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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA45FC it is the complementary color #15BA03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA45FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA45FC shade: #EF45F7, #FF57FF, #FF69FF, #FF7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA45FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA45FC shade: #EA45FC, #D933E9, #C821D6, #B70FC3 and #A600B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA45FC shade: #EA45FC, #FC45DC, #FC45AB, #FC457A and #FC4548

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA45FC shade: #EA45FC, #B845FC, #8745FC, #5645FC and #4545FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA45FC shade matches the following richer shades: #EA45FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA45FC shade: #EA45FC, #DD54EC, #D163DD, #C572CE and #B982BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA45FC shade: #8845FC, #B945FC, #E945FC, #FC45DD and #FC45AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA45FC shade: #D403EB, #E51CFB, #EA45FC, #EE6DFC and #F396FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA45FC shade: #EA45FC, #FC5745 and #45FCA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA45FC shade: #EA45FC, #FCE945 and #45FCE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA45FC shade: #EA45FC, #FC5745, #57FC45 and #45E9FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA45FC shade: #EA45FC, #FC8E45, #57FC45 and #45B2FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

Complementary color

CMYK 89 / 0 / 98 / 27

HEX #15BA03

RGB 21 186 3

HSL 114.1, 0.97%, 0.37%

LAB 65.97, -66.8, 65.41

 

CMYK 3 / 72 / 0 / 3

HEX #EF45F7

RGB 239 69 247

HSL 297.3, 0.92%, 0.62%

LAB 61.07, 83.25, -55.37

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 7 / 78 / 0 / 9

HEX #D933E9

RGB 217 51 233

HSL 294.73, 0.81%, 0.56%

LAB 55.07, 81.91, -57.31

 

CMYK 7 / 85 / 0 / 16

HEX #C821D6

RGB 200 33 214

HSL 295.36, 0.73%, 0.48%

LAB 49.76, 79.97, -55.2

 

CMYK 6 / 92 / 0 / 24

HEX #B70FC3

RGB 183 15 195

HSL 296, 0.86%, 0.41%

LAB 44.73, 76.96, -52.46

 

CMYK 6 / 100 / 0 / 31

HEX #A600B0

RGB 166 0 176

HSL 296.59, 1%, 0.35%

LAB 39.98, 72.78, -49.07

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 0 / 73 / 13 / 1

HEX #FC45DC

RGB 252 69 220

HSL 310.49, 0.97%, 0.63%

LAB 61.76, 81.98, -39.05

 

CMYK 0 / 73 / 32 / 1

HEX #FC45AB

RGB 252 69 171

HSL 326.56, 0.97%, 0.63%

LAB 59.79, 75.93, -14.1

 

CMYK 0 / 73 / 52 / 1

HEX #FC457A

RGB 252 69 122

HSL 342.62, 0.97%, 0.63%

LAB 58.37, 71.37, 12.52

 

CMYK 0 / 73 / 71 / 1

HEX #FC4548

RGB 252 69 72

HSL 359.02, 0.97%, 0.63%

LAB 57.48, 68.42, 40.39

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 27 / 73 / 0 / 1

HEX #B845FC

RGB 184 69 252

HSL 277.7, 0.97%, 0.63%

LAB 53.47, 73.6, -70.78

 

CMYK 46 / 73 / 0 / 1

HEX #8745FC

RGB 135 69 252

HSL 261.64, 0.97%, 0.63%

LAB 47.54, 65.38, -80.68

 

CMYK 66 / 73 / 0 / 1

HEX #5645FC

RGB 86 69 252

HSL 245.57, 0.97%, 0.63%

LAB 43.16, 59, -88.05

 

CMYK 73 / 73 / 0 / 1

HEX #4545FC

RGB 69 69 252

HSL 240, 0.97%, 0.63%

LAB 42.08, 57.37, -89.87

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 6 / 64 / 0 / 7

HEX #DD54EC

RGB 221 84 236

HSL 294.08, 0.8%, 0.63%

LAB 59.68, 72.33, -51.61

 

CMYK 5 / 55 / 0 / 13

HEX #D163DD

RGB 209 99 221

HSL 294.1, 0.64%, 0.63%

LAB 59.62, 60.29, -43.42

 

CMYK 4 / 45 / 0 / 19

HEX #C572CE

RGB 197 114 206

HSL 294.13, 0.48%, 0.63%

LAB 60.21, 46.76, -34.14

 

CMYK 3 / 32 / 0 / 25

HEX #B982BF

RGB 185 130 191

HSL 294.1, 0.32%, 0.63%

LAB 61.69, 31.51, -23.5

 

CMYK 46 / 73 / 0 / 1

HEX #8845FC

RGB 136 69 252

HSL 261.97, 0.97%, 0.63%

LAB 47.65, 65.53, -80.5

 

CMYK 27 / 73 / 0 / 1

HEX #B945FC

RGB 185 69 252

HSL 278.03, 0.97%, 0.63%

LAB 53.6, 73.78, -70.56

 

CMYK 8 / 73 / 0 / 1

HEX #E945FC

RGB 233 69 252

HSL 293.77, 0.97%, 0.63%

LAB 60.43, 82.87, -59.2

 

CMYK 0 / 73 / 12 / 1

HEX #FC45DD

RGB 252 69 221

HSL 310.16, 0.97%, 0.63%

LAB 61.8, 82.12, -39.55

 

CMYK 0 / 73 / 32 / 1

HEX #FC45AC

RGB 252 69 172

HSL 326.23, 0.97%, 0.63%

LAB 59.83, 76.04, -14.62

 

CMYK 10 / 99 / 0 / 8

HEX #D403EB

RGB 212 3 235

HSL 294.05, 0.97%, 0.47%

LAB 51.91, 88.68, -63.58

 

CMYK 9 / 89 / 0 / 2

HEX #E51CFB

RGB 229 28 251

HSL 294.08, 0.97%, 0.55%

LAB 56.54, 91.34, -64.93

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 6 / 57 / 0 / 1

HEX #EE6DFC

RGB 238 109 252

HSL 294.13, 0.96%, 0.71%

LAB 66.63, 68.67, -49.31

 

CMYK 4 / 41 / 0 / 1

HEX #F396FD

RGB 243 150 253

HSL 294.17, 0.96%, 0.79%

LAB 74.8, 50.49, -37.03

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 0 / 65 / 73 / 1

HEX #FC5745

RGB 252 87 69

HSL 5.9, 0.97%, 0.63%

LAB 59.84, 61.74, 44.7

 

CMYK 73 / 0 / 37 / 1

HEX #45FCA0

RGB 69 252 160

HSL 149.84, 0.97%, 0.63%

LAB 88.65, -65.43, 31.31

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 0 / 8 / 73 / 1

HEX #FCE945

RGB 252 233 69

HSL 53.77, 0.97%, 0.63%

LAB 91.42, -10.7, 76.98

 

CMYK 73 / 0 / 8 / 1

HEX #45FCE9

RGB 69 252 233

HSL 173.77, 0.97%, 0.63%

LAB 90.22, -48.96, -3.99

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 0 / 65 / 73 / 1

HEX #FC5745

RGB 252 87 69

HSL 5.9, 0.97%, 0.63%

LAB 59.84, 61.74, 44.7

 

CMYK 65 / 0 / 73 / 1

HEX #57FC45

RGB 87 252 69

HSL 114.1, 0.97%, 0.63%

LAB 88.01, -74.18, 70.7

 

CMYK 73 / 8 / 0 / 1

HEX #45E9FC

RGB 69 233 252

HSL 186.23, 0.97%, 0.63%

LAB 85.29, -35.22, -21.29

 

CMYK 7 / 73 / 0 / 1

HEX #EA45FC

RGB 234 69 252

HSL 294.1, 0.97%, 0.63%

LAB 60.58, 83.06, -58.95

 

CMYK 0 / 44 / 73 / 1

HEX #FC8E45

RGB 252 142 69

HSL 23.93, 0.97%, 0.63%

LAB 69.8, 36.17, 55.47

 

CMYK 65 / 0 / 73 / 1

HEX #57FC45

RGB 87 252 69

HSL 114.1, 0.97%, 0.63%

LAB 88.01, -74.18, 70.7

 

CMYK 73 / 29 / 0 / 1

HEX #45B2FC

RGB 69 178 252

HSL 204.26, 0.97%, 0.63%

LAB 69.57, -7.23, -45.54

 

Description

Color code: HEX #EA45FC | qconv.com Color code: HEX #EA45FC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 69 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 69 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 73 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 73% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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