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Color name
HEX #EA19A4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA19A4 it is the complementary color #15E65B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA19A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA19A4 shade: #EF199F, #FF2BB2, #FF3DC5, #FF4FD8 and #FF61EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA19A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA19A4 shade: #EA19A4, #D90791, #C8007E, #B7006B and #A60058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA19A4 shade: #E91AA4, #E91A6C, #E91A34 and #E91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA19A4 shade: #E91AA4, #E91ADC, #BF1AE9, #871AE9 and #4F1AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA19A4 shade matches the following richer shades: #E91AA4 and #FD06AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA19A4 shade: #E91AA4, #D52E9D, #C14296, #AD5690 and #986B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA19A4 shade: #C01AE9, #E91ADB, #E91AA4, #E91A6D and #E91A35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA19A4 shade: #A20F71, #C8128B, #E91AA4, #ED40B3 and #F065C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA19A4 shade: #EA19A4, #E9881A and #1AE9DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA19A4 shade: #EA19A4, #A4E91A and #1AA4E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA19A4 shade: #EA19A4, #E9881A, #1AE95F and #1A7BE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA19A4 shade: #EA19A4, #E9C71A, #1AE95F and #1A3CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 30 / 8

HEX #EA19A4

RGB 234 25 164

HSL 320.1, 0.83%, 0.51%

LAB 52.8, 81.16, -20.92

 

Complementary color

CMYK 91 / 0 / 60 / 10

HEX #15E65B

RGB 21 230 91

HSL 140.1, 0.83%, 0.49%

LAB 80.46, -73.5, 53.8

 

CMYK 0 / 90 / 33 / 6

HEX #EF199F

RGB 239 25 159

HSL 322.43, 0.87%, 0.52%

LAB 53.55, 81.68, -16.75

 

CMYK 0 / 83 / 30 / 0

HEX #FF2BB2

RGB 255 43 178

HSL 321.79, 1%, 0.58%

LAB 58.23, 84.05, -20.48

 

CMYK 0 / 76 / 23 / 0

HEX #FF3DC5

RGB 255 61 197

HSL 317.94, 1%, 0.62%

LAB 60.45, 81.97, -28

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FD8

RGB 255 79 216

HSL 313.3, 1%, 0.65%

LAB 63.19, 78.92, -34.54

 

CMYK 0 / 62 / 8 / 0

HEX #FF61EB

RGB 255 97 235

HSL 307.59, 1%, 0.69%

LAB 66.37, 75.08, -40.18

 

CMYK 0 / 89 / 30 / 8

HEX #EA19A4

RGB 234 25 164

HSL 320.1, 0.83%, 0.51%

LAB 52.8, 81.16, -20.92

 

CMYK 0 / 97 / 33 / 15

HEX #D90791

RGB 217 7 145

HSL 320.57, 0.94%, 0.44%

LAB 48.19, 77.55, -16.92

 

CMYK 0 / 100 / 37 / 22

HEX #C8007E

RGB 200 0 126

HSL 322.2, 1%, 0.39%

LAB 43.92, 72.75, -12.14

 

CMYK 0 / 100 / 42 / 28

HEX #B7006B

RGB 183 0 107

HSL 324.92, 1%, 0.36%

LAB 39.8, 67.34, -6.84

 

CMYK 0 / 100 / 47 / 35

HEX #A60058

RGB 166 0 88

HSL 328.19, 1%, 0.33%

LAB 35.62, 61.88, -1.27

 

CMYK 0 / 89 / 30 / 9

HEX #E91AA4

RGB 233 26 164

HSL 320, 0.82%, 0.51%

LAB 52.67, 80.81, -21.15

 

CMYK 0 / 89 / 54 / 9

HEX #E91A6C

RGB 233 26 108

HSL 336.23, 0.82%, 0.51%

LAB 50.86, 75.85, 9.84

 

CMYK 0 / 89 / 78 / 9

HEX #E91A34

RGB 233 26 52

HSL 352.46, 0.82%, 0.51%

LAB 49.87, 73.07, 42.14

 

CMYK 0 / 89 / 89 / 9

HEX #E91A1A

RGB 233 26 26

HSL 0, 0.82%, 0.51%

LAB 49.66, 72.47, 55.05

 

CMYK 0 / 89 / 30 / 9

HEX #E91AA4

RGB 233 26 164

HSL 320, 0.82%, 0.51%

LAB 52.67, 80.81, -21.15

 

CMYK 0 / 89 / 6 / 9

HEX #E91ADC

RGB 233 26 220

HSL 303.77, 0.82%, 0.51%

LAB 55.31, 87.72, -49.44

 

CMYK 18 / 89 / 0 / 9

HEX #BF1AE9

RGB 191 26 233

HSL 287.83, 0.82%, 0.51%

LAB 49.13, 82.92, -67.11

 

CMYK 42 / 89 / 0 / 9

HEX #871AE9

RGB 135 26 233

HSL 271.59, 0.82%, 0.51%

LAB 40.85, 75.6, -80.96

 

CMYK 66 / 89 / 0 / 9

HEX #4F1AE9

RGB 79 26 233

HSL 255.36, 0.82%, 0.51%

LAB 34.57, 70.76, -91.56

 

CMYK 0 / 89 / 30 / 9

HEX #E91AA4

RGB 233 26 164

HSL 320, 0.82%, 0.51%

LAB 52.67, 80.81, -21.15

 

CMYK 0 / 98 / 33 / 1

HEX #FD06AA

RGB 253 6 170

HSL 320.16, 0.98%, 0.51%

LAB 56, 87.34, -19.25

 

CMYK 0 / 89 / 30 / 9

HEX #E91AA4

RGB 233 26 164

HSL 320, 0.82%, 0.51%

LAB 52.67, 80.81, -21.15

 

CMYK 0 / 78 / 26 / 16

HEX #D52E9D

RGB 213 46 157

HSL 320.12, 0.67%, 0.51%

LAB 50.14, 71.6, -21.2

 

CMYK 0 / 66 / 22 / 24

HEX #C14296

RGB 193 66 150

HSL 320.31, 0.51%, 0.51%

LAB 48.8, 58.99, -19.37

 

CMYK 0 / 50 / 17 / 32

HEX #AD5690

RGB 173 86 144

HSL 320, 0.35%, 0.51%

LAB 48.95, 42.93, -15.84

 

CMYK 0 / 30 / 10 / 40

HEX #986B89

RGB 152 107 137

HSL 320, 0.18%, 0.51%

LAB 50.68, 22.89, -9.32

 

CMYK 18 / 89 / 0 / 9

HEX #C01AE9

RGB 192 26 233

HSL 288.12, 0.82%, 0.51%

LAB 49.29, 83.06, -66.84

 

CMYK 0 / 89 / 6 / 9

HEX #E91ADB

RGB 233 26 219

HSL 304.06, 0.82%, 0.51%

LAB 55.25, 87.58, -48.96

 

CMYK 0 / 89 / 30 / 9

HEX #E91AA4

RGB 233 26 164

HSL 320, 0.82%, 0.51%

LAB 52.67, 80.81, -21.15

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6D

RGB 233 26 109

HSL 335.94, 0.82%, 0.51%

LAB 50.88, 75.92, 9.27

 

CMYK 0 / 89 / 77 / 9

HEX #E91A35

RGB 233 26 53

HSL 352.17, 0.82%, 0.51%

LAB 49.88, 73.1, 41.59

 

CMYK 0 / 91 / 30 / 36

HEX #A20F71

RGB 162 15 113

HSL 320, 0.83%, 0.35%

LAB 36.4, 61.56, -16.18

 

CMYK 0 / 91 / 31 / 22

HEX #C8128B

RGB 200 18 139

HSL 320.11, 0.83%, 0.43%

LAB 45.05, 72.29, -18.39

 

CMYK 0 / 89 / 30 / 9

HEX #E91AA4

RGB 233 26 164

HSL 320, 0.82%, 0.51%

LAB 52.67, 80.81, -21.15

 

CMYK 0 / 73 / 24 / 7

HEX #ED40B3

RGB 237 64 179

HSL 320.12, 0.83%, 0.59%

LAB 57, 74.73, -23.21

 

CMYK 0 / 58 / 19 / 6

HEX #F065C2

RGB 240 101 194

HSL 319.86, 0.82%, 0.67%

LAB 63.12, 63.48, -22.4

 

CMYK 0 / 89 / 30 / 8

HEX #EA19A4

RGB 234 25 164

HSL 320.1, 0.83%, 0.51%

LAB 52.8, 81.16, -20.92

 

CMYK 0 / 42 / 89 / 9

HEX #E9881A

RGB 233 136 26

HSL 31.88, 0.82%, 0.51%

LAB 65.75, 30.24, 67.07

 

CMYK 89 / 0 / 6 / 9

HEX #1AE9DB

RGB 26 233 219

HSL 175.94, 0.82%, 0.51%

LAB 83.76, -48.12, -6.23

 

CMYK 0 / 89 / 30 / 8

HEX #EA19A4

RGB 234 25 164

HSL 320.1, 0.83%, 0.51%

LAB 52.8, 81.16, -20.92

 

CMYK 30 / 0 / 89 / 9

HEX #A4E91A

RGB 164 233 26

HSL 80, 0.82%, 0.51%

LAB 85.12, -47.23, 80.05

 

CMYK 89 / 30 / 0 / 9

HEX #1AA4E9

RGB 26 164 233

HSL 200, 0.82%, 0.51%

LAB 63.88, -10, -44.16

 

CMYK 0 / 89 / 30 / 8

HEX #EA19A4

RGB 234 25 164

HSL 320.1, 0.83%, 0.51%

LAB 52.8, 81.16, -20.92

 

CMYK 0 / 42 / 89 / 9

HEX #E9881A

RGB 233 136 26

HSL 31.88, 0.82%, 0.51%

LAB 65.75, 30.24, 67.07

 

CMYK 89 / 0 / 59 / 9

HEX #1AE95F

RGB 26 233 95

HSL 140, 0.82%, 0.51%

LAB 81.47, -73.63, 53.22

 

CMYK 89 / 47 / 0 / 9

HEX #1A7BE9

RGB 26 123 233

HSL 211.88, 0.82%, 0.51%

LAB 52.14, 14.3, -62.86

 

CMYK 0 / 89 / 30 / 8

HEX #EA19A4

RGB 234 25 164

HSL 320.1, 0.83%, 0.51%

LAB 52.8, 81.16, -20.92

 

CMYK 0 / 15 / 89 / 9

HEX #E9C71A

RGB 233 199 26

HSL 50.14, 0.82%, 0.51%

LAB 80.87, -2.9, 78.75

 

CMYK 89 / 0 / 59 / 9

HEX #1AE95F

RGB 26 233 95

HSL 140, 0.82%, 0.51%

LAB 81.47, -73.63, 53.22

 

CMYK 89 / 74 / 0 / 9

HEX #1A3CE9

RGB 26 60 233

HSL 230.14, 0.82%, 0.51%

LAB 36.62, 53.51, -88.24

 

Description

Color code: HEX #EA19A4 | qconv.com Color code: HEX #EA19A4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 25 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 25 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 30 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 30% 8% C M Y K

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Provide designers and agencies with accurate color values.

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