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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA0EBE it is the complementary color #15F141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA0EBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA0EBE shade: #EF0EB9, #FF20CC, #FF32DF, #FF44F2 and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA0EBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA0EBE shade: #EA0EBE, #D900AB, #C80098, #B70085 and #A60072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA0EBE shade: #EC0DBF, #EC0D83, #EC0D47 and #EC0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA0EBE shade: #EC0DBF, #DC0DEC, #A00DEC, #640DEC and #280DEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA0EBE shade matches the following richer shades: #EC0DBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA0EBE shade: #EC0DBF, #D721B3, #C336A7, #AF4A9B and #9B5E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA0EBE shade: #A20DEC, #DD0DEC, #EC0DBF, #EC0D84 and #EC0D49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA0EBE shade: #9E0980, #C50BA0, #EC0DBF, #F230CC and #F557D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA0EBE shade: #EA0EBE, #EC660D and #0DECBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA0EBE shade: #EA0EBE, #BFEC0D and #0DBFEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA0EBE shade: #EA0EBE, #EC660D, #0DEC3A and #0D93EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA0EBE shade: #EA0EBE, #ECA90D, #0DEC3A and #0D50EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 19 / 8

HEX #EA0EBE

RGB 234 14 190

HSL 312, 0.89%, 0.49%

LAB 53.52, 85.32, -35.04

 

Complementary color

CMYK 91 / 0 / 73 / 5

HEX #15F141

RGB 21 241 65

HSL 132, 0.89%, 0.51%

LAB 83.68, -79.23, 67.38

 

CMYK 0 / 94 / 23 / 6

HEX #EF0EB9

RGB 239 14 185

HSL 314.4, 0.89%, 0.5%

LAB 54.2, 85.67, -30.99

 

CMYK 0 / 87 / 20 / 0

HEX #FF20CC

RGB 255 32 204

HSL 313.72, 1%, 0.56%

LAB 58.65, 88.88, -34.8

 

CMYK 0 / 80 / 13 / 0

HEX #FF32DF

RGB 255 50 223

HSL 309.37, 1%, 0.6%

LAB 60.67, 87.96, -42.42

 

CMYK 0 / 73 / 5 / 0

HEX #FF44F2

RGB 255 68 242

HSL 304.17, 1%, 0.63%

LAB 63.18, 86.03, -49.08

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 94 / 19 / 8

HEX #EA0EBE

RGB 234 14 190

HSL 312, 0.89%, 0.49%

LAB 53.52, 85.32, -35.04

 

CMYK 0 / 100 / 21 / 15

HEX #D900AB

RGB 217 0 171

HSL 312.72, 1%, 0.43%

LAB 49.12, 80.96, -31.02

 

CMYK 0 / 100 / 24 / 22

HEX #C80098

RGB 200 0 152

HSL 314.4, 1%, 0.39%

LAB 45.01, 75.52, -26.33

 

CMYK 0 / 100 / 27 / 28

HEX #B70085

RGB 183 0 133

HSL 316.39, 1%, 0.36%

LAB 40.83, 70.01, -21.48

 

CMYK 0 / 100 / 31 / 35

HEX #A60072

RGB 166 0 114

HSL 318.8, 1%, 0.33%

LAB 36.6, 64.42, -16.44

 

CMYK 0 / 94 / 19 / 7

HEX #EC0DBF

RGB 236 13 191

HSL 312.11, 0.9%, 0.49%

LAB 53.9, 85.9, -34.99

 

CMYK 0 / 94 / 44 / 7

HEX #EC0D83

RGB 236 13 131

HSL 328.25, 0.9%, 0.49%

LAB 51.56, 79.79, -3.03

 

CMYK 0 / 94 / 70 / 7

HEX #EC0D47

RGB 236 13 71

HSL 344.39, 0.9%, 0.49%

LAB 50.19, 76.05, 31.57

 

CMYK 0 / 94 / 94 / 7

HEX #EC0D0D

RGB 236 13 13

HSL 0, 0.9%, 0.49%

LAB 49.68, 74.64, 60.04

 

CMYK 0 / 94 / 19 / 7

HEX #EC0DBF

RGB 236 13 191

HSL 312.11, 0.9%, 0.49%

LAB 53.9, 85.9, -34.99

 

CMYK 7 / 94 / 0 / 7

HEX #DC0DEC

RGB 220 13 236

HSL 295.7, 0.9%, 0.49%

LAB 53.56, 89.31, -61.41

 

CMYK 32 / 94 / 0 / 7

HEX #A00DEC

RGB 160 13 236

HSL 279.55, 0.9%, 0.49%

LAB 43.97, 81.11, -77.41

 

CMYK 58 / 94 / 0 / 7

HEX #640DEC

RGB 100 13 236

HSL 263.41, 0.9%, 0.49%

LAB 36.09, 75.54, -90.68

 

CMYK 83 / 94 / 0 / 7

HEX #280DEC

RGB 40 13 236

HSL 247.26, 0.9%, 0.49%

LAB 31.34, 72.96, -98.72

 

CMYK 0 / 94 / 19 / 7

HEX #EC0DBF

RGB 236 13 191

HSL 312.11, 0.9%, 0.49%

LAB 53.9, 85.9, -34.99

 

CMYK 0 / 94 / 19 / 7

HEX #EC0DBF

RGB 236 13 191

HSL 312.11, 0.9%, 0.49%

LAB 53.9, 85.9, -34.99

 

CMYK 0 / 85 / 17 / 16

HEX #D721B3

RGB 215 33 179

HSL 311.87, 0.73%, 0.49%

LAB 50.44, 77.73, -33.69

 

CMYK 0 / 72 / 14 / 24

HEX #C336A7

RGB 195 54 167

HSL 311.91, 0.57%, 0.49%

LAB 48.3, 66.28, -30.23

 

CMYK 0 / 58 / 11 / 31

HEX #AF4A9B

RGB 175 74 155

HSL 311.88, 0.41%, 0.49%

LAB 47.47, 51.2, -24.64

 

CMYK 0 / 39 / 8 / 39

HEX #9B5E8F

RGB 155 94 143

HSL 311.8, 0.24%, 0.49%

LAB 48.21, 32.45, -16.6

 

CMYK 31 / 94 / 0 / 7

HEX #A20DEC

RGB 162 13 236

HSL 280.09, 0.9%, 0.49%

LAB 44.27, 81.35, -76.91

 

CMYK 6 / 94 / 0 / 7

HEX #DD0DEC

RGB 221 13 236

HSL 295.96, 0.9%, 0.49%

LAB 53.72, 89.46, -61.13

 

CMYK 0 / 94 / 19 / 7

HEX #EC0DBF

RGB 236 13 191

HSL 312.11, 0.9%, 0.49%

LAB 53.9, 85.9, -34.99

 

CMYK 0 / 94 / 44 / 7

HEX #EC0D84

RGB 236 13 132

HSL 327.98, 0.9%, 0.49%

LAB 51.6, 79.87, -3.59

 

CMYK 0 / 94 / 69 / 7

HEX #EC0D49

RGB 236 13 73

HSL 343.86, 0.9%, 0.49%

LAB 50.22, 76.14, 30.4

 

CMYK 0 / 94 / 19 / 38

HEX #9E0980

RGB 158 9 128

HSL 312.08, 0.89%, 0.33%

LAB 36.03, 63.37, -26.23

 

CMYK 0 / 94 / 19 / 23

HEX #C50BA0

RGB 197 11 160

HSL 311.94, 0.89%, 0.41%

LAB 45.15, 74.93, -30.96

 

CMYK 0 / 94 / 19 / 7

HEX #EC0DBF

RGB 236 13 191

HSL 312.11, 0.9%, 0.49%

LAB 53.9, 85.9, -34.99

 

CMYK 0 / 80 / 16 / 5

HEX #F230CC

RGB 242 48 204

HSL 311.75, 0.88%, 0.57%

LAB 57.42, 83.31, -36.9

 

CMYK 0 / 64 / 13 / 4

HEX #F557D5

RGB 245 87 213

HSL 312.15, 0.89%, 0.65%

LAB 62.54, 73.22, -33.98

 

CMYK 0 / 94 / 19 / 8

HEX #EA0EBE

RGB 234 14 190

HSL 312, 0.89%, 0.49%

LAB 53.52, 85.32, -35.04

 

CMYK 0 / 57 / 94 / 7

HEX #EC660D

RGB 236 102 13

HSL 23.95, 0.9%, 0.49%

LAB 59.31, 48.25, 65.74

 

CMYK 94 / 0 / 19 / 7

HEX #0DECBF

RGB 13 236 191

HSL 167.89, 0.9%, 0.49%

LAB 83.88, -57.19, 8.67

 

CMYK 0 / 94 / 19 / 8

HEX #EA0EBE

RGB 234 14 190

HSL 312, 0.89%, 0.49%

LAB 53.52, 85.32, -35.04

 

CMYK 19 / 0 / 94 / 7

HEX #BFEC0D

RGB 191 236 13

HSL 72.11, 0.9%, 0.49%

LAB 87.53, -38.49, 84.28

 

CMYK 94 / 19 / 0 / 7

HEX #0DBFEC

RGB 13 191 236

HSL 192.11, 0.9%, 0.49%

LAB 71.83, -23.85, -33.41

 

CMYK 0 / 94 / 19 / 8

HEX #EA0EBE

RGB 234 14 190

HSL 312, 0.89%, 0.49%

LAB 53.52, 85.32, -35.04

 

CMYK 0 / 57 / 94 / 7

HEX #EC660D

RGB 236 102 13

HSL 23.95, 0.9%, 0.49%

LAB 59.31, 48.25, 65.74

 

CMYK 94 / 0 / 75 / 7

HEX #0DEC3A

RGB 13 236 58

HSL 132.11, 0.9%, 0.49%

LAB 82.05, -78.71, 68.03

 

CMYK 94 / 38 / 0 / 7

HEX #0D93EC

RGB 13 147 236

HSL 203.95, 0.9%, 0.49%

LAB 58.98, 0.29, -53.57

 

CMYK 0 / 94 / 19 / 8

HEX #EA0EBE

RGB 234 14 190

HSL 312, 0.89%, 0.49%

LAB 53.52, 85.32, -35.04

 

CMYK 0 / 28 / 94 / 7

HEX #ECA90D

RGB 236 169 13

HSL 41.97, 0.9%, 0.49%

LAB 73.7, 13.88, 75.57

 

CMYK 94 / 0 / 75 / 7

HEX #0DEC3A

RGB 13 236 58

HSL 132.11, 0.9%, 0.49%

LAB 82.05, -78.71, 68.03

 

CMYK 94 / 66 / 0 / 7

HEX #0D50EC

RGB 13 80 236

HSL 221.97, 0.9%, 0.49%

LAB 41.02, 42.27, -82.67

 

Description

Color code: HEX #EA0EBE | qconv.com Color code: HEX #EA0EBE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 14 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 14 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 19 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 19% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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