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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9F3DD it is the complementary color #160C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9F3DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9F3DD shade: #EEF3D8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9F3DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9F3DD shade: #E9F3DD, #D8E1CA, #C7CFB7, #B6BDA4 and #A5AB91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9F3DD shade: #E9F3DD, #EEF3DD, #F3F1DD, #F3EBDD and #F3E5DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9F3DD shade: #E9F3DD, #E3F3DD, #DDF3DD, #DDF3E2 and #DDF3E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9F3DD shade matches the following richer shades: #E9F3DD, #E9F6D9, #E9FAD5 and #EAFED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9F3DD shade: #E9F3DD, #E8EFE0, #E8EBE4, #E8E7E8 and #E7E4EB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9F3DD shade: #F3F1DD, #EFF3DD, #E9F3DD, #E3F3DD and #DDF3DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9F3DD shade: #C1DD9F, #D5E8BE, #E9F3DD and #FCFDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9F3DD shade: #E9F3DD, #DDF3EB and #F3DDF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9F3DD shade: #E9F3DD, #DDE9F3 and #F3DDE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9F3DD shade: #E9F3DD, #DDF3EB, #E6DDF3 and #F3DDE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9F3DD shade: #E9F3DD, #DDF3F1, #E6DDF3 and #F3DDDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

Complementary color

CMYK 35 / 65 / 0 / 87

HEX #160C22

RGB 22 12 34

HSL 267.27, 0.48%, 0.09%

LAB 4.96, 9.39, -12.64

 

CMYK 2 / 0 / 11 / 5

HEX #EEF3D8

RGB 238 243 216

HSL 71.11, 0.53%, 0.9%

LAB 94.84, -6.25, 12.45

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 4 / 0 / 10 / 12

HEX #D8E1CA

RGB 216 225 202

HSL 83.48, 0.28%, 0.84%

LAB 88.31, -7.07, 10.21

 

CMYK 4 / 0 / 12 / 19

HEX #C7CFB7

RGB 199 207 183

HSL 80, 0.2%, 0.76%

LAB 81.94, -6.98, 10.99

 

CMYK 4 / 0 / 13 / 26

HEX #B6BDA4

RGB 182 189 164

HSL 76.8, 0.16%, 0.69%

LAB 75.46, -6.9, 11.81

 

CMYK 4 / 0 / 15 / 33

HEX #A5AB91

RGB 165 171 145

HSL 73.85, 0.13%, 0.62%

LAB 68.87, -6.8, 12.68

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 2 / 0 / 9 / 5

HEX #EEF3DD

RGB 238 243 221

HSL 73.64, 0.48%, 0.91%

LAB 94.95, -5.43, 10.03

 

CMYK 0 / 1 / 9 / 5

HEX #F3F1DD

RGB 243 241 221

HSL 54.55, 0.48%, 0.91%

LAB 94.82, -2.7, 9.89

 

CMYK 0 / 3 / 9 / 5

HEX #F3EBDD

RGB 243 235 221

HSL 38.18, 0.48%, 0.91%

LAB 93.32, 0.35, 7.74

 

CMYK 0 / 6 / 9 / 5

HEX #F3E5DD

RGB 243 229 221

HSL 21.82, 0.48%, 0.91%

LAB 91.83, 3.42, 5.59

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 7 / 0 / 9 / 5

HEX #E3F3DD

RGB 227 243 221

HSL 103.64, 0.48%, 0.91%

LAB 94.16, -9.18, 8.8

 

CMYK 9 / 0 / 9 / 5

HEX #DDF3DD

RGB 221 243 221

HSL 120, 0.48%, 0.91%

LAB 93.75, -11.19, 8.15

 

CMYK 9 / 0 / 7 / 5

HEX #DDF3E2

RGB 221 243 226

HSL 133.64, 0.48%, 0.91%

LAB 93.87, -10.31, 5.73

 

CMYK 9 / 0 / 5 / 5

HEX #DDF3E8

RGB 221 243 232

HSL 150, 0.48%, 0.91%

LAB 94.01, -9.22, 2.83

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 5 / 0 / 12 / 4

HEX #E9F6D9

RGB 233 246 217

HSL 86.9, 0.62%, 0.91%

LAB 95.26, -9.31, 12.49

 

CMYK 7 / 0 / 15 / 2

HEX #E9FAD5

RGB 233 250 213

HSL 87.57, 0.79%, 0.91%

LAB 96.2, -11.94, 15.88

 

CMYK 8 / 0 / 18 / 0

HEX #EAFED1

RGB 234 254 209

HSL 86.67, 0.96%, 0.91%

LAB 97.22, -14.2, 19.36

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 3 / 0 / 6 / 6

HEX #E8EFE0

RGB 232 239 224

HSL 88, 0.32%, 0.91%

LAB 93.57, -4.96, 6.43

 

CMYK 1 / 0 / 3 / 8

HEX #E8EBE4

RGB 232 235 228

HSL 85.71, 0.15%, 0.91%

LAB 92.65, -2.24, 3.03

 

CMYK 0 / 0 / 0 / 9

HEX #E8E7E8

RGB 232 231 232

HSL 300, 0.02%, 0.91%

LAB 91.74, 0.52, -0.38

 

CMYK 2 / 3 / 0 / 8

HEX #E7E4EB

RGB 231 228 235

HSL 265.71, 0.15%, 0.91%

LAB 91, 2.27, -3.05

 

CMYK 0 / 1 / 9 / 5

HEX #F3F1DD

RGB 243 241 221

HSL 54.55, 0.48%, 0.91%

LAB 94.82, -2.7, 9.89

 

CMYK 2 / 0 / 9 / 5

HEX #EFF3DD

RGB 239 243 221

HSL 70.91, 0.48%, 0.91%

LAB 95.02, -5.09, 10.14

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 7 / 0 / 9 / 5

HEX #E3F3DD

RGB 227 243 221

HSL 103.64, 0.48%, 0.91%

LAB 94.16, -9.18, 8.8

 

CMYK 9 / 0 / 9 / 5

HEX #DDF3DD

RGB 221 243 221

HSL 120, 0.48%, 0.91%

LAB 93.75, -11.19, 8.15

 

CMYK 13 / 0 / 28 / 13

HEX #C1DD9F

RGB 193 221 159

HSL 87.1, 0.48%, 0.75%

LAB 84.77, -19.96, 27.46

 

CMYK 8 / 0 / 18 / 9

HEX #D5E8BE

RGB 213 232 190

HSL 87.14, 0.48%, 0.83%

LAB 89.66, -13.59, 18.35

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 0 / 0 / 1 / 1

HEX #FCFDFB

RGB 252 253 251

HSL 90, 0.33%, 0.99%

LAB 99.19, -0.67, 0.83

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 9 / 0 / 3 / 5

HEX #DDF3EB

RGB 221 243 235

HSL 158.18, 0.48%, 0.91%

LAB 94.09, -8.67, 1.38

 

CMYK 0 / 9 / 1 / 5

HEX #F3DDF1

RGB 243 221 241

HSL 305.45, 0.48%, 0.91%

LAB 90.38, 10.99, -7

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 9 / 4 / 0 / 5

HEX #DDE9F3

RGB 221 233 243

HSL 207.27, 0.48%, 0.91%

LAB 91.74, -2.08, -6.22

 

CMYK 0 / 9 / 4 / 5

HEX #F3DDE9

RGB 243 221 233

HSL 327.27, 0.48%, 0.91%

LAB 90.16, 9.58, -3.12

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 9 / 0 / 3 / 5

HEX #DDF3EB

RGB 221 243 235

HSL 158.18, 0.48%, 0.91%

LAB 94.09, -8.67, 1.38

 

CMYK 5 / 9 / 0 / 5

HEX #E6DDF3

RGB 230 221 243

HSL 264.55, 0.48%, 0.91%

LAB 89.4, 7.06, -9.62

 

CMYK 0 / 9 / 6 / 5

HEX #F3DDE4

RGB 243 221 228

HSL 340.91, 0.48%, 0.91%

LAB 90.03, 8.72, -0.68

 

CMYK 4 / 0 / 9 / 5

HEX #E9F3DD

RGB 233 243 221

HSL 87.27, 0.48%, 0.91%

LAB 94.59, -7.14, 9.46

 

CMYK 9 / 0 / 1 / 5

HEX #DDF3F1

RGB 221 243 241

HSL 174.55, 0.48%, 0.91%

LAB 94.24, -7.55, -1.51

 

CMYK 5 / 9 / 0 / 5

HEX #E6DDF3

RGB 230 221 243

HSL 264.55, 0.48%, 0.91%

LAB 89.4, 7.06, -9.62

 

CMYK 0 / 9 / 9 / 5

HEX #F3DDDE

RGB 243 221 222

HSL 357.27, 0.48%, 0.91%

LAB 89.88, 7.72, 2.25

 

Description

Color code: HEX #E9F3DD | qconv.com Color code: HEX #E9F3DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 243 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 243 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 9% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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