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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA3D7C it is the complementary color #15C283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA3D7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA3D7C shade: #EF3D77, #FF4F8A, #FF619D, #FF73B0 and #FF85C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA3D7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA3D7C shade: #EA3D7C, #D92B69, #C81956, #B70743 and #A60030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA3D7C shade: #E93E7C, #E93E4E and #E93E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA3D7C shade: #E93E7C, #E93EAA, #E93ED9, #CB3EE9 and #9D3EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA3D7C shade matches the following richer shades: #E93E7C and #FA2C77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA3D7C shade: #E93E7C, #D84F81, #C66086, #B5728A and #A4838F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA3D7C shade: #E93ED8, #E93EAA, #E93E7D, #E93E4F and #E95A3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA3D7C shade: #BF1553, #E51963, #E93E7C, #ED6395 and #F188AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA3D7C shade: #EA3D7C, #E9CD3E and #3EC1E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA3D7C shade: #EA3D7C, #7DE93E and #3E7DE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA3D7C shade: #EA3D7C, #E9CD3E, #3EE9AA and #3E5AE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA3D7C shade: #EA3D7C, #D2E93E, #3EE9AA and #553EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

Complementary color

CMYK 89 / 0 / 32 / 24

HEX #15C283

RGB 21 194 131

HSL 158.15, 0.8%, 0.42%

LAB 69.74, -54.87, 20.62

 

CMYK 0 / 74 / 50 / 6

HEX #EF3D77

RGB 239 61 119

HSL 340.45, 0.85%, 0.59%

LAB 55.09, 70.11, 9.35

 

CMYK 0 / 69 / 46 / 0

HEX #FF4F8A

RGB 255 79 138

HSL 339.89, 1%, 0.65%

LAB 60.5, 70.13, 6.22

 

CMYK 0 / 62 / 38 / 0

HEX #FF619D

RGB 255 97 157

HSL 337.22, 1%, 0.69%

LAB 63.54, 65.03, -0.38

 

CMYK 0 / 55 / 31 / 0

HEX #FF73B0

RGB 255 115 176

HSL 333.86, 1%, 0.73%

LAB 67.02, 59.34, -6.1

 

CMYK 0 / 48 / 24 / 0

HEX #FF85C3

RGB 255 133 195

HSL 329.51, 1%, 0.76%

LAB 70.85, 53.3, -11.06

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

CMYK 0 / 80 / 52 / 15

HEX #D92B69

RGB 217 43 105

HSL 338.62, 0.7%, 0.51%

LAB 48.88, 68.27, 8.45

 

CMYK 0 / 88 / 57 / 22

HEX #C81956

RGB 200 25 86

HSL 339.09, 0.78%, 0.44%

LAB 43.72, 66.52, 12.51

 

CMYK 0 / 96 / 63 / 28

HEX #B70743

RGB 183 7 67

HSL 339.55, 0.93%, 0.37%

LAB 38.94, 63.61, 17.48

 

CMYK 0 / 100 / 71 / 35

HEX #A60030

RGB 166 0 48

HSL 342.65, 1%, 0.33%

LAB 34.64, 59.28, 23.45

 

CMYK 0 / 73 / 47 / 9

HEX #E93E7C

RGB 233 62 124

HSL 338.25, 0.8%, 0.58%

LAB 54.26, 68.57, 5.03

 

CMYK 0 / 73 / 67 / 9

HEX #E93E4E

RGB 233 62 78

HSL 354.39, 0.8%, 0.58%

LAB 53.3, 65.41, 31.12

 

CMYK 0 / 73 / 73 / 9

HEX #E93E3E

RGB 233 62 62

HSL 0, 0.8%, 0.58%

LAB 53.08, 64.67, 40.04

 

CMYK 0 / 73 / 47 / 9

HEX #E93E7C

RGB 233 62 124

HSL 338.25, 0.8%, 0.58%

LAB 54.26, 68.57, 5.03

 

CMYK 0 / 73 / 27 / 9

HEX #E93EAA

RGB 233 62 170

HSL 322.11, 0.8%, 0.58%

LAB 55.76, 73.29, -19.94

 

CMYK 0 / 73 / 7 / 9

HEX #E93ED9

RGB 233 62 217

HSL 305.61, 0.8%, 0.58%

LAB 57.83, 79.54, -43.75

 

CMYK 13 / 73 / 0 / 9

HEX #CB3EE9

RGB 203 62 233

HSL 289.47, 0.8%, 0.58%

LAB 54.05, 76.02, -59.07

 

CMYK 33 / 73 / 0 / 9

HEX #9D3EE9

RGB 157 62 233

HSL 273.33, 0.8%, 0.58%

LAB 47.62, 67.47, -69.78

 

CMYK 0 / 73 / 47 / 9

HEX #E93E7C

RGB 233 62 124

HSL 338.25, 0.8%, 0.58%

LAB 54.26, 68.57, 5.03

 

CMYK 0 / 82 / 52 / 2

HEX #FA2C77

RGB 250 44 119

HSL 338.16, 0.95%, 0.58%

LAB 55.54, 77.41, 10.27

 

CMYK 0 / 73 / 47 / 9

HEX #E93E7C

RGB 233 62 124

HSL 338.25, 0.8%, 0.58%

LAB 54.26, 68.57, 5.03

 

CMYK 0 / 63 / 40 / 15

HEX #D84F81

RGB 216 79 129

HSL 338.1, 0.64%, 0.58%

LAB 53.79, 57.83, 1

 

CMYK 0 / 52 / 32 / 22

HEX #C66086

RGB 198 96 134

HSL 337.65, 0.47%, 0.58%

LAB 54.13, 44.75, -1.8

 

CMYK 0 / 37 / 24 / 29

HEX #B5728A

RGB 181 114 138

HSL 338.51, 0.31%, 0.58%

LAB 55.78, 29.75, -1.98

 

CMYK 0 / 20 / 13 / 36

HEX #A4838F

RGB 164 131 143

HSL 338.18, 0.15%, 0.58%

LAB 58.14, 14.64, -1.63

 

CMYK 0 / 73 / 7 / 9

HEX #E93ED8

RGB 233 62 216

HSL 305.96, 0.8%, 0.58%

LAB 57.78, 79.4, -43.26

 

CMYK 0 / 73 / 27 / 9

HEX #E93EAA

RGB 233 62 170

HSL 322.11, 0.8%, 0.58%

LAB 55.76, 73.29, -19.94

 

CMYK 0 / 73 / 46 / 9

HEX #E93E7D

RGB 233 62 125

HSL 337.89, 0.8%, 0.58%

LAB 54.29, 68.66, 4.48

 

CMYK 0 / 73 / 66 / 9

HEX #E93E4F

RGB 233 62 79

HSL 354.04, 0.8%, 0.58%

LAB 53.31, 65.46, 30.55

 

CMYK 0 / 61 / 73 / 9

HEX #E95A3E

RGB 233 90 62

HSL 9.82, 0.8%, 0.58%

LAB 57.06, 53.85, 44.46

 

CMYK 0 / 89 / 57 / 25

HEX #BF1553

RGB 191 21 83

HSL 338.12, 0.8%, 0.42%

LAB 41.59, 64.76, 11.16

 

CMYK 0 / 89 / 57 / 10

HEX #E51963

RGB 229 25 99

HSL 338.24, 0.8%, 0.5%

LAB 49.8, 74.45, 13.75

 

CMYK 0 / 73 / 47 / 9

HEX #E93E7C

RGB 233 62 124

HSL 338.25, 0.8%, 0.58%

LAB 54.26, 68.57, 5.03

 

CMYK 0 / 58 / 37 / 7

HEX #ED6395

RGB 237 99 149

HSL 338.26, 0.79%, 0.66%

LAB 60.87, 57.83, -0.01

 

CMYK 0 / 44 / 28 / 5

HEX #F188AE

RGB 241 136 174

HSL 338.29, 0.79%, 0.74%

LAB 69.01, 44.37, -2.25

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

CMYK 0 / 12 / 73 / 9

HEX #E9CD3E

RGB 233 205 62

HSL 50.18, 0.8%, 0.58%

LAB 82.56, -4.89, 70.38

 

CMYK 73 / 17 / 0 / 9

HEX #3EC1E9

RGB 62 193 233

HSL 194.04, 0.8%, 0.58%

LAB 72.92, -22.32, -30.04

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

CMYK 46 / 0 / 73 / 9

HEX #7DE93E

RGB 125 233 62

HSL 97.89, 0.8%, 0.58%

LAB 83.43, -58.76, 68.87

 

CMYK 73 / 46 / 0 / 9

HEX #3E7DE9

RGB 62 125 233

HSL 217.89, 0.8%, 0.58%

LAB 53.57, 16.27, -60.51

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

CMYK 0 / 12 / 73 / 9

HEX #E9CD3E

RGB 233 205 62

HSL 50.18, 0.8%, 0.58%

LAB 82.56, -4.89, 70.38

 

CMYK 73 / 0 / 27 / 9

HEX #3EE9AA

RGB 62 233 170

HSL 157.89, 0.8%, 0.58%

LAB 83.02, -57.25, 18.5

 

CMYK 73 / 61 / 0 / 9

HEX #3E5AE9

RGB 62 90 233

HSL 230.18, 0.8%, 0.58%

LAB 44.55, 38.15, -75.15

 

CMYK 0 / 74 / 47 / 8

HEX #EA3D7C

RGB 234 61 124

HSL 338.15, 0.8%, 0.58%

LAB 54.33, 69.16, 5.15

 

CMYK 10 / 0 / 73 / 9

HEX #D2E93E

RGB 210 233 62

HSL 68.07, 0.8%, 0.58%

LAB 88.13, -28.19, 75.02

 

CMYK 73 / 0 / 27 / 9

HEX #3EE9AA

RGB 62 233 170

HSL 157.89, 0.8%, 0.58%

LAB 83.02, -57.25, 18.5

 

CMYK 64 / 73 / 0 / 9

HEX #553EE9

RGB 85 62 233

HSL 248.07, 0.8%, 0.58%

LAB 40.01, 56.83, -82.53

 

Description

Color code: HEX #EA3D7C | qconv.com Color code: HEX #EA3D7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 61 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 61 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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