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Color name
HEX #E9D51B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9D51B it is the complementary color #162AE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9D51B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9D51B shade: #EED516, #FFE729, #FFF93C, #FFFF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9D51B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9D51B shade: #E9D51B, #D8C308, #C7B100, #B69F00 and #A58D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9D51B shade: #E8D41B, #E89D1B, #E8661B, #E82E1B and #E81B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9D51B shade: #E8D41B, #C5E81B, #8DE81B, #56E81B and #1FE81B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9D51B shade matches the following richer shades: #E8D41B and #FCE407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9D51B shade: #E8D41B, #D4C42F, #C0B444, #ABA358 and #97936C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9D51B shade: #E8661B, #E89D1B, #E8D41B, #C6E81B and #8FE81B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9D51B shade: #A1930F, #C7B513, #E8D41B, #ECDB41 and #EFE266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9D51B shade: #E9D51B, #1BE830 and #821BE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9D51B shade: #E9D51B, #1BE8D4 and #D41BE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9D51B shade: #E9D51B, #1BE830, #1B30E8 and #E81BD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9D51B shade: #E9D51B, #1BE86D, #1B30E8 and #E81B96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 88 / 9

HEX #E9D51B

RGB 233 213 27

HSL 54.17, 0.82%, 0.51%

LAB 84.48, -9.99, 81.39

 

Complementary color

CMYK 90 / 82 / 0 / 11

HEX #162AE4

RGB 22 42 228

HSL 234.17, 0.82%, 0.49%

LAB 32.76, 60.99, -91.8

 

CMYK 0 / 11 / 91 / 7

HEX #EED516

RGB 238 213 22

HSL 53.06, 0.86%, 0.51%

LAB 84.91, -7.94, 82.72

 

CMYK 0 / 9 / 84 / 0

HEX #FFE729

RGB 255 231 41

HSL 53.27, 1%, 0.58%

LAB 91.04, -9.38, 84.67

 

CMYK 0 / 2 / 76 / 0

HEX #FFF93C

RGB 255 249 60

HSL 58.15, 1%, 0.62%

LAB 95.72, -17.61, 83.85

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 9 / 88 / 9

HEX #E9D51B

RGB 233 213 27

HSL 54.17, 0.82%, 0.51%

LAB 84.48, -9.99, 81.39

 

CMYK 0 / 10 / 96 / 15

HEX #D8C308

RGB 216 195 8

HSL 53.94, 0.93%, 0.44%

LAB 78.26, -8.44, 78.53

 

CMYK 0 / 11 / 100 / 22

HEX #C7B100

RGB 199 177 0

HSL 53.37, 1%, 0.39%

LAB 71.95, -6.68, 74.11

 

CMYK 0 / 13 / 100 / 29

HEX #B69F00

RGB 182 159 0

HSL 52.42, 1%, 0.36%

LAB 65.55, -4.79, 68.81

 

CMYK 0 / 15 / 100 / 35

HEX #A58D00

RGB 165 141 0

HSL 51.27, 1%, 0.32%

LAB 59.02, -2.82, 63.41

 

CMYK 0 / 9 / 88 / 9

HEX #E8D41B

RGB 232 212 27

HSL 54.15, 0.82%, 0.51%

LAB 84.13, -9.91, 81.08

 

CMYK 0 / 32 / 88 / 9

HEX #E89D1B

RGB 232 157 27

HSL 38.05, 0.82%, 0.51%

LAB 70.42, 18.73, 70.36

 

CMYK 0 / 56 / 88 / 9

HEX #E8661B

RGB 232 102 27

HSL 21.95, 0.82%, 0.51%

LAB 58.73, 46.96, 61.36

 

CMYK 0 / 80 / 88 / 9

HEX #E82E1B

RGB 232 46 27

HSL 5.56, 0.82%, 0.51%

LAB 50.91, 68.11, 55.46

 

CMYK 0 / 88 / 88 / 9

HEX #E81B1B

RGB 232 27 27

HSL 0, 0.82%, 0.51%

LAB 49.52, 72.07, 54.43

 

CMYK 0 / 9 / 88 / 9

HEX #E8D41B

RGB 232 212 27

HSL 54.15, 0.82%, 0.51%

LAB 84.13, -9.91, 81.08

 

CMYK 15 / 0 / 88 / 9

HEX #C5E81B

RGB 197 232 27

HSL 70.24, 0.82%, 0.51%

LAB 86.83, -34.09, 82.11

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81B

RGB 141 232 27

HSL 86.63, 0.82%, 0.51%

LAB 83.68, -54.84, 78.23

 

CMYK 63 / 0 / 88 / 9

HEX #56E81B

RGB 86 232 27

HSL 102.73, 0.82%, 0.51%

LAB 81.71, -70.14, 75.78

 

CMYK 87 / 0 / 88 / 9

HEX #1FE81B

RGB 31 232 27

HSL 118.83, 0.82%, 0.51%

LAB 80.79, -78.19, 74.61

 

CMYK 0 / 9 / 88 / 9

HEX #E8D41B

RGB 232 212 27

HSL 54.15, 0.82%, 0.51%

LAB 84.13, -9.91, 81.08

 

CMYK 0 / 10 / 97 / 1

HEX #FCE407

RGB 252 228 7

HSL 54.12, 0.98%, 0.51%

LAB 89.95, -9.65, 88.61

HEX #FCE407

CMYK 0 / 9 / 88 / 9

HEX #E8D41B

RGB 232 212 27

HSL 54.15, 0.82%, 0.51%

LAB 84.13, -9.91, 81.08

 

CMYK 0 / 8 / 78 / 17

HEX #D4C42F

RGB 212 196 47

HSL 54.18, 0.66%, 0.51%

LAB 78.28, -9.84, 70.68

 

CMYK 0 / 6 / 65 / 25

HEX #C0B444

RGB 192 180 68

HSL 54.19, 0.5%, 0.51%

LAB 72.41, -9.19, 56.66

 

CMYK 0 / 5 / 49 / 33

HEX #ABA358

RGB 171 163 88

HSL 54.22, 0.33%, 0.51%

LAB 66.18, -7.65, 39.73

 

CMYK 0 / 3 / 28 / 41

HEX #97936C

RGB 151 147 108

HSL 54.42, 0.17%, 0.51%

LAB 60.36, -4.98, 21.23

 

CMYK 0 / 56 / 88 / 9

HEX #E8661B

RGB 232 102 27

HSL 21.95, 0.82%, 0.51%

LAB 58.73, 46.96, 61.36

 

CMYK 0 / 32 / 88 / 9

HEX #E89D1B

RGB 232 157 27

HSL 38.05, 0.82%, 0.51%

LAB 70.42, 18.73, 70.36

 

CMYK 0 / 9 / 88 / 9

HEX #E8D41B

RGB 232 212 27

HSL 54.15, 0.82%, 0.51%

LAB 84.13, -9.91, 81.08

 

CMYK 15 / 0 / 88 / 9

HEX #C6E81B

RGB 198 232 27

HSL 69.95, 0.82%, 0.51%

LAB 86.9, -33.69, 82.19

 

CMYK 38 / 0 / 88 / 9

HEX #8FE81B

RGB 143 232 27

HSL 86.05, 0.82%, 0.51%

LAB 83.77, -54.18, 78.34

 

CMYK 0 / 9 / 91 / 37

HEX #A1930F

RGB 161 147 15

HSL 54.25, 0.83%, 0.35%

LAB 60.32, -7.67, 61.83

 

CMYK 0 / 9 / 90 / 22

HEX #C7B513

RGB 199 181 19

HSL 54, 0.83%, 0.43%

LAB 73.05, -8.52, 72.54

 

CMYK 0 / 9 / 88 / 9

HEX #E8D41B

RGB 232 212 27

HSL 54.15, 0.82%, 0.51%

LAB 84.13, -9.91, 81.08

 

CMYK 0 / 7 / 72 / 7

HEX #ECDB41

RGB 236 219 65

HSL 54.04, 0.82%, 0.59%

LAB 86.44, -10.57, 73.13

 

CMYK 0 / 5 / 57 / 6

HEX #EFE266

RGB 239 226 102

HSL 54.31, 0.81%, 0.67%

LAB 88.78, -10.7, 60.93

 

CMYK 0 / 9 / 88 / 9

HEX #E9D51B

RGB 233 213 27

HSL 54.17, 0.82%, 0.51%

LAB 84.48, -9.99, 81.39

 

CMYK 88 / 0 / 79 / 9

HEX #1BE830

RGB 27 232 48

HSL 126.15, 0.82%, 0.51%

LAB 80.83, -77.53, 69.87

 

CMYK 44 / 88 / 0 / 9

HEX #821BE8

RGB 130 27 232

HSL 270.15, 0.82%, 0.51%

LAB 40.17, 74.62, -81.54

 

CMYK 0 / 9 / 88 / 9

HEX #E9D51B

RGB 233 213 27

HSL 54.17, 0.82%, 0.51%

LAB 84.48, -9.99, 81.39

 

CMYK 88 / 0 / 9 / 9

HEX #1BE8D4

RGB 27 232 212

HSL 174.15, 0.82%, 0.51%

LAB 83.28, -49.57, -3.24

 

CMYK 9 / 88 / 0 / 9

HEX #D41BE8

RGB 212 27 232

HSL 294.15, 0.82%, 0.51%

LAB 52.52, 85.84, -60.9

 

CMYK 0 / 9 / 88 / 9

HEX #E9D51B

RGB 233 213 27

HSL 54.17, 0.82%, 0.51%

LAB 84.48, -9.99, 81.39

 

CMYK 88 / 0 / 79 / 9

HEX #1BE830

RGB 27 232 48

HSL 126.15, 0.82%, 0.51%

LAB 80.83, -77.53, 69.87

 

CMYK 88 / 79 / 0 / 9

HEX #1B30E8

RGB 27 48 232

HSL 233.85, 0.82%, 0.51%

LAB 34.34, 59.52, -91.45

 

CMYK 0 / 88 / 9 / 9

HEX #E81BD4

RGB 232 27 212

HSL 305.85, 0.82%, 0.51%

LAB 54.75, 86.31, -45.78

 

CMYK 0 / 9 / 88 / 9

HEX #E9D51B

RGB 233 213 27

HSL 54.17, 0.82%, 0.51%

LAB 84.48, -9.99, 81.39

 

CMYK 88 / 0 / 53 / 9

HEX #1BE86D

RGB 27 232 109

HSL 144, 0.82%, 0.51%

LAB 81.32, -71.39, 46.68

 

CMYK 88 / 79 / 0 / 9

HEX #1B30E8

RGB 27 48 232

HSL 233.85, 0.82%, 0.51%

LAB 34.34, 59.52, -91.45

 

CMYK 0 / 88 / 35 / 9

HEX #E81B96

RGB 232 27 150

HSL 324, 0.82%, 0.51%

LAB 52, 79.01, -13.88

 

Description

Color code: HEX #E9D51B | qconv.com Color code: HEX #E9D51B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 213 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 213 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 88% 9% C M Y K

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Provide designers and agencies with accurate color values.

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