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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9F07C it is the complementary color #160F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9F07C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9F07C shade: #EEF077, #FFFF8A, #FFFF9D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9F07C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9F07C shade: #E9F07C, #D8DE69, #C7CC56, #B6BA43 and #A5A830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9F07C shade: #E8EF7A, #EFD77A, #EFB77A, #EF977A and #EF7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9F07C shade: #E8EF7A, #C8EF7A, #A9EF7A, #89EF7A and #7AEF8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9F07C shade matches the following richer shades: #E8EF7A and #F2FB6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9F07C shade: #E8EF7A, #DDE386, #D3D792, #C8CB9E and #BEBFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9F07C shade: #EFB67A, #EFD67A, #E9EF7A, #CAEF7A and #ABEF7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9F07C shade: #DBE630, #E2EB55, #E8EF7A, #EEF39F and #F5F8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9F07C shade: #E9F07C, #7AEF97 and #C67AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9F07C shade: #E9F07C, #7AE9EF and #EF7AE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9F07C shade: #E9F07C, #7AEF97, #807AEF and #EF7AD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9F07C shade: #E9F07C, #7AEFBA, #807AEF and #EF7AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 48 / 6

HEX #E9F07C

RGB 233 240 124

HSL 63.62, 0.79%, 0.71%

LAB 92.18, -18.2, 54.77

 

Complementary color

CMYK 83 / 89 / 0 / 49

HEX #160F83

RGB 22 15 131

HSL 243.62, 0.79%, 0.29%

LAB 16.26, 43.14, -61.1

 

CMYK 1 / 0 / 50 / 6

HEX #EEF077

RGB 238 240 119

HSL 60.99, 0.8%, 0.7%

LAB 92.5, -16.68, 57.55

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 3 / 0 / 48 / 6

HEX #E9F07C

RGB 233 240 124

HSL 63.62, 0.79%, 0.71%

LAB 92.18, -18.2, 54.77

 

CMYK 3 / 0 / 53 / 13

HEX #D8DE69

RGB 216 222 105

HSL 63.08, 0.64%, 0.64%

LAB 85.94, -17.76, 55.85

 

CMYK 2 / 0 / 58 / 20

HEX #C7CC56

RGB 199 204 86

HSL 62.54, 0.54%, 0.57%

LAB 79.61, -17.23, 56.85

 

CMYK 2 / 0 / 64 / 27

HEX #B6BA43

RGB 182 186 67

HSL 62.02, 0.47%, 0.5%

LAB 73.2, -16.58, 57.66

 

CMYK 2 / 0 / 71 / 34

HEX #A5A830

RGB 165 168 48

HSL 61.5, 0.56%, 0.42%

LAB 66.69, -15.77, 58.09

 

CMYK 3 / 0 / 49 / 6

HEX #E8EF7A

RGB 232 239 122

HSL 63.59, 0.79%, 0.71%

LAB 91.82, -18.29, 55.25

 

CMYK 0 / 10 / 49 / 6

HEX #EFD77A

RGB 239 215 122

HSL 47.69, 0.79%, 0.71%

LAB 86.18, -3.56, 48.6

 

CMYK 0 / 23 / 49 / 6

HEX #EFB77A

RGB 239 183 122

HSL 31.28, 0.79%, 0.71%

LAB 78.24, 13.06, 38.71

 

CMYK 0 / 37 / 49 / 6

HEX #EF977A

RGB 239 151 122

HSL 14.87, 0.79%, 0.71%

LAB 70.79, 29.99, 29.08

 

CMYK 0 / 49 / 49 / 6

HEX #EF7A7A

RGB 239 122 122

HSL 0, 0.79%, 0.71%

LAB 64.7, 44.9, 20.93

 

CMYK 3 / 0 / 49 / 6

HEX #E8EF7A

RGB 232 239 122

HSL 63.59, 0.79%, 0.71%

LAB 91.82, -18.29, 55.25

 

CMYK 16 / 0 / 49 / 6

HEX #C8EF7A

RGB 200 239 122

HSL 80, 0.79%, 0.71%

LAB 89.59, -30.54, 52.05

 

CMYK 29 / 0 / 49 / 6

HEX #A9EF7A

RGB 169 239 122

HSL 95.9, 0.79%, 0.71%

LAB 87.76, -41.64, 49.41

 

CMYK 43 / 0 / 49 / 6

HEX #89EF7A

RGB 137 239 122

HSL 112.31, 0.79%, 0.71%

LAB 86.23, -51.85, 47.19

 

CMYK 49 / 0 / 42 / 6

HEX #7AEF8A

RGB 122 239 138

HSL 128.21, 0.79%, 0.71%

LAB 85.86, -53.79, 38.85

 

CMYK 3 / 0 / 49 / 6

HEX #E8EF7A

RGB 232 239 122

HSL 63.59, 0.79%, 0.71%

LAB 91.82, -18.29, 55.25

 

CMYK 4 / 0 / 56 / 2

HEX #F2FB6E

RGB 242 251 110

HSL 63.83, 0.95%, 0.71%

LAB 95.58, -21.12, 65.14

 

CMYK 3 / 0 / 49 / 6

HEX #E8EF7A

RGB 232 239 122

HSL 63.59, 0.79%, 0.71%

LAB 91.82, -18.29, 55.25

 

CMYK 3 / 0 / 41 / 11

HEX #DDE386

RGB 221 227 134

HSL 63.87, 0.62%, 0.71%

LAB 87.98, -15.53, 44.65

 

CMYK 2 / 0 / 32 / 16

HEX #D3D792

RGB 211 215 146

HSL 63.48, 0.46%, 0.71%

LAB 84.24, -12.02, 33.66

 

CMYK 1 / 0 / 22 / 20

HEX #C8CB9E

RGB 200 203 158

HSL 64, 0.3%, 0.71%

LAB 80.44, -8.46, 22.16

 

CMYK 1 / 0 / 11 / 25

HEX #BEBFAA

RGB 190 191 170

HSL 62.86, 0.14%, 0.71%

LAB 76.75, -4.04, 10.48

 

CMYK 0 / 24 / 49 / 6

HEX #EFB67A

RGB 239 182 122

HSL 30.77, 0.79%, 0.71%

LAB 78, 13.59, 38.4

 

CMYK 0 / 10 / 49 / 6

HEX #EFD67A

RGB 239 214 122

HSL 47.18, 0.79%, 0.71%

LAB 85.93, -3.05, 48.29

 

CMYK 3 / 0 / 49 / 6

HEX #E9EF7A

RGB 233 239 122

HSL 63.08, 0.79%, 0.71%

LAB 91.89, -17.89, 55.36

 

CMYK 15 / 0 / 49 / 6

HEX #CAEF7A

RGB 202 239 122

HSL 78.97, 0.79%, 0.71%

LAB 89.72, -29.79, 52.23

 

CMYK 28 / 0 / 49 / 6

HEX #ABEF7A

RGB 171 239 122

HSL 94.87, 0.79%, 0.71%

LAB 87.87, -40.96, 49.56

 

CMYK 5 / 0 / 79 / 10

HEX #DBE630

RGB 219 230 48

HSL 63.63, 0.78%, 0.55%

LAB 87.9, -23.66, 79.15

 

CMYK 4 / 0 / 64 / 8

HEX #E2EB55

RGB 226 235 85

HSL 63.6, 0.79%, 0.63%

LAB 89.97, -21.49, 69.01

 

CMYK 3 / 0 / 49 / 6

HEX #E8EF7A

RGB 232 239 122

HSL 63.59, 0.79%, 0.71%

LAB 91.82, -18.29, 55.25

 

CMYK 2 / 0 / 35 / 5

HEX #EEF39F

RGB 238 243 159

HSL 63.57, 0.78%, 0.79%

LAB 93.79, -14.15, 40

 

CMYK 1 / 0 / 21 / 3

HEX #F5F8C4

RGB 245 248 196

HSL 63.46, 0.79%, 0.87%

LAB 96.22, -9.29, 24.71

 

CMYK 3 / 0 / 48 / 6

HEX #E9F07C

RGB 233 240 124

HSL 63.62, 0.79%, 0.71%

LAB 92.18, -18.2, 54.77

 

CMYK 49 / 0 / 37 / 6

HEX #7AEF97

RGB 122 239 151

HSL 134.87, 0.79%, 0.71%

LAB 86.06, -51.72, 32.63

 

CMYK 17 / 49 / 0 / 6

HEX #C67AEF

RGB 198 122 239

HSL 278.97, 0.79%, 0.71%

LAB 63.47, 49.52, -47.46

 

CMYK 3 / 0 / 48 / 6

HEX #E9F07C

RGB 233 240 124

HSL 63.62, 0.79%, 0.71%

LAB 92.18, -18.2, 54.77

 

CMYK 49 / 3 / 0 / 6

HEX #7AE9EF

RGB 122 233 239

HSL 183.08, 0.79%, 0.71%

LAB 86.33, -30.19, -12.74

 

CMYK 0 / 49 / 3 / 6

HEX #EF7AE9

RGB 239 122 233

HSL 303.08, 0.79%, 0.71%

LAB 68.13, 59.65, -36.49

 

CMYK 3 / 0 / 48 / 6

HEX #E9F07C

RGB 233 240 124

HSL 63.62, 0.79%, 0.71%

LAB 92.18, -18.2, 54.77

 

CMYK 49 / 0 / 37 / 6

HEX #7AEF97

RGB 122 239 151

HSL 134.87, 0.79%, 0.71%

LAB 86.06, -51.72, 32.63

 

CMYK 46 / 49 / 0 / 6

HEX #807AEF

RGB 128 122 239

HSL 243.08, 0.79%, 0.71%

LAB 56.82, 31.91, -58.44

 

CMYK 0 / 49 / 12 / 6

HEX #EF7AD2

RGB 239 122 210

HSL 314.87, 0.79%, 0.71%

LAB 67.22, 55.9, -25.13

 

CMYK 3 / 0 / 48 / 6

HEX #E9F07C

RGB 233 240 124

HSL 63.62, 0.79%, 0.71%

LAB 92.18, -18.2, 54.77

 

CMYK 49 / 0 / 22 / 6

HEX #7AEFBA

RGB 122 239 186

HSL 152.82, 0.79%, 0.71%

LAB 86.71, -45.22, 15.58

 

CMYK 46 / 49 / 0 / 6

HEX #807AEF

RGB 128 122 239

HSL 243.08, 0.79%, 0.71%

LAB 56.82, 31.91, -58.44

 

CMYK 0 / 49 / 27 / 6

HEX #EF7AAF

RGB 239 122 175

HSL 332.82, 0.79%, 0.71%

LAB 66.03, 50.83, -7.25

 

Description

Color code: HEX #E9F07C | qconv.com Color code: HEX #E9F07C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 240 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 240 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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