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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E95CE3 it is the complementary color #16A31C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E95CE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E95CE3 shade: #EE5CDE, #FF6EF1, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E95CE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E95CE3 shade: #E95CE3, #D84AD0, #C738BD, #B626AA and #A51497

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E95CE3 shade: #E85DE3, #E85DBD, #E85D97, #E85D72 and #E85D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E95CE3 shade: #E85DE3, #C95DE8, #A35DE8, #7E5DE8 and #5D5DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E95CE3 shade matches the following richer shades: #E85DE3 and #F74EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E95CE3 shade: #E85DE3, #DA6CD5, #CB7BC7, #BC89BA and #AD98AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E95CE3 shade: #A35DE8, #C85DE8, #E85DE4, #E85DBF and #E85D99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E95CE3 shade: #D61DCE, #E439DC, #E85DE3, #ED81E9 and #F2A6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E95CE3 shade: #E95CE3, #E87D5D and #5DE8B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E95CE3 shade: #E95CE3, #E4E85D and #5DE4E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E95CE3 shade: #E95CE3, #E87D5D, #5DE862 and #5DC8E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E95CE3 shade: #E95CE3, #E8A75D, #5DE862 and #5D9EE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 3 / 9

HEX #E95CE3

RGB 233 92 227

HSL 302.55, 0.76%, 0.64%

LAB 62.1, 70.43, -42.64

 

Complementary color

CMYK 87 / 0 / 83 / 36

HEX #16A31C

RGB 22 163 28

HSL 122.55, 0.76%, 0.36%

LAB 58.46, -59.19, 54.52

 

CMYK 0 / 61 / 7 / 7

HEX #EE5CDE

RGB 238 92 222

HSL 306.58, 0.81%, 0.65%

LAB 62.6, 70.87, -39.02

 

CMYK 0 / 57 / 5 / 0

HEX #FF6EF1

RGB 255 110 241

HSL 305.79, 1%, 0.72%

LAB 68.58, 70.68, -40.04

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 61 / 3 / 9

HEX #E95CE3

RGB 233 92 227

HSL 302.55, 0.76%, 0.64%

LAB 62.1, 70.43, -42.64

 

CMYK 0 / 66 / 4 / 15

HEX #D84AD0

RGB 216 74 208

HSL 303.38, 0.65%, 0.57%

LAB 56.14, 70.36, -41.48

 

CMYK 0 / 72 / 5 / 22

HEX #C738BD

RGB 199 56 189

HSL 304.2, 0.56%, 0.5%

LAB 50.27, 69.83, -39.98

 

CMYK 0 / 79 / 7 / 29

HEX #B626AA

RGB 182 38 170

HSL 305, 0.65%, 0.43%

LAB 44.57, 68.6, -38.03

 

CMYK 0 / 88 / 8 / 35

HEX #A51497

RGB 165 20 151

HSL 305.79, 0.78%, 0.36%

LAB 39.13, 66.33, -35.42

 

CMYK 0 / 60 / 2 / 9

HEX #E85DE3

RGB 232 93 227

HSL 302.16, 0.75%, 0.64%

LAB 62.11, 69.78, -42.64

 

CMYK 0 / 60 / 19 / 9

HEX #E85DBD

RGB 232 93 189

HSL 318.56, 0.75%, 0.64%

LAB 60.48, 63.99, -23.7

 

CMYK 0 / 60 / 35 / 9

HEX #E85D97

RGB 232 93 151

HSL 334.96, 0.75%, 0.64%

LAB 59.18, 59.14, -3.74

 

CMYK 0 / 60 / 51 / 9

HEX #E85D72

RGB 232 93 114

HSL 350.94, 0.75%, 0.64%

LAB 58.23, 55.47, 16.5

 

CMYK 0 / 60 / 60 / 9

HEX #E85D5D

RGB 232 93 93

HSL 0, 0.75%, 0.64%

LAB 57.82, 53.88, 28.13

 

CMYK 0 / 60 / 2 / 9

HEX #E85DE3

RGB 232 93 227

HSL 302.16, 0.75%, 0.64%

LAB 62.11, 69.78, -42.64

 

CMYK 13 / 60 / 0 / 9

HEX #C95DE8

RGB 201 93 232

HSL 286.62, 0.75%, 0.64%

LAB 58.11, 63.12, -52.05

 

CMYK 30 / 60 / 0 / 9

HEX #A35DE8

RGB 163 93 232

HSL 270.22, 0.75%, 0.64%

LAB 53.43, 54.22, -59.79

 

CMYK 46 / 60 / 0 / 9

HEX #7E5DE8

RGB 126 93 232

HSL 254.24, 0.75%, 0.64%

LAB 49.61, 46.24, -66.15

 

CMYK 60 / 60 / 0 / 9

HEX #5D5DE8

RGB 93 93 232

HSL 240, 0.75%, 0.64%

LAB 46.95, 40.21, -70.58

 

CMYK 0 / 60 / 2 / 9

HEX #E85DE3

RGB 232 93 227

HSL 302.16, 0.75%, 0.64%

LAB 62.11, 69.78, -42.64

 

CMYK 0 / 68 / 3 / 3

HEX #F74EF0

RGB 247 78 240

HSL 302.49, 0.91%, 0.64%

LAB 62.94, 80.92, -48.43

 

CMYK 0 / 60 / 2 / 9

HEX #E85DE3

RGB 232 93 227

HSL 302.16, 0.75%, 0.64%

LAB 62.11, 69.78, -42.64

 

CMYK 0 / 50 / 2 / 15

HEX #DA6CD5

RGB 218 108 213

HSL 302.73, 0.6%, 0.64%

LAB 62.03, 57.05, -35.06

 

CMYK 0 / 39 / 2 / 20

HEX #CB7BC7

RGB 203 123 199

HSL 303, 0.43%, 0.64%

LAB 62.5, 42.56, -26.6

 

CMYK 0 / 27 / 1 / 26

HEX #BC89BA

RGB 188 137 186

HSL 302.35, 0.28%, 0.64%

LAB 63.45, 27.65, -17.96

 

CMYK 0 / 12 / 1 / 32

HEX #AD98AC

RGB 173 152 172

HSL 302.86, 0.11%, 0.64%

LAB 65.22, 11.39, -7.57

 

CMYK 30 / 60 / 0 / 9

HEX #A35DE8

RGB 163 93 232

HSL 270.22, 0.75%, 0.64%

LAB 53.43, 54.22, -59.79

 

CMYK 14 / 60 / 0 / 9

HEX #C85DE8

RGB 200 93 232

HSL 286.19, 0.75%, 0.64%

LAB 57.97, 62.88, -52.26

 

CMYK 0 / 60 / 2 / 9

HEX #E85DE4

RGB 232 93 228

HSL 301.73, 0.75%, 0.64%

LAB 62.16, 69.94, -43.13

 

CMYK 0 / 60 / 18 / 9

HEX #E85DBF

RGB 232 93 191

HSL 317.7, 0.75%, 0.64%

LAB 60.56, 64.27, -24.72

 

CMYK 0 / 60 / 34 / 9

HEX #E85D99

RGB 232 93 153

HSL 334.1, 0.75%, 0.64%

LAB 59.24, 59.37, -4.81

 

CMYK 0 / 86 / 4 / 16

HEX #D61DCE

RGB 214 29 206

HSL 302.59, 0.76%, 0.48%

LAB 51.42, 81.94, -47.83

 

CMYK 0 / 75 / 4 / 11

HEX #E439DC

RGB 228 57 220

HSL 302.81, 0.76%, 0.56%

LAB 56.67, 80.39, -47.33

 

CMYK 0 / 60 / 2 / 9

HEX #E85DE3

RGB 232 93 227

HSL 302.16, 0.75%, 0.64%

LAB 62.11, 69.78, -42.64

 

CMYK 0 / 46 / 2 / 7

HEX #ED81E9

RGB 237 129 233

HSL 302.22, 0.75%, 0.72%

LAB 69.18, 55.7, -34.89

 

CMYK 0 / 31 / 1 / 5

HEX #F2A6EF

RGB 242 166 239

HSL 302.37, 0.75%, 0.8%

LAB 77.51, 39.34, -25.29

 

CMYK 0 / 61 / 3 / 9

HEX #E95CE3

RGB 233 92 227

HSL 302.55, 0.76%, 0.64%

LAB 62.1, 70.43, -42.64

 

CMYK 0 / 46 / 60 / 9

HEX #E87D5D

RGB 232 125 93

HSL 13.81, 0.75%, 0.64%

LAB 63.85, 38.44, 35.75

 

CMYK 60 / 0 / 22 / 9

HEX #5DE8B5

RGB 93 232 181

HSL 157.99, 0.75%, 0.64%

LAB 83.64, -49.52, 13.73

 

CMYK 0 / 61 / 3 / 9

HEX #E95CE3

RGB 233 92 227

HSL 302.55, 0.76%, 0.64%

LAB 62.1, 70.43, -42.64

 

CMYK 2 / 0 / 60 / 9

HEX #E4E85D

RGB 228 232 93

HSL 61.73, 0.75%, 0.64%

LAB 89.39, -18.72, 65.21

 

CMYK 60 / 2 / 0 / 9

HEX #5DE4E8

RGB 93 228 232

HSL 181.73, 0.75%, 0.64%

LAB 83.78, -35.19, -12.96

 

CMYK 0 / 61 / 3 / 9

HEX #E95CE3

RGB 233 92 227

HSL 302.55, 0.76%, 0.64%

LAB 62.1, 70.43, -42.64

 

CMYK 0 / 46 / 60 / 9

HEX #E87D5D

RGB 232 125 93

HSL 13.81, 0.75%, 0.64%

LAB 63.85, 38.44, 35.75

 

CMYK 60 / 0 / 58 / 9

HEX #5DE862

RGB 93 232 98

HSL 122.16, 0.75%, 0.64%

LAB 82.34, -63.53, 53.19

 

CMYK 60 / 14 / 0 / 9

HEX #5DC8E8

RGB 93 200 232

HSL 193.81, 0.75%, 0.64%

LAB 75.74, -21.56, -25.11

 

CMYK 0 / 61 / 3 / 9

HEX #E95CE3

RGB 233 92 227

HSL 302.55, 0.76%, 0.64%

LAB 62.1, 70.43, -42.64

 

CMYK 0 / 28 / 60 / 9

HEX #E8A75D

RGB 232 167 93

HSL 31.94, 0.75%, 0.64%

LAB 73.27, 16.31, 47.15

 

CMYK 60 / 0 / 58 / 9

HEX #5DE862

RGB 93 232 98

HSL 122.16, 0.75%, 0.64%

LAB 82.34, -63.53, 53.19

 

CMYK 60 / 32 / 0 / 9

HEX #5D9EE8

RGB 93 158 232

HSL 211.94, 0.75%, 0.64%

LAB 63.84, 1.16, -43.55

 

Description

Color code: HEX #E95CE3 | qconv.com Color code: HEX #E95CE3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 92 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 92 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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