #E261EA

RGB 226 97 234

HSL 296.5, 0.77%, 0.65%

LAB 62.22, 67.79, -46.43

 

CMYK 19 / 59 / 0 / 8

HEX #BD61EA

RGB 189 97 234

HSL 280.29, 0.77%, 0.65%

LAB 57.37, 58.77, -54.42

 

CMYK 35 / 59 / 0 / 8

HEX #9861EA

RGB 152 97 234

HSL 264.09, 0.77%, 0.65%

LAB 53.13, 50.13, -61.46

 

CMYK 51 / 59 / 0 / 8

HEX #7361EA

RGB 115 97 234

HSL 247.88, 0.77%, 0.65%

LAB 49.66, 42.38, -67.24

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 67 / 14 / 3

HEX #F852D5

RGB 248 82 213

HSL 312.65, 0.92%, 0.65%

LAB 62.33, 75.8, -34.26

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 50 / 10 / 14

HEX #DC6FC5

RGB 220 111 197

HSL 312.66, 0.61%, 0.65%

LAB 62.18, 53.51, -25.77

 

CMYK 0 / 39 / 8 / 20

HEX #CD7DBC

RGB 205 125 188

HSL 312.75, 0.44%, 0.65%

LAB 62.74, 40.19, -19.99

 

CMYK 0 / 27 / 6 / 25

HEX #BF8CB4

RGB 191 140 180

HSL 312.94, 0.28%, 0.65%

LAB 64.26, 25.9, -13.31

 

CMYK 0 / 13 / 2 / 31

HEX #B09AAC

RGB 176 154 172

HSL 310.91, 0.12%, 0.65%

LAB 66, 11.34, -6.38

 

CMYK 20 / 59 / 0 / 8

HEX #BC61EA

RGB 188 97 234

HSL 279.85, 0.77%, 0.65%

LAB 57.25, 58.53, -54.63

 

CMYK 4 / 59 / 0 / 8

HEX #E161EA

RGB 225 97 234

HSL 296.06, 0.77%, 0.65%

LAB 62.08, 67.55, -46.66

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CE

RGB 234 97 206

HSL 312.26, 0.77%, 0.65%

LAB 62.08, 65.3, -30.86

 

CMYK 0 / 59 / 27 / 8

HEX #EA61AA

RGB 234 97 170

HSL 328.03, 0.77%, 0.65%

LAB 60.73, 60.28, -12.39

 

CMYK 0 / 59 / 43 / 8

HEX #EA6185

RGB 234 97 133

HSL 344.23, 0.77%, 0.65%

LAB 59.65, 56.09, 7.46

 

CMYK 0 / 87 / 19 / 14

HEX #DC1CB3

RGB 220 28 179

HSL 312.81, 0.77%, 0.49%

LAB 51.04, 79.61, -32.69

 

CMYK 0 / 74 / 16 / 10

HEX #E53CC1

RGB 229 60 193

HSL 312.78, 0.76%, 0.57%

LAB 55.83, 75.88, -33.23

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 44 / 10 / 6

HEX #EF85D8

RGB 239 133 216

HSL 313.02, 0.77%, 0.73%

LAB 69.53, 51.45, -24.93

 

CMYK 0 / 30 / 6 / 5

HEX #F3AAE4

RGB 243 170 228

HSL 312.33, 0.75%, 0.81%

LAB 78.11, 35.62, -18.4

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 35 / 59 / 8

HEX #EA9861

RGB 234 152 97

HSL 24.09, 0.77%, 0.65%

LAB 70.04, 25.4, 41.31

 

CMYK 59 / 0 / 12 / 8

HEX #61EACE

RGB 97 234 206

HSL 167.74, 0.77%, 0.65%

LAB 84.92, -43.87, 2.45

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 12 / 0 / 59 / 8

HEX #CEEA61

RGB 206 234 97

HSL 72.26, 0.77%, 0.65%

LAB 88.37, -28.13, 61.95

 

CMYK 59 / 12 / 0 / 8

HEX #61CEEA

RGB 97 206 234

HSL 192.26, 0.77%, 0.65%

LAB 77.65, -23.28, -23.26

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 35 / 59 / 8

HEX #EA9861

RGB 234 152 97

HSL 24.09, 0.77%, 0.65%

LAB 70.04, 25.4, 41.31

 

CMYK 59 / 0 / 47 / 8

HEX #61EA7C

RGB 97 234 124

HSL 131.82, 0.77%, 0.65%

LAB 83.36, -59.96, 42.34

 

CMYK 59 / 24 / 0 / 8

HEX #61B3EA

RGB 97 179 234

HSL 204.09, 0.77%, 0.65%

LAB 69.98, -9.17, -35.05

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CD

RGB 234 97 205

HSL 312.7, 0.77%, 0.65%

LAB 62.04, 65.15, -30.36

 

CMYK 0 / 18 / 59 / 8

HEX #EAC161

RGB 234 193 97

HSL 42.04, 0.77%, 0.65%

LAB 79.89, 3.72, 52.98

 

CMYK 59 / 0 / 47 / 8

HEX #61EA7C

RGB 97 234 124

HSL 131.82, 0.77%, 0.65%

LAB 83.36, -59.96, 42.34

 

CMYK 59 / 41 / 0 / 8

HEX #618AEA

RGB 97 138 234

HSL 222.04, 0.77%, 0.65%

LAB 58.66, 14.3, -52.85

 

Description

Color code: HEX #EA61CD | qconv.com Color code: HEX #EA61CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 97 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 97 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 12% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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