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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECC335 it is the complementary color #133CCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECC335. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECC335 shade: #F1C330, #FFD543, #FFE756, #FFF969 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECC335. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECC335 shade: #ECC335, #DBB122, #CA9F0F, #B98D00 and #A87B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECC335 shade: #ECC336, #EC9236, #EC6136 and #EC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECC335 shade: #ECC336, #E4EC36, #B2EC36, #81EC36 and #50EC36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECC335 shade matches the following richer shades: #ECC336 and #FECD24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECC335 shade: #ECC336, #DAB948, #C8B059, #B7A66B and #A59C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECC335 shade: #EC6036, #EC9136, #ECC136, #E6EC36 and #B5EC36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECC335 shade: #BE9711, #E4B515, #ECC336, #EFCE5C and #F3D981

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECC335 shade: #ECC335, #3CEC36 and #7936EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECC335 shade: #ECC335, #36ECC1 and #C136EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECC335 shade: #ECC335, #3CEC36, #3660EC and #E636EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECC335 shade: #ECC335, #36EC66, #3660EC and #EC36BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 78 / 7

HEX #ECC335

RGB 236 195 53

HSL 46.56, 0.83%, 0.57%

LAB 80.25, 1.17, 71.38

 

Complementary color

CMYK 91 / 70 / 0 / 21

HEX #133CCA

RGB 19 60 202

HSL 226.56, 0.83%, 0.43%

LAB 33.21, 42.46, -76.05

 

CMYK 0 / 19 / 80 / 5

HEX #F1C330

RGB 241 195 48

HSL 45.7, 0.87%, 0.57%

LAB 80.71, 3.13, 73.56

 

CMYK 0 / 16 / 74 / 0

HEX #FFD543

RGB 255 213 67

HSL 46.6, 1%, 0.63%

LAB 86.63, 0.5, 73.2

 

CMYK 0 / 9 / 66 / 0

HEX #FFE756

RGB 255 231 86

HSL 51.48, 1%, 0.67%

LAB 91.27, -7.65, 70.7

 

CMYK 0 / 2 / 59 / 0

HEX #FFF969

RGB 255 249 105

HSL 57.6, 1%, 0.71%

LAB 96.01, -15.35, 68.02

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 17 / 78 / 7

HEX #ECC335

RGB 236 195 53

HSL 46.56, 0.83%, 0.57%

LAB 80.25, 1.17, 71.38

 

CMYK 0 / 19 / 84 / 14

HEX #DBB122

RGB 219 177 34

HSL 46.38, 0.73%, 0.5%

LAB 73.95, 2.65, 70.87

 

CMYK 0 / 21 / 93 / 21

HEX #CA9F0F

RGB 202 159 15

HSL 46.2, 0.86%, 0.43%

LAB 67.57, 4.36, 69.15

 

CMYK 0 / 24 / 100 / 27

HEX #B98D00

RGB 185 141 0

HSL 45.73, 1%, 0.36%

LAB 61.1, 6.32, 65.84

 

CMYK 0 / 27 / 100 / 34

HEX #A87B00

RGB 168 123 0

HSL 43.93, 1%, 0.33%

LAB 54.54, 8.55, 60.45

 

CMYK 0 / 17 / 77 / 7

HEX #ECC336

RGB 236 195 54

HSL 46.48, 0.83%, 0.57%

LAB 80.25, 1.2, 71.06

 

CMYK 0 / 38 / 77 / 7

HEX #EC9236

RGB 236 146 54

HSL 30.33, 0.83%, 0.57%

LAB 68.5, 27.01, 60.04

 

CMYK 0 / 59 / 77 / 7

HEX #EC6136

RGB 236 97 54

HSL 14.18, 0.83%, 0.57%

LAB 58.65, 51.47, 50.34

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 17 / 77 / 7

HEX #ECC336

RGB 236 195 54

HSL 46.48, 0.83%, 0.57%

LAB 80.25, 1.2, 71.06

 

CMYK 3 / 0 / 77 / 7

HEX #E4EC36

RGB 228 236 54

HSL 62.64, 0.83%, 0.57%

LAB 90.21, -22.63, 79.82

 

CMYK 25 / 0 / 77 / 7

HEX #B2EC36

RGB 178 236 54

HSL 79.12, 0.83%, 0.57%

LAB 86.86, -42.39, 75.53

 

CMYK 45 / 0 / 77 / 7

HEX #81EC36

RGB 129 236 54

HSL 95.27, 0.83%, 0.57%

LAB 84.44, -59.15, 72.41

 

CMYK 66 / 0 / 77 / 7

HEX #50EC36

RGB 80 236 54

HSL 111.43, 0.83%, 0.57%

LAB 82.89, -71.44, 70.39

 

CMYK 0 / 17 / 77 / 7

HEX #ECC336

RGB 236 195 54

HSL 46.48, 0.83%, 0.57%

LAB 80.25, 1.2, 71.06

 

CMYK 0 / 19 / 86 / 0

HEX #FECD24

RGB 254 205 36

HSL 46.51, 0.99%, 0.57%

LAB 84.41, 3.19, 80.35

 

CMYK 0 / 17 / 77 / 7

HEX #ECC336

RGB 236 195 54

HSL 46.48, 0.83%, 0.57%

LAB 80.25, 1.2, 71.06

 

CMYK 0 / 15 / 67 / 15

HEX #DAB948

RGB 218 185 72

HSL 46.44, 0.66%, 0.57%

LAB 76.11, -0.44, 59.59

 

CMYK 0 / 12 / 56 / 22

HEX #C8B059

RGB 200 176 89

HSL 47.03, 0.5%, 0.57%

LAB 72.26, -2.2, 47.11

 

CMYK 0 / 9 / 42 / 28

HEX #B7A66B

RGB 183 166 107

HSL 46.58, 0.35%, 0.57%

LAB 68.32, -2.27, 32.76

 

CMYK 0 / 5 / 24 / 35

HEX #A59C7D

RGB 165 156 125

HSL 46.5, 0.18%, 0.57%

LAB 64.37, -1.85, 17.45

 

CMYK 0 / 59 / 77 / 7

HEX #EC6036

RGB 236 96 54

HSL 13.85, 0.83%, 0.57%

LAB 58.48, 51.92, 50.16

 

CMYK 0 / 39 / 77 / 7

HEX #EC9136

RGB 236 145 54

HSL 30, 0.83%, 0.57%

LAB 68.28, 27.53, 59.83

 

CMYK 0 / 18 / 77 / 7

HEX #ECC136

RGB 236 193 54

HSL 45.82, 0.83%, 0.57%

LAB 79.75, 2.24, 70.6

 

CMYK 3 / 0 / 77 / 7

HEX #E6EC36

RGB 230 236 54

HSL 61.98, 0.83%, 0.57%

LAB 90.36, -21.81, 80.01

 

CMYK 23 / 0 / 77 / 7

HEX #B5EC36

RGB 181 236 54

HSL 78.13, 0.83%, 0.57%

LAB 87.04, -41.26, 75.76

 

CMYK 0 / 21 / 91 / 25

HEX #BE9711

RGB 190 151 17

HSL 46.47, 0.84%, 0.41%

LAB 64.26, 3.35, 65.74

 

CMYK 0 / 21 / 91 / 11

HEX #E4B515

RGB 228 181 21

HSL 46.38, 0.83%, 0.49%

LAB 75.82, 4.19, 75.54

 

CMYK 0 / 17 / 77 / 7

HEX #ECC336

RGB 236 195 54

HSL 46.48, 0.83%, 0.57%

LAB 80.25, 1.2, 71.06

 

CMYK 0 / 14 / 62 / 6

HEX #EFCE5C

RGB 239 206 92

HSL 46.53, 0.82%, 0.65%

LAB 83.58, -1.27, 59.55

 

CMYK 0 / 11 / 47 / 5

HEX #F3D981

RGB 243 217 129

HSL 46.32, 0.83%, 0.73%

LAB 87.13, -2.34, 46.42

 

CMYK 0 / 17 / 78 / 7

HEX #ECC335

RGB 236 195 53

HSL 46.56, 0.83%, 0.57%

LAB 80.25, 1.17, 71.38

 

CMYK 75 / 0 / 77 / 7

HEX #3CEC36

RGB 60 236 54

HSL 118.02, 0.83%, 0.57%

LAB 82.5, -74.82, 69.87

 

CMYK 49 / 77 / 0 / 7

HEX #7936EC

RGB 121 54 236

HSL 262.09, 0.83%, 0.57%

LAB 42.4, 65.82, -80.19

 

CMYK 0 / 17 / 78 / 7

HEX #ECC335

RGB 236 195 53

HSL 46.56, 0.83%, 0.57%

LAB 80.25, 1.17, 71.38

 

CMYK 77 / 0 / 18 / 7

HEX #36ECC1

RGB 54 236 193

HSL 165.82, 0.83%, 0.57%

LAB 84.29, -54.06, 8.26

 

CMYK 18 / 77 / 0 / 7

HEX #C136EC

RGB 193 54 236

HSL 285.82, 0.83%, 0.57%

LAB 51.87, 77.24, -64.34

 

CMYK 0 / 17 / 78 / 7

HEX #ECC335

RGB 236 195 53

HSL 46.56, 0.83%, 0.57%

LAB 80.25, 1.17, 71.38

 

CMYK 75 / 0 / 77 / 7

HEX #3CEC36

RGB 60 236 54

HSL 118.02, 0.83%, 0.57%

LAB 82.5, -74.82, 69.87

 

CMYK 77 / 59 / 0 / 7

HEX #3660EC

RGB 54 96 236

HSL 226.15, 0.83%, 0.57%

LAB 45.92, 34.65, -74.61

 

CMYK 3 / 77 / 0 / 7

HEX #E636EC

RGB 230 54 236

HSL 298.02, 0.83%, 0.57%

LAB 57.58, 84.03, -54.88

 

CMYK 0 / 17 / 78 / 7

HEX #ECC335

RGB 236 195 53

HSL 46.56, 0.83%, 0.57%

LAB 80.25, 1.17, 71.38

 

CMYK 77 / 0 / 57 / 7

HEX #36EC66

RGB 54 236 102

HSL 135.82, 0.83%, 0.57%

LAB 82.77, -71.1, 51.71

 

CMYK 77 / 59 / 0 / 7

HEX #3660EC

RGB 54 96 236

HSL 226.15, 0.83%, 0.57%

LAB 45.92, 34.65, -74.61

 

CMYK 0 / 77 / 21 / 7

HEX #EC36BB

RGB 236 54 187

HSL 316.15, 0.83%, 0.57%

LAB 56.15, 78.38, -29.18

 

Description

Color code: HEX #ECC335 | qconv.com Color code: HEX #ECC335 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 195 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 195 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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