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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECD4DF it is the complementary color #132B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECD4DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECD4DF shade: #F1D4DA, #FFE6ED and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECD4DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECD4DF shade: #ECD4DF, #DBC2CC, #CAB0B9, #B99EA6 and #A88C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECD4DF shade: #ECD4DF, #ECD4D8 and #ECD4D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECD4DF shade: #ECD4DF, #ECD4E5, #ECD4EC, #E5D4EC and #DFD4EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECD4DF shade matches the following richer shades: #ECD4DF, #F1CFDE, #F6CADE and #FBC5DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECD4DF shade: #ECD4DF, #E7D9DF, #E2DEE0, #DDE3E0 and #D8E8E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECD4DF shade: #ECD4EC, #ECD4E5, #ECD4DF, #ECD4D9 and #ECD6D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECD4DF shade: #D39BB4, #DFB7CA, #ECD4DF and #F8F1F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECD4DF shade: #ECD4DF, #ECE5D4 and #D4E9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECD4DF shade: #ECD4DF, #DFECD4 and #D4DFEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECD4DF shade: #ECD4DF, #ECE5D4, #D4ECE1 and #D4DAEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECD4DF shade: #ECD4DF, #EBECD4, #D4ECE1 and #D5D4EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

Complementary color

CMYK 56 / 0 / 26 / 83

HEX #132B20

RGB 19 43 32

HSL 152.5, 0.39%, 0.12%

LAB 15.33, -12.69, 4.29

 

CMYK 0 / 12 / 10 / 5

HEX #F1D4DA

RGB 241 212 218

HSL 347.59, 0.51%, 0.89%

LAB 87.41, 11.05, 0.74

 

CMYK 0 / 10 / 7 / 0

HEX #FFE6ED

RGB 255 230 237

HSL 343.2, 1%, 0.95%

LAB 93.44, 9.68, -0.3

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 11 / 7 / 14

HEX #DBC2CC

RGB 219 194 204

HSL 336, 0.26%, 0.81%

LAB 80.74, 10.51, -1.77

 

CMYK 0 / 13 / 8 / 21

HEX #CAB0B9

RGB 202 176 185

HSL 339.23, 0.2%, 0.74%

LAB 74.26, 10.88, -1.14

 

CMYK 0 / 15 / 10 / 27

HEX #B99EA6

RGB 185 158 166

HSL 342.22, 0.16%, 0.67%

LAB 67.67, 11.29, -0.47

 

CMYK 0 / 17 / 13 / 34

HEX #A88C93

RGB 168 140 147

HSL 345, 0.14%, 0.6%

LAB 60.95, 11.74, 0.23

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 10 / 8 / 7

HEX #ECD4D8

RGB 236 212 216

HSL 350, 0.39%, 0.88%

LAB 86.94, 8.98, 1.05

 

CMYK 0 / 10 / 10 / 7

HEX #ECD4D4

RGB 236 212 212

HSL 0, 0.39%, 0.88%

LAB 86.84, 8.31, 3.03

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 10 / 3 / 7

HEX #ECD4E5

RGB 236 212 229

HSL 317.5, 0.39%, 0.88%

LAB 87.28, 11.21, -5.32

 

CMYK 0 / 10 / 0 / 7

HEX #ECD4EC

RGB 236 212 236

HSL 300, 0.39%, 0.88%

LAB 87.47, 12.46, -8.73

 

CMYK 3 / 10 / 0 / 7

HEX #E5D4EC

RGB 229 212 236

HSL 282.5, 0.39%, 0.88%

LAB 86.9, 10.14, -9.65

 

CMYK 6 / 10 / 0 / 7

HEX #DFD4EC

RGB 223 212 236

HSL 267.5, 0.39%, 0.88%

LAB 86.42, 8.16, -10.41

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 14 / 8 / 5

HEX #F1CFDE

RGB 241 207 222

HSL 333.53, 0.55%, 0.88%

LAB 86.31, 14.34, -3

 

CMYK 0 / 18 / 10 / 4

HEX #F6CADE

RGB 246 202 222

HSL 332.73, 0.71%, 0.88%

LAB 85.56, 18.7, -4.04

 

CMYK 0 / 22 / 12 / 2

HEX #FBC5DE

RGB 251 197 222

HSL 332.22, 0.87%, 0.88%

LAB 84.85, 23.05, -5.03

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 6 / 3 / 9

HEX #E7D9DF

RGB 231 217 223

HSL 334.29, 0.23%, 0.88%

LAB 87.94, 5.84, -1.23

 

CMYK 0 / 2 / 1 / 11

HEX #E2DEE0

RGB 226 222 224

HSL 330, 0.06%, 0.88%

LAB 88.82, 1.72, -0.51

 

CMYK 3 / 0 / 1 / 11

HEX #DDE3E0

RGB 221 227 224

HSL 150, 0.1%, 0.88%

LAB 89.72, -2.55, 0.75

 

CMYK 7 / 0 / 3 / 9

HEX #D8E8E1

RGB 216 232 225

HSL 153.75, 0.26%, 0.88%

LAB 90.66, -6.59, 1.57

 

CMYK 0 / 10 / 0 / 7

HEX #ECD4EC

RGB 236 212 236

HSL 300, 0.39%, 0.88%

LAB 87.47, 12.46, -8.73

 

CMYK 0 / 10 / 3 / 7

HEX #ECD4E5

RGB 236 212 229

HSL 317.5, 0.39%, 0.88%

LAB 87.28, 11.21, -5.32

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 10 / 8 / 7

HEX #ECD4D9

RGB 236 212 217

HSL 347.5, 0.39%, 0.88%

LAB 86.96, 9.14, 0.56

 

CMYK 0 / 9 / 10 / 7

HEX #ECD6D4

RGB 236 214 212

HSL 5, 0.39%, 0.88%

LAB 87.33, 7.27, 3.74

 

CMYK 0 / 27 / 15 / 17

HEX #D39BB4

RGB 211 155 180

HSL 333.21, 0.39%, 0.72%

LAB 69.89, 24.7, -4.71

 

CMYK 0 / 18 / 9 / 13

HEX #DFB7CA

RGB 223 183 202

HSL 331.5, 0.38%, 0.8%

LAB 78.36, 17.45, -4.16

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 3 / 2 / 3

HEX #F8F1F4

RGB 248 241 244

HSL 334.29, 0.33%, 0.96%

LAB 95.75, 2.86, -0.62

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 3 / 10 / 7

HEX #ECE5D4

RGB 236 229 212

HSL 42.5, 0.39%, 0.88%

LAB 91.06, -0.49, 9.12

 

CMYK 10 / 1 / 0 / 7

HEX #D4E9EC

RGB 212 233 236

HSL 187.5, 0.39%, 0.88%

LAB 90.93, -6.32, -3.83

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 6 / 0 / 10 / 7

HEX #DFECD4

RGB 223 236 212

HSL 92.5, 0.39%, 0.88%

LAB 91.88, -8.55, 10.16

 

CMYK 10 / 6 / 0 / 7

HEX #D4DFEC

RGB 212 223 236

HSL 212.5, 0.39%, 0.88%

LAB 88.37, -1.18, -7.61

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 3 / 10 / 7

HEX #ECE5D4

RGB 236 229 212

HSL 42.5, 0.39%, 0.88%

LAB 91.06, -0.49, 9.12

 

CMYK 10 / 0 / 5 / 7

HEX #D4ECE1

RGB 212 236 225

HSL 152.5, 0.39%, 0.88%

LAB 91.43, -9.93, 2.64

 

CMYK 10 / 8 / 0 / 7

HEX #D4DAEC

RGB 212 218 236

HSL 225, 0.39%, 0.88%

LAB 87.09, 1.42, -9.5

 

CMYK 0 / 10 / 6 / 7

HEX #ECD4DF

RGB 236 212 223

HSL 332.5, 0.39%, 0.88%

LAB 87.12, 10.17, -2.38

 

CMYK 0 / 0 / 10 / 7

HEX #EBECD4

RGB 235 236 212

HSL 62.5, 0.39%, 0.88%

LAB 92.75, -4.4, 11.52

 

CMYK 10 / 0 / 5 / 7

HEX #D4ECE1

RGB 212 236 225

HSL 152.5, 0.39%, 0.88%

LAB 91.43, -9.93, 2.64

 

CMYK 10 / 10 / 0 / 7

HEX #D5D4EC

RGB 213 212 236

HSL 242.5, 0.39%, 0.88%

LAB 85.65, 4.9, -11.64

 

Description

Color code: HEX #ECD4DF | qconv.com Color code: HEX #ECD4DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 212 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 212 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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