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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E94EA3 it is the complementary color #16B15C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E94EA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E94EA3 shade: #EE4E9E, #FF60B1, #FF72C4, #FF84D7 and #FF96EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E94EA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E94EA3 shade: #E94EA3, #D83C90, #C72A7D, #B6186A and #A50657

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E94EA3 shade: #E94DA3, #E94D79, #E94D4F and #E94D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E94EA3 shade: #E94DA3, #E94DCC, #DB4DE9, #B14DE9 and #874DE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E94EA3 shade matches the following richer shades: #E94DA3 and #F93DA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E94EA3 shade: #E94DA3, #D95EA1, #C86E9F, #B87E9E and #A88E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E94EA3 shade: #DC4DE9, #E94DCC, #E94DA3, #E94D79 and #E94D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E94EA3 shade: #CB197A, #E4298F, #E94DA3, #ED72B6 and #F297C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E94EA3 shade: #E94EA3, #E9B24D and #4DE1E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E94EA3 shade: #E94EA3, #A3E94D and #4DA3E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E94EA3 shade: #E94EA3, #E9B24D, #4DE993 and #4D84E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E94EA3 shade: #E94EA3, #E9E14D, #4DE993 and #4D55E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 30 / 9

HEX #E94EA3

RGB 233 78 163

HSL 327.1, 0.78%, 0.61%

LAB 57.48, 66.94, -13.24

 

Complementary color

CMYK 88 / 0 / 48 / 31

HEX #16B15C

RGB 22 177 92

HSL 147.1, 0.78%, 0.39%

LAB 63.66, -56.32, 33.08

 

CMYK 0 / 67 / 34 / 7

HEX #EE4E9E

RGB 238 78 158

HSL 330, 0.82%, 0.62%

LAB 58.13, 67.73, -9.27

 

CMYK 0 / 62 / 31 / 0

HEX #FF60B1

RGB 255 96 177

HSL 329.43, 1%, 0.69%

LAB 64, 67.65, -11.17

 

CMYK 0 / 55 / 23 / 0

HEX #FF72C4

RGB 255 114 196

HSL 325.11, 1%, 0.72%

LAB 67.49, 62.33, -16.68

 

CMYK 0 / 48 / 16 / 0

HEX #FF84D7

RGB 255 132 215

HSL 319.51, 1%, 0.76%

LAB 71.33, 56.64, -21.44

 

CMYK 0 / 41 / 8 / 0

HEX #FF96EA

RGB 255 150 234

HSL 312, 1%, 0.79%

LAB 75.46, 50.76, -25.57

 

CMYK 0 / 67 / 30 / 9

HEX #E94EA3

RGB 233 78 163

HSL 327.1, 0.78%, 0.61%

LAB 57.48, 66.94, -13.24

 

CMYK 0 / 72 / 33 / 15

HEX #D83C90

RGB 216 60 144

HSL 327.69, 0.67%, 0.54%

LAB 51.66, 66.63, -11.09

 

CMYK 0 / 79 / 37 / 22

HEX #C72A7D

RGB 199 42 125

HSL 328.28, 0.65%, 0.47%

LAB 46.01, 65.72, -8.4

 

CMYK 0 / 87 / 42 / 29

HEX #B6186A

RGB 182 24 106

HSL 328.86, 0.77%, 0.4%

LAB 40.64, 63.89, -4.98

 

CMYK 0 / 96 / 47 / 35

HEX #A50657

RGB 165 6 87

HSL 329.43, 0.93%, 0.34%

LAB 35.63, 60.83, -0.63

 

CMYK 0 / 67 / 30 / 9

HEX #E94DA3

RGB 233 77 163

HSL 326.92, 0.78%, 0.61%

LAB 57.34, 67.31, -13.45

 

CMYK 0 / 67 / 48 / 9

HEX #E94D79

RGB 233 77 121

HSL 343.08, 0.78%, 0.61%

LAB 56.1, 63.01, 9.44

 

CMYK 0 / 67 / 66 / 9

HEX #E94D4F

RGB 233 77 79

HSL 359.23, 0.78%, 0.61%

LAB 55.27, 60.06, 32.99

 

CMYK 0 / 67 / 67 / 9

HEX #E94D4D

RGB 233 77 77

HSL 0, 0.78%, 0.61%

LAB 55.24, 59.95, 34.09

 

CMYK 0 / 67 / 30 / 9

HEX #E94DA3

RGB 233 77 163

HSL 326.92, 0.78%, 0.61%

LAB 57.34, 67.31, -13.45

 

CMYK 0 / 67 / 12 / 9

HEX #E94DCC

RGB 233 77 204

HSL 311.15, 0.78%, 0.61%

LAB 58.97, 72.7, -34.58

 

CMYK 6 / 67 / 0 / 9

HEX #DB4DE9

RGB 219 77 233

HSL 294.62, 0.78%, 0.61%

LAB 58.27, 74.04, -52.19

 

CMYK 24 / 67 / 0 / 9

HEX #B14DE9

RGB 177 77 233

HSL 278.46, 0.78%, 0.61%

LAB 52.44, 65.06, -61.85

 

CMYK 42 / 67 / 0 / 9

HEX #874DE9

RGB 135 77 233

HSL 262.31, 0.78%, 0.61%

LAB 47.42, 56.75, -70.22

 

CMYK 0 / 67 / 30 / 9

HEX #E94DA3

RGB 233 77 163

HSL 326.92, 0.78%, 0.61%

LAB 57.34, 67.31, -13.45

 

CMYK 0 / 76 / 34 / 2

HEX #F93DA4

RGB 249 61 164

HSL 327.13, 0.94%, 0.61%

LAB 58.19, 76.84, -12.5

 

CMYK 0 / 67 / 30 / 9

HEX #E94DA3

RGB 233 77 163

HSL 326.92, 0.78%, 0.61%

LAB 57.34, 67.31, -13.45

 

CMYK 0 / 57 / 26 / 15

HEX #D95EA1

RGB 217 94 161

HSL 327.32, 0.62%, 0.61%

LAB 57.4, 55.35, -12.45

 

CMYK 0 / 45 / 21 / 22

HEX #C86E9F

RGB 200 110 159

HSL 327.33, 0.45%, 0.61%

LAB 57.97, 41.74, -10.66

 

CMYK 0 / 32 / 14 / 28

HEX #B87E9E

RGB 184 126 158

HSL 326.9, 0.29%, 0.61%

LAB 59.51, 27.37, -8

 

CMYK 0 / 15 / 7 / 34

HEX #A88E9C

RGB 168 142 156

HSL 327.69, 0.13%, 0.61%

LAB 61.72, 12.21, -3.76

 

CMYK 6 / 67 / 0 / 9

HEX #DC4DE9

RGB 220 77 233

HSL 295, 0.78%, 0.61%

LAB 58.42, 74.26, -51.95

 

CMYK 0 / 67 / 12 / 9

HEX #E94DCC

RGB 233 77 204

HSL 311.15, 0.78%, 0.61%

LAB 58.97, 72.7, -34.58

 

CMYK 0 / 67 / 30 / 9

HEX #E94DA3

RGB 233 77 163

HSL 326.92, 0.78%, 0.61%

LAB 57.34, 67.31, -13.45

 

CMYK 0 / 67 / 48 / 9

HEX #E94D79

RGB 233 77 121

HSL 343.08, 0.78%, 0.61%

LAB 56.1, 63.01, 9.44

 

CMYK 0 / 67 / 66 / 9

HEX #E94D50

RGB 233 77 80

HSL 358.85, 0.78%, 0.61%

LAB 55.29, 60.11, 32.43

 

CMYK 0 / 88 / 40 / 20

HEX #CB197A

RGB 203 25 122

HSL 327.3, 0.78%, 0.45%

LAB 45.35, 70.16, -7.46

 

CMYK 0 / 82 / 37 / 11

HEX #E4298F

RGB 228 41 143

HSL 327.27, 0.78%, 0.53%

LAB 51.91, 74.81, -9.9

 

CMYK 0 / 67 / 30 / 9

HEX #E94DA3

RGB 233 77 163

HSL 326.92, 0.78%, 0.61%

LAB 57.34, 67.31, -13.45

 

CMYK 0 / 52 / 23 / 7

HEX #ED72B6

RGB 237 114 182

HSL 326.83, 0.77%, 0.69%

LAB 64.5, 55, -13.54

 

CMYK 0 / 38 / 17 / 5

HEX #F297C9

RGB 242 151 201

HSL 327.03, 0.78%, 0.77%

LAB 73.04, 40.85, -11.28

 

CMYK 0 / 67 / 30 / 9

HEX #E94EA3

RGB 233 78 163

HSL 327.1, 0.78%, 0.61%

LAB 57.48, 66.94, -13.24

 

CMYK 0 / 24 / 67 / 9

HEX #E9B24D

RGB 233 178 77

HSL 38.85, 0.78%, 0.61%

LAB 75.88, 9.88, 57.64

 

CMYK 67 / 3 / 0 / 9

HEX #4DE1E9

RGB 77 225 233

HSL 183.08, 0.78%, 0.61%

LAB 82.55, -35.95, -15.37

 

CMYK 0 / 67 / 30 / 9

HEX #E94EA3

RGB 233 78 163

HSL 327.1, 0.78%, 0.61%

LAB 57.48, 66.94, -13.24

 

CMYK 30 / 0 / 67 / 9

HEX #A3E94D

RGB 163 233 77

HSL 86.92, 0.78%, 0.61%

LAB 85.3, -45.27, 65.97

 

CMYK 67 / 30 / 0 / 9

HEX #4DA3E9

RGB 77 163 233

HSL 206.92, 0.78%, 0.61%

LAB 64.69, -4.12, -42.82

 

CMYK 0 / 67 / 30 / 9

HEX #E94EA3

RGB 233 78 163

HSL 327.1, 0.78%, 0.61%

LAB 57.48, 66.94, -13.24

 

CMYK 0 / 24 / 67 / 9

HEX #E9B24D

RGB 233 178 77

HSL 38.85, 0.78%, 0.61%

LAB 75.88, 9.88, 57.64

 

CMYK 67 / 0 / 37 / 9

HEX #4DE993

RGB 77 233 147

HSL 146.92, 0.78%, 0.61%

LAB 82.89, -59.66, 30.2

 

CMYK 67 / 43 / 0 / 9

HEX #4D84E9

RGB 77 132 233

HSL 218.85, 0.78%, 0.61%

LAB 56.05, 14.09, -56.5

 

CMYK 0 / 67 / 30 / 9

HEX #E94EA3

RGB 233 78 163

HSL 327.1, 0.78%, 0.61%

LAB 57.48, 66.94, -13.24

 

CMYK 0 / 3 / 67 / 9

HEX #E9E14D

RGB 233 225 77

HSL 56.92, 0.78%, 0.61%

LAB 87.83, -14.21, 70.06

 

CMYK 67 / 0 / 37 / 9

HEX #4DE993

RGB 77 233 147

HSL 146.92, 0.78%, 0.61%

LAB 82.89, -59.66, 30.2

 

CMYK 67 / 64 / 0 / 9

HEX #4D55E9

RGB 77 85 233

HSL 236.92, 0.78%, 0.61%

LAB 44.17, 42.99, -75.72

 

Description

Color code: HEX #E94EA3 | qconv.com Color code: HEX #E94EA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 78 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 78 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 30% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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