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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E99964 it is the complementary color #16669B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E99964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E99964 shade: #EE995F, #FFAB72, #FFBD85, #FFCF98 and #FFE1AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E99964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E99964 shade: #E99964, #D88751, #C7753E, #B6632B and #A55118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E99964 shade: #E89862, #E87462 and #E86262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E99964 shade: #E89862, #E8BC62, #E8E062, #CCE862 and #A8E862

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E99964 shade matches the following richer shades: #E89862 and #F79554

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E99964 shade: #E89862, #DA9B71, #CB9E7F, #BDA08E and #AEA39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E99964 shade: #E86276, #E87262, #E89662, #E8B962 and #E8DD62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E99964 shade: #D9691F, #E3803E, #E89862, #EDAF86 and #F3C7AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E99964 shade: #E99964, #9AE862 and #6265E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E99964 shade: #E99964, #62E896 and #9662E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E99964 shade: #E99964, #9AE862, #62B5E8 and #B062E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E99964 shade: #E99964, #72E862, #62B5E8 and #D962E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 57 / 9

HEX #E99964

RGB 233 153 100

HSL 23.91, 0.75%, 0.65%

LAB 70.19, 24.69, 39.91

 

Complementary color

CMYK 86 / 34 / 0 / 39

HEX #16669B

RGB 22 102 155

HSL 203.91, 0.75%, 0.35%

LAB 41.28, -3.24, -35.25

 

CMYK 0 / 36 / 60 / 7

HEX #EE995F

RGB 238 153 95

HSL 24.34, 0.81%, 0.65%

LAB 70.72, 26.34, 43.27

 

CMYK 0 / 33 / 55 / 0

HEX #FFAB72

RGB 255 171 114

HSL 24.26, 1%, 0.72%

LAB 77.04, 25.1, 41.69

 

CMYK 0 / 26 / 48 / 0

HEX #FFBD85

RGB 255 189 133

HSL 27.54, 1%, 0.76%

LAB 81.48, 17.31, 37.51

 

CMYK 0 / 19 / 40 / 0

HEX #FFCF98

RGB 255 207 152

HSL 32.04, 1%, 0.8%

LAB 86.08, 9.84, 33.71

 

CMYK 0 / 12 / 33 / 0

HEX #FFE1AB

RGB 255 225 171

HSL 38.57, 1%, 0.84%

LAB 90.8, 2.74, 30.24

 

CMYK 0 / 34 / 57 / 9

HEX #E99964

RGB 233 153 100

HSL 23.91, 0.75%, 0.65%

LAB 70.19, 24.69, 39.91

 

CMYK 0 / 38 / 63 / 15

HEX #D88751

RGB 216 135 81

HSL 24, 0.63%, 0.58%

LAB 63.77, 26.01, 41.56

 

CMYK 0 / 41 / 69 / 22

HEX #C7753E

RGB 199 117 62

HSL 24.09, 0.55%, 0.51%

LAB 57.28, 27.5, 43.28

 

CMYK 0 / 46 / 76 / 29

HEX #B6632B

RGB 182 99 43

HSL 24.17, 0.62%, 0.44%

LAB 50.74, 29.2, 44.98

 

CMYK 0 / 51 / 85 / 35

HEX #A55118

RGB 165 81 24

HSL 24.26, 0.75%, 0.37%

LAB 44.16, 31.1, 46.32

 

CMYK 0 / 34 / 58 / 9

HEX #E89862

RGB 232 152 98

HSL 24.18, 0.74%, 0.65%

LAB 69.82, 24.66, 40.46

 

CMYK 0 / 50 / 58 / 9

HEX #E87462

RGB 232 116 98

HSL 8.06, 0.74%, 0.65%

LAB 62.11, 43.35, 30.81

 

CMYK 0 / 58 / 58 / 9

HEX #E86262

RGB 232 98 98

HSL 0, 0.74%, 0.65%

LAB 58.76, 51.97, 26.48

 

CMYK 0 / 34 / 58 / 9

HEX #E89862

RGB 232 152 98

HSL 24.18, 0.74%, 0.65%

LAB 69.82, 24.66, 40.46

 

CMYK 0 / 19 / 58 / 9

HEX #E8BC62

RGB 232 188 98

HSL 40.3, 0.74%, 0.65%

LAB 78.46, 5.57, 50.79

 

CMYK 0 / 3 / 58 / 9

HEX #E8E062

RGB 232 224 98

HSL 56.42, 0.74%, 0.65%

LAB 87.65, -12.83, 61.26

 

CMYK 12 / 0 / 58 / 9

HEX #CCE862

RGB 204 232 98

HSL 72.54, 0.74%, 0.65%

LAB 87.69, -27.89, 60.73

 

CMYK 28 / 0 / 58 / 9

HEX #A8E862

RGB 168 232 98

HSL 88.66, 0.74%, 0.65%

LAB 85.46, -41.37, 57.61

 

CMYK 0 / 34 / 58 / 9

HEX #E89862

RGB 232 152 98

HSL 24.18, 0.74%, 0.65%

LAB 69.82, 24.66, 40.46

 

CMYK 0 / 40 / 66 / 3

HEX #F79554

RGB 247 149 84

HSL 23.93, 0.91%, 0.65%

LAB 70.81, 31.34, 49.2

 

CMYK 0 / 34 / 58 / 9

HEX #E89862

RGB 232 152 98

HSL 24.18, 0.74%, 0.65%

LAB 69.82, 24.66, 40.46

 

CMYK 0 / 29 / 48 / 15

HEX #DA9B71

RGB 218 155 113

HSL 24, 0.59%, 0.65%

LAB 69.14, 18.67, 31.32

 

CMYK 0 / 22 / 37 / 20

HEX #CB9E7F

RGB 203 158 127

HSL 24.47, 0.42%, 0.65%

LAB 68.52, 12.51, 22.61

 

CMYK 0 / 15 / 25 / 26

HEX #BDA08E

RGB 189 160 142

HSL 22.98, 0.26%, 0.65%

LAB 67.96, 7.87, 13.35

 

CMYK 0 / 6 / 10 / 32

HEX #AEA39C

RGB 174 163 156

HSL 23.33, 0.1%, 0.65%

LAB 67.72, 2.75, 5.05

 

CMYK 0 / 58 / 49 / 9

HEX #E86276

RGB 232 98 118

HSL 351.04, 0.74%, 0.65%

LAB 59.16, 53.58, 15.45

 

CMYK 0 / 51 / 58 / 9

HEX #E87262

RGB 232 114 98

HSL 7.16, 0.74%, 0.65%

LAB 61.72, 44.34, 30.31

 

CMYK 0 / 35 / 58 / 9

HEX #E89662

RGB 232 150 98

HSL 23.28, 0.74%, 0.65%

LAB 69.36, 25.73, 39.9

 

CMYK 0 / 20 / 58 / 9

HEX #E8B962

RGB 232 185 98

HSL 38.96, 0.74%, 0.65%

LAB 77.72, 7.15, 49.92

 

CMYK 0 / 5 / 58 / 9

HEX #E8DD62

RGB 232 221 98

HSL 55.07, 0.74%, 0.65%

LAB 86.87, -11.34, 60.39

 

CMYK 0 / 52 / 86 / 15

HEX #D9691F

RGB 217 105 31

HSL 23.87, 0.75%, 0.49%

LAB 57.03, 39.85, 57.67

 

CMYK 0 / 44 / 73 / 11

HEX #E3803E

RGB 227 128 62

HSL 24, 0.75%, 0.57%

LAB 63.44, 33.12, 51.04

 

CMYK 0 / 34 / 58 / 9

HEX #E89862

RGB 232 152 98

HSL 24.18, 0.74%, 0.65%

LAB 69.82, 24.66, 40.46

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF86

RGB 237 175 134

HSL 23.88, 0.74%, 0.73%

LAB 76.31, 17.67, 29.87

 

CMYK 0 / 18 / 30 / 5

HEX #F3C7AB

RGB 243 199 171

HSL 23.33, 0.75%, 0.81%

LAB 83.36, 11.65, 19.9

 

CMYK 0 / 34 / 57 / 9

HEX #E99964

RGB 233 153 100

HSL 23.91, 0.75%, 0.65%

LAB 70.19, 24.69, 39.91

 

CMYK 34 / 0 / 58 / 9

HEX #9AE862

RGB 154 232 98

HSL 94.93, 0.74%, 0.65%

LAB 84.72, -46.23, 56.56

 

CMYK 58 / 56 / 0 / 9

HEX #6265E8

RGB 98 101 232

HSL 238.66, 0.74%, 0.65%

LAB 49.17, 36.26, -66.97

 

CMYK 0 / 34 / 57 / 9

HEX #E99964

RGB 233 153 100

HSL 23.91, 0.75%, 0.65%

LAB 70.19, 24.69, 39.91

 

CMYK 58 / 0 / 35 / 9

HEX #62E896

RGB 98 232 150

HSL 143.28, 0.74%, 0.65%

LAB 83.18, -54.71, 29.16

 

CMYK 35 / 58 / 0 / 9

HEX #9662E8

RGB 150 98 232

HSL 263.28, 0.74%, 0.65%

LAB 53, 48.64, -60.56

 

CMYK 0 / 34 / 57 / 9

HEX #E99964

RGB 233 153 100

HSL 23.91, 0.75%, 0.65%

LAB 70.19, 24.69, 39.91

 

CMYK 34 / 0 / 58 / 9

HEX #9AE862

RGB 154 232 98

HSL 94.93, 0.74%, 0.65%

LAB 84.72, -46.23, 56.56

 

CMYK 58 / 22 / 0 / 9

HEX #62B5E8

RGB 98 181 232

HSL 202.84, 0.74%, 0.65%

LAB 70.5, -10.68, -33.14

 

CMYK 24 / 58 / 0 / 9

HEX #B062E8

RGB 176 98 232

HSL 274.93, 0.74%, 0.65%

LAB 55.88, 54.73, -55.78

 

CMYK 0 / 34 / 57 / 9

HEX #E99964

RGB 233 153 100

HSL 23.91, 0.75%, 0.65%

LAB 70.19, 24.69, 39.91

 

CMYK 51 / 0 / 58 / 9

HEX #72E862

RGB 114 232 98

HSL 112.84, 0.74%, 0.65%

LAB 83.01, -58.4, 54.14

 

CMYK 58 / 22 / 0 / 9

HEX #62B5E8

RGB 98 181 232

HSL 202.84, 0.74%, 0.65%

LAB 70.5, -10.68, -33.14

 

CMYK 6 / 58 / 0 / 9

HEX #D962E8

RGB 217 98 232

HSL 293.28, 0.74%, 0.65%

LAB 61.06, 64.78, -47.23

 

Description

Color code: HEX #E99964 | qconv.com Color code: HEX #E99964 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 153 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 153 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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