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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E997B5 it is the complementary color #16684A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E997B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E997B5 shade: #EE97B0, #FFA9C3, #FFBBD6, #FFCDE9 and #FFDFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E997B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E997B5 shade: #E997B5, #D885A2, #C7738F, #B6617C and #A54F69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E997B5 shade: #E895B4, #E8959D and #E89595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E997B5 shade: #E895B4, #E895CA, #E895E0, #DA95E8 and #C395E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E997B5 shade matches the following richer shades: #E895B4, #F38BB1 and #FD81AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E997B5 shade: #E895B4, #DEA0B6, #D4AAB9, #C9B4BC and #BFBFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E997B5 shade: #E895E0, #E895CA, #E895B4, #E8959E and #E8A395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E997B5 shade: #DA5183, #E1739B, #E895B4, #EFB7CC and #F7D9E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E997B5 shade: #E997B5, #E8DA95 and #95D5E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E997B5 shade: #E997B5, #B4E895 and #95B4E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E997B5 shade: #E997B5, #E8DA95, #95E8CA and #95A3E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E997B5 shade: #E997B5, #DDE895, #95E8CA and #A095E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 22 / 9

HEX #E997B5

RGB 233 151 181

HSL 338.05, 0.65%, 0.75%

LAB 71.41, 34.79, -2.74

 

Complementary color

CMYK 79 / 0 / 29 / 59

HEX #16684A

RGB 22 104 74

HSL 158.05, 0.65%, 0.25%

LAB 38.84, -31.73, 10.18

 

CMYK 0 / 37 / 26 / 7

HEX #EE97B0

RGB 238 151 176

HSL 342.76, 0.72%, 0.76%

LAB 71.86, 35.84, 0.75

 

CMYK 0 / 34 / 24 / 0

HEX #FFA9C3

RGB 255 169 195

HSL 341.86, 1%, 0.83%

LAB 78.21, 35.05, -0.18

 

CMYK 0 / 27 / 16 / 0

HEX #FFBBD6

RGB 255 187 214

HSL 336.18, 1%, 0.87%

LAB 82.73, 28.43, -3.83

 

CMYK 0 / 20 / 9 / 0

HEX #FFCDE9

RGB 255 205 233

HSL 326.4, 1%, 0.9%

LAB 87.39, 22.03, -7.08

 

CMYK 0 / 13 / 1 / 0

HEX #FFDFFC

RGB 255 223 252

HSL 305.63, 1%, 0.94%

LAB 92.16, 15.89, -10.01

 

CMYK 0 / 35 / 22 / 9

HEX #E997B5

RGB 233 151 181

HSL 338.05, 0.65%, 0.75%

LAB 71.41, 34.79, -2.74

 

CMYK 0 / 38 / 25 / 15

HEX #D885A2

RGB 216 133 162

HSL 339.04, 0.52%, 0.68%

LAB 64.95, 35.6, -1.81

 

CMYK 0 / 42 / 28 / 22

HEX #C7738F

RGB 199 115 143

HSL 340, 0.43%, 0.62%

LAB 58.4, 36.46, -0.77

 

CMYK 0 / 47 / 32 / 29

HEX #B6617C

RGB 182 97 124

HSL 340.94, 0.37%, 0.55%

LAB 51.78, 37.35, 0.43

 

CMYK 0 / 52 / 36 / 35

HEX #A54F69

RGB 165 79 105

HSL 341.86, 0.35%, 0.48%

LAB 45.1, 38.26, 1.85

 

CMYK 0 / 36 / 22 / 9

HEX #E895B4

RGB 232 149 180

HSL 337.59, 0.64%, 0.75%

LAB 70.83, 35.35, -3.05

 

CMYK 0 / 36 / 32 / 9

HEX #E8959D

RGB 232 149 157

HSL 354.22, 0.64%, 0.75%

LAB 70.24, 32.22, 8.88

 

CMYK 0 / 36 / 36 / 9

HEX #E89595

RGB 232 149 149

HSL 0, 0.64%, 0.75%

LAB 70.05, 31.24, 13.07

 

CMYK 0 / 36 / 22 / 9

HEX #E895B4

RGB 232 149 180

HSL 337.59, 0.64%, 0.75%

LAB 70.83, 35.35, -3.05

 

CMYK 0 / 36 / 13 / 9

HEX #E895CA

RGB 232 149 202

HSL 321.69, 0.64%, 0.75%

LAB 71.5, 38.72, -14.27

 

CMYK 0 / 36 / 3 / 9

HEX #E895E0

RGB 232 149 224

HSL 305.78, 0.64%, 0.75%

LAB 72.25, 42.44, -25.25

 

CMYK 6 / 36 / 0 / 9

HEX #DA95E8

RGB 218 149 232

HSL 289.88, 0.64%, 0.75%

LAB 71.03, 39.58, -31.65

 

CMYK 16 / 36 / 0 / 9

HEX #C395E8

RGB 195 149 232

HSL 273.25, 0.64%, 0.75%

LAB 68.7, 32.6, -35.44

 

CMYK 0 / 36 / 22 / 9

HEX #E895B4

RGB 232 149 180

HSL 337.59, 0.64%, 0.75%

LAB 70.83, 35.35, -3.05

 

CMYK 0 / 43 / 27 / 5

HEX #F38BB1

RGB 243 139 177

HSL 338.08, 0.81%, 0.75%

LAB 69.96, 43.93, -2.51

 

CMYK 0 / 49 / 31 / 1

HEX #FD81AE

RGB 253 129 174

HSL 338.23, 0.97%, 0.75%

LAB 69.21, 51.87, -1.78

 

CMYK 0 / 36 / 22 / 9

HEX #E895B4

RGB 232 149 180

HSL 337.59, 0.64%, 0.75%

LAB 70.83, 35.35, -3.05

 

CMYK 0 / 28 / 18 / 13

HEX #DEA0B6

RGB 222 160 182

HSL 338.71, 0.48%, 0.75%

LAB 72.26, 26.23, -2.19

 

CMYK 0 / 20 / 13 / 17

HEX #D4AAB9

RGB 212 170 185

HSL 338.57, 0.33%, 0.75%

LAB 73.71, 17.72, -1.84

 

CMYK 0 / 10 / 6 / 21

HEX #C9B4BC

RGB 201 180 188

HSL 337.14, 0.16%, 0.75%

LAB 75.26, 8.88, -1.33

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 0 / 36 / 3 / 9

HEX #E895E0

RGB 232 149 224

HSL 305.78, 0.64%, 0.75%

LAB 72.25, 42.44, -25.25

 

CMYK 0 / 36 / 13 / 9

HEX #E895CA

RGB 232 149 202

HSL 321.69, 0.64%, 0.75%

LAB 71.5, 38.72, -14.27

 

CMYK 0 / 36 / 22 / 9

HEX #E895B4

RGB 232 149 180

HSL 337.59, 0.64%, 0.75%

LAB 70.83, 35.35, -3.05

 

CMYK 0 / 36 / 32 / 9

HEX #E8959E

RGB 232 149 158

HSL 353.49, 0.64%, 0.75%

LAB 70.26, 32.35, 8.36

 

CMYK 0 / 30 / 36 / 9

HEX #E8A395

RGB 232 163 149

HSL 10.12, 0.64%, 0.75%

LAB 73.23, 23.79, 17.52

 

CMYK 0 / 63 / 40 / 15

HEX #DA5183

RGB 218 81 131

HSL 338.1, 0.65%, 0.59%

LAB 54.48, 57.81, 0.86

 

CMYK 0 / 49 / 31 / 12

HEX #E1739B

RGB 225 115 155

HSL 338.18, 0.65%, 0.67%

LAB 62.2, 47.07, -1.72

 

CMYK 0 / 36 / 22 / 9

HEX #E895B4

RGB 232 149 180

HSL 337.59, 0.64%, 0.75%

LAB 70.83, 35.35, -3.05

 

CMYK 0 / 23 / 15 / 6

HEX #EFB7CC

RGB 239 183 204

HSL 337.5, 0.64%, 0.83%

LAB 79.94, 23.4, -2.73

 

CMYK 0 / 12 / 8 / 3

HEX #F7D9E4

RGB 247 217 228

HSL 338, 0.65%, 0.91%

LAB 89.39, 12.18, -1.58

 

CMYK 0 / 35 / 22 / 9

HEX #E997B5

RGB 233 151 181

HSL 338.05, 0.65%, 0.75%

LAB 71.41, 34.79, -2.74

 

CMYK 0 / 6 / 36 / 9

HEX #E8DA95

RGB 232 218 149

HSL 49.88, 0.64%, 0.75%

LAB 86.74, -5.09, 35.73

 

CMYK 36 / 8 / 0 / 9

HEX #95D5E8

RGB 149 213 232

HSL 193.73, 0.64%, 0.75%

LAB 81.73, -15.61, -15.81

 

CMYK 0 / 35 / 22 / 9

HEX #E997B5

RGB 233 151 181

HSL 338.05, 0.65%, 0.75%

LAB 71.41, 34.79, -2.74

 

CMYK 22 / 0 / 36 / 9

HEX #B4E895

RGB 180 232 149

HSL 97.59, 0.64%, 0.75%

LAB 86.79, -31.26, 35.11

 

CMYK 36 / 22 / 0 / 9

HEX #95B4E8

RGB 149 180 232

HSL 217.59, 0.64%, 0.75%

LAB 72.8, 1.92, -29.39

 

CMYK 0 / 35 / 22 / 9

HEX #E997B5

RGB 233 151 181

HSL 338.05, 0.65%, 0.75%

LAB 71.41, 34.79, -2.74

 

CMYK 0 / 6 / 36 / 9

HEX #E8DA95

RGB 232 218 149

HSL 49.88, 0.64%, 0.75%

LAB 86.74, -5.09, 35.73

 

CMYK 36 / 0 / 13 / 9

HEX #95E8CA

RGB 149 232 202

HSL 158.31, 0.64%, 0.75%

LAB 86.19, -31.77, 6.64

 

CMYK 36 / 30 / 0 / 9

HEX #95A3E8

RGB 149 163 232

HSL 229.88, 0.64%, 0.75%

LAB 68.32, 11.42, -36.32

 

CMYK 0 / 35 / 22 / 9

HEX #E997B5

RGB 233 151 181

HSL 338.05, 0.65%, 0.75%

LAB 71.41, 34.79, -2.74

 

CMYK 5 / 0 / 36 / 9

HEX #DDE895

RGB 221 232 149

HSL 67.95, 0.64%, 0.75%

LAB 89.51, -16.32, 39.18

 

CMYK 36 / 0 / 13 / 9

HEX #95E8CA

RGB 149 232 202

HSL 158.31, 0.64%, 0.75%

LAB 86.19, -31.77, 6.64

 

CMYK 31 / 36 / 0 / 9

HEX #A095E8

RGB 160 149 232

HSL 247.95, 0.64%, 0.75%

LAB 65.59, 22.43, -40.52

 

Description

Color code: HEX #E997B5 | qconv.com Color code: HEX #E997B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 151 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 151 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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