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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECA0E4 it is the complementary color #135F1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECA0E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECA0E4 shade: #F1A0DF, #FFB2F2, #FFC4FF, #FFD6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECA0E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECA0E4 shade: #ECA0E4, #DB8ED1, #CA7CBE, #B96AAB and #A85898

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECA0E4 shade: #ECA1E4, #ECA1D0, #ECA1BC, #ECA1A7 and #ECA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECA0E4 shade: #ECA1E4, #E0A1EC, #CBA1EC, #B7A1EC and #A3A1EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECA0E4 shade matches the following richer shades: #ECA1E4, #F598EB and #FE8FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECA0E4 shade: #ECA1E4, #E3AADD, #DAB3D6, #D1BCCF and #C8C5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECA0E4 shade: #CBA1EC, #DFA1EC, #ECA1E4, #ECA1D0 and #ECA1BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECA0E4 shade: #DE5CD1, #E57EDA, #ECA1E4, #F3C3EE and #FAE6F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECA0E4 shade: #ECA0E4, #ECB7A1 and #A1ECD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECA0E4 shade: #ECA0E4, #E4ECA1 and #A1E4EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECA0E4 shade: #ECA0E4, #ECB7A1, #A1ECA8 and #A1D5EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECA0E4 shade: #ECA0E4, #ECCEA1, #A1ECA8 and #A1BFEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 3 / 7

HEX #ECA0E4

RGB 236 160 228

HSL 306.32, 0.67%, 0.78%

LAB 75.19, 38.63, -22.91

 

Complementary color

CMYK 80 / 0 / 72 / 63

HEX #135F1B

RGB 19 95 27

HSL 126.32, 0.67%, 0.22%

LAB 34.81, -37.33, 31.38

 

CMYK 0 / 34 / 7 / 5

HEX #F1A0DF

RGB 241 160 223

HSL 313.33, 0.74%, 0.79%

LAB 75.56, 39.38, -19.57

 

CMYK 0 / 30 / 5 / 0

HEX #FFB2F2

RGB 255 178 242

HSL 310.13, 1%, 0.85%

LAB 81.57, 37.72, -20.6

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 32 / 3 / 7

HEX #ECA0E4

RGB 236 160 228

HSL 306.32, 0.67%, 0.78%

LAB 75.19, 38.63, -22.91

 

CMYK 0 / 35 / 5 / 14

HEX #DB8ED1

RGB 219 142 209

HSL 307.79, 0.52%, 0.71%

LAB 68.76, 39.35, -22.44

 

CMYK 0 / 39 / 6 / 21

HEX #CA7CBE

RGB 202 124 190

HSL 309.23, 0.42%, 0.64%

LAB 62.24, 40.1, -21.91

 

CMYK 0 / 43 / 8 / 27

HEX #B96AAB

RGB 185 106 171

HSL 310.63, 0.36%, 0.57%

LAB 55.65, 40.86, -21.32

 

CMYK 0 / 48 / 10 / 34

HEX #A85898

RGB 168 88 152

HSL 312, 0.31%, 0.5%

LAB 48.97, 41.61, -20.62

 

CMYK 0 / 32 / 3 / 7

HEX #ECA1E4

RGB 236 161 228

HSL 306.4, 0.66%, 0.78%

LAB 75.4, 38.11, -22.58

 

CMYK 0 / 32 / 12 / 7

HEX #ECA1D0

RGB 236 161 208

HSL 322.4, 0.66%, 0.78%

LAB 74.75, 34.7, -12.65

 

CMYK 0 / 32 / 20 / 7

HEX #ECA1BC

RGB 236 161 188

HSL 338.4, 0.66%, 0.78%

LAB 74.16, 31.58, -2.54

 

CMYK 0 / 32 / 29 / 7

HEX #ECA1A7

RGB 236 161 167

HSL 355.2, 0.66%, 0.78%

LAB 73.62, 28.62, 8.24

 

CMYK 0 / 32 / 32 / 7

HEX #ECA1A1

RGB 236 161 161

HSL 0, 0.66%, 0.78%

LAB 73.48, 27.85, 11.34

 

CMYK 0 / 32 / 3 / 7

HEX #ECA1E4

RGB 236 161 228

HSL 306.4, 0.66%, 0.78%

LAB 75.4, 38.11, -22.58

 

CMYK 5 / 32 / 0 / 7

HEX #E0A1EC

RGB 224 161 236

HSL 290.4, 0.66%, 0.78%

LAB 74.44, 35.79, -28.52

 

CMYK 14 / 32 / 0 / 7

HEX #CBA1EC

RGB 203 161 236

HSL 273.6, 0.66%, 0.78%

LAB 72.39, 29.29, -31.85

 

CMYK 22 / 32 / 0 / 7

HEX #B7A1EC

RGB 183 161 236

HSL 257.6, 0.66%, 0.78%

LAB 70.6, 23.25, -34.76

 

CMYK 31 / 32 / 0 / 7

HEX #A3A1EC

RGB 163 161 236

HSL 241.6, 0.66%, 0.78%

LAB 68.99, 17.46, -37.39

 

CMYK 0 / 32 / 3 / 7

HEX #ECA1E4

RGB 236 161 228

HSL 306.4, 0.66%, 0.78%

LAB 75.4, 38.11, -22.58

 

CMYK 0 / 38 / 4 / 4

HEX #F598EB

RGB 245 152 235

HSL 306.45, 0.82%, 0.78%

LAB 74.74, 46.85, -27.32

 

CMYK 0 / 44 / 5 / 0

HEX #FE8FF2

RGB 254 143 242

HSL 306.49, 0.98%, 0.78%

LAB 74.27, 55.28, -31.77

 

CMYK 0 / 32 / 3 / 7

HEX #ECA1E4

RGB 236 161 228

HSL 306.4, 0.66%, 0.78%

LAB 75.4, 38.11, -22.58

 

CMYK 0 / 25 / 3 / 11

HEX #E3AADD

RGB 227 170 221

HSL 306.32, 0.5%, 0.78%

LAB 76.25, 29.13, -17.57

 

CMYK 0 / 18 / 2 / 15

HEX #DAB3D6

RGB 218 179 214

HSL 306.15, 0.35%, 0.78%

LAB 77.28, 19.99, -12.31

 

CMYK 0 / 10 / 1 / 18

HEX #D1BCCF

RGB 209 188 207

HSL 305.71, 0.19%, 0.78%

LAB 78.48, 10.79, -6.82

 

CMYK 0 / 1 / 0 / 22

HEX #C8C5C7

RGB 200 197 199

HSL 320, 0.03%, 0.78%

LAB 79.8, 1.41, -0.64

 

CMYK 14 / 32 / 0 / 7

HEX #CBA1EC

RGB 203 161 236

HSL 273.6, 0.66%, 0.78%

LAB 72.39, 29.29, -31.85

 

CMYK 6 / 32 / 0 / 7

HEX #DFA1EC

RGB 223 161 236

HSL 289.6, 0.66%, 0.78%

LAB 74.34, 35.48, -28.69

 

CMYK 0 / 32 / 3 / 7

HEX #ECA1E4

RGB 236 161 228

HSL 306.4, 0.66%, 0.78%

LAB 75.4, 38.11, -22.58

 

CMYK 0 / 32 / 12 / 7

HEX #ECA1D0

RGB 236 161 208

HSL 322.4, 0.66%, 0.78%

LAB 74.75, 34.7, -12.65

 

CMYK 0 / 32 / 20 / 7

HEX #ECA1BC

RGB 236 161 188

HSL 338.4, 0.66%, 0.78%

LAB 74.16, 31.58, -2.54

 

CMYK 0 / 59 / 6 / 13

HEX #DE5CD1

RGB 222 92 209

HSL 306, 0.66%, 0.62%

LAB 59.7, 64.74, -36.4

 

CMYK 0 / 45 / 5 / 10

HEX #E57EDA

RGB 229 126 218

HSL 306.41, 0.66%, 0.7%

LAB 67.01, 52.27, -30.02

 

CMYK 0 / 32 / 3 / 7

HEX #ECA1E4

RGB 236 161 228

HSL 306.4, 0.66%, 0.78%

LAB 75.4, 38.11, -22.58

 

CMYK 0 / 20 / 2 / 5

HEX #F3C3EE

RGB 243 195 238

HSL 306.25, 0.67%, 0.86%

LAB 84.1, 24.14, -14.76

 

CMYK 0 / 8 / 1 / 2

HEX #FAE6F8

RGB 250 230 248

HSL 306, 0.67%, 0.94%

LAB 93.32, 9.89, -6.25

 

CMYK 0 / 32 / 3 / 7

HEX #ECA0E4

RGB 236 160 228

HSL 306.32, 0.67%, 0.78%

LAB 75.19, 38.63, -22.91

 

CMYK 0 / 22 / 32 / 7

HEX #ECB7A1

RGB 236 183 161

HSL 17.6, 0.66%, 0.78%

LAB 78.62, 16.15, 18.55

 

CMYK 32 / 0 / 10 / 7

HEX #A1ECD5

RGB 161 236 213

HSL 161.6, 0.66%, 0.78%

LAB 88.15, -28, 3.78

 

CMYK 0 / 32 / 3 / 7

HEX #ECA0E4

RGB 236 160 228

HSL 306.32, 0.67%, 0.78%

LAB 75.19, 38.63, -22.91

 

CMYK 3 / 0 / 32 / 7

HEX #E4ECA1

RGB 228 236 161

HSL 66.4, 0.66%, 0.78%

LAB 91.26, -14.21, 35.55

 

CMYK 32 / 3 / 0 / 7

HEX #A1E4EC

RGB 161 228 236

HSL 186.4, 0.66%, 0.78%

LAB 86.56, -19.01, -10.63

 

CMYK 0 / 32 / 3 / 7

HEX #ECA0E4

RGB 236 160 228

HSL 306.32, 0.67%, 0.78%

LAB 75.19, 38.63, -22.91

 

CMYK 0 / 22 / 32 / 7

HEX #ECB7A1

RGB 236 183 161

HSL 17.6, 0.66%, 0.78%

LAB 78.62, 16.15, 18.55

 

CMYK 32 / 0 / 29 / 7

HEX #A1ECA8

RGB 161 236 168

HSL 125.6, 0.66%, 0.78%

LAB 87.19, -36.47, 25.8

 

CMYK 32 / 10 / 0 / 7

HEX #A1D5EC

RGB 161 213 236

HSL 198.4, 0.66%, 0.78%

LAB 82.5, -11.39, -16.72

 

CMYK 0 / 32 / 3 / 7

HEX #ECA0E4

RGB 236 160 228

HSL 306.32, 0.67%, 0.78%

LAB 75.19, 38.63, -22.91

 

CMYK 0 / 13 / 32 / 7

HEX #ECCEA1

RGB 236 206 161

HSL 36, 0.66%, 0.78%

LAB 84.25, 4.06, 26.28

 

CMYK 32 / 0 / 29 / 7

HEX #A1ECA8

RGB 161 236 168

HSL 125.6, 0.66%, 0.78%

LAB 87.19, -36.47, 25.8

 

CMYK 32 / 19 / 0 / 7

HEX #A1BFEC

RGB 161 191 236

HSL 216, 0.66%, 0.78%

LAB 76.62, 0.26, -25.64

 

Description

Color code: HEX #ECA0E4 | qconv.com Color code: HEX #ECA0E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 160 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 160 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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