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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECDECA it is the complementary color #132135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECDECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECDECA shade: #F1DEC5, #FFF0D8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECDECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECDECA shade: #ECDECA, #DBCCB7, #CABAA4, #B9A891 and #A8967E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECDECA shade: #ECDECA, #ECD5CA, #ECCCCA and #ECCACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECDECA shade: #ECDECA, #ECE7CA, #E7ECCA, #DEECCA and #D5ECCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECDECA shade matches the following richer shades: #ECDECA, #F1DFC4, #F7E0BE and #FDE1B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECDECA shade: #ECDECA, #E6DDD0, #E0DCD6, #DADBDB and #D4DAE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECDECA shade: #ECCCCA, #ECD5CA, #ECDECA, #ECE7CA and #E8ECCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECDECA shade: #D6B88D, #E1CBAC, #ECDECA and #F7F1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECDECA shade: #ECDECA, #D1ECCA and #D0CAEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECDECA shade: #ECDECA, #CAECDE and #DECAEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECDECA shade: #ECDECA, #D1ECCA, #CAD8EC and #E4CAEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECDECA shade: #ECDECA, #CAECCD, #CAD8EC and #ECCAE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

Complementary color

CMYK 64 / 38 / 0 / 79

HEX #132135

RGB 19 33 53

HSL 215.29, 0.47%, 0.14%

LAB 12.5, 1.3, -14.92

 

CMYK 0 / 8 / 18 / 5

HEX #F1DEC5

RGB 241 222 197

HSL 34.09, 0.61%, 0.86%

LAB 89.38, 2.56, 14.62

 

CMYK 0 / 6 / 15 / 0

HEX #FFF0D8

RGB 255 240 216

HSL 36.92, 1%, 0.92%

LAB 95.39, 1.22, 13.41

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 0 / 7 / 16 / 14

HEX #DBCCB7

RGB 219 204 183

HSL 35, 0.33%, 0.79%

LAB 82.73, 1.79, 12.34

 

CMYK 0 / 8 / 19 / 21

HEX #CABAA4

RGB 202 186 164

HSL 34.74, 0.26%, 0.72%

LAB 76.29, 2.08, 13.2

 

CMYK 0 / 9 / 22 / 27

HEX #B9A891

RGB 185 168 145

HSL 34.5, 0.22%, 0.65%

LAB 69.73, 2.41, 14.12

 

CMYK 0 / 11 / 25 / 34

HEX #A8967E

RGB 168 150 126

HSL 34.29, 0.19%, 0.58%

LAB 63.05, 2.79, 15.1

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 0 / 10 / 14 / 7

HEX #ECD5CA

RGB 236 213 202

HSL 19.41, 0.47%, 0.86%

LAB 86.84, 6.19, 8.32

 

CMYK 0 / 14 / 14 / 7

HEX #ECCCCA

RGB 236 204 202

HSL 3.53, 0.47%, 0.86%

LAB 84.63, 10.9, 5.14

 

CMYK 0 / 14 / 14 / 7

HEX #ECCACA

RGB 236 202 202

HSL 0, 0.47%, 0.86%

LAB 84.14, 11.95, 4.43

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 0 / 2 / 14 / 7

HEX #ECE7CA

RGB 236 231 202

HSL 51.18, 0.47%, 0.86%

LAB 91.35, -3.08, 14.73

 

CMYK 2 / 0 / 14 / 7

HEX #E7ECCA

RGB 231 236 202

HSL 68.82, 0.47%, 0.86%

LAB 92.24, -7.38, 15.94

 

CMYK 6 / 0 / 14 / 7

HEX #DEECCA

RGB 222 236 202

HSL 84.71, 0.47%, 0.86%

LAB 91.59, -10.54, 14.92

 

CMYK 10 / 0 / 14 / 7

HEX #D5ECCA

RGB 213 236 202

HSL 100.59, 0.47%, 0.86%

LAB 90.96, -13.64, 13.95

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 0 / 7 / 19 / 5

HEX #F1DFC4

RGB 241 223 196

HSL 36, 0.62%, 0.86%

LAB 89.61, 1.9, 15.46

 

CMYK 0 / 9 / 23 / 3

HEX #F7E0BE

RGB 247 224 190

HSL 35.79, 0.78%, 0.86%

LAB 90.23, 2.72, 19.53

 

CMYK 0 / 11 / 27 / 1

HEX #FDE1B9

RGB 253 225 185

HSL 35.29, 0.94%, 0.86%

LAB 90.89, 3.75, 23.11

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 0 / 4 / 10 / 10

HEX #E6DDD0

RGB 230 221 208

HSL 35.45, 0.31%, 0.86%

LAB 88.49, 0.87, 7.46

 

CMYK 0 / 2 / 4 / 12

HEX #E0DCD6

RGB 224 220 214

HSL 36, 0.14%, 0.86%

LAB 87.92, 0.31, 3.41

 

CMYK 0 / 0 / 0 / 14

HEX #DADBDB

RGB 218 219 219

HSL 180, 0.01%, 0.86%

LAB 87.33, -0.33, -0.13

 

CMYK 6 / 3 / 0 / 12

HEX #D4DAE1

RGB 212 218 225

HSL 212.31, 0.18%, 0.86%

LAB 86.79, -0.71, -4.14

 

CMYK 0 / 14 / 14 / 7

HEX #ECCCCA

RGB 236 204 202

HSL 3.53, 0.47%, 0.86%

LAB 84.63, 10.9, 5.14

 

CMYK 0 / 10 / 14 / 7

HEX #ECD5CA

RGB 236 213 202

HSL 19.41, 0.47%, 0.86%

LAB 86.84, 6.19, 8.32

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 0 / 2 / 14 / 7

HEX #ECE7CA

RGB 236 231 202

HSL 51.18, 0.47%, 0.86%

LAB 91.35, -3.08, 14.73

 

CMYK 2 / 0 / 14 / 7

HEX #E8ECCA

RGB 232 236 202

HSL 67.06, 0.47%, 0.86%

LAB 92.31, -7.03, 16.05

 

CMYK 0 / 14 / 34 / 16

HEX #D6B88D

RGB 214 184 141

HSL 35.34, 0.47%, 0.7%

LAB 76.38, 4.59, 25.84

 

CMYK 0 / 10 / 24 / 12

HEX #E1CBAC

RGB 225 203 172

HSL 35.09, 0.47%, 0.78%

LAB 82.75, 2.91, 18.28

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 0 / 2 / 6 / 3

HEX #F7F1E8

RGB 247 241 232

HSL 36, 0.48%, 0.94%

LAB 95.38, 0.48, 5.04

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 11 / 0 / 14 / 7

HEX #D1ECCA

RGB 209 236 202

HSL 107.65, 0.47%, 0.86%

LAB 90.69, -15.01, 13.53

 

CMYK 12 / 14 / 0 / 7

HEX #D0CAEC

RGB 208 202 236

HSL 250.59, 0.47%, 0.86%

LAB 82.76, 8.59, -16.01

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDE

RGB 202 236 222

HSL 155.29, 0.47%, 0.86%

LAB 90.7, -13.73, 3.07

 

CMYK 6 / 14 / 0 / 7

HEX #DECAEC

RGB 222 202 236

HSL 275.29, 0.47%, 0.86%

LAB 83.88, 13.13, -14.22

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 11 / 0 / 14 / 7

HEX #D1ECCA

RGB 209 236 202

HSL 107.65, 0.47%, 0.86%

LAB 90.69, -15.01, 13.53

 

CMYK 14 / 8 / 0 / 7

HEX #CAD8EC

RGB 202 216 236

HSL 215.29, 0.47%, 0.86%

LAB 85.87, -0.72, -11.4

 

CMYK 3 / 14 / 0 / 7

HEX #E4CAEC

RGB 228 202 236

HSL 285.88, 0.47%, 0.86%

LAB 84.38, 15.1, -13.42

 

CMYK 0 / 6 / 14 / 7

HEX #ECDECA

RGB 236 222 202

HSL 35.29, 0.47%, 0.86%

LAB 89.08, 1.53, 11.52

 

CMYK 14 / 0 / 13 / 7

HEX #CAECCD

RGB 202 236 205

HSL 125.29, 0.47%, 0.86%

LAB 90.3, -16.84, 11.35

 

CMYK 14 / 8 / 0 / 7

HEX #CAD8EC

RGB 202 216 236

HSL 215.29, 0.47%, 0.86%

LAB 85.87, -0.72, -11.4

 

CMYK 0 / 14 / 1 / 7

HEX #ECCAE9

RGB 236 202 233

HSL 305.29, 0.47%, 0.86%

LAB 84.97, 17.2, -10.86

 

Description

Color code: HEX #ECDECA | qconv.com Color code: HEX #ECDECA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 222 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 222 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 14 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 14% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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