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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9A9B6 it is the complementary color #165649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9A9B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9A9B6 shade: #EEA9B1, #FFBBC4, #FFCDD7, #FFDFEA and #FFF1FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9A9B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9A9B6 shade: #E9A9B6, #D897A3, #C78590, #B6737D and #A5616A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9A9B6 shade: #E9A9B6 and #E9A9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9A9B6 shade: #E9A9B6, #E9A9C7, #E9A9D8, #E8A9E9 and #D7A9E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9A9B6 shade matches the following richer shades: #E9A9B6, #F1A1B1 and #FA98AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9A9B6 shade: #E9A9B6, #E0B2BB, #D7BBC0, #CFC3C6 and #C6CCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9A9B6 shade: #E9A9D9, #E9A9C8, #E9A9B7, #E9ADA9 and #E9BDA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9A9B6 shade: #D8687E, #E0899A, #E9A9B6, #F1CAD2 and #F9EBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9A9B6 shade: #E9A9B6, #E9E7A9 and #A9D0E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9A9B6 shade: #E9A9B6, #B7E9A9 and #A9B7E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9A9B6 shade: #E9A9B6, #E9E7A9, #A9E9DB and #A9AAE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9A9B6 shade: #E9A9B6, #D7E9A9, #A9E9DB and #BBA9E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

Complementary color

CMYK 74 / 0 / 15 / 66

HEX #165649

RGB 22 86 73

HSL 167.81, 0.59%, 0.21%

LAB 32.5, -23.44, 1.78

 

CMYK 0 / 29 / 26 / 7

HEX #EEA9B1

RGB 238 169 177

HSL 353.04, 0.67%, 0.8%

LAB 75.9, 26.46, 6.06

 

CMYK 0 / 27 / 23 / 0

HEX #FFBBC4

RGB 255 187 196

HSL 352.06, 1%, 0.87%

LAB 82.26, 25.77, 5.16

 

CMYK 0 / 20 / 16 / 0

HEX #FFCDD7

RGB 255 205 215

HSL 348, 1%, 0.9%

LAB 86.91, 19.14, 1.76

 

CMYK 0 / 13 / 8 / 0

HEX #FFDFEA

RGB 255 223 234

HSL 339.38, 1%, 0.94%

LAB 91.67, 12.8, -1.31

 

CMYK 0 / 5 / 1 / 0

HEX #FFF1FD

RGB 255 241 253

HSL 308.57, 1%, 0.97%

LAB 96.52, 6.77, -4.08

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 30 / 25 / 15

HEX #D897A3

RGB 216 151 163

HSL 348.92, 0.45%, 0.72%

LAB 69.02, 26.07, 3.56

 

CMYK 0 / 33 / 28 / 22

HEX #C78590

RGB 199 133 144

HSL 350, 0.37%, 0.65%

LAB 62.45, 26.86, 4.53

 

CMYK 0 / 37 / 31 / 29

HEX #B6737D

RGB 182 115 125

HSL 351.04, 0.31%, 0.58%

LAB 55.77, 27.72, 5.61

 

CMYK 0 / 41 / 36 / 35

HEX #A5616A

RGB 165 97 106

HSL 352.06, 0.27%, 0.51%

LAB 48.99, 28.67, 6.85

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 27 / 27 / 9

HEX #E9A9A9

RGB 233 169 169

HSL 0, 0.59%, 0.79%

LAB 75.18, 23.52, 9.33

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 27 / 15 / 9

HEX #E9A9C7

RGB 233 169 199

HSL 331.88, 0.59%, 0.79%

LAB 75.96, 27.96, -5.95

 

CMYK 0 / 27 / 7 / 9

HEX #E9A9D8

RGB 233 169 216

HSL 315.94, 0.59%, 0.79%

LAB 76.47, 30.78, -14.46

 

CMYK 0 / 27 / 0 / 9

HEX #E8A9E9

RGB 232 169 233

HSL 299.06, 0.59%, 0.79%

LAB 76.93, 33.48, -23.02

 

CMYK 8 / 27 / 0 / 9

HEX #D7A9E9

RGB 215 169 233

HSL 283.13, 0.59%, 0.79%

LAB 75.27, 28.05, -25.7

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 33 / 27 / 5

HEX #F1A1B1

RGB 241 161 177

HSL 348, 0.74%, 0.79%

LAB 74.42, 31.79, 3.97

 

CMYK 0 / 39 / 31 / 2

HEX #FA98AC

RGB 250 152 172

HSL 347.76, 0.91%, 0.79%

LAB 73.39, 39.04, 5.36

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 21 / 17 / 12

HEX #E0B2BB

RGB 224 178 187

HSL 348.26, 0.43%, 0.79%

LAB 76.85, 18.04, 1.79

 

CMYK 0 / 13 / 11 / 16

HEX #D7BBC0

RGB 215 187 192

HSL 349.29, 0.26%, 0.79%

LAB 78.34, 10.79, 1.15

 

CMYK 0 / 6 / 4 / 19

HEX #CFC3C6

RGB 207 195 198

HSL 345, 0.11%, 0.79%

LAB 79.83, 4.72, -0

 

CMYK 3 / 0 / 0 / 20

HEX #C6CCCB

RGB 198 204 203

HSL 170, 0.06%, 0.79%

LAB 81.57, -2.23, -0.23

 

CMYK 0 / 27 / 7 / 9

HEX #E9A9D9

RGB 233 169 217

HSL 315, 0.59%, 0.79%

LAB 76.5, 30.95, -14.96

 

CMYK 0 / 27 / 14 / 9

HEX #E9A9C8

RGB 233 169 200

HSL 330.94, 0.59%, 0.79%

LAB 75.99, 28.12, -6.45

 

CMYK 0 / 27 / 21 / 9

HEX #E9A9B7

RGB 233 169 183

HSL 346.88, 0.59%, 0.79%

LAB 75.52, 25.51, 2.16

 

CMYK 0 / 26 / 27 / 9

HEX #E9ADA9

RGB 233 173 169

HSL 3.75, 0.59%, 0.79%

LAB 76.12, 21.39, 10.66

 

CMYK 0 / 19 / 27 / 9

HEX #E9BDA9

RGB 233 189 169

HSL 18.75, 0.59%, 0.79%

LAB 79.94, 12.88, 16.06

 

CMYK 0 / 52 / 42 / 15

HEX #D8687E

RGB 216 104 126

HSL 348.21, 0.59%, 0.63%

LAB 58.04, 46.05, 8.88

 

CMYK 0 / 39 / 31 / 12

HEX #E0899A

RGB 224 137 154

HSL 348.28, 0.58%, 0.71%

LAB 66.57, 35.26, 5.19

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 16 / 13 / 5

HEX #F1CAD2

RGB 241 202 210

HSL 347.69, 0.58%, 0.87%

LAB 84.79, 15, 1.16

 

CMYK 0 / 6 / 4 / 2

HEX #F9EBEE

RGB 249 235 238

HSL 347.14, 0.54%, 0.95%

LAB 94.2, 5.24, 0.24

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 1 / 27 / 9

HEX #E9E7A9

RGB 233 231 169

HSL 58.13, 0.59%, 0.79%

LAB 90.48, -8.84, 30.52

 

CMYK 27 / 11 / 0 / 9

HEX #A9D0E9

RGB 169 208 233

HSL 203.44, 0.59%, 0.79%

LAB 81.53, -7.22, -16.53

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 21 / 0 / 27 / 9

HEX #B7E9A9

RGB 183 233 169

HSL 106.88, 0.59%, 0.79%

LAB 87.59, -27.76, 26.03

 

CMYK 27 / 21 / 0 / 9

HEX #A9B7E9

RGB 169 183 233

HSL 226.88, 0.59%, 0.79%

LAB 74.94, 6.19, -26.53

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 0 / 1 / 27 / 9

HEX #E9E7A9

RGB 233 231 169

HSL 58.13, 0.59%, 0.79%

LAB 90.48, -8.84, 30.52

 

CMYK 27 / 0 / 6 / 9

HEX #A9E9DB

RGB 169 233 219

HSL 166.88, 0.59%, 0.79%

LAB 87.89, -22.98, 0.3

 

CMYK 27 / 27 / 0 / 9

HEX #A9AAE9

RGB 169 170 233

HSL 239.06, 0.59%, 0.79%

LAB 71.6, 13.39, -31.67

 

CMYK 0 / 27 / 22 / 9

HEX #E9A9B6

RGB 233 169 182

HSL 347.81, 0.59%, 0.79%

LAB 75.5, 25.36, 2.67

 

CMYK 8 / 0 / 27 / 9

HEX #D7E9A9

RGB 215 233 169

HSL 76.88, 0.59%, 0.79%

LAB 89.67, -16.48, 29.2

 

CMYK 27 / 0 / 6 / 9

HEX #A9E9DB

RGB 169 233 219

HSL 166.88, 0.59%, 0.79%

LAB 87.89, -22.98, 0.3

 

CMYK 20 / 27 / 0 / 9

HEX #BBA9E9

RGB 187 169 233

HSL 256.88, 0.59%, 0.79%

LAB 72.78, 19.32, -29.74

 

Description

Color code: HEX #E9A9B6 | qconv.com Color code: HEX #E9A9B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 169 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 169 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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