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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5524 it is the complementary color #15AADB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5524. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5524 shade: #EF551F, #FF6732, #FF7945, #FF8B58 and #FF9D6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5524. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5524 shade: #EA5524, #D94311, #C83100, #B71F00 and #A60D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5524 shade: #EA5423 and #EA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5524 shade: #EA5423, #EA8A23, #EAC023, #DFEA23 and #A9EA23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5524 shade matches the following richer shades: #EA5423 and #FE4B10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5524 shade: #EA5423, #D75E37, #C3684A, #B0725D and #9D7C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5524 shade: #EA235F, #EA232A, #EA5223, #EA8723 and #EABC23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5524 shade: #AB360F, #D14213, #EA5423, #EE7249 and #F18F6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5524 shade: #EA5524, #94EA23 and #2344EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5524 shade: #EA5524, #23EA52 and #5223EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5524 shade: #EA5524, #94EA23, #23BCEA and #7923EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5524 shade: #EA5524, #58EA23, #23BCEA and #B523EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 85 / 8

HEX #EA5524

RGB 234 85 36

HSL 14.85, 0.83%, 0.53%

LAB 56.2, 55.49, 56.13

 

Complementary color

CMYK 90 / 22 / 0 / 14

HEX #15AADB

RGB 21 170 219

HSL 194.85, 0.83%, 0.47%

LAB 64.98, -18.48, -34.73

 

CMYK 0 / 64 / 87 / 6

HEX #EF551F

RGB 239 85 31

HSL 15.58, 0.87%, 0.53%

LAB 57.02, 57.08, 59.13

 

CMYK 0 / 60 / 80 / 0

HEX #FF6732

RGB 255 103 50

HSL 15.51, 1%, 0.6%

LAB 62.67, 55.36, 57.16

 

CMYK 0 / 53 / 73 / 0

HEX #FF7945

RGB 255 121 69

HSL 16.77, 1%, 0.64%

LAB 66.03, 47.75, 51.6

 

CMYK 0 / 45 / 65 / 0

HEX #FF8B58

RGB 255 139 88

HSL 18.32, 1%, 0.67%

LAB 69.77, 39.83, 46.27

 

CMYK 0 / 38 / 58 / 0

HEX #FF9D6B

RGB 255 157 107

HSL 20.27, 1%, 0.71%

LAB 73.83, 31.86, 41.33

 

CMYK 0 / 64 / 85 / 8

HEX #EA5524

RGB 234 85 36

HSL 14.85, 0.83%, 0.53%

LAB 56.2, 55.49, 56.13

 

CMYK 0 / 69 / 92 / 15

HEX #D94311

RGB 217 67 17

HSL 15, 0.85%, 0.46%

LAB 50.46, 56.68, 57.43

 

CMYK 0 / 76 / 100 / 22

HEX #C83100

RGB 200 49 0

HSL 14.7, 1%, 0.39%

LAB 44.91, 57.47, 57.27

 

CMYK 0 / 83 / 100 / 28

HEX #B71F00

RGB 183 31 0

HSL 10.16, 1%, 0.36%

LAB 39.66, 57.57, 53.03

 

CMYK 0 / 92 / 100 / 35

HEX #A60D00

RGB 166 13 0

HSL 4.7, 1%, 0.33%

LAB 34.79, 56.4, 48.77

 

CMYK 0 / 64 / 85 / 8

HEX #EA5423

RGB 234 84 35

HSL 14.77, 0.83%, 0.53%

LAB 56.04, 55.88, 56.41

 

CMYK 0 / 85 / 85 / 8

HEX #EA2323

RGB 234 35 35

HSL 0, 0.83%, 0.53%

LAB 50.47, 71.31, 51.71

 

CMYK 0 / 64 / 85 / 8

HEX #EA5423

RGB 234 84 35

HSL 14.77, 0.83%, 0.53%

LAB 56.04, 55.88, 56.41

 

CMYK 0 / 41 / 85 / 8

HEX #EA8A23

RGB 234 138 35

HSL 31.06, 0.83%, 0.53%

LAB 66.36, 29.8, 64.99

 

CMYK 0 / 18 / 85 / 8

HEX #EAC023

RGB 234 192 35

HSL 47.34, 0.83%, 0.53%

LAB 79.22, 1.33, 75.57

 

CMYK 5 / 0 / 85 / 8

HEX #DFEA23

RGB 223 234 35

HSL 63.32, 0.83%, 0.53%

LAB 89.23, -24.29, 83.38

 

CMYK 28 / 0 / 85 / 8

HEX #A9EA23

RGB 169 234 35

HSL 79.6, 0.83%, 0.53%

LAB 85.71, -45.58, 79.01

 

CMYK 0 / 64 / 85 / 8

HEX #EA5423

RGB 234 84 35

HSL 14.77, 0.83%, 0.53%

LAB 56.04, 55.88, 56.41

 

CMYK 0 / 70 / 94 / 0

HEX #FE4B10

RGB 254 75 16

HSL 14.87, 0.99%, 0.53%

LAB 58.17, 65.57, 65.88

 

CMYK 0 / 64 / 85 / 8

HEX #EA5423

RGB 234 84 35

HSL 14.77, 0.83%, 0.53%

LAB 56.04, 55.88, 56.41

 

CMYK 0 / 56 / 74 / 16

HEX #D75E37

RGB 215 94 55

HSL 14.63, 0.67%, 0.53%

LAB 54.79, 45.28, 44.79

 

CMYK 0 / 47 / 62 / 24

HEX #C3684A

RGB 195 104 74

HSL 14.88, 0.5%, 0.53%

LAB 54.02, 33.58, 32.93

 

CMYK 0 / 35 / 47 / 31

HEX #B0725D

RGB 176 114 93

HSL 15.18, 0.34%, 0.53%

LAB 54.09, 22.06, 21.73

 

CMYK 0 / 21 / 28 / 38

HEX #9D7C71

RGB 157 124 113

HSL 15, 0.18%, 0.53%

LAB 54.84, 11.09, 10.87

 

CMYK 0 / 85 / 59 / 8

HEX #EA235F

RGB 234 35 95

HSL 341.91, 0.83%, 0.53%

LAB 51.29, 73.71, 18.39

 

CMYK 0 / 85 / 82 / 8

HEX #EA232A

RGB 234 35 42

HSL 357.89, 0.83%, 0.53%

LAB 50.52, 71.47, 48.27

 

CMYK 0 / 65 / 85 / 8

HEX #EA5223

RGB 234 82 35

HSL 14.17, 0.83%, 0.53%

LAB 55.73, 56.71, 56.15

 

CMYK 0 / 42 / 85 / 8

HEX #EA8723

RGB 234 135 35

HSL 30.15, 0.83%, 0.53%

LAB 65.7, 31.37, 64.45

 

CMYK 0 / 20 / 85 / 8

HEX #EABC23

RGB 234 188 35

HSL 46.13, 0.83%, 0.53%

LAB 78.22, 3.41, 74.74

 

CMYK 0 / 68 / 91 / 33

HEX #AB360F

RGB 171 54 15

HSL 15, 0.84%, 0.36%

LAB 40.13, 46.24, 46.99

 

CMYK 0 / 68 / 91 / 18

HEX #D14213

RGB 209 66 19

HSL 14.84, 0.83%, 0.45%

LAB 48.88, 54.45, 55.03

 

CMYK 0 / 64 / 85 / 8

HEX #EA5423

RGB 234 84 35

HSL 14.77, 0.83%, 0.53%

LAB 56.04, 55.88, 56.41

 

CMYK 0 / 52 / 69 / 7

HEX #EE7249

RGB 238 114 73

HSL 14.91, 0.83%, 0.61%

LAB 62.25, 45.01, 44.71

 

CMYK 0 / 41 / 54 / 5

HEX #F18F6F

RGB 241 143 111

HSL 14.77, 0.82%, 0.69%

LAB 69.11, 33.99, 32.89

 

CMYK 0 / 64 / 85 / 8

HEX #EA5524

RGB 234 85 36

HSL 14.85, 0.83%, 0.53%

LAB 56.2, 55.49, 56.13

 

CMYK 37 / 0 / 85 / 8

HEX #94EA23

RGB 148 234 35

HSL 85.93, 0.83%, 0.53%

LAB 84.62, -53.05, 77.65

 

CMYK 85 / 71 / 0 / 8

HEX #2344EA

RGB 35 68 234

HSL 230.05, 0.83%, 0.53%

LAB 38.61, 49.68, -85.51

 

CMYK 0 / 64 / 85 / 8

HEX #EA5524

RGB 234 85 36

HSL 14.85, 0.83%, 0.53%

LAB 56.2, 55.49, 56.13

 

CMYK 85 / 0 / 65 / 8

HEX #23EA52

RGB 35 234 82

HSL 134.17, 0.83%, 0.53%

LAB 81.74, -74.75, 59.03

 

CMYK 65 / 85 / 0 / 8

HEX #5223EA

RGB 82 35 234

HSL 254.17, 0.83%, 0.53%

LAB 35.86, 68.46, -89.97

 

CMYK 0 / 64 / 85 / 8

HEX #EA5524

RGB 234 85 36

HSL 14.85, 0.83%, 0.53%

LAB 56.2, 55.49, 56.13

 

CMYK 37 / 0 / 85 / 8

HEX #94EA23

RGB 148 234 35

HSL 85.93, 0.83%, 0.53%

LAB 84.62, -53.05, 77.65

 

CMYK 85 / 20 / 0 / 8

HEX #23BCEA

RGB 35 188 234

HSL 193.87, 0.83%, 0.53%

LAB 71.05, -21.94, -33.51

 

CMYK 48 / 85 / 0 / 8

HEX #7923EA

RGB 121 35 234

HSL 265.93, 0.83%, 0.53%

LAB 39.93, 72.03, -83.12

 

CMYK 0 / 64 / 85 / 8

HEX #EA5524

RGB 234 85 36

HSL 14.85, 0.83%, 0.53%

LAB 56.2, 55.49, 56.13

 

CMYK 62 / 0 / 85 / 8

HEX #58EA23

RGB 88 234 35

HSL 104.02, 0.83%, 0.53%

LAB 82.4, -70.08, 74.86

 

CMYK 85 / 20 / 0 / 8

HEX #23BCEA

RGB 35 188 234

HSL 193.87, 0.83%, 0.53%

LAB 71.05, -21.94, -33.51

 

CMYK 23 / 85 / 0 / 8

HEX #B523EA

RGB 181 35 234

HSL 284.02, 0.83%, 0.53%

LAB 48.22, 79.9, -69.22

 

Description

Color code: HEX #EA5524 | qconv.com Color code: HEX #EA5524 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 85 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 85 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 85 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 85% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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