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Color name
HEX #E9A54D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9A54D it is the complementary color #165AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9A54D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9A54D shade: #EEA548, #FFB75B, #FFC96E, #FFDB81 and #FFED94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9A54D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9A54D shade: #E9A54D, #D8933A, #C78127, #B66F14 and #A55D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9A54D shade: #E9A54D, #E97B4D, #E9514D and #E94D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9A54D shade: #E9A54D, #E9CF4D, #D9E94D, #AFE94D and #85E94D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9A54D shade matches the following richer shades: #E9A54D and #F9A73D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9A54D shade: #E9A54D, #D9A35E, #C8A16E, #B89F7E and #A89D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9A54D shade: #E9504D, #E9794D, #E9A34D, #E9CC4D and #DCE94D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9A54D shade: #CB7D19, #E49229, #E9A54D, #EDB872 and #F2CA97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9A54D shade: #E9A54D, #74E94D and #654DE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9A54D shade: #E9A54D, #4DE9A3 and #A34DE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9A54D shade: #E9A54D, #74E94D, #4D93E9 and #C24DE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9A54D shade: #E9A54D, #4DE955, #4D93E9 and #E94DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

Complementary color

CMYK 88 / 49 / 0 / 30

HEX #165AB2

RGB 22 90 178

HSL 213.85, 0.78%, 0.39%

LAB 39.07, 13.64, -52.42

 

CMYK 0 / 31 / 70 / 7

HEX #EEA548

RGB 238 165 72

HSL 33.61, 0.83%, 0.61%

LAB 73.26, 18.59, 57.22

 

CMYK 0 / 28 / 64 / 0

HEX #FFB75B

RGB 255 183 91

HSL 33.66, 1%, 0.68%

LAB 79.55, 17.23, 55.96

 

CMYK 0 / 21 / 57 / 0

HEX #FFC96E

RGB 255 201 110

HSL 37.66, 1%, 0.72%

LAB 84.05, 9.14, 52.17

 

CMYK 0 / 14 / 49 / 0

HEX #FFDB81

RGB 255 219 129

HSL 42.86, 1%, 0.75%

LAB 88.69, 1.43, 48.59

 

CMYK 0 / 7 / 42 / 0

HEX #FFED94

RGB 255 237 148

HSL 49.91, 1%, 0.79%

LAB 93.44, -5.86, 45.24

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 0 / 32 / 73 / 15

HEX #D8933A

RGB 216 147 58

HSL 33.8, 0.67%, 0.54%

LAB 66.35, 18.24, 55.42

 

CMYK 0 / 35 / 80 / 22

HEX #C78127

RGB 199 129 39

HSL 33.75, 0.67%, 0.47%

LAB 59.88, 19.93, 56.24

 

CMYK 0 / 39 / 89 / 29

HEX #B66F14

RGB 182 111 20

HSL 33.7, 0.8%, 0.4%

LAB 53.35, 21.89, 56.2

 

CMYK 0 / 44 / 99 / 35

HEX #A55D01

RGB 165 93 1

HSL 33.66, 0.99%, 0.33%

LAB 46.75, 24.1, 54.9

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 0 / 47 / 67 / 9

HEX #E97B4D

RGB 233 123 77

HSL 17.69, 0.78%, 0.61%

LAB 63.36, 38.83, 43.72

 

CMYK 0 / 65 / 67 / 9

HEX #E9514D

RGB 233 81 77

HSL 1.54, 0.78%, 0.61%

LAB 55.83, 58.36, 34.81

 

CMYK 0 / 67 / 67 / 9

HEX #E94D4D

RGB 233 77 77

HSL 0, 0.78%, 0.61%

LAB 55.24, 59.95, 34.09

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 0 / 11 / 67 / 9

HEX #E9CF4D

RGB 233 207 77

HSL 50, 0.78%, 0.61%

LAB 83.17, -5.18, 65.3

 

CMYK 7 / 0 / 67 / 9

HEX #D9E94D

RGB 217 233 77

HSL 66.15, 0.78%, 0.61%

LAB 88.72, -24.62, 70.56

 

CMYK 25 / 0 / 67 / 9

HEX #AFE94D

RGB 175 233 77

HSL 82.31, 0.78%, 0.61%

LAB 85.97, -40.92, 66.88

 

CMYK 43 / 0 / 67 / 9

HEX #85E94D

RGB 133 233 77

HSL 98.46, 0.78%, 0.61%

LAB 83.86, -55.27, 64.02

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 0 / 33 / 76 / 2

HEX #F9A73D

RGB 249 167 61

HSL 33.83, 0.94%, 0.61%

LAB 74.9, 21.62, 63.94

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 0 / 25 / 57 / 15

HEX #D9A35E

RGB 217 163 94

HSL 33.66, 0.62%, 0.61%

LAB 70.7, 12.29, 43.19

 

CMYK 0 / 20 / 45 / 22

HEX #C8A16E

RGB 200 161 110

HSL 34, 0.45%, 0.61%

LAB 68.68, 7.77, 31.95

 

CMYK 0 / 14 / 32 / 28

HEX #B89F7E

RGB 184 159 126

HSL 34.14, 0.29%, 0.61%

LAB 66.89, 4.23, 20.64

 

CMYK 0 / 7 / 15 / 34

HEX #A89D8E

RGB 168 157 142

HSL 34.62, 0.13%, 0.61%

LAB 65.27, 1.42, 9.28

 

CMYK 0 / 66 / 67 / 9

HEX #E9504D

RGB 233 80 77

HSL 1.15, 0.78%, 0.61%

LAB 55.68, 58.76, 34.63

 

CMYK 0 / 48 / 67 / 9

HEX #E9794D

RGB 233 121 77

HSL 16.92, 0.78%, 0.61%

LAB 62.96, 39.85, 43.25

 

CMYK 0 / 30 / 67 / 9

HEX #E9A34D

RGB 233 163 77

HSL 33.08, 0.78%, 0.61%

LAB 72.26, 17.84, 53.72

 

CMYK 0 / 12 / 67 / 9

HEX #E9CC4D

RGB 233 204 77

HSL 48.85, 0.78%, 0.61%

LAB 82.4, -3.65, 64.51

 

CMYK 6 / 0 / 67 / 9

HEX #DCE94D

RGB 220 233 77

HSL 65, 0.78%, 0.61%

LAB 88.94, -23.41, 70.86

 

CMYK 0 / 38 / 88 / 20

HEX #CB7D19

RGB 203 125 25

HSL 33.71, 0.78%, 0.45%

LAB 59.37, 23.45, 60.7

 

CMYK 0 / 36 / 82 / 11

HEX #E49229

RGB 228 146 41

HSL 33.69, 0.78%, 0.53%

LAB 67.44, 23.23, 63.62

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 0 / 22 / 52 / 7

HEX #EDB872

RGB 237 184 114

HSL 34.15, 0.77%, 0.69%

LAB 78.17, 11.01, 42.66

 

CMYK 0 / 17 / 38 / 5

HEX #F2CA97

RGB 242 202 151

HSL 33.63, 0.78%, 0.77%

LAB 83.63, 7.27, 30.75

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 50 / 0 / 67 / 9

HEX #74E94D

RGB 116 233 77

HSL 105, 0.78%, 0.61%

LAB 83.19, -60.25, 63.11

 

CMYK 57 / 67 / 0 / 9

HEX #654DE9

RGB 101 77 233

HSL 249.23, 0.78%, 0.61%

LAB 44.17, 50.99, -75.66

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 67 / 0 / 30 / 9

HEX #4DE9A3

RGB 77 233 163

HSL 153.08, 0.78%, 0.61%

LAB 83.18, -56.55, 22.39

 

CMYK 30 / 67 / 0 / 9

HEX #A34DE9

RGB 163 77 233

HSL 273.08, 0.78%, 0.61%

LAB 50.66, 62.18, -64.82

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 50 / 0 / 67 / 9

HEX #74E94D

RGB 116 233 77

HSL 105, 0.78%, 0.61%

LAB 83.19, -60.25, 63.11

 

CMYK 67 / 37 / 0 / 9

HEX #4D93E9

RGB 77 147 233

HSL 213.08, 0.78%, 0.61%

LAB 60.18, 5.11, -49.92

 

CMYK 17 / 67 / 0 / 9

HEX #C24DE9

RGB 194 77 233

HSL 285, 0.78%, 0.61%

LAB 54.72, 68.64, -58.07

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 67 / 0 / 64 / 9

HEX #4DE955

RGB 77 233 85

HSL 123.08, 0.78%, 0.61%

LAB 82.12, -68.54, 58.41

 

CMYK 67 / 37 / 0 / 9

HEX #4D93E9

RGB 77 147 233

HSL 213.08, 0.78%, 0.61%

LAB 60.18, 5.11, -49.92

 

CMYK 0 / 67 / 3 / 9

HEX #E94DE1

RGB 233 77 225

HSL 303.08, 0.78%, 0.61%

LAB 59.95, 75.85, -44.91

 

Description

Color code: HEX #E9A54D | qconv.com Color code: HEX #E9A54D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 165 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 165 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 67% 9% C M Y K

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Provide designers and agencies with accurate color values.

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