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Color name
HEX #EA5818

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5818 it is the complementary color #15A7E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5818. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5818 shade: #EF5813, #FF6A26, #FF7C39, #FF8E4C and #FFA05F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5818. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5818 shade: #EA5818, #D94605, #C83400, #B72200 and #A61000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5818 shade: #E9591A, #E9211A and #E91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5818 shade: #E9591A, #E9911A, #E9C91A, #D2E91A and #9AE91A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5818 shade matches the following richer shades: #E9591A and #FD5106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5818 shade: #E9591A, #D5612E, #C16942, #AD7156 and #98796B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5818 shade: #E91A4A, #E9211A, #E9581A, #E98F1A and #E9C71A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5818 shade: #A23C0F, #C84912, #E9591A, #ED7440 and #F09065

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5818 shade: #EA5818, #82E91A and #1A2FE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5818 shade: #EA5818, #1AE958 and #581AE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5818 shade: #EA5818, #82E91A, #1AABE9 and #821AE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5818 shade: #EA5818, #43E91A, #1AABE9 and #C01AE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 90 / 8

HEX #EA5818

RGB 234 88 24

HSL 18.29, 0.83%, 0.51%

LAB 56.62, 53.97, 60.9

 

Complementary color

CMYK 91 / 28 / 0 / 9

HEX #15A7E7

RGB 21 167 231

HSL 198.29, 0.83%, 0.49%

LAB 64.62, -12.62, -41.91

 

CMYK 0 / 63 / 92 / 6

HEX #EF5813

RGB 239 88 19

HSL 18.82, 0.87%, 0.51%

LAB 57.44, 55.64, 63.35

 

CMYK 0 / 58 / 85 / 0

HEX #FF6A26

RGB 255 106 38

HSL 18.8, 1%, 0.57%

LAB 63.1, 53.72, 62.49

 

CMYK 0 / 51 / 78 / 0

HEX #FF7C39

RGB 255 124 57

HSL 20.3, 1%, 0.61%

LAB 66.5, 45.83, 57.7

 

CMYK 0 / 44 / 70 / 0

HEX #FF8E4C

RGB 255 142 76

HSL 22.12, 1%, 0.65%

LAB 70.27, 37.67, 52.78

 

CMYK 0 / 37 / 63 / 0

HEX #FFA05F

RGB 255 160 95

HSL 24.38, 1%, 0.69%

LAB 74.34, 29.48, 48.06

 

CMYK 0 / 62 / 90 / 8

HEX #EA5818

RGB 234 88 24

HSL 18.29, 0.83%, 0.51%

LAB 56.62, 53.97, 60.9

 

CMYK 0 / 68 / 98 / 15

HEX #D94605

RGB 217 70 5

HSL 18.4, 0.95%, 0.44%

LAB 50.85, 55.39, 60.68

 

CMYK 0 / 74 / 100 / 22

HEX #C83400

RGB 200 52 0

HSL 15.6, 1%, 0.39%

LAB 45.27, 56.47, 57.44

 

CMYK 0 / 81 / 100 / 28

HEX #B72200

RGB 183 34 0

HSL 11.15, 1%, 0.36%

LAB 39.93, 56.8, 53.14

 

CMYK 0 / 90 / 100 / 35

HEX #A61000

RGB 166 16 0

HSL 5.78, 1%, 0.33%

LAB 34.96, 55.92, 48.86

 

CMYK 0 / 62 / 89 / 9

HEX #E9591A

RGB 233 89 26

HSL 18.26, 0.82%, 0.51%

LAB 56.63, 53.22, 60.18

 

CMYK 0 / 86 / 89 / 9

HEX #E9211A

RGB 233 33 26

HSL 2.03, 0.82%, 0.51%

LAB 50.08, 71.27, 55.35

 

CMYK 0 / 89 / 89 / 9

HEX #E91A1A

RGB 233 26 26

HSL 0, 0.82%, 0.51%

LAB 49.66, 72.47, 55.05

 

CMYK 0 / 62 / 89 / 9

HEX #E9591A

RGB 233 89 26

HSL 18.26, 0.82%, 0.51%

LAB 56.63, 53.22, 60.18

 

CMYK 0 / 38 / 89 / 9

HEX #E9911A

RGB 233 145 26

HSL 34.49, 0.82%, 0.51%

LAB 67.76, 25.5, 68.61

 

CMYK 0 / 14 / 89 / 9

HEX #E9C91A

RGB 233 201 26

HSL 50.72, 0.82%, 0.51%

LAB 81.39, -3.93, 79.15

 

CMYK 10 / 0 / 89 / 9

HEX #D2E91A

RGB 210 233 26

HSL 66.67, 0.82%, 0.51%

LAB 87.99, -29.33, 83.58

 

CMYK 34 / 0 / 89 / 9

HEX #9AE91A

RGB 154 233 26

HSL 82.9, 0.82%, 0.51%

LAB 84.6, -50.82, 79.41

 

CMYK 0 / 62 / 89 / 9

HEX #E9591A

RGB 233 89 26

HSL 18.26, 0.82%, 0.51%

LAB 56.63, 53.22, 60.18

 

CMYK 0 / 68 / 98 / 1

HEX #FD5106

RGB 253 81 6

HSL 18.22, 0.98%, 0.51%

LAB 58.77, 62.98, 68.18

 

CMYK 0 / 62 / 89 / 9

HEX #E9591A

RGB 233 89 26

HSL 18.26, 0.82%, 0.51%

LAB 56.63, 53.22, 60.18

 

CMYK 0 / 54 / 78 / 16

HEX #D5612E

RGB 213 97 46

HSL 18.32, 0.67%, 0.51%

LAB 54.96, 42.72, 49.3

 

CMYK 0 / 46 / 66 / 24

HEX #C16942

RGB 193 105 66

HSL 18.43, 0.51%, 0.51%

LAB 53.85, 31.72, 37.05

 

CMYK 0 / 35 / 50 / 32

HEX #AD7156

RGB 173 113 86

HSL 18.62, 0.35%, 0.51%

LAB 53.35, 20.67, 24.7

 

CMYK 0 / 20 / 30 / 40

HEX #98796B

RGB 152 121 107

HSL 18.67, 0.18%, 0.51%

LAB 53.4, 9.9, 12.25

 

CMYK 0 / 89 / 68 / 9

HEX #E91A4A

RGB 233 26 74

HSL 346.09, 0.82%, 0.51%

LAB 50.16, 73.9, 29.6

 

CMYK 0 / 86 / 89 / 9

HEX #E9211A

RGB 233 33 26

HSL 2.03, 0.82%, 0.51%

LAB 50.08, 71.27, 55.35

 

CMYK 0 / 62 / 89 / 9

HEX #E9581A

RGB 233 88 26

HSL 17.97, 0.82%, 0.51%

LAB 56.46, 53.66, 60.05

 

CMYK 0 / 39 / 89 / 9

HEX #E98F1A

RGB 233 143 26

HSL 33.91, 0.82%, 0.51%

LAB 67.31, 26.56, 68.26

 

CMYK 0 / 15 / 89 / 9

HEX #E9C71A

RGB 233 199 26

HSL 50.14, 0.82%, 0.51%

LAB 80.87, -2.9, 78.75

 

CMYK 0 / 63 / 91 / 36

HEX #A23C0F

RGB 162 60 15

HSL 18.37, 0.83%, 0.35%

LAB 39.49, 40.31, 45.79

 

CMYK 0 / 64 / 91 / 22

HEX #C84912

RGB 200 73 18

HSL 18.13, 0.83%, 0.43%

LAB 48.37, 48.4, 54.26

 

CMYK 0 / 62 / 89 / 9

HEX #E9591A

RGB 233 89 26

HSL 18.26, 0.82%, 0.51%

LAB 56.63, 53.22, 60.18

 

CMYK 0 / 51 / 73 / 7

HEX #ED7440

RGB 237 116 64

HSL 18.03, 0.83%, 0.59%

LAB 62.39, 43.22, 49.39

 

CMYK 0 / 40 / 58 / 6

HEX #F09065

RGB 240 144 101

HSL 18.56, 0.82%, 0.67%

LAB 69.05, 32.3, 38.15

 

CMYK 0 / 62 / 90 / 8

HEX #EA5818

RGB 234 88 24

HSL 18.29, 0.83%, 0.51%

LAB 56.62, 53.97, 60.9

 

CMYK 44 / 0 / 89 / 9

HEX #82E91A

RGB 130 233 26

HSL 89.86, 0.82%, 0.51%

LAB 83.49, -58.8, 78.04

 

CMYK 89 / 80 / 0 / 9

HEX #1A2FE9

RGB 26 47 233

HSL 233.91, 0.82%, 0.51%

LAB 34.26, 60.28, -92.15

 

CMYK 0 / 62 / 90 / 8

HEX #EA5818

RGB 234 88 24

HSL 18.29, 0.83%, 0.51%

LAB 56.62, 53.97, 60.9

 

CMYK 89 / 0 / 62 / 9

HEX #1AE958

RGB 26 233 88

HSL 137.97, 0.82%, 0.51%

LAB 81.4, -74.46, 56.16

 

CMYK 62 / 89 / 0 / 9

HEX #581AE9

RGB 88 26 233

HSL 257.97, 0.82%, 0.51%

LAB 35.39, 71.35, -90.16

 

CMYK 0 / 62 / 90 / 8

HEX #EA5818

RGB 234 88 24

HSL 18.29, 0.83%, 0.51%

LAB 56.62, 53.97, 60.9

 

CMYK 44 / 0 / 89 / 9

HEX #82E91A

RGB 130 233 26

HSL 89.86, 0.82%, 0.51%

LAB 83.49, -58.8, 78.04

 

CMYK 89 / 27 / 0 / 9

HEX #1AABE9

RGB 26 171 233

HSL 197.97, 0.82%, 0.51%

LAB 65.93, -13.85, -40.95

 

CMYK 44 / 89 / 0 / 9

HEX #821AE9

RGB 130 26 233

HSL 270.14, 0.82%, 0.51%

LAB 40.19, 75.06, -82.07

 

CMYK 0 / 62 / 90 / 8

HEX #EA5818

RGB 234 88 24

HSL 18.29, 0.83%, 0.51%

LAB 56.62, 53.97, 60.9

 

CMYK 71 / 0 / 89 / 9

HEX #43E91A

RGB 67 233 26

HSL 108.12, 0.82%, 0.51%

LAB 81.59, -74.12, 75.67

 

CMYK 89 / 27 / 0 / 9

HEX #1AABE9

RGB 26 171 233

HSL 197.97, 0.82%, 0.51%

LAB 65.93, -13.85, -40.95

 

CMYK 18 / 89 / 0 / 9

HEX #C01AE9

RGB 192 26 233

HSL 288.12, 0.82%, 0.51%

LAB 49.29, 83.06, -66.84

 

Description

Color code: HEX #EA5818 | qconv.com Color code: HEX #EA5818 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 88 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 88 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 90 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 90% 8% C M Y K

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Provide designers and agencies with accurate color values.

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