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Color name
HEX #EA5790

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5790 it is the complementary color #15A86F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5790. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5790 shade: #EF578B, #FF699E, #FF7BB1, #FF8DC4 and #FF9FD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5790. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5790 shade: #EA5790, #D9457D, #C8336A, #B72157 and #A60F44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5790 shade: #EA5790, #EA5768 and #EA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5790 shade: #EA5790, #EA57B7, #EA57DF, #CD57EA and #A557EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5790 shade matches the following richer shades: #EA5790 and #F9478C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5790 shade: #EA5790, #DA6693, #CB7596, #BC849A and #AD949D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5790 shade: #EA57E0, #EA57B9, #EA5791, #EA576A and #EA6A57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5790 shade: #D41A62, #E53277, #EA5790, #EE7BA8 and #F3A0C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5790 shade: #EA5790, #EACC57 and #57CCEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5790 shade: #EA5790, #91EA57 and #5791EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5790 shade: #EA5790, #EACC57, #57EAAF and #5774EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5790 shade: #EA5790, #DBEA57, #57EAAF and #6557EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

Complementary color

CMYK 88 / 0 / 34 / 34

HEX #15A86F

RGB 21 168 111

HSL 156.73, 0.78%, 0.37%

LAB 61.06, -49.43, 19.56

 

CMYK 0 / 64 / 42 / 6

HEX #EF578B

RGB 239 87 139

HSL 339.47, 0.83%, 0.64%

LAB 59, 62.52, 3.14

 

CMYK 0 / 59 / 38 / 0

HEX #FF699E

RGB 255 105 158

HSL 338.8, 1%, 0.71%

LAB 64.83, 61.75, 0.92

 

CMYK 0 / 52 / 31 / 0

HEX #FF7BB1

RGB 255 123 177

HSL 335.45, 1%, 0.74%

LAB 68.46, 55.76, -4.54

 

CMYK 0 / 45 / 23 / 0

HEX #FF8DC4

RGB 255 141 196

HSL 331.05, 1%, 0.78%

LAB 72.43, 49.5, -9.27

 

CMYK 0 / 38 / 16 / 0

HEX #FF9FD7

RGB 255 159 215

HSL 325, 1%, 0.81%

LAB 76.66, 43.17, -13.4

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 68 / 42 / 15

HEX #D9457D

RGB 217 69 125

HSL 337.3, 0.66%, 0.56%

LAB 52.39, 61.71, 1.37

 

CMYK 0 / 75 / 47 / 22

HEX #C8336A

RGB 200 51 106

HSL 337.85, 0.59%, 0.49%

LAB 46.56, 61.46, 4.09

 

CMYK 0 / 82 / 52 / 28

HEX #B72157

RGB 183 33 87

HSL 338.4, 0.69%, 0.42%

LAB 40.97, 60.49, 7.52

 

CMYK 0 / 91 / 59 / 35

HEX #A60F44

RGB 166 15 68

HSL 338.94, 0.83%, 0.35%

LAB 35.72, 58.43, 11.88

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 63 / 56 / 8

HEX #EA5768

RGB 234 87 104

HSL 353.06, 0.78%, 0.63%

LAB 57.37, 57.92, 21.23

 

CMYK 0 / 63 / 63 / 8

HEX #EA5757

RGB 234 87 87

HSL 0, 0.78%, 0.63%

LAB 57.07, 56.77, 30.68

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 63 / 22 / 8

HEX #EA57B7

RGB 234 87 183

HSL 320.82, 0.78%, 0.63%

LAB 59.64, 66.2, -21.52

 

CMYK 0 / 63 / 5 / 8

HEX #EA57DF

RGB 234 87 223

HSL 304.49, 0.78%, 0.63%

LAB 61.34, 72.03, -41.59

 

CMYK 12 / 63 / 0 / 8

HEX #CD57EA

RGB 205 87 234

HSL 288.16, 0.78%, 0.63%

LAB 57.79, 67.09, -53.64

 

CMYK 29 / 63 / 0 / 8

HEX #A557EA

RGB 165 87 234

HSL 271.84, 0.78%, 0.63%

LAB 52.68, 58.12, -62.11

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 71 / 44 / 2

HEX #F9478C

RGB 249 71 140

HSL 336.74, 0.94%, 0.63%

LAB 58.55, 71.4, 2.1

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 53 / 33 / 15

HEX #DA6693

RGB 218 102 147

HSL 336.72, 0.61%, 0.63%

LAB 58.52, 50.11, -2.62

 

CMYK 0 / 42 / 26 / 20

HEX #CB7596

RGB 203 117 150

HSL 336.98, 0.45%, 0.63%

LAB 59.54, 37.79, -3.08

 

CMYK 0 / 30 / 18 / 26

HEX #BC849A

RGB 188 132 154

HSL 336.43, 0.29%, 0.63%

LAB 61.24, 24.83, -3.08

 

CMYK 0 / 14 / 9 / 32

HEX #AD949D

RGB 173 148 157

HSL 338.4, 0.13%, 0.63%

LAB 63.75, 10.86, -1.28

 

CMYK 0 / 63 / 4 / 8

HEX #EA57E0

RGB 234 87 224

HSL 304.08, 0.78%, 0.63%

LAB 61.39, 72.19, -42.08

 

CMYK 0 / 63 / 21 / 8

HEX #EA57B9

RGB 234 87 185

HSL 320, 0.78%, 0.63%

LAB 59.72, 66.47, -22.55

 

CMYK 0 / 63 / 38 / 8

HEX #EA5791

RGB 234 87 145

HSL 336.33, 0.78%, 0.63%

LAB 58.37, 61.63, -1.39

 

CMYK 0 / 63 / 55 / 8

HEX #EA576A

RGB 234 87 106

HSL 352.24, 0.78%, 0.63%

LAB 57.41, 58.07, 20.11

 

CMYK 0 / 55 / 63 / 8

HEX #EA6A57

RGB 234 106 87

HSL 7.76, 0.78%, 0.63%

LAB 60.33, 48.2, 34.75

 

CMYK 0 / 88 / 54 / 17

HEX #D41A62

RGB 212 26 98

HSL 336.77, 0.78%, 0.47%

LAB 46.47, 70.13, 9.21

 

CMYK 0 / 78 / 48 / 10

HEX #E53277

RGB 229 50 119

HSL 336.87, 0.77%, 0.55%

LAB 52.14, 70.65, 4.89

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 48 / 29 / 7

HEX #EE7BA8

RGB 238 123 168

HSL 336.52, 0.77%, 0.71%

LAB 65.88, 49.1, -3.52

 

CMYK 0 / 34 / 21 / 5

HEX #F3A0C0

RGB 243 160 192

HSL 336.87, 0.78%, 0.79%

LAB 74.83, 35.14, -3.67

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 13 / 63 / 8

HEX #EACC57

RGB 234 204 87

HSL 47.76, 0.78%, 0.63%

LAB 82.58, -2.64, 60.51

 

CMYK 63 / 13 / 0 / 8

HEX #57CCEA

RGB 87 204 234

HSL 192.24, 0.78%, 0.63%

LAB 76.77, -24.02, -24.63

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 38 / 0 / 63 / 8

HEX #91EA57

RGB 145 234 87

HSL 96.33, 0.78%, 0.63%

LAB 84.77, -51.04, 61.17

 

CMYK 63 / 38 / 0 / 8

HEX #5791EA

RGB 87 145 234

HSL 216.33, 0.78%, 0.63%

LAB 60.08, 8.3, -50.61

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 0 / 13 / 63 / 8

HEX #EACC57

RGB 234 204 87

HSL 47.76, 0.78%, 0.63%

LAB 82.58, -2.64, 60.51

 

CMYK 63 / 0 / 25 / 8

HEX #57EAAF

RGB 87 234 175

HSL 155.92, 0.78%, 0.63%

LAB 83.95, -52.74, 17.27

 

CMYK 63 / 50 / 0 / 8

HEX #5774EA

RGB 87 116 234

HSL 228.16, 0.78%, 0.63%

LAB 52.35, 25.86, -62.98

 

CMYK 0 / 63 / 38 / 8

HEX #EA5790

RGB 234 87 144

HSL 336.73, 0.78%, 0.63%

LAB 58.34, 61.53, -0.85

 

CMYK 6 / 0 / 63 / 8

HEX #DBEA57

RGB 219 234 87

HSL 66.12, 0.78%, 0.63%

LAB 89.2, -23.69, 67.25

 

CMYK 63 / 0 / 25 / 8

HEX #57EAAF

RGB 87 234 175

HSL 155.92, 0.78%, 0.63%

LAB 83.95, -52.74, 17.27

 

CMYK 57 / 63 / 0 / 8

HEX #6557EA

RGB 101 87 234

HSL 245.71, 0.78%, 0.63%

LAB 46.34, 45.66, -72.68

 

Description

Color code: HEX #EA5790 | qconv.com Color code: HEX #EA5790 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 87 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 87 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 38% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - あさチャン！｜TBSテレビ
Link: http://www.tbs.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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