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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E951E0 it is the complementary color #16AE1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E951E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E951E0 shade: #EE51DB, #FF63EE, #FF75FF, #FF87FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E951E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E951E0 shade: #E951E0, #D83FCD, #C72DBA, #B61BA7 and #A50994

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E951E0 shade: #E952E0, #E952B7, #E9528F, #E95266 and #E95252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E951E0 shade: #E952E0, #C952E9, #A152E9, #7852E9 and #5252E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E951E0 shade matches the following richer shades: #E952E0 and #F942EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E951E0 shade: #E952E0, #DA62D2, #CA71C5, #BA81B7 and #AA91A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E951E0 shade: #A052E9, #C852E9, #E952E2, #E952B9 and #E95291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E951E0 shade: #CF19C5, #E52DDA, #E952E0, #EE77E7 and #F29BED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E951E0 shade: #E951E0, #E97852 and #52E9B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E951E0 shade: #E951E0, #E2E952 and #52E2E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E951E0 shade: #E951E0, #E97852, #52E95A and #52C3E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E951E0 shade: #E951E0, #E9A552, #52E95A and #5296E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 4 / 9

HEX #E951E0

RGB 233 81 224

HSL 303.55, 0.78%, 0.62%

LAB 60.42, 74.24, -43.61

 

Complementary color

CMYK 87 / 0 / 82 / 32

HEX #16AE1F

RGB 22 174 31

HSL 123.55, 0.78%, 0.38%

LAB 62.12, -62.29, 57.07

 

CMYK 0 / 66 / 8 / 7

HEX #EE51DB

RGB 238 81 219

HSL 307.26, 0.82%, 0.63%

LAB 60.94, 74.64, -39.93

 

CMYK 0 / 61 / 7 / 0

HEX #FF63EE

RGB 255 99 238

HSL 306.54, 1%, 0.69%

LAB 66.79, 74.74, -41.18

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 65 / 4 / 9

HEX #E951E0

RGB 233 81 224

HSL 303.55, 0.78%, 0.62%

LAB 60.42, 74.24, -43.61

 

CMYK 0 / 71 / 5 / 15

HEX #D83FCD

RGB 216 63 205

HSL 304.31, 0.66%, 0.55%

LAB 54.62, 73.76, -42.16

 

CMYK 0 / 77 / 7 / 22

HEX #C72DBA

RGB 199 45 186

HSL 305.06, 0.63%, 0.48%

LAB 48.96, 72.66, -40.3

 

CMYK 0 / 85 / 8 / 29

HEX #B61BA7

RGB 182 27 167

HSL 305.81, 0.74%, 0.41%

LAB 43.54, 70.68, -37.87

 

CMYK 0 / 95 / 10 / 35

HEX #A50994

RGB 165 9 148

HSL 306.54, 0.9%, 0.34%

LAB 38.43, 67.45, -34.69

 

CMYK 0 / 65 / 4 / 9

HEX #E952E0

RGB 233 82 224

HSL 303.58, 0.77%, 0.62%

LAB 60.55, 73.87, -43.4

 

CMYK 0 / 65 / 21 / 9

HEX #E952B7

RGB 233 82 183

HSL 319.87, 0.77%, 0.62%

LAB 58.77, 67.91, -22.87

 

CMYK 0 / 65 / 39 / 9

HEX #E9528F

RGB 233 82 143

HSL 335.76, 0.77%, 0.62%

LAB 57.41, 63.16, -1.65

 

CMYK 0 / 65 / 56 / 9

HEX #E95266

RGB 233 82 102

HSL 352.05, 0.77%, 0.62%

LAB 56.4, 59.52, 21.07

 

CMYK 0 / 65 / 65 / 9

HEX #E95252

RGB 233 82 82

HSL 0, 0.77%, 0.62%

LAB 56.06, 58.23, 32.23

 

CMYK 0 / 65 / 4 / 9

HEX #E952E0

RGB 233 82 224

HSL 303.58, 0.77%, 0.62%

LAB 60.55, 73.87, -43.4

 

CMYK 14 / 65 / 0 / 9

HEX #C952E9

RGB 201 82 233

HSL 287.28, 0.77%, 0.62%

LAB 56.42, 68.11, -55.29

 

CMYK 31 / 65 / 0 / 9

HEX #A152E9

RGB 161 82 233

HSL 271.39, 0.77%, 0.62%

LAB 51.26, 59.44, -63.86

 

CMYK 48 / 65 / 0 / 9

HEX #7852E9

RGB 120 82 233

HSL 255.1, 0.77%, 0.62%

LAB 46.86, 51.42, -71.2

 

CMYK 65 / 65 / 0 / 9

HEX #5252E9

RGB 82 82 233

HSL 240, 0.77%, 0.62%

LAB 43.82, 45.42, -76.29

 

CMYK 0 / 65 / 4 / 9

HEX #E952E0

RGB 233 82 224

HSL 303.58, 0.77%, 0.62%

LAB 60.55, 73.87, -43.4

 

CMYK 0 / 73 / 4 / 2

HEX #F942EE

RGB 249 66 238

HSL 303.61, 0.94%, 0.62%

LAB 61.83, 84.79, -49.05

 

CMYK 0 / 65 / 4 / 9

HEX #E952E0

RGB 233 82 224

HSL 303.58, 0.77%, 0.62%

LAB 60.55, 73.87, -43.4

 

CMYK 0 / 55 / 4 / 15

HEX #DA62D2

RGB 218 98 210

HSL 304, 0.62%, 0.62%

LAB 60.15, 61.2, -36.29

 

CMYK 0 / 44 / 2 / 21

HEX #CA71C5

RGB 202 113 197

HSL 303.37, 0.46%, 0.62%

LAB 60.25, 47.1, -28.95

 

CMYK 0 / 31 / 2 / 27

HEX #BA81B7

RGB 186 129 183

HSL 303.16, 0.29%, 0.62%

LAB 61.27, 30.85, -19.59

 

CMYK 0 / 15 / 1 / 33

HEX #AA91A9

RGB 170 145 169

HSL 302.4, 0.13%, 0.62%

LAB 63.06, 13.68, -9.12

 

CMYK 31 / 65 / 0 / 9

HEX #A052E9

RGB 160 82 233

HSL 270.99, 0.77%, 0.62%

LAB 51.14, 59.23, -64.06

 

CMYK 14 / 65 / 0 / 9

HEX #C852E9

RGB 200 82 233

HSL 286.89, 0.77%, 0.62%

LAB 56.28, 67.89, -55.52

 

CMYK 0 / 65 / 3 / 9

HEX #E952E2

RGB 233 82 226

HSL 302.78, 0.77%, 0.62%

LAB 60.65, 74.18, -44.37

 

CMYK 0 / 65 / 21 / 9

HEX #E952B9

RGB 233 82 185

HSL 319.07, 0.77%, 0.62%

LAB 58.85, 68.18, -23.9

 

CMYK 0 / 65 / 38 / 9

HEX #E95291

RGB 233 82 145

HSL 334.97, 0.77%, 0.62%

LAB 57.47, 63.37, -2.74

 

CMYK 0 / 88 / 5 / 19

HEX #CF19C5

RGB 207 25 197

HSL 303.3, 0.78%, 0.45%

LAB 49.49, 80.02, -45.78

 

CMYK 0 / 80 / 5 / 10

HEX #E52DDA

RGB 229 45 218

HSL 303.59, 0.78%, 0.54%

LAB 55.68, 83.32, -47.75

 

CMYK 0 / 65 / 4 / 9

HEX #E952E0

RGB 233 82 224

HSL 303.58, 0.77%, 0.62%

LAB 60.55, 73.87, -43.4

 

CMYK 0 / 50 / 3 / 7

HEX #EE77E7

RGB 238 119 231

HSL 303.53, 0.78%, 0.7%

LAB 67.38, 60.46, -36.56

 

CMYK 0 / 36 / 2 / 5

HEX #F29BED

RGB 242 155 237

HSL 303.45, 0.77%, 0.78%

LAB 75.1, 44.72, -27.89

 

CMYK 0 / 65 / 4 / 9

HEX #E951E0

RGB 233 81 224

HSL 303.55, 0.78%, 0.62%

LAB 60.42, 74.24, -43.61

 

CMYK 0 / 48 / 65 / 9

HEX #E97852

RGB 233 120 82

HSL 15.1, 0.77%, 0.62%

LAB 62.82, 40.64, 40.45

 

CMYK 65 / 0 / 23 / 9

HEX #52E9B4

RGB 82 233 180

HSL 158.94, 0.77%, 0.62%

LAB 83.64, -52.11, 14.2

 

CMYK 0 / 65 / 4 / 9

HEX #E951E0

RGB 233 81 224

HSL 303.55, 0.78%, 0.62%

LAB 60.42, 74.24, -43.61

 

CMYK 3 / 0 / 65 / 9

HEX #E2E952

RGB 226 233 82

HSL 62.78, 0.77%, 0.62%

LAB 89.42, -20.7, 69.6

 

CMYK 65 / 3 / 0 / 9

HEX #52E2E9

RGB 82 226 233

HSL 182.78, 0.77%, 0.62%

LAB 82.95, -35.71, -14.76

 

CMYK 0 / 65 / 4 / 9

HEX #E951E0

RGB 233 81 224

HSL 303.55, 0.78%, 0.62%

LAB 60.42, 74.24, -43.61

 

CMYK 0 / 48 / 65 / 9

HEX #E97852

RGB 233 120 82

HSL 15.1, 0.77%, 0.62%

LAB 62.82, 40.64, 40.45

 

CMYK 65 / 0 / 61 / 9

HEX #52E95A

RGB 82 233 90

HSL 123.18, 0.77%, 0.62%

LAB 82.28, -67.06, 56.53

 

CMYK 65 / 16 / 0 / 9

HEX #52C3E9

RGB 82 195 233

HSL 195.1, 0.77%, 0.62%

LAB 74, -20.56, -28.34

 

CMYK 0 / 65 / 4 / 9

HEX #E951E0

RGB 233 81 224

HSL 303.55, 0.78%, 0.62%

LAB 60.42, 74.24, -43.61

 

CMYK 0 / 29 / 65 / 9

HEX #E9A552

RGB 233 165 82

HSL 32.98, 0.77%, 0.62%

LAB 72.79, 17.07, 51.95

 

CMYK 65 / 0 / 61 / 9

HEX #52E95A

RGB 82 233 90

HSL 123.18, 0.77%, 0.62%

LAB 82.28, -67.06, 56.53

 

CMYK 65 / 36 / 0 / 9

HEX #5296E9

RGB 82 150 233

HSL 212.98, 0.77%, 0.62%

LAB 61.21, 4.16, -48.28

 

Description

Color code: HEX #E951E0 | qconv.com Color code: HEX #E951E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 81 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 81 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 4 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 4% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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