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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECC20D it is the complementary color #133DF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECC20D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECC20D shade: #F1C208, #FFD41B, #FFE62E, #FFF841 and #FFFF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECC20D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECC20D shade: #ECC20D, #DBB000, #CA9E00, #B98C00 and #A87A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECC20D shade: #EDC30C, #ED860C, #ED490C, #ED0D0C and #ED0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECC20D shade: #EDC30C, #DBED0C, #9EED0C, #61ED0C and #25ED0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECC20D shade matches the following richer shades: #EDC30C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECC20D shade: #EDC30C, #D9B620, #C4A934, #B09D49 and #9C905D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECC20D shade: #ED480C, #ED840C, #EDC00C, #DEED0C and #A2ED0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECC20D shade: #9F8208, #C6A20A, #EDC30C, #F4CE2F and #F6D856

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECC20D shade: #ECC20D, #0CED0C and #660CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECC20D shade: #ECC20D, #0CEDC0 and #C00CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECC20D shade: #ECC20D, #0CED0C, #0C39ED and #ED0CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECC20D shade: #ECC20D, #0CED4F, #0C39ED and #ED0CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 94 / 7

HEX #ECC20D

RGB 236 194 13

HSL 48.7, 0.9%, 0.49%

LAB 79.87, 0.79, 80.04

 

Complementary color

CMYK 92 / 75 / 0 / 5

HEX #133DF2

RGB 19 61 242

HSL 228.7, 0.9%, 0.51%

LAB 37.64, 55.74, -91.65

 

CMYK 0 / 20 / 97 / 5

HEX #F1C208

RGB 241 194 8

HSL 47.9, 0.94%, 0.49%

LAB 80.35, 2.9, 81.12

 

CMYK 0 / 17 / 89 / 0

HEX #FFD41B

RGB 255 212 27

HSL 48.68, 1%, 0.55%

LAB 86.22, -0.13, 83.6

 

CMYK 0 / 10 / 82 / 0

HEX #FFE62E

RGB 255 230 46

HSL 52.82, 1%, 0.59%

LAB 90.8, -8.76, 83.3

 

CMYK 0 / 3 / 75 / 0

HEX #FFF841

RGB 255 248 65

HSL 57.79, 1%, 0.63%

LAB 95.49, -16.95, 82.16

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 18 / 94 / 7

HEX #ECC20D

RGB 236 194 13

HSL 48.7, 0.9%, 0.49%

LAB 79.87, 0.79, 80.04

 

CMYK 0 / 20 / 100 / 14

HEX #DBB000

RGB 219 176 0

HSL 48.22, 1%, 0.43%

LAB 73.62, 2.66, 76.18

 

CMYK 0 / 22 / 100 / 21

HEX #CA9E00

RGB 202 158 0

HSL 46.93, 1%, 0.4%

LAB 67.28, 4.72, 70.96

 

CMYK 0 / 24 / 100 / 27

HEX #B98C00

RGB 185 140 0

HSL 45.41, 1%, 0.36%

LAB 60.84, 6.87, 65.66

 

CMYK 0 / 27 / 100 / 34

HEX #A87A00

RGB 168 122 0

HSL 43.57, 1%, 0.33%

LAB 54.28, 9.11, 60.27

 

CMYK 0 / 18 / 95 / 7

HEX #EDC30C

RGB 237 195 12

HSL 48.8, 0.9%, 0.49%

LAB 80.21, 0.69, 80.45

 

CMYK 0 / 43 / 95 / 7

HEX #ED860C

RGB 237 134 12

HSL 32.53, 0.9%, 0.49%

LAB 65.81, 32.73, 70.28

 

CMYK 0 / 69 / 95 / 7

HEX #ED490C

RGB 237 73 12

HSL 16.27, 0.9%, 0.49%

LAB 54.86, 60.87, 63.3

 

CMYK 0 / 95 / 95 / 7

HEX #ED0D0C

RGB 237 13 12

HSL 0.27, 0.9%, 0.49%

LAB 49.88, 74.88, 60.54

 

CMYK 0 / 95 / 95 / 7

HEX #ED0C0C

RGB 237 12 12

HSL 0, 0.9%, 0.49%

LAB 49.85, 74.96, 60.52

 

CMYK 0 / 18 / 95 / 7

HEX #EDC30C

RGB 237 195 12

HSL 48.8, 0.9%, 0.49%

LAB 80.21, 0.69, 80.45

 

CMYK 8 / 0 / 95 / 7

HEX #DBED0C

RGB 219 237 12

HSL 64.8, 0.9%, 0.49%

LAB 89.7, -27.72, 86.86

 

CMYK 33 / 0 / 95 / 7

HEX #9EED0C

RGB 158 237 12

HSL 81.07, 0.9%, 0.49%

LAB 85.94, -51.28, 82.31

 

CMYK 59 / 0 / 95 / 7

HEX #61ED0C

RGB 97 237 12

HSL 97.33, 0.9%, 0.49%

LAB 83.51, -69.6, 79.35

 

CMYK 84 / 0 / 95 / 7

HEX #25ED0C

RGB 37 237 12

HSL 113.33, 0.9%, 0.49%

LAB 82.37, -79.43, 77.95

 

CMYK 0 / 18 / 95 / 7

HEX #EDC30C

RGB 237 195 12

HSL 48.8, 0.9%, 0.49%

LAB 80.21, 0.69, 80.45

 

CMYK 0 / 18 / 95 / 7

HEX #EDC30C

RGB 237 195 12

HSL 48.8, 0.9%, 0.49%

LAB 80.21, 0.69, 80.45

 

CMYK 0 / 16 / 85 / 15

HEX #D9B620

RGB 217 182 32

HSL 48.65, 0.74%, 0.49%

LAB 75.02, -0.9, 72.17

 

CMYK 0 / 14 / 73 / 23

HEX #C4A934

RGB 196 169 52

HSL 48.75, 0.58%, 0.49%

LAB 69.72, -2.55, 60.49

 

CMYK 0 / 11 / 59 / 31

HEX #B09D49

RGB 176 157 73

HSL 48.93, 0.41%, 0.49%

LAB 64.82, -3.6, 45.67

 

CMYK 0 / 8 / 40 / 39

HEX #9C905D

RGB 156 144 93

HSL 48.57, 0.25%, 0.49%

LAB 59.71, -3.19, 28.71

 

CMYK 0 / 70 / 95 / 7

HEX #ED480C

RGB 237 72 12

HSL 16, 0.9%, 0.49%

LAB 54.73, 61.24, 63.22

 

CMYK 0 / 44 / 95 / 7

HEX #ED840C

RGB 237 132 12

HSL 32, 0.9%, 0.49%

LAB 65.38, 33.76, 69.99

 

CMYK 0 / 19 / 95 / 7

HEX #EDC00C

RGB 237 192 12

HSL 48, 0.9%, 0.49%

LAB 79.46, 2.24, 79.9

 

CMYK 6 / 0 / 95 / 7

HEX #DEED0C

RGB 222 237 12

HSL 64, 0.9%, 0.49%

LAB 89.92, -26.49, 87.12

 

CMYK 32 / 0 / 95 / 7

HEX #A2ED0C

RGB 162 237 12

HSL 80, 0.9%, 0.49%

LAB 86.14, -49.86, 82.57

 

CMYK 0 / 18 / 95 / 38

HEX #9F8208

RGB 159 130 8

HSL 48.48, 0.9%, 0.33%

LAB 55.43, 0.59, 59.21

 

CMYK 0 / 18 / 95 / 22

HEX #C6A20A

RGB 198 162 10

HSL 48.51, 0.9%, 0.41%

LAB 67.92, 0.91, 69.94

 

CMYK 0 / 18 / 95 / 7

HEX #EDC30C

RGB 237 195 12

HSL 48.8, 0.9%, 0.49%

LAB 80.21, 0.69, 80.45

 

CMYK 0 / 16 / 81 / 4

HEX #F4CE2F

RGB 244 206 47

HSL 48.43, 0.9%, 0.57%

LAB 83.75, -1.28, 76.61

 

CMYK 0 / 12 / 65 / 4

HEX #F6D856

RGB 246 216 86

HSL 48.75, 0.9%, 0.65%

LAB 86.69, -3.83, 65.67

 

CMYK 0 / 18 / 94 / 7

HEX #ECC20D

RGB 236 194 13

HSL 48.7, 0.9%, 0.49%

LAB 79.87, 0.79, 80.04

 

CMYK 95 / 0 / 95 / 7

HEX #0CED0C

RGB 12 237 12

HSL 120, 0.9%, 0.49%

LAB 82.2, -80.97, 77.74

 

CMYK 57 / 95 / 0 / 7

HEX #660CED

RGB 102 12 237

HSL 264, 0.9%, 0.49%

LAB 36.37, 76.04, -90.77

 

CMYK 0 / 18 / 94 / 7

HEX #ECC20D

RGB 236 194 13

HSL 48.7, 0.9%, 0.49%

LAB 79.87, 0.79, 80.04

 

CMYK 95 / 0 / 19 / 7

HEX #0CEDC0

RGB 12 237 192

HSL 168, 0.9%, 0.49%

LAB 84.2, -57.36, 8.61

 

CMYK 19 / 95 / 0 / 7

HEX #C00CED

RGB 192 12 237

HSL 288, 0.9%, 0.49%

LAB 48.99, 85.48, -69.59

 

CMYK 0 / 18 / 94 / 7

HEX #ECC20D

RGB 236 194 13

HSL 48.7, 0.9%, 0.49%

LAB 79.87, 0.79, 80.04

 

CMYK 95 / 0 / 95 / 7

HEX #0CED0C

RGB 12 237 12

HSL 120, 0.9%, 0.49%

LAB 82.2, -80.97, 77.74

 

CMYK 95 / 76 / 0 / 7

HEX #0C39ED

RGB 12 57 237

HSL 228, 0.9%, 0.49%

LAB 36.21, 56.11, -91.19

 

CMYK 0 / 95 / 0 / 7

HEX #ED0CED

RGB 237 12 237

HSL 300, 0.9%, 0.49%

LAB 56.47, 92.18, -57.15

 

CMYK 0 / 18 / 94 / 7

HEX #ECC20D

RGB 236 194 13

HSL 48.7, 0.9%, 0.49%

LAB 79.87, 0.79, 80.04

 

CMYK 95 / 0 / 67 / 7

HEX #0CED4F

RGB 12 237 79

HSL 137.87, 0.9%, 0.49%

LAB 82.49, -77.25, 61

 

CMYK 95 / 76 / 0 / 7

HEX #0C39ED

RGB 12 57 237

HSL 228, 0.9%, 0.49%

LAB 36.21, 56.11, -91.19

 

CMYK 0 / 95 / 29 / 7

HEX #ED0CA9

RGB 237 12 169

HSL 318.13, 0.9%, 0.49%

LAB 53.09, 83.68, -23.38

 

Description

Color code: HEX #ECC20D | qconv.com Color code: HEX #ECC20D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 194 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 194 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 94 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 94% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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