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Color name
HEX #EA502E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA502E it is the complementary color #15AFD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA502E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA502E shade: #EF5029, #FF623C, #FF744F, #FF8662 and #FF9875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA502E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA502E shade: #EA502E, #D93E1B, #C82C08, #B71A00 and #A60800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA502E shade: #EA502E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA502E shade: #EA502E, #EA822E, #EAB52E, #EAE82E and #B9EA2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA502E shade matches the following richer shades: #EA502E and #FC441B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA502E shade: #EA502E, #D75C40, #C56753, #B27365 and #A07F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA502E shade: #EA2E73, #EA2E40, #EA4D2E, #EA7F2E and #EAB12E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA502E shade: #B42F11, #D93915, #EA502E, #EE6F53 and #F18F79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA502E shade: #EA502E, #A5EA2E and #2E5AEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA502E shade: #EA502E, #2EEA4D and #4D2EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA502E shade: #EA502E, #A5EA2E, #2ECAEA and #732EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA502E shade: #EA502E, #6CEA2E, #2ECAEA and #AB2EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

Complementary color

CMYK 90 / 16 / 0 / 18

HEX #15AFD1

RGB 21 175 209

HSL 190.85, 0.82%, 0.45%

LAB 66.08, -24.5, -27.52

 

CMYK 0 / 67 / 83 / 6

HEX #EF5029

RGB 239 80 41

HSL 11.82, 0.86%, 0.55%

LAB 56.34, 59.33, 54.41

 

CMYK 0 / 62 / 76 / 0

HEX #FF623C

RGB 255 98 60

HSL 11.69, 1%, 0.62%

LAB 61.93, 57.86, 51.73

 

CMYK 0 / 55 / 69 / 0

HEX #FF744F

RGB 255 116 79

HSL 12.61, 1%, 0.65%

LAB 65.21, 50.58, 45.64

 

CMYK 0 / 47 / 62 / 0

HEX #FF8662

RGB 255 134 98

HSL 13.76, 1%, 0.69%

LAB 68.89, 42.95, 39.99

 

CMYK 0 / 40 / 54 / 0

HEX #FF9875

RGB 255 152 117

HSL 15.22, 1%, 0.73%

LAB 72.89, 35.21, 34.88

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 0 / 71 / 88 / 15

HEX #D93E1B

RGB 217 62 27

HSL 11.05, 0.78%, 0.48%

LAB 49.83, 58.7, 53.39

 

CMYK 0 / 78 / 96 / 22

HEX #C82C08

RGB 200 44 8

HSL 11.25, 0.92%, 0.41%

LAB 44.37, 59.12, 54.64

 

CMYK 0 / 86 / 100 / 28

HEX #B71A00

RGB 183 26 0

HSL 8.52, 1%, 0.36%

LAB 39.25, 58.73, 52.87

 

CMYK 0 / 95 / 100 / 35

HEX #A60800

RGB 166 8 0

HSL 2.89, 1%, 0.33%

LAB 34.56, 57.06, 48.65

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 0 / 44 / 80 / 8

HEX #EA822E

RGB 234 130 46

HSL 26.81, 0.82%, 0.55%

LAB 64.69, 34.27, 59.59

 

CMYK 0 / 23 / 80 / 8

HEX #EAB52E

RGB 234 181 46

HSL 43.09, 0.82%, 0.55%

LAB 76.52, 7.37, 70.22

 

CMYK 0 / 1 / 80 / 8

HEX #EAE82E

RGB 234 232 46

HSL 59.36, 0.82%, 0.55%

LAB 89.58, -18.49, 81.57

 

CMYK 21 / 0 / 80 / 8

HEX #B9EA2E

RGB 185 234 46

HSL 75.64, 0.82%, 0.55%

LAB 86.68, -39.17, 77.7

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 0 / 73 / 89 / 1

HEX #FC441B

RGB 252 68 27

HSL 10.93, 0.97%, 0.55%

LAB 56.99, 67.48, 61.59

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 0 / 57 / 70 / 16

HEX #D75C40

RGB 215 92 64

HSL 11.13, 0.65%, 0.55%

LAB 54.52, 46.65, 39.75

 

CMYK 0 / 48 / 58 / 23

HEX #C56753

RGB 197 103 83

HSL 10.53, 0.5%, 0.55%

LAB 54.23, 35.56, 28.18

 

CMYK 0 / 35 / 43 / 30

HEX #B27365

RGB 178 115 101

HSL 10.91, 0.33%, 0.55%

LAB 54.73, 23.18, 18.03

 

CMYK 0 / 21 / 25 / 37

HEX #A07F78

RGB 160 127 120

HSL 10.5, 0.17%, 0.55%

LAB 56.1, 11.62, 8.64

 

CMYK 0 / 80 / 51 / 8

HEX #EA2E73

RGB 234 46 115

HSL 337.98, 0.82%, 0.55%

LAB 52.6, 72.65, 8.09

 

CMYK 0 / 80 / 73 / 8

HEX #EA2E40

RGB 234 46 64

HSL 354.26, 0.82%, 0.55%

LAB 51.63, 69.7, 37.3

 

CMYK 0 / 67 / 80 / 8

HEX #EA4D2E

RGB 234 77 46

HSL 9.89, 0.82%, 0.55%

LAB 55.07, 59.01, 50.58

 

CMYK 0 / 46 / 80 / 8

HEX #EA7F2E

RGB 234 127 46

HSL 25.85, 0.82%, 0.55%

LAB 64.05, 35.82, 59.01

 

CMYK 0 / 24 / 80 / 8

HEX #EAB12E

RGB 234 177 46

HSL 41.81, 0.82%, 0.55%

LAB 75.53, 9.48, 69.34

 

CMYK 0 / 74 / 91 / 29

HEX #B42F11

RGB 180 47 17

HSL 11.04, 0.83%, 0.39%

LAB 40.86, 52.02, 47.54

 

CMYK 0 / 74 / 90 / 15

HEX #D93915

RGB 217 57 21

HSL 11.02, 0.82%, 0.47%

LAB 49.17, 60.34, 55.22

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 0 / 53 / 65 / 7

HEX #EE6F53

RGB 238 111 83

HSL 10.84, 0.82%, 0.63%

LAB 61.8, 47.01, 38.88

 

CMYK 0 / 41 / 50 / 5

HEX #F18F79

RGB 241 143 121

HSL 11, 0.81%, 0.71%

LAB 69.27, 34.85, 27.66

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 29 / 0 / 80 / 8

HEX #A5EA2E

RGB 165 234 46

HSL 82.02, 0.82%, 0.55%

LAB 85.53, -46.67, 76.23

 

CMYK 80 / 62 / 0 / 8

HEX #2E5AEA

RGB 46 90 234

HSL 225.96, 0.82%, 0.55%

LAB 43.99, 36.98, -76.64

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 80 / 0 / 67 / 8

HEX #2EEA4D

RGB 46 234 77

HSL 129.89, 0.82%, 0.55%

LAB 81.82, -74.19, 61.14

 

CMYK 67 / 80 / 0 / 8

HEX #4D2EEA

RGB 77 46 234

HSL 249.89, 0.82%, 0.55%

LAB 36.88, 63.86, -88.3

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 29 / 0 / 80 / 8

HEX #A5EA2E

RGB 165 234 46

HSL 82.02, 0.82%, 0.55%

LAB 85.53, -46.67, 76.23

 

CMYK 80 / 14 / 0 / 8

HEX #2ECAEA

RGB 46 202 234

HSL 190.21, 0.82%, 0.55%

LAB 75.3, -28.14, -26.95

 

CMYK 51 / 80 / 0 / 8

HEX #732EEA

RGB 115 46 234

HSL 262.02, 0.82%, 0.55%

LAB 40.47, 67.69, -82.24

 

CMYK 0 / 66 / 80 / 8

HEX #EA502E

RGB 234 80 46

HSL 10.85, 0.82%, 0.55%

LAB 55.51, 57.81, 51.01

 

CMYK 54 / 0 / 80 / 8

HEX #6CEA2E

RGB 108 234 46

HSL 100.21, 0.82%, 0.55%

LAB 83.04, -64.78, 73.05

 

CMYK 80 / 14 / 0 / 8

HEX #2ECAEA

RGB 46 202 234

HSL 190.21, 0.82%, 0.55%

LAB 75.3, -28.14, -26.95

 

CMYK 27 / 80 / 0 / 8

HEX #AB2EEA

RGB 171 46 234

HSL 279.89, 0.82%, 0.55%

LAB 47.69, 75.55, -70.14

 

Description

Color code: HEX #EA502E | qconv.com Color code: HEX #EA502E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 80 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 80 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 80% 8% C M Y K

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Provide designers and agencies with accurate color values.

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