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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E979ED it is the complementary color #168612. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E979ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E979ED shade: #EE79E8, #FF8BFB, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E979ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E979ED shade: #E979ED, #D867DA, #C755C7, #B643B4 and #A531A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E979ED shade: #E878EC, #EC78D1, #EC78B1, #EC7892 and #EC7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E979ED shade: #E878EC, #C978EC, #A978EC, #8A78EC and #7878EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E979ED shade matches the following richer shades: #E878EC and #F46BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E979ED shade: #E878EC, #DD84E0, #D191D3, #C69DC7 and #BAA9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E979ED shade: #A878EC, #C778EC, #E678EC, #EC78D3 and #EC78B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E979ED shade: #DC2FE2, #E254E7, #E878EC, #EE9CF1 and #F4C0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E979ED shade: #E979ED, #EC8978 and #78ECB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E979ED shade: #E979ED, #ECE678 and #78ECE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E979ED shade: #E979ED, #EC8978, #7EEC78 and #78DBEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E979ED shade: #E979ED, #ECAC78, #7EEC78 and #78B8EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 49 / 0 / 7

HEX #E979ED

RGB 233 121 237

HSL 297.93, 0.76%, 0.7%

LAB 67.36, 59.17, -39.96

 

Complementary color

CMYK 84 / 0 / 87 / 47

HEX #168612

RGB 22 134 18

HSL 117.93, 0.76%, 0.3%

LAB 48.59, -50.81, 48.19

 

CMYK 0 / 49 / 3 / 7

HEX #EE79E8

RGB 238 121 232

HSL 303.08, 0.77%, 0.7%

LAB 67.78, 59.68, -36.49

 

CMYK 0 / 45 / 2 / 0

HEX #FF8BFB

RGB 255 139 251

HSL 302.07, 1%, 0.77%

LAB 73.99, 59.05, -37.09

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 2 / 49 / 0 / 7

HEX #E979ED

RGB 233 121 237

HSL 297.93, 0.76%, 0.7%

LAB 67.36, 59.17, -39.96

 

CMYK 1 / 53 / 0 / 15

HEX #D867DA

RGB 216 103 218

HSL 298.96, 0.61%, 0.63%

LAB 61.1, 59.74, -39.34

 

CMYK 0 / 57 / 0 / 22

HEX #C755C7

RGB 199 85 199

HSL 300, 0.5%, 0.56%

LAB 54.83, 60.16, -38.57

 

CMYK 0 / 63 / 1 / 29

HEX #B643B4

RGB 182 67 180

HSL 301.04, 0.46%, 0.49%

LAB 48.58, 60.31, -37.58

 

CMYK 0 / 70 / 2 / 35

HEX #A531A1

RGB 165 49 161

HSL 302.07, 0.54%, 0.42%

LAB 42.41, 60.01, -36.25

 

CMYK 2 / 49 / 0 / 7

HEX #E878EC

RGB 232 120 236

HSL 297.93, 0.75%, 0.7%

LAB 67.01, 59.2, -39.96

 

CMYK 0 / 49 / 11 / 7

HEX #EC78D1

RGB 236 120 209

HSL 313.97, 0.75%, 0.7%

LAB 66.42, 55.81, -25.83

 

CMYK 0 / 49 / 25 / 7

HEX #EC78B1

RGB 236 120 177

HSL 330.52, 0.75%, 0.7%

LAB 65.31, 51.11, -9.5

 

CMYK 0 / 49 / 38 / 7

HEX #EC7892

RGB 236 120 146

HSL 346.55, 0.75%, 0.7%

LAB 64.44, 47.26, 6.86

 

CMYK 0 / 49 / 49 / 7

HEX #EC7878

RGB 236 120 120

HSL 0, 0.75%, 0.7%

LAB 63.85, 44.63, 20.84

 

CMYK 2 / 49 / 0 / 7

HEX #E878EC

RGB 232 120 236

HSL 297.93, 0.75%, 0.7%

LAB 67.01, 59.2, -39.96

 

CMYK 15 / 49 / 0 / 7

HEX #C978EC

RGB 201 120 236

HSL 281.9, 0.75%, 0.7%

LAB 63.27, 50.74, -46.1

 

CMYK 28 / 49 / 0 / 7

HEX #A978EC

RGB 169 120 236

HSL 265.34, 0.75%, 0.7%

LAB 59.82, 42.24, -51.78

 

CMYK 42 / 49 / 0 / 7

HEX #8A78EC

RGB 138 120 236

HSL 249.31, 0.75%, 0.7%

LAB 56.97, 34.53, -56.49

 

CMYK 49 / 49 / 0 / 7

HEX #7878EC

RGB 120 120 236

HSL 240, 0.75%, 0.7%

LAB 55.57, 30.45, -58.82

 

CMYK 2 / 49 / 0 / 7

HEX #E878EC

RGB 232 120 236

HSL 297.93, 0.75%, 0.7%

LAB 67.01, 59.2, -39.96

 

CMYK 2 / 57 / 0 / 2

HEX #F46BF9

RGB 244 107 249

HSL 297.89, 0.92%, 0.7%

LAB 66.97, 70.5, -47.08

 

CMYK 2 / 49 / 0 / 7

HEX #E878EC

RGB 232 120 236

HSL 297.93, 0.75%, 0.7%

LAB 67.01, 59.2, -39.96

 

CMYK 1 / 41 / 0 / 12

HEX #DD84E0

RGB 221 132 224

HSL 298.04, 0.6%, 0.7%

LAB 67.47, 47.91, -32.71

 

CMYK 1 / 31 / 0 / 17

HEX #D191D3

RGB 209 145 211

HSL 298.18, 0.43%, 0.7%

LAB 68.39, 34.89, -24.2

 

CMYK 1 / 21 / 0 / 22

HEX #C69DC7

RGB 198 157 199

HSL 298.57, 0.27%, 0.7%

LAB 69.64, 22.43, -15.76

 

CMYK 1 / 10 / 0 / 27

HEX #BAA9BB

RGB 186 169 187

HSL 296.67, 0.12%, 0.7%

LAB 71.15, 9.41, -6.98

 

CMYK 29 / 49 / 0 / 7

HEX #A878EC

RGB 168 120 236

HSL 264.83, 0.75%, 0.7%

LAB 59.72, 41.98, -51.94

 

CMYK 16 / 49 / 0 / 7

HEX #C778EC

RGB 199 120 236

HSL 280.86, 0.75%, 0.7%

LAB 63.04, 50.2, -46.48

 

CMYK 3 / 49 / 0 / 7

HEX #E678EC

RGB 230 120 236

HSL 296.9, 0.75%, 0.7%

LAB 66.76, 58.65, -40.37

 

CMYK 0 / 49 / 11 / 7

HEX #EC78D3

RGB 236 120 211

HSL 312.93, 0.75%, 0.7%

LAB 66.5, 56.13, -26.83

 

CMYK 0 / 49 / 24 / 7

HEX #EC78B4

RGB 236 120 180

HSL 328.97, 0.75%, 0.7%

LAB 65.41, 51.52, -11.05

 

CMYK 3 / 79 / 0 / 11

HEX #DC2FE2

RGB 220 47 226

HSL 297.99, 0.76%, 0.54%

LAB 54.8, 82.36, -53.77

 

CMYK 2 / 64 / 0 / 9

HEX #E254E7

RGB 226 84 231

HSL 297.96, 0.75%, 0.62%

LAB 60.14, 72.61, -48.04

 

CMYK 2 / 49 / 0 / 7

HEX #E878EC

RGB 232 120 236

HSL 297.93, 0.75%, 0.7%

LAB 67.01, 59.2, -39.96

 

CMYK 1 / 35 / 0 / 5

HEX #EE9CF1

RGB 238 156 241

HSL 297.88, 0.75%, 0.78%

LAB 75.02, 43.7, -30.23

 

CMYK 1 / 22 / 0 / 4

HEX #F4C0F6

RGB 244 192 246

HSL 297.78, 0.75%, 0.86%

LAB 83.75, 27.5, -19.55

 

CMYK 2 / 49 / 0 / 7

HEX #E979ED

RGB 233 121 237

HSL 297.93, 0.76%, 0.7%

LAB 67.36, 59.17, -39.96

 

CMYK 0 / 42 / 49 / 7

HEX #EC8978

RGB 236 137 120

HSL 8.79, 0.75%, 0.7%

LAB 67.34, 35.97, 25.53

 

CMYK 49 / 0 / 22 / 7

HEX #78ECB8

RGB 120 236 184

HSL 153.1, 0.75%, 0.7%

LAB 85.73, -44.8, 15.23

 

CMYK 2 / 49 / 0 / 7

HEX #E979ED

RGB 233 121 237

HSL 297.93, 0.76%, 0.7%

LAB 67.36, 59.17, -39.96

 

CMYK 0 / 3 / 49 / 7

HEX #ECE678

RGB 236 230 120

HSL 56.9, 0.75%, 0.7%

LAB 89.76, -12.47, 53.81

 

CMYK 49 / 0 / 3 / 7

HEX #78ECE6

RGB 120 236 230

HSL 176.9, 0.75%, 0.7%

LAB 86.85, -34.31, -7.24

 

CMYK 2 / 49 / 0 / 7

HEX #E979ED

RGB 233 121 237

HSL 297.93, 0.76%, 0.7%

LAB 67.36, 59.17, -39.96

 

CMYK 0 / 42 / 49 / 7

HEX #EC8978

RGB 236 137 120

HSL 8.79, 0.75%, 0.7%

LAB 67.34, 35.97, 25.53

 

CMYK 47 / 0 / 49 / 7

HEX #7EEC78

RGB 126 236 120

HSL 116.9, 0.75%, 0.7%

LAB 84.89, -54.04, 46.37

 

CMYK 49 / 7 / 0 / 7

HEX #78DBEC

RGB 120 219 236

HSL 188.79, 0.75%, 0.7%

LAB 82.22, -24.61, -17.32

 

CMYK 2 / 49 / 0 / 7

HEX #E979ED

RGB 233 121 237

HSL 297.93, 0.76%, 0.7%

LAB 67.36, 59.17, -39.96

 

CMYK 0 / 27 / 49 / 7

HEX #ECAC78

RGB 236 172 120

HSL 26.9, 0.75%, 0.7%

LAB 75.26, 17.49, 35.88

 

CMYK 47 / 0 / 49 / 7

HEX #7EEC78

RGB 126 236 120

HSL 116.9, 0.75%, 0.7%

LAB 84.89, -54.04, 46.37

 

CMYK 49 / 22 / 0 / 7

HEX #78B8EC

RGB 120 184 236

HSL 206.9, 0.75%, 0.7%

LAB 72.45, -6.47, -32.24

 

Description

Color code: HEX #E979ED | qconv.com Color code: HEX #E979ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 121 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 121 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 49 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 49% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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