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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECDC1C it is the complementary color #1323E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECDC1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECDC1C shade: #F1DC17, #FFEE2A, #FFFF3D, #FFFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECDC1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECDC1C shade: #ECDC1C, #DBCA09, #CAB800, #B9A600 and #A89400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECDC1C shade: #ECDC1C, #ECA41C, #EC6C1C, #EC341C and #EC1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECDC1C shade: #ECDC1C, #C4EC1C, #8CEC1C, #54EC1C and #1CEC1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECDC1C shade matches the following richer shades: #ECDC1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECDC1C shade: #ECDC1C, #D8CB30, #C5BB44, #B1AA57 and #9D996B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECDC1C shade: #EC6C1C, #ECA31C, #ECDB1C, #C6EC1C and #8FEC1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECDC1C shade: #A89D0D, #CFC010, #ECDC1C, #EFE242 and #F2E868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECDC1C shade: #ECDC1C, #1CEC34 and #881CEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECDC1C shade: #ECDC1C, #1CECDB and #DB1CEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECDC1C shade: #ECDC1C, #1CEC34, #1C2DEC and #EC1CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECDC1C shade: #ECDC1C, #1CEC73, #1C2DEC and #EC1C95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

Complementary color

CMYK 92 / 85 / 0 / 11

HEX #1323E3

RGB 19 35 227

HSL 235.38, 0.85%, 0.48%

LAB 31.55, 63.65, -93.25

 

CMYK 0 / 9 / 90 / 5

HEX #F1DC17

RGB 241 220 23

HSL 54.22, 0.89%, 0.52%

LAB 86.97, -10.16, 84.27

 

CMYK 0 / 7 / 84 / 0

HEX #FFEE2A

RGB 255 238 42

HSL 55.21, 1%, 0.58%

LAB 92.83, -12.81, 85.92

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 0 / 8 / 96 / 14

HEX #DBCA09

RGB 219 202 9

HSL 55.14, 0.92%, 0.45%

LAB 80.36, -10.69, 80.1

 

CMYK 0 / 9 / 100 / 21

HEX #CAB800

RGB 202 184 0

HSL 54.65, 1%, 0.4%

LAB 74.09, -8.99, 75.76

 

CMYK 0 / 10 / 100 / 27

HEX #B9A600

RGB 185 166 0

HSL 53.84, 1%, 0.36%

LAB 67.71, -7.15, 70.49

 

CMYK 0 / 12 / 100 / 34

HEX #A89400

RGB 168 148 0

HSL 52.86, 1%, 0.33%

LAB 61.22, -5.25, 65.11

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 0 / 31 / 88 / 7

HEX #ECA41C

RGB 236 164 28

HSL 39.23, 0.85%, 0.52%

LAB 72.54, 16.75, 71.97

 

CMYK 0 / 54 / 88 / 7

HEX #EC6C1C

RGB 236 108 28

HSL 23.08, 0.85%, 0.52%

LAB 60.46, 45.62, 62.63

 

CMYK 0 / 78 / 88 / 7

HEX #EC341C

RGB 236 52 28

HSL 6.92, 0.85%, 0.52%

LAB 52.26, 67.66, 56.4

 

CMYK 0 / 88 / 88 / 7

HEX #EC1C1C

RGB 236 28 28

HSL 0, 0.85%, 0.52%

LAB 50.39, 72.96, 55.01

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 17 / 0 / 88 / 7

HEX #C4EC1C

RGB 196 236 28

HSL 71.54, 0.85%, 0.52%

LAB 87.88, -36.28, 82.77

 

CMYK 41 / 0 / 88 / 7

HEX #8CEC1C

RGB 140 236 28

HSL 87.69, 0.85%, 0.52%

LAB 84.82, -56.71, 78.99

 

CMYK 64 / 0 / 88 / 7

HEX #54EC1C

RGB 84 236 28

HSL 103.85, 0.85%, 0.52%

LAB 82.89, -71.81, 76.59

 

CMYK 88 / 0 / 88 / 7

HEX #1CEC1C

RGB 28 236 28

HSL 120, 0.85%, 0.52%

LAB 82.01, -79.47, 75.49

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 0 / 6 / 78 / 15

HEX #D8CB30

RGB 216 203 48

HSL 55.36, 0.68%, 0.52%

LAB 80.47, -11.65, 72.48

 

CMYK 0 / 5 / 65 / 23

HEX #C5BB44

RGB 197 187 68

HSL 55.35, 0.53%, 0.52%

LAB 74.72, -10.67, 59.22

 

CMYK 0 / 4 / 51 / 31

HEX #B1AA57

RGB 177 170 87

HSL 55.33, 0.37%, 0.52%

LAB 68.6, -8.91, 43.26

 

CMYK 0 / 3 / 32 / 38

HEX #9D996B

RGB 157 153 107

HSL 55.2, 0.2%, 0.52%

LAB 62.52, -5.95, 24.76

 

CMYK 0 / 54 / 88 / 7

HEX #EC6C1C

RGB 236 108 28

HSL 23.08, 0.85%, 0.52%

LAB 60.46, 45.62, 62.63

 

CMYK 0 / 31 / 88 / 7

HEX #ECA31C

RGB 236 163 28

HSL 38.94, 0.85%, 0.52%

LAB 72.3, 17.28, 71.79

 

CMYK 0 / 7 / 88 / 7

HEX #ECDB1C

RGB 236 219 28

HSL 55.1, 0.85%, 0.52%

LAB 86.3, -11.69, 82.76

 

CMYK 16 / 0 / 88 / 7

HEX #C6EC1C

RGB 198 236 28

HSL 70.96, 0.85%, 0.52%

LAB 88.01, -35.49, 82.92

 

CMYK 39 / 0 / 88 / 7

HEX #8FEC1C

RGB 143 236 28

HSL 86.83, 0.85%, 0.52%

LAB 84.95, -55.72, 79.16

 

CMYK 0 / 7 / 92 / 34

HEX #A89D0D

RGB 168 157 13

HSL 55.74, 0.86%, 0.35%

LAB 63.73, -9.86, 65.1

 

CMYK 0 / 7 / 92 / 19

HEX #CFC010

RGB 207 192 16

HSL 55.29, 0.86%, 0.44%

LAB 76.68, -10.73, 76.1

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 0 / 5 / 72 / 6

HEX #EFE242

RGB 239 226 66

HSL 55.49, 0.84%, 0.6%

LAB 88.51, -12.75, 74.85

 

CMYK 0 / 4 / 57 / 5

HEX #F2E868

RGB 242 232 104

HSL 55.65, 0.84%, 0.68%

LAB 90.59, -12.32, 62.15

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 88 / 0 / 78 / 7

HEX #1CEC34

RGB 28 236 52

HSL 126.92, 0.85%, 0.52%

LAB 82.1, -78.33, 69.94

 

CMYK 42 / 88 / 0 / 7

HEX #881CEC

RGB 136 28 236

HSL 271.15, 0.85%, 0.52%

LAB 41.41, 75.91, -81.75

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 88 / 0 / 7 / 7

HEX #1CECDB

RGB 28 236 219

HSL 175.1, 0.85%, 0.52%

LAB 84.66, -49.29, -4.9

 

CMYK 7 / 88 / 0 / 7

HEX #DB1CEC

RGB 219 28 236

HSL 295.1, 0.85%, 0.52%

LAB 53.97, 87.43, -60.75

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 88 / 0 / 78 / 7

HEX #1CEC34

RGB 28 236 52

HSL 126.92, 0.85%, 0.52%

LAB 82.1, -78.33, 69.94

 

CMYK 88 / 81 / 0 / 7

HEX #1C2DEC

RGB 28 45 236

HSL 235.1, 0.85%, 0.52%

LAB 34.35, 62.2, -93.7

 

CMYK 0 / 88 / 10 / 7

HEX #EC1CD4

RGB 236 28 212

HSL 306.92, 0.85%, 0.52%

LAB 55.5, 86.9, -44.55

 

CMYK 0 / 7 / 88 / 7

HEX #ECDC1C

RGB 236 220 28

HSL 55.38, 0.85%, 0.52%

LAB 86.56, -12.19, 82.96

 

CMYK 88 / 0 / 51 / 7

HEX #1CEC73

RGB 28 236 115

HSL 145.1, 0.85%, 0.52%

LAB 82.63, -71.72, 45.48

 

CMYK 88 / 81 / 0 / 7

HEX #1C2DEC

RGB 28 45 236

HSL 235.1, 0.85%, 0.52%

LAB 34.35, 62.2, -93.7

 

CMYK 0 / 88 / 37 / 7

HEX #EC1C95

RGB 236 28 149

HSL 325.1, 0.85%, 0.52%

LAB 52.77, 79.63, -12.05

 

Description

Color code: HEX #ECDC1C | qconv.com Color code: HEX #ECDC1C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 220 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 220 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 88 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 88% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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