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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA60CC it is the complementary color #159F33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA60CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA60CC shade: #EF60C7, #FF72DA, #FF84ED, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA60CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA60CC shade: #EA60CC, #D94EB9, #C83CA6, #B72A93 and #A61880

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA60CC shade: #EA61CC, #EA61A7, #EA6182 and #EA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA60CC shade: #EA61CC, #E361EA, #BE61EA, #9961EA and #7461EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA60CC shade matches the following richer shades: #EA61CC and #F852D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA60CC shade: #EA61CC, #DC6FC4, #CD7DBC, #BF8CB4 and #B09AAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA60CC shade: #BE61EA, #E361EA, #EA61CC, #EA61A8 and #EA6183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA60CC shade: #DC1CB2, #E53CC0, #EA61CC, #EF85D8 and #F3AAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA60CC shade: #EA60CC, #EA9A61 and #61EAD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA60CC shade: #EA60CC, #CCEA61 and #61CCEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA60CC shade: #EA60CC, #EA9A61, #61EA7E and #61B1EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA60CC shade: #EA60CC, #EAC361, #61EA7E and #6187EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 13 / 8

HEX #EA60CC

RGB 234 96 204

HSL 313.04, 0.77%, 0.65%

LAB 61.84, 65.43, -30.1

 

Complementary color

CMYK 87 / 0 / 68 / 38

HEX #159F33

RGB 21 159 51

HSL 133.04, 0.77%, 0.35%

LAB 57.26, -56.18, 45.09

 

CMYK 0 / 60 / 17 / 6

HEX #EF60C7

RGB 239 96 199

HSL 316.78, 0.82%, 0.66%

LAB 62.37, 66.05, -26.39

 

CMYK 0 / 55 / 15 / 0

HEX #FF72DA

RGB 255 114 218

HSL 315.74, 1%, 0.72%

LAB 68.28, 65.42, -27.77

 

CMYK 0 / 48 / 7 / 0

HEX #FF84ED

RGB 255 132 237

HSL 308.78, 1%, 0.76%

LAB 72.15, 60.07, -32.31

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 59 / 13 / 8

HEX #EA60CC

RGB 234 96 204

HSL 313.04, 0.77%, 0.65%

LAB 61.84, 65.43, -30.1

 

CMYK 0 / 64 / 15 / 15

HEX #D94EB9

RGB 217 78 185

HSL 313.81, 0.65%, 0.58%

LAB 55.79, 65.56, -28.82

 

CMYK 0 / 70 / 17 / 22

HEX #C83CA6

RGB 200 60 166

HSL 314.57, 0.56%, 0.51%

LAB 49.82, 65.3, -27.21

 

CMYK 0 / 77 / 20 / 28

HEX #B72A93

RGB 183 42 147

HSL 315.32, 0.63%, 0.44%

LAB 43.99, 64.43, -25.14

 

CMYK 0 / 86 / 23 / 35

HEX #A61880

RGB 166 24 128

HSL 316.06, 0.75%, 0.37%

LAB 38.41, 62.62, -22.41

 

CMYK 0 / 59 / 13 / 8

HEX #EA61CC

RGB 234 97 204

HSL 313.14, 0.77%, 0.65%

LAB 62, 65, -29.86

 

CMYK 0 / 59 / 29 / 8

HEX #EA61A7

RGB 234 97 167

HSL 329.34, 0.77%, 0.65%

LAB 60.63, 59.91, -10.81

 

CMYK 0 / 59 / 44 / 8

HEX #EA6182

RGB 234 97 130

HSL 345.55, 0.77%, 0.65%

LAB 59.57, 55.8, 9.1

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 0 / 59 / 13 / 8

HEX #EA61CC

RGB 234 97 204

HSL 313.14, 0.77%, 0.65%

LAB 62, 65, -29.86

 

CMYK 3 / 59 / 0 / 8

HEX #E361EA

RGB 227 97 234

HSL 296.93, 0.77%, 0.65%

LAB 62.36, 68.04, -46.21

 

CMYK 19 / 59 / 0 / 8

HEX #BE61EA

RGB 190 97 234

HSL 280.73, 0.77%, 0.65%

LAB 57.5, 59.01, -54.22

 

CMYK 35 / 59 / 0 / 8

HEX #9961EA

RGB 153 97 234

HSL 264.53, 0.77%, 0.65%

LAB 53.24, 50.36, -61.28

 

CMYK 50 / 59 / 0 / 8

HEX #7461EA

RGB 116 97 234

HSL 248.32, 0.77%, 0.65%

LAB 49.74, 42.57, -67.1

 

CMYK 0 / 59 / 13 / 8

HEX #EA61CC

RGB 234 97 204

HSL 313.14, 0.77%, 0.65%

LAB 62, 65, -29.86

 

CMYK 0 / 67 / 15 / 3

HEX #F852D4

RGB 248 82 212

HSL 313.01, 0.92%, 0.65%

LAB 62.29, 75.66, -33.76

 

CMYK 0 / 59 / 13 / 8

HEX #EA61CC

RGB 234 97 204

HSL 313.14, 0.77%, 0.65%

LAB 62, 65, -29.86

 

CMYK 0 / 50 / 11 / 14

HEX #DC6FC4

RGB 220 111 196

HSL 313.21, 0.61%, 0.65%

LAB 62.14, 53.35, -25.27

 

CMYK 0 / 39 / 8 / 20

HEX #CD7DBC

RGB 205 125 188

HSL 312.75, 0.44%, 0.65%

LAB 62.74, 40.19, -19.99

 

CMYK 0 / 27 / 6 / 25

HEX #BF8CB4

RGB 191 140 180

HSL 312.94, 0.28%, 0.65%

LAB 64.26, 25.9, -13.31

 

CMYK 0 / 13 / 3 / 31

HEX #B09AAB

RGB 176 154 171

HSL 313.64, 0.12%, 0.65%

LAB 65.97, 11.15, -5.86

 

CMYK 19 / 59 / 0 / 8

HEX #BE61EA

RGB 190 97 234

HSL 280.73, 0.77%, 0.65%

LAB 57.5, 59.01, -54.22

 

CMYK 3 / 59 / 0 / 8

HEX #E361EA

RGB 227 97 234

HSL 296.93, 0.77%, 0.65%

LAB 62.36, 68.04, -46.21

 

CMYK 0 / 59 / 13 / 8

HEX #EA61CC

RGB 234 97 204

HSL 313.14, 0.77%, 0.65%

LAB 62, 65, -29.86

 

CMYK 0 / 59 / 28 / 8

HEX #EA61A8

RGB 234 97 168

HSL 328.91, 0.77%, 0.65%

LAB 60.67, 60.03, -11.33

 

CMYK 0 / 59 / 44 / 8

HEX #EA6183

RGB 234 97 131

HSL 345.11, 0.77%, 0.65%

LAB 59.6, 55.89, 8.55

 

CMYK 0 / 87 / 19 / 14

HEX #DC1CB2

RGB 220 28 178

HSL 313.13, 0.77%, 0.49%

LAB 50.99, 79.48, -32.18

 

CMYK 0 / 74 / 16 / 10

HEX #E53CC0

RGB 229 60 192

HSL 313.14, 0.76%, 0.57%

LAB 55.78, 75.75, -32.72

 

CMYK 0 / 59 / 13 / 8

HEX #EA61CC

RGB 234 97 204

HSL 313.14, 0.77%, 0.65%

LAB 62, 65, -29.86

 

CMYK 0 / 44 / 10 / 6

HEX #EF85D8

RGB 239 133 216

HSL 313.02, 0.77%, 0.73%

LAB 69.53, 51.45, -24.93

 

CMYK 0 / 30 / 7 / 5

HEX #F3AAE3

RGB 243 170 227

HSL 313.15, 0.75%, 0.81%

LAB 78.08, 35.45, -17.91

 

CMYK 0 / 59 / 13 / 8

HEX #EA60CC

RGB 234 96 204

HSL 313.04, 0.77%, 0.65%

LAB 61.84, 65.43, -30.1

 

CMYK 0 / 34 / 59 / 8

HEX #EA9A61

RGB 234 154 97

HSL 24.96, 0.77%, 0.65%

LAB 70.5, 24.34, 41.87

 

CMYK 59 / 0 / 11 / 8

HEX #61EAD1

RGB 97 234 209

HSL 169.05, 0.77%, 0.65%

LAB 84.99, -43.14, 0.98

 

CMYK 0 / 59 / 13 / 8

HEX #EA60CC

RGB 234 96 204

HSL 313.04, 0.77%, 0.65%

LAB 61.84, 65.43, -30.1

 

CMYK 13 / 0 / 59 / 8

HEX #CCEA61

RGB 204 234 97

HSL 73.14, 0.77%, 0.65%

LAB 88.23, -28.9, 61.76

 

CMYK 59 / 13 / 0 / 8

HEX #61CCEA

RGB 97 204 234

HSL 193.14, 0.77%, 0.65%

LAB 77.08, -22.28, -24.13

 

CMYK 0 / 59 / 13 / 8

HEX #EA60CC

RGB 234 96 204

HSL 313.04, 0.77%, 0.65%

LAB 61.84, 65.43, -30.1

 

CMYK 0 / 34 / 59 / 8

HEX #EA9A61

RGB 234 154 97

HSL 24.96, 0.77%, 0.65%

LAB 70.5, 24.34, 41.87

 

CMYK 59 / 0 / 46 / 8

HEX #61EA7E

RGB 97 234 126

HSL 132.7, 0.77%, 0.65%

LAB 83.39, -59.66, 41.4

 

CMYK 59 / 24 / 0 / 8

HEX #61B1EA

RGB 97 177 234

HSL 204.96, 0.77%, 0.65%

LAB 69.42, -8.08, -35.92

 

CMYK 0 / 59 / 13 / 8

HEX #EA60CC

RGB 234 96 204

HSL 313.04, 0.77%, 0.65%

LAB 61.84, 65.43, -30.1

 

CMYK 0 / 17 / 59 / 8

HEX #EAC361

RGB 234 195 97

HSL 42.92, 0.77%, 0.65%

LAB 80.4, 2.68, 53.55

 

CMYK 59 / 0 / 46 / 8

HEX #61EA7E

RGB 97 234 126

HSL 132.7, 0.77%, 0.65%

LAB 83.39, -59.66, 41.4

 

CMYK 59 / 42 / 0 / 8

HEX #6187EA

RGB 97 135 234

HSL 223.36, 0.77%, 0.65%

LAB 57.86, 16.1, -54.12

 

Description

Color code: HEX #EA60CC | qconv.com Color code: HEX #EA60CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 96 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 96 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 13 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 13% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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