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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA18D0 it is the complementary color #15E72F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA18D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA18D0 shade: #EF18CB, #FF2ADE, #FF3CF1, #FF4EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA18D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA18D0 shade: #EA18D0, #D906BD, #C800AA, #B70097 and #A60084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA18D0 shade: #E91AD0, #E91A98, #E91A60, #E91A28 and #E91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA18D0 shade: #E91AD0, #CB1AE9, #931AE9, #5B1AE9 and #231AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA18D0 shade matches the following richer shades: #E91AD0 and #FD06DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA18D0 shade: #E91AD0, #D52EC0, #C142B1, #AD56A2 and #986B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA18D0 shade: #931AE9, #CA1AE9, #E91AD1, #E91A9A and #E91A62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA18D0 shade: #A20F90, #C812B1, #E91AD0, #ED40D7 and #F065DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA18D0 shade: #EA18D0, #E95C1A and #1AE9AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA18D0 shade: #EA18D0, #D1E91A and #1AD1E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA18D0 shade: #EA18D0, #E95C1A, #1AE932 and #1AA8E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA18D0 shade: #EA18D0, #E99A1A, #1AE932 and #1A69E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 11 / 8

HEX #EA18D0

RGB 234 24 208

HSL 307.43, 0.83%, 0.51%

LAB 54.76, 86.54, -43.46

 

Complementary color

CMYK 91 / 0 / 80 / 9

HEX #15E72F

RGB 21 231 47

HSL 127.43, 0.83%, 0.49%

LAB 80.47, -77.67, 69.8

 

CMYK 0 / 90 / 15 / 6

HEX #EF18CB

RGB 239 24 203

HSL 310.05, 0.87%, 0.52%

LAB 55.4, 86.81, -39.53

 

CMYK 0 / 84 / 13 / 0

HEX #FF2ADE

RGB 255 42 222

HSL 309.3, 1%, 0.58%

LAB 60.06, 89.45, -42.81

 

CMYK 0 / 76 / 5 / 0

HEX #FF3CF1

RGB 255 60 241

HSL 304.31, 1%, 0.62%

LAB 62.37, 88.06, -49.8

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 90 / 11 / 8

HEX #EA18D0

RGB 234 24 208

HSL 307.43, 0.83%, 0.51%

LAB 54.76, 86.54, -43.46

 

CMYK 0 / 97 / 13 / 15

HEX #D906BD

RGB 217 6 189

HSL 307.96, 0.95%, 0.44%

LAB 50.16, 82.72, -39.95

 

CMYK 0 / 100 / 15 / 22

HEX #C800AA

RGB 200 0 170

HSL 309, 1%, 0.39%

LAB 45.88, 77.72, -35.73

 

CMYK 0 / 100 / 17 / 28

HEX #B70097

RGB 183 0 151

HSL 310.49, 1%, 0.36%

LAB 41.69, 72.18, -31.15

 

CMYK 0 / 100 / 20 / 35

HEX #A60084

RGB 166 0 132

HSL 312.29, 1%, 0.33%

LAB 37.43, 66.54, -26.41

 

CMYK 0 / 89 / 11 / 9

HEX #E91AD0

RGB 233 26 208

HSL 307.25, 0.82%, 0.51%

LAB 54.68, 86.1, -43.6

 

CMYK 0 / 89 / 35 / 9

HEX #E91A98

RGB 233 26 152

HSL 323.48, 0.82%, 0.51%

LAB 52.21, 79.57, -14.73

 

CMYK 0 / 89 / 59 / 9

HEX #E91A60

RGB 233 26 96

HSL 339.71, 0.82%, 0.51%

LAB 50.58, 75.07, 16.78

 

CMYK 0 / 89 / 83 / 9

HEX #E91A28

RGB 233 26 40

HSL 355.94, 0.82%, 0.51%

LAB 49.76, 72.74, 48.52

 

CMYK 0 / 89 / 89 / 9

HEX #E91A1A

RGB 233 26 26

HSL 0, 0.82%, 0.51%

LAB 49.66, 72.47, 55.05

 

CMYK 0 / 89 / 11 / 9

HEX #E91AD0

RGB 233 26 208

HSL 307.25, 0.82%, 0.51%

LAB 54.68, 86.1, -43.6

 

CMYK 13 / 89 / 0 / 9

HEX #CB1AE9

RGB 203 26 233

HSL 291.3, 0.82%, 0.51%

LAB 51.06, 84.73, -63.89

 

CMYK 37 / 89 / 0 / 9

HEX #931AE9

RGB 147 26 233

HSL 275.07, 0.82%, 0.51%

LAB 42.5, 76.98, -78.2

 

CMYK 61 / 89 / 0 / 9

HEX #5B1AE9

RGB 91 26 233

HSL 258.84, 0.82%, 0.51%

LAB 35.69, 71.56, -89.67

 

CMYK 85 / 89 / 0 / 9

HEX #231AE9

RGB 35 26 233

HSL 242.61, 0.82%, 0.51%

LAB 31.76, 68.89, -96.31

 

CMYK 0 / 89 / 11 / 9

HEX #E91AD0

RGB 233 26 208

HSL 307.25, 0.82%, 0.51%

LAB 54.68, 86.1, -43.6

 

CMYK 0 / 98 / 12 / 1

HEX #FD06DF

RGB 253 6 223

HSL 307.29, 0.98%, 0.51%

LAB 58.36, 93.33, -46.08

 

CMYK 0 / 89 / 11 / 9

HEX #E91AD0

RGB 233 26 208

HSL 307.25, 0.82%, 0.51%

LAB 54.68, 86.1, -43.6

 

CMYK 0 / 78 / 10 / 16

HEX #D52EC0

RGB 213 46 192

HSL 307.54, 0.67%, 0.51%

LAB 51.73, 76.18, -39.26

 

CMYK 0 / 66 / 8 / 24

HEX #C142B1

RGB 193 66 177

HSL 307.56, 0.51%, 0.51%

LAB 49.99, 62.96, -33.49

 

CMYK 0 / 50 / 6 / 32

HEX #AD56A2

RGB 173 86 162

HSL 307.59, 0.35%, 0.51%

LAB 49.68, 45.94, -25.39

 

CMYK 0 / 30 / 3 / 40

HEX #986B93

RGB 152 107 147

HSL 306.67, 0.18%, 0.51%

LAB 51.03, 24.76, -14.7

 

CMYK 37 / 89 / 0 / 9

HEX #931AE9

RGB 147 26 233

HSL 275.07, 0.82%, 0.51%

LAB 42.5, 76.98, -78.2

 

CMYK 13 / 89 / 0 / 9

HEX #CA1AE9

RGB 202 26 233

HSL 291.01, 0.82%, 0.51%

LAB 50.9, 84.58, -64.16

 

CMYK 0 / 89 / 10 / 9

HEX #E91AD1

RGB 233 26 209

HSL 306.96, 0.82%, 0.51%

LAB 54.73, 86.23, -44.09

 

CMYK 0 / 89 / 34 / 9

HEX #E91A9A

RGB 233 26 154

HSL 322.9, 0.82%, 0.51%

LAB 52.28, 79.77, -15.81

 

CMYK 0 / 89 / 58 / 9

HEX #E91A62

RGB 233 26 98

HSL 339.13, 0.82%, 0.51%

LAB 50.62, 75.2, 15.62

 

CMYK 0 / 91 / 11 / 36

HEX #A20F90

RGB 162 15 144

HSL 307.35, 0.83%, 0.35%

LAB 37.91, 65.55, -33.11

 

CMYK 0 / 91 / 12 / 22

HEX #C812B1

RGB 200 18 177

HSL 307.58, 0.83%, 0.43%

LAB 46.82, 76.94, -38.39

 

CMYK 0 / 89 / 11 / 9

HEX #E91AD0

RGB 233 26 208

HSL 307.25, 0.82%, 0.51%

LAB 54.68, 86.1, -43.6

 

CMYK 0 / 73 / 9 / 7

HEX #ED40D7

RGB 237 64 215

HSL 307.63, 0.83%, 0.59%

LAB 58.58, 79.51, -41.38

 

CMYK 0 / 58 / 7 / 6

HEX #F065DF

RGB 240 101 223

HSL 307.34, 0.82%, 0.67%

LAB 64.29, 67.8, -36.91

 

CMYK 0 / 90 / 11 / 8

HEX #EA18D0

RGB 234 24 208

HSL 307.43, 0.83%, 0.51%

LAB 54.76, 86.54, -43.46

 

CMYK 0 / 61 / 89 / 9

HEX #E95C1A

RGB 233 92 26

HSL 19.13, 0.82%, 0.51%

LAB 57.13, 51.9, 60.55

 

CMYK 89 / 0 / 25 / 9

HEX #1AE9AE

RGB 26 233 174

HSL 162.9, 0.82%, 0.51%

LAB 82.68, -59.57, 15.87

 

CMYK 0 / 90 / 11 / 8

HEX #EA18D0

RGB 234 24 208

HSL 307.43, 0.83%, 0.51%

LAB 54.76, 86.54, -43.46

 

CMYK 10 / 0 / 89 / 9

HEX #D1E91A

RGB 209 233 26

HSL 66.96, 0.82%, 0.51%

LAB 87.92, -29.73, 83.49

 

CMYK 89 / 10 / 0 / 9

HEX #1AD1E9

RGB 26 209 233

HSL 186.96, 0.82%, 0.51%

LAB 77.1, -33.18, -23.68

 

CMYK 0 / 90 / 11 / 8

HEX #EA18D0

RGB 234 24 208

HSL 307.43, 0.83%, 0.51%

LAB 54.76, 86.54, -43.46

 

CMYK 0 / 61 / 89 / 9

HEX #E95C1A

RGB 233 92 26

HSL 19.13, 0.82%, 0.51%

LAB 57.13, 51.9, 60.55

 

CMYK 89 / 0 / 79 / 9

HEX #1AE932

RGB 26 233 50

HSL 126.96, 0.82%, 0.51%

LAB 81.14, -77.75, 69.6

 

CMYK 89 / 28 / 0 / 9

HEX #1AA8E9

RGB 26 168 233

HSL 198.84, 0.82%, 0.51%

LAB 65.05, -12.21, -42.33

 

CMYK 0 / 90 / 11 / 8

HEX #EA18D0

RGB 234 24 208

HSL 307.43, 0.83%, 0.51%

LAB 54.76, 86.54, -43.46

 

CMYK 0 / 34 / 89 / 9

HEX #E99A1A

RGB 233 154 26

HSL 37.1, 0.82%, 0.51%

LAB 69.83, 20.73, 70.2

 

CMYK 89 / 0 / 79 / 9

HEX #1AE932

RGB 26 233 50

HSL 126.96, 0.82%, 0.51%

LAB 81.14, -77.75, 69.6

 

CMYK 89 / 55 / 0 / 9

HEX #1A69E9

RGB 26 105 233

HSL 217.1, 0.82%, 0.51%

LAB 47.24, 25.71, -70.79

 

Description

Color code: HEX #EA18D0 | qconv.com Color code: HEX #EA18D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 24 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 24 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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