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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECD0EB it is the complementary color #132F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECD0EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECD0EB shade: #F1D0E6, #FFE2F9 and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECD0EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECD0EB shade: #ECD0EB, #DBBED8, #CAACC5, #B99AB2 and #A8889F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECD0EB shade: #EBCFEA, #EBCFE3, #EBCFDB, #EBCFD4 and #EBCFCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECD0EB shade: #EBCFEA, #E5CFEB, #DDCFEB, #D6CFEB and #CFCFEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECD0EB shade matches the following richer shades: #EBCFEA, #F1CAEF, #F6C5F4 and #FBBFF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECD0EB shade: #EBCFEA, #E6D5E5, #E1DAE0, #DBE0DB and #D6E5D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECD0EB shade: #DDCFEB, #E5CFEB, #EBCFEA, #EBCFE3 and #EBCFDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECD0EB shade: #D395D1, #DFB2DE, #EBCFEA and #F7EDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECD0EB shade: #ECD0EB, #EBD6CF and #CFEBE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECD0EB shade: #ECD0EB, #EAEBCF and #CFEAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECD0EB shade: #ECD0EB, #EBD6CF, #CFEBD0 and #CFE5EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECD0EB shade: #ECD0EB, #EBDECF, #CFEBD0 and #CFDCEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 0 / 7

HEX #ECD0EB

RGB 236 208 235

HSL 302.14, 0.42%, 0.87%

LAB 86.48, 14.39, -9.69

 

Complementary color

CMYK 60 / 0 / 57 / 82

HEX #132F14

RGB 19 47 20

HSL 122.14, 0.42%, 0.13%

LAB 16.61, -17.67, 14.12

 

CMYK 0 / 14 / 5 / 5

HEX #F1D0E6

RGB 241 208 230

HSL 320, 0.54%, 0.88%

LAB 86.76, 15.19, -6.56

 

CMYK 0 / 11 / 2 / 0

HEX #FFE2F9

RGB 255 226 249

HSL 312.41, 1%, 0.94%

LAB 92.79, 13.8, -7.5

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 12 / 0 / 7

HEX #ECD0EB

RGB 236 208 235

HSL 302.14, 0.42%, 0.87%

LAB 86.48, 14.39, -9.69

 

CMYK 0 / 13 / 1 / 14

HEX #DBBED8

RGB 219 190 216

HSL 306.21, 0.29%, 0.8%

LAB 80.09, 14.78, -9.19

 

CMYK 0 / 15 / 2 / 21

HEX #CAACC5

RGB 202 172 197

HSL 310, 0.22%, 0.73%

LAB 73.61, 15.2, -8.68

 

CMYK 0 / 17 / 4 / 27

HEX #B99AB2

RGB 185 154 178

HSL 313.55, 0.18%, 0.66%

LAB 67.01, 15.65, -8.15

 

CMYK 0 / 19 / 5 / 34

HEX #A8889F

RGB 168 136 159

HSL 316.88, 0.16%, 0.6%

LAB 60.28, 16.15, -7.6

 

CMYK 0 / 12 / 0 / 8

HEX #EBCFEA

RGB 235 207 234

HSL 302.14, 0.41%, 0.87%

LAB 86.12, 14.4, -9.69

 

CMYK 0 / 12 / 3 / 8

HEX #EBCFE3

RGB 235 207 227

HSL 317.14, 0.41%, 0.87%

LAB 85.92, 13.15, -6.27

 

CMYK 0 / 12 / 7 / 8

HEX #EBCFDB

RGB 235 207 219

HSL 334.29, 0.41%, 0.87%

LAB 85.71, 11.76, -2.34

 

CMYK 0 / 12 / 10 / 8

HEX #EBCFD4

RGB 235 207 212

HSL 349.29, 0.41%, 0.87%

LAB 85.52, 10.59, 1.11

 

CMYK 0 / 12 / 12 / 8

HEX #EBCFCF

RGB 235 207 207

HSL 0, 0.41%, 0.87%

LAB 85.4, 9.77, 3.58

 

CMYK 0 / 12 / 0 / 8

HEX #EBCFEA

RGB 235 207 234

HSL 302.14, 0.41%, 0.87%

LAB 86.12, 14.4, -9.69

 

CMYK 3 / 12 / 0 / 8

HEX #E5CFEB

RGB 229 207 235

HSL 287.14, 0.41%, 0.87%

LAB 85.65, 12.59, -10.98

 

CMYK 6 / 12 / 0 / 8

HEX #DDCFEB

RGB 221 207 235

HSL 270, 0.41%, 0.87%

LAB 84.99, 9.95, -12.03

 

CMYK 9 / 12 / 0 / 8

HEX #D6CFEB

RGB 214 207 235

HSL 255, 0.41%, 0.87%

LAB 84.44, 7.66, -12.91

 

CMYK 12 / 12 / 0 / 8

HEX #CFCFEB

RGB 207 207 235

HSL 240, 0.41%, 0.87%

LAB 83.91, 5.41, -13.76

 

CMYK 0 / 12 / 0 / 8

HEX #EBCFEA

RGB 235 207 234

HSL 302.14, 0.41%, 0.87%

LAB 86.12, 14.4, -9.69

 

CMYK 0 / 16 / 1 / 5

HEX #F1CAEF

RGB 241 202 239

HSL 303.08, 0.58%, 0.87%

LAB 85.59, 19.95, -13.08

 

CMYK 0 / 20 / 1 / 4

HEX #F6C5F4

RGB 246 197 244

HSL 302.45, 0.73%, 0.87%

LAB 85.03, 25.14, -16.54

 

CMYK 0 / 24 / 1 / 2

HEX #FBBFF9

RGB 251 191 249

HSL 302, 0.88%, 0.87%

LAB 84.28, 30.84, -20.27

 

CMYK 0 / 12 / 0 / 8

HEX #EBCFEA

RGB 235 207 234

HSL 302.14, 0.41%, 0.87%

LAB 86.12, 14.4, -9.69

 

CMYK 0 / 7 / 0 / 10

HEX #E6D5E5

RGB 230 213 229

HSL 303.53, 0.25%, 0.87%

LAB 87.03, 8.66, -5.74

 

CMYK 0 / 3 / 0 / 12

HEX #E1DAE0

RGB 225 218 224

HSL 308.57, 0.1%, 0.87%

LAB 87.74, 3.45, -2.1

 

CMYK 2 / 0 / 2 / 12

HEX #DBE0DB

RGB 219 224 219

HSL 120, 0.07%, 0.87%

LAB 88.68, -2.58, 1.85

 

CMYK 7 / 0 / 7 / 10

HEX #D6E5D6

RGB 214 229 214

HSL 120, 0.22%, 0.87%

LAB 89.48, -7.72, 5.59

 

CMYK 6 / 12 / 0 / 8

HEX #DDCFEB

RGB 221 207 235

HSL 270, 0.41%, 0.87%

LAB 84.99, 9.95, -12.03

 

CMYK 3 / 12 / 0 / 8

HEX #E5CFEB

RGB 229 207 235

HSL 287.14, 0.41%, 0.87%

LAB 85.65, 12.59, -10.98

 

CMYK 0 / 12 / 0 / 8

HEX #EBCFEA

RGB 235 207 234

HSL 302.14, 0.41%, 0.87%

LAB 86.12, 14.4, -9.69

 

CMYK 0 / 12 / 3 / 8

HEX #EBCFE3

RGB 235 207 227

HSL 317.14, 0.41%, 0.87%

LAB 85.92, 13.15, -6.27

 

CMYK 0 / 12 / 7 / 8

HEX #EBCFDB

RGB 235 207 219

HSL 334.29, 0.41%, 0.87%

LAB 85.71, 11.76, -2.34

 

CMYK 0 / 29 / 1 / 17

HEX #D395D1

RGB 211 149 209

HSL 301.94, 0.41%, 0.71%

LAB 69.43, 33, -21.49

 

CMYK 0 / 20 / 0 / 13

HEX #DFB2DE

RGB 223 178 222

HSL 301.33, 0.41%, 0.79%

LAB 77.76, 23.68, -15.88

 

CMYK 0 / 12 / 0 / 8

HEX #EBCFEA

RGB 235 207 234

HSL 302.14, 0.41%, 0.87%

LAB 86.12, 14.4, -9.69

 

CMYK 0 / 4 / 0 / 3

HEX #F7EDF7

RGB 247 237 247

HSL 300, 0.38%, 0.95%

LAB 94.76, 5.11, -3.63

 

CMYK 0 / 12 / 0 / 7

HEX #ECD0EB

RGB 236 208 235

HSL 302.14, 0.42%, 0.87%

LAB 86.48, 14.39, -9.69

 

CMYK 0 / 9 / 12 / 8

HEX #EBD6CF

RGB 235 214 207

HSL 15, 0.41%, 0.87%

LAB 87.12, 6.11, 6.07

 

CMYK 12 / 0 / 4 / 8

HEX #CFEBE1

RGB 207 235 225

HSL 158.57, 0.41%, 0.87%

LAB 90.83, -11.05, 1.74

 

CMYK 0 / 12 / 0 / 7

HEX #ECD0EB

RGB 236 208 235

HSL 302.14, 0.42%, 0.87%

LAB 86.48, 14.39, -9.69

 

CMYK 0 / 0 / 12 / 8

HEX #EAEBCF

RGB 234 235 207

HSL 62.14, 0.41%, 0.87%

LAB 92.32, -5.04, 13.48

 

CMYK 12 / 0 / 0 / 8

HEX #CFEAEB

RGB 207 234 235

HSL 182.14, 0.41%, 0.87%

LAB 90.83, -8.62, -3.49

 

CMYK 0 / 12 / 0 / 7

HEX #ECD0EB

RGB 236 208 235

HSL 302.14, 0.42%, 0.87%

LAB 86.48, 14.39, -9.69

 

CMYK 0 / 9 / 12 / 8

HEX #EBD6CF

RGB 235 214 207

HSL 15, 0.41%, 0.87%

LAB 87.12, 6.11, 6.07

 

CMYK 12 / 0 / 11 / 8

HEX #CFEBD0

RGB 207 235 208

HSL 122.14, 0.41%, 0.87%

LAB 90.43, -14.15, 10.02

 

CMYK 12 / 3 / 0 / 8

HEX #CFE5EB

RGB 207 229 235

HSL 192.86, 0.41%, 0.87%

LAB 89.53, -6.07, -5.4

 

CMYK 0 / 12 / 0 / 7

HEX #ECD0EB

RGB 236 208 235

HSL 302.14, 0.42%, 0.87%

LAB 86.48, 14.39, -9.69

 

CMYK 0 / 6 / 12 / 8

HEX #EBDECF

RGB 235 222 207

HSL 32.14, 0.41%, 0.87%

LAB 89.12, 1.96, 8.93

 

CMYK 12 / 0 / 11 / 8

HEX #CFEBD0

RGB 207 235 208

HSL 122.14, 0.41%, 0.87%

LAB 90.43, -14.15, 10.02

 

CMYK 12 / 6 / 0 / 8

HEX #CFDCEB

RGB 207 220 235

HSL 212.14, 0.41%, 0.87%

LAB 87.22, -1.42, -8.83

 

Description

Color code: HEX #ECD0EB | qconv.com Color code: HEX #ECD0EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 208 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 208 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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