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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9BF5B it is the complementary color #1640A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9BF5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9BF5B shade: #EEBF56, #FFD169, #FFE37C, #FFF58F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9BF5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9BF5B shade: #E9BF5B, #D8AD48, #C79B35, #B68922 and #A5770F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9BF5B shade: #E8BF5D, #E89A5D, #E8745D and #E85D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9BF5B shade: #E8BF5D, #E8E55D, #C6E85D, #A1E85D and #7BE85D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9BF5B shade matches the following richer shades: #E8BF5D and #F7C54E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9BF5B shade: #E8BF5D, #DAB96C, #CBB37B, #BCAD89 and #ADA798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9BF5B shade: #E8745D, #E8995D, #E8BF5D, #E8E45D and #C8E85D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9BF5B shade: #D69F1D, #E4B139, #E8BF5D, #EDCD81 and #F2DCA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9BF5B shade: #E9BF5B, #6BE85D and #875DE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9BF5B shade: #E9BF5B, #5DE8BF and #BF5DE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9BF5B shade: #E9BF5B, #6BE85D, #5D87E8 and #DB5DE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9BF5B shade: #E9BF5B, #5DE879, #5D87E8 and #E85DCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 61 / 9

HEX #E9BF5B

RGB 233 191 91

HSL 42.25, 0.76%, 0.64%

LAB 79.24, 3.93, 54.99

 

Complementary color

CMYK 87 / 61 / 0 / 36

HEX #1640A4

RGB 22 64 164

HSL 222.25, 0.76%, 0.36%

LAB 30.68, 25.53, -57.7

 

CMYK 0 / 20 / 64 / 7

HEX #EEBF56

RGB 238 191 86

HSL 41.45, 0.82%, 0.64%

LAB 79.68, 5.69, 57.89

 

CMYK 0 / 18 / 59 / 0

HEX #FFD169

RGB 255 209 105

HSL 41.6, 1%, 0.71%

LAB 85.95, 4.65, 56.73

 

CMYK 0 / 11 / 51 / 0

HEX #FFE37C

RGB 255 227 124

HSL 47.18, 1%, 0.74%

LAB 90.62, -3.05, 53.34

 

CMYK 0 / 4 / 44 / 0

HEX #FFF58F

RGB 255 245 143

HSL 54.64, 1%, 0.78%

LAB 95.39, -10.32, 50.11

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 18 / 61 / 9

HEX #E9BF5B

RGB 233 191 91

HSL 42.25, 0.76%, 0.64%

LAB 79.24, 3.93, 54.99

 

CMYK 0 / 20 / 67 / 15

HEX #D8AD48

RGB 216 173 72

HSL 42.08, 0.65%, 0.56%

LAB 72.86, 5.03, 56.09

 

CMYK 0 / 22 / 73 / 22

HEX #C79B35

RGB 199 155 53

HSL 41.92, 0.58%, 0.49%

LAB 66.4, 6.32, 56.95

 

CMYK 0 / 25 / 81 / 29

HEX #B68922

RGB 182 137 34

HSL 41.76, 0.69%, 0.42%

LAB 59.85, 7.84, 57.26

 

CMYK 0 / 28 / 91 / 35

HEX #A5770F

RGB 165 119 15

HSL 41.6, 0.83%, 0.35%

LAB 53.2, 9.66, 56.45

 

CMYK 0 / 18 / 60 / 9

HEX #E8BF5D

RGB 232 191 93

HSL 42.3, 0.75%, 0.64%

LAB 79.16, 3.65, 53.96

 

CMYK 0 / 34 / 60 / 9

HEX #E89A5D

RGB 232 154 93

HSL 26.33, 0.75%, 0.64%

LAB 70.22, 23.23, 43.52

 

CMYK 0 / 50 / 60 / 9

HEX #E8745D

RGB 232 116 93

HSL 9.93, 0.75%, 0.64%

LAB 62.03, 42.99, 33.48

 

CMYK 0 / 60 / 60 / 9

HEX #E85D5D

RGB 232 93 93

HSL 0, 0.75%, 0.64%

LAB 57.82, 53.88, 28.13

 

CMYK 0 / 18 / 60 / 9

HEX #E8BF5D

RGB 232 191 93

HSL 42.3, 0.75%, 0.64%

LAB 79.16, 3.65, 53.96

 

CMYK 0 / 1 / 60 / 9

HEX #E8E55D

RGB 232 229 93

HSL 58.71, 0.75%, 0.64%

LAB 88.92, -15.64, 64.78

 

CMYK 15 / 0 / 60 / 9

HEX #C6E85D

RGB 198 232 93

HSL 74.68, 0.75%, 0.64%

LAB 87.25, -30.6, 62.25

 

CMYK 31 / 0 / 60 / 9

HEX #A1E85D

RGB 161 232 93

HSL 90.65, 0.75%, 0.64%

LAB 85.04, -44.28, 59.18

 

CMYK 47 / 0 / 60 / 9

HEX #7BE85D

RGB 123 232 93

HSL 107.05, 0.75%, 0.64%

LAB 83.29, -56.43, 56.74

 

CMYK 0 / 18 / 60 / 9

HEX #E8BF5D

RGB 232 191 93

HSL 42.3, 0.75%, 0.64%

LAB 79.16, 3.65, 53.96

 

CMYK 0 / 20 / 68 / 3

HEX #F7C54E

RGB 247 197 78

HSL 42.25, 0.91%, 0.64%

LAB 81.98, 5.88, 64.07

 

CMYK 0 / 18 / 60 / 9

HEX #E8BF5D

RGB 232 191 93

HSL 42.3, 0.75%, 0.64%

LAB 79.16, 3.65, 53.96

 

CMYK 0 / 15 / 50 / 15

HEX #DAB96C

RGB 218 185 108

HSL 42, 0.6%, 0.64%

LAB 76.49, 2.18, 43.2

 

CMYK 0 / 12 / 39 / 20

HEX #CBB37B

RGB 203 179 123

HSL 42, 0.43%, 0.64%

LAB 73.78, 0.74, 31.76

 

CMYK 0 / 8 / 27 / 26

HEX #BCAD89

RGB 188 173 137

HSL 42.35, 0.28%, 0.64%

LAB 71.14, -0.27, 20.48

 

CMYK 0 / 3 / 12 / 32

HEX #ADA798

RGB 173 167 152

HSL 42.86, 0.11%, 0.64%

LAB 68.6, -0.49, 8.52

 

CMYK 0 / 50 / 60 / 9

HEX #E8745D

RGB 232 116 93

HSL 9.93, 0.75%, 0.64%

LAB 62.03, 42.99, 33.48

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 0 / 18 / 60 / 9

HEX #E8BF5D

RGB 232 191 93

HSL 42.3, 0.75%, 0.64%

LAB 79.16, 3.65, 53.96

 

CMYK 0 / 2 / 60 / 9

HEX #E8E45D

RGB 232 228 93

HSL 58.27, 0.75%, 0.64%

LAB 88.65, -15.15, 64.5

 

CMYK 14 / 0 / 60 / 9

HEX #C8E85D

RGB 200 232 93

HSL 73.81, 0.75%, 0.64%

LAB 87.38, -29.83, 62.43

 

CMYK 0 / 26 / 86 / 16

HEX #D69F1D

RGB 214 159 29

HSL 42.16, 0.76%, 0.48%

LAB 68.88, 9.92, 67.79

 

CMYK 0 / 22 / 75 / 11

HEX #E4B139

RGB 228 177 57

HSL 42.11, 0.76%, 0.56%

LAB 74.97, 7.31, 64.77

 

CMYK 0 / 18 / 60 / 9

HEX #E8BF5D

RGB 232 191 93

HSL 42.3, 0.75%, 0.64%

LAB 79.16, 3.65, 53.96

 

CMYK 0 / 14 / 46 / 7

HEX #EDCD81

RGB 237 205 129

HSL 42.22, 0.75%, 0.72%

LAB 83.57, 1.42, 41.86

 

CMYK 0 / 9 / 31 / 5

HEX #F2DCA6

RGB 242 220 166

HSL 42.63, 0.75%, 0.8%

LAB 88.36, -0.25, 29.33

 

CMYK 0 / 18 / 61 / 9

HEX #E9BF5B

RGB 233 191 91

HSL 42.25, 0.76%, 0.64%

LAB 79.24, 3.93, 54.99

 

CMYK 54 / 0 / 60 / 9

HEX #6BE85D

RGB 107 232 93

HSL 113.96, 0.75%, 0.64%

LAB 82.72, -60.76, 55.93

 

CMYK 42 / 60 / 0 / 9

HEX #875DE8

RGB 135 93 232

HSL 258.13, 0.75%, 0.64%

LAB 50.46, 48.09, -64.73

 

CMYK 0 / 18 / 61 / 9

HEX #E9BF5B

RGB 233 191 91

HSL 42.25, 0.76%, 0.64%

LAB 79.24, 3.93, 54.99

 

CMYK 60 / 0 / 18 / 9

HEX #5DE8BF

RGB 93 232 191

HSL 162.3, 0.75%, 0.64%

LAB 83.86, -47.28, 8.8

 

CMYK 18 / 60 / 0 / 9

HEX #BF5DE8

RGB 191 93 232

HSL 282.3, 0.75%, 0.64%

LAB 56.81, 60.74, -54.18

 

CMYK 0 / 18 / 61 / 9

HEX #E9BF5B

RGB 233 191 91

HSL 42.25, 0.76%, 0.64%

LAB 79.24, 3.93, 54.99

 

CMYK 54 / 0 / 60 / 9

HEX #6BE85D

RGB 107 232 93

HSL 113.96, 0.75%, 0.64%

LAB 82.72, -60.76, 55.93

 

CMYK 60 / 42 / 0 / 9

HEX #5D87E8

RGB 93 135 232

HSL 221.87, 0.75%, 0.64%

LAB 57.54, 14.69, -53.52

 

CMYK 6 / 60 / 0 / 9

HEX #DB5DE8

RGB 219 93 232

HSL 294.39, 0.75%, 0.64%

LAB 60.53, 67.45, -48.05

 

CMYK 0 / 18 / 61 / 9

HEX #E9BF5B

RGB 233 191 91

HSL 42.25, 0.76%, 0.64%

LAB 79.24, 3.93, 54.99

 

CMYK 60 / 0 / 48 / 9

HEX #5DE879

RGB 93 232 121

HSL 132.09, 0.75%, 0.64%

LAB 82.6, -60.52, 42.82

 

CMYK 60 / 42 / 0 / 9

HEX #5D87E8

RGB 93 135 232

HSL 221.87, 0.75%, 0.64%

LAB 57.54, 14.69, -53.52

 

CMYK 0 / 60 / 12 / 9

HEX #E85DCD

RGB 232 93 205

HSL 311.65, 0.75%, 0.64%

LAB 61.13, 66.32, -31.8

 

Description

Color code: HEX #E9BF5B | qconv.com Color code: HEX #E9BF5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 191 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 191 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 61 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 61% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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