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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5CF4 it is the complementary color #15A30B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5CF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5CF4 shade: #EF5CEF, #FF6EFF, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5CF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5CF4 shade: #EA5CF4, #D94AE1, #C838CE, #B726BB and #A614A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5CF4 shade: #E95CF3, #F35CD4, #F35CAC, #F35C83 and #F35C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5CF4 shade: #E95CF3, #C15CF3, #985CF3, #6F5CF3 and #5C5CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5CF4 shade matches the following richer shades: #E95CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5CF4 shade: #E95CF3, #DD6AE5, #D178D7, #C586C9 and #B994BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5CF4 shade: #995CF3, #C15CF3, #E95CF3, #F35CD5 and #F35CAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5CF4 shade: #DF10ED, #E436F1, #E95CF3, #EE83F6 and #F3AAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5CF4 shade: #EA5CF4, #F3705C and #5CF3AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5CF4 shade: #EA5CF4, #F3E95C and #5CF3E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5CF4 shade: #EA5CF4, #F3705C, #66F35C and #5CDFF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5CF4 shade: #EA5CF4, #F39E5C, #66F35C and #5CB2F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 62 / 0 / 4

HEX #EA5CF4

RGB 234 92 244

HSL 296.05, 0.87%, 0.66%

LAB 63.08, 73.49, -50.56

 

Complementary color

CMYK 87 / 0 / 93 / 36

HEX #15A30B

RGB 21 163 11

HSL 116.05, 0.87%, 0.34%

LAB 58.39, -60, 58.12

 

CMYK 0 / 62 / 0 / 6

HEX #EF5CEF

RGB 239 92 239

HSL 300, 0.82%, 0.65%

LAB 63.54, 73.83, -47.01

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 4 / 62 / 0 / 4

HEX #EA5CF4

RGB 234 92 244

HSL 296.05, 0.87%, 0.66%

LAB 63.08, 73.49, -50.56

 

CMYK 4 / 67 / 0 / 12

HEX #D94AE1

RGB 217 74 225

HSL 296.82, 0.72%, 0.59%

LAB 57.16, 73.36, -49.49

 

CMYK 3 / 73 / 0 / 19

HEX #C838CE

RGB 200 56 206

HSL 297.6, 0.6%, 0.51%

LAB 51.34, 72.75, -48.09

 

CMYK 2 / 80 / 0 / 27

HEX #B726BB

RGB 183 38 187

HSL 298.39, 0.66%, 0.44%

LAB 45.69, 71.44, -46.25

 

CMYK 1 / 88 / 0 / 34

HEX #A614A8

RGB 166 20 168

HSL 299.19, 0.79%, 0.37%

LAB 40.3, 69.09, -43.78

 

CMYK 4 / 62 / 0 / 5

HEX #E95CF3

RGB 233 92 243

HSL 296.03, 0.86%, 0.66%

LAB 62.88, 73.09, -50.32

 

CMYK 0 / 62 / 13 / 5

HEX #F35CD4

RGB 243 92 212

HSL 312.32, 0.86%, 0.66%

LAB 62.9, 70.63, -32.88

 

CMYK 0 / 62 / 29 / 5

HEX #F35CAC

RGB 243 92 172

HSL 328.21, 0.86%, 0.66%

LAB 61.38, 65.27, -12.42

 

CMYK 0 / 62 / 46 / 5

HEX #F35C83

RGB 243 92 131

HSL 344.5, 0.86%, 0.66%

LAB 60.2, 60.91, 9.61

 

CMYK 0 / 62 / 62 / 5

HEX #F35C5C

RGB 243 92 92

HSL 0, 0.86%, 0.66%

LAB 59.42, 57.93, 31.1

 

CMYK 4 / 62 / 0 / 5

HEX #E95CF3

RGB 233 92 243

HSL 296.03, 0.86%, 0.66%

LAB 62.88, 73.09, -50.32

 

CMYK 21 / 62 / 0 / 5

HEX #C15CF3

RGB 193 92 243

HSL 280.13, 0.86%, 0.66%

LAB 57.52, 63.92, -59.17

 

CMYK 37 / 62 / 0 / 5

HEX #985CF3

RGB 152 92 243

HSL 263.84, 0.86%, 0.66%

LAB 52.73, 55, -67.14

 

CMYK 54 / 62 / 0 / 5

HEX #6F5CF3

RGB 111 92 243

HSL 247.55, 0.86%, 0.66%

LAB 48.89, 47.19, -73.55

 

CMYK 62 / 62 / 0 / 5

HEX #5C5CF3

RGB 92 92 243

HSL 240, 0.86%, 0.66%

LAB 47.5, 44.17, -75.88

 

CMYK 4 / 62 / 0 / 5

HEX #E95CF3

RGB 233 92 243

HSL 296.03, 0.86%, 0.66%

LAB 62.88, 73.09, -50.32

 

CMYK 4 / 62 / 0 / 5

HEX #E95CF3

RGB 233 92 243

HSL 296.03, 0.86%, 0.66%

LAB 62.88, 73.09, -50.32

 

CMYK 3 / 54 / 0 / 10

HEX #DD6AE5

RGB 221 106 229

HSL 296.1, 0.7%, 0.66%

LAB 62.79, 61.62, -42.79

 

CMYK 3 / 44 / 0 / 16

HEX #D178D7

RGB 209 120 215

HSL 296.21, 0.54%, 0.66%

LAB 63.26, 48.88, -34.36

 

CMYK 2 / 33 / 0 / 21

HEX #C586C9

RGB 197 134 201

HSL 296.42, 0.38%, 0.66%

LAB 64.27, 35.12, -25.05

 

CMYK 1 / 21 / 0 / 27

HEX #B994BB

RGB 185 148 187

HSL 296.92, 0.22%, 0.66%

LAB 65.81, 20.7, -14.97

 

CMYK 37 / 62 / 0 / 5

HEX #995CF3

RGB 153 92 243

HSL 264.24, 0.86%, 0.66%

LAB 52.84, 55.21, -66.96

 

CMYK 21 / 62 / 0 / 5

HEX #C15CF3

RGB 193 92 243

HSL 280.13, 0.86%, 0.66%

LAB 57.52, 63.92, -59.17

 

CMYK 4 / 62 / 0 / 5

HEX #E95CF3

RGB 233 92 243

HSL 296.03, 0.86%, 0.66%

LAB 62.88, 73.09, -50.32

 

CMYK 0 / 62 / 12 / 5

HEX #F35CD5

RGB 243 92 213

HSL 311.92, 0.86%, 0.66%

LAB 62.94, 70.77, -33.37

 

CMYK 0 / 62 / 29 / 5

HEX #F35CAD

RGB 243 92 173

HSL 327.81, 0.86%, 0.66%

LAB 61.42, 65.39, -12.94

 

CMYK 6 / 93 / 0 / 7

HEX #DF10ED

RGB 223 16 237

HSL 296.2, 0.87%, 0.5%

LAB 54.21, 89.66, -60.9

 

CMYK 5 / 78 / 0 / 5

HEX #E436F1

RGB 228 54 241

HSL 295.83, 0.87%, 0.58%

LAB 57.54, 84.44, -57.75

 

CMYK 4 / 62 / 0 / 5

HEX #E95CF3

RGB 233 92 243

HSL 296.03, 0.86%, 0.66%

LAB 62.88, 73.09, -50.32

 

CMYK 3 / 47 / 0 / 4

HEX #EE83F6

RGB 238 131 246

HSL 295.83, 0.86%, 0.74%

LAB 70.22, 57.3, -40.39

 

CMYK 2 / 32 / 0 / 2

HEX #F3AAF9

RGB 243 170 249

HSL 295.44, 0.87%, 0.82%

LAB 78.84, 39.37, -28.64

 

CMYK 4 / 62 / 0 / 4

HEX #EA5CF4

RGB 234 92 244

HSL 296.05, 0.87%, 0.66%

LAB 63.08, 73.49, -50.56

 

CMYK 0 / 54 / 62 / 5

HEX #F3705C

RGB 243 112 92

HSL 7.95, 0.86%, 0.66%

LAB 62.86, 48.89, 35.42

 

CMYK 62 / 0 / 29 / 5

HEX #5CF3AD

RGB 92 243 173

HSL 152.19, 0.86%, 0.66%

LAB 86.7, -55.86, 22.14

 

CMYK 4 / 62 / 0 / 4

HEX #EA5CF4

RGB 234 92 244

HSL 296.05, 0.87%, 0.66%

LAB 63.08, 73.49, -50.56

 

CMYK 0 / 4 / 62 / 5

HEX #F3E95C

RGB 243 233 92

HSL 56.03, 0.86%, 0.66%

LAB 90.83, -13.2, 67.51

 

CMYK 62 / 0 / 4 / 5

HEX #5CF3E9

RGB 92 243 233

HSL 176.03, 0.86%, 0.66%

LAB 88.09, -41.92, -7.07

 

CMYK 4 / 62 / 0 / 4

HEX #EA5CF4

RGB 234 92 244

HSL 296.05, 0.87%, 0.66%

LAB 63.08, 73.49, -50.56

 

CMYK 0 / 54 / 62 / 5

HEX #F3705C

RGB 243 112 92

HSL 7.95, 0.86%, 0.66%

LAB 62.86, 48.89, 35.42

 

CMYK 58 / 0 / 62 / 5

HEX #66F35C

RGB 102 243 92

HSL 116.03, 0.86%, 0.66%

LAB 85.86, -66.03, 59.85

 

CMYK 62 / 8 / 0 / 5

HEX #5CDFF3

RGB 92 223 243

HSL 187.95, 0.86%, 0.66%

LAB 82.66, -29.92, -20.47

 

CMYK 4 / 62 / 0 / 4

HEX #EA5CF4

RGB 234 92 244

HSL 296.05, 0.87%, 0.66%

LAB 63.08, 73.49, -50.56

 

CMYK 0 / 35 / 62 / 5

HEX #F39E5C

RGB 243 158 92

HSL 26.23, 0.86%, 0.66%

LAB 72.42, 25.52, 46.95

 

CMYK 58 / 0 / 62 / 5

HEX #66F35C

RGB 102 243 92

HSL 116.03, 0.86%, 0.66%

LAB 85.86, -66.03, 59.85

 

CMYK 62 / 27 / 0 / 5

HEX #5CB2F3

RGB 92 178 243

HSL 205.83, 0.86%, 0.66%

LAB 69.89, -6.73, -40.11

 

Description

Color code: HEX #EA5CF4 | qconv.com Color code: HEX #EA5CF4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 92 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 92 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 62 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 62% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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