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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E946F4 it is the complementary color #16B90B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E946F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E946F4 shade: #EE46EF, #FF58FF, #FF6AFF, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E946F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E946F4 shade: #E946F4, #D834E1, #C722CE, #B610BB and #A500A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E946F4 shade: #E947F4, #F447D0, #F447A2, #F44773 and #F44747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E946F4 shade: #E947F4, #BA47F4, #8C47F4, #5D47F4 and #4747F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E946F4 shade matches the following richer shades: #E947F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E946F4 shade: #E947F4, #DB57E4, #CE67D4, #C076C5 and #B286B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E946F4 shade: #8C47F4, #BA47F4, #E847F4, #F447D1 and #F447A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E946F4 shade: #CF0CDC, #E420F2, #E947F4, #EE6EF6 and #F295F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E946F4 shade: #E946F4, #F45E47 and #47F4A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E946F4 shade: #E946F4, #F4E847 and #47F4E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E946F4 shade: #E946F4, #F45E47, #53F447 and #47DDF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E946F4 shade: #E946F4, #F49247, #53F447 and #47A9F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 71 / 0 / 4

HEX #E946F4

RGB 233 70 244

HSL 296.21, 0.89%, 0.62%

LAB 60.1, 81.24, -55.29

 

Complementary color

CMYK 88 / 0 / 94 / 27

HEX #16B90B

RGB 22 185 11

HSL 116.21, 0.89%, 0.38%

LAB 65.67, -66.26, 64.2

 

CMYK 0 / 71 / 0 / 6

HEX #EE46EF

RGB 238 70 239

HSL 299.64, 0.84%, 0.61%

LAB 60.6, 81.47, -51.68

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 5 / 71 / 0 / 4

HEX #E946F4

RGB 233 70 244

HSL 296.21, 0.89%, 0.62%

LAB 60.1, 81.24, -55.29

 

CMYK 4 / 77 / 0 / 12

HEX #D834E1

RGB 216 52 225

HSL 296.88, 0.74%, 0.54%

LAB 54.54, 80.18, -53.66

 

CMYK 3 / 83 / 0 / 19

HEX #C722CE

RGB 199 34 206

HSL 297.56, 0.72%, 0.47%

LAB 49.18, 78.33, -51.55

 

CMYK 3 / 91 / 0 / 27

HEX #B610BB

RGB 182 16 187

HSL 298.25, 0.84%, 0.4%

LAB 44.09, 75.42, -48.81

 

CMYK 2 / 100 / 0 / 34

HEX #A500A8

RGB 165 0 168

HSL 298.93, 1%, 0.33%

LAB 39.29, 71.39, -45.42

 

CMYK 5 / 71 / 0 / 4

HEX #E947F4

RGB 233 71 244

HSL 296.18, 0.89%, 0.62%

LAB 60.21, 80.92, -55.11

 

CMYK 0 / 71 / 15 / 4

HEX #F447D0

RGB 244 71 208

HSL 312.49, 0.89%, 0.62%

LAB 60.15, 77.91, -34.87

 

CMYK 0 / 71 / 34 / 4

HEX #F447A2

RGB 244 71 162

HSL 328.44, 0.89%, 0.62%

LAB 58.37, 72.26, -11.15

 

CMYK 0 / 71 / 53 / 4

HEX #F44773

RGB 244 71 115

HSL 344.74, 0.89%, 0.62%

LAB 57.05, 67.93, 14.6

 

CMYK 0 / 71 / 71 / 4

HEX #F44747

RGB 244 71 71

HSL 0, 0.89%, 0.62%

LAB 56.28, 65.3, 39.19

 

CMYK 5 / 71 / 0 / 4

HEX #E947F4

RGB 233 71 244

HSL 296.18, 0.89%, 0.62%

LAB 60.21, 80.92, -55.11

 

CMYK 24 / 71 / 0 / 4

HEX #BA47F4

RGB 186 71 244

HSL 279.88, 0.89%, 0.62%

LAB 53.47, 71.58, -66.3

 

CMYK 43 / 71 / 0 / 4

HEX #8C47F4

RGB 140 71 244

HSL 263.93, 0.89%, 0.62%

LAB 47.77, 63.27, -75.81

 

CMYK 62 / 71 / 0 / 4

HEX #5D47F4

RGB 93 71 244

HSL 247.63, 0.89%, 0.62%

LAB 43.31, 56.37, -83.3

 

CMYK 71 / 71 / 0 / 4

HEX #4747F4

RGB 71 71 244

HSL 240, 0.89%, 0.62%

LAB 41.81, 53.95, -85.82

 

CMYK 5 / 71 / 0 / 4

HEX #E947F4

RGB 233 71 244

HSL 296.18, 0.89%, 0.62%

LAB 60.21, 80.92, -55.11

 

CMYK 5 / 71 / 0 / 4

HEX #E947F4

RGB 233 71 244

HSL 296.18, 0.89%, 0.62%

LAB 60.21, 80.92, -55.11

 

CMYK 4 / 62 / 0 / 11

HEX #DB57E4

RGB 219 87 228

HSL 296.17, 0.72%, 0.62%

LAB 59.41, 69.27, -47.58

 

CMYK 3 / 51 / 0 / 17

HEX #CE67D4

RGB 206 103 212

HSL 296.7, 0.56%, 0.62%

LAB 59.5, 55.96, -38.56

 

CMYK 3 / 40 / 0 / 23

HEX #C076C5

RGB 192 118 197

HSL 296.2, 0.41%, 0.62%

LAB 60.06, 41.43, -29.33

 

CMYK 2 / 26 / 0 / 29

HEX #B286B5

RGB 178 134 181

HSL 296.17, 0.24%, 0.62%

LAB 61.53, 24.99, -18.15

 

CMYK 43 / 71 / 0 / 4

HEX #8C47F4

RGB 140 71 244

HSL 263.93, 0.89%, 0.62%

LAB 47.77, 63.27, -75.81

 

CMYK 24 / 71 / 0 / 4

HEX #BA47F4

RGB 186 71 244

HSL 279.88, 0.89%, 0.62%

LAB 53.47, 71.58, -66.3

 

CMYK 5 / 71 / 0 / 4

HEX #E847F4

RGB 232 71 244

HSL 295.84, 0.89%, 0.62%

LAB 60.06, 80.71, -55.36

 

CMYK 0 / 71 / 14 / 4

HEX #F447D1

RGB 244 71 209

HSL 312.14, 0.89%, 0.62%

LAB 60.2, 78.05, -35.37

 

CMYK 0 / 71 / 33 / 4

HEX #F447A3

RGB 244 71 163

HSL 328.09, 0.89%, 0.62%

LAB 58.4, 72.36, -11.68

 

CMYK 6 / 95 / 0 / 14

HEX #CF0CDC

RGB 207 12 220

HSL 296.25, 0.9%, 0.45%

LAB 50.33, 84.95, -57.66

 

CMYK 6 / 87 / 0 / 5

HEX #E420F2

RGB 228 32 242

HSL 296, 0.89%, 0.54%

LAB 56.03, 89.2, -60.74

 

CMYK 5 / 71 / 0 / 4

HEX #E947F4

RGB 233 71 244

HSL 296.18, 0.89%, 0.62%

LAB 60.21, 80.92, -55.11

 

CMYK 3 / 55 / 0 / 4

HEX #EE6EF6

RGB 238 110 246

HSL 296.47, 0.88%, 0.7%

LAB 66.51, 67.17, -46.21

 

CMYK 2 / 40 / 0 / 3

HEX #F295F8

RGB 242 149 248

HSL 296.36, 0.88%, 0.78%

LAB 74.29, 49.79, -35.12

 

CMYK 5 / 71 / 0 / 4

HEX #E946F4

RGB 233 70 244

HSL 296.21, 0.89%, 0.62%

LAB 60.1, 81.24, -55.29

 

CMYK 0 / 61 / 71 / 4

HEX #F45E47

RGB 244 94 71

HSL 7.98, 0.89%, 0.62%

LAB 59.61, 56.28, 43.02

 

CMYK 71 / 0 / 33 / 4

HEX #47F4A3

RGB 71 244 163

HSL 151.91, 0.89%, 0.62%

LAB 86.35, -61.65, 26.7

 

CMYK 5 / 71 / 0 / 4

HEX #E946F4

RGB 233 70 244

HSL 296.21, 0.89%, 0.62%

LAB 60.1, 81.24, -55.29

 

CMYK 0 / 5 / 71 / 4

HEX #F4E847

RGB 244 232 71

HSL 55.84, 0.89%, 0.62%

LAB 90.51, -13.42, 75.19

 

CMYK 71 / 0 / 5 / 4

HEX #47F4E8

RGB 71 244 232

HSL 175.84, 0.89%, 0.62%

LAB 87.9, -45.55, -6.87

 

CMYK 5 / 71 / 0 / 4

HEX #E946F4

RGB 233 70 244

HSL 296.21, 0.89%, 0.62%

LAB 60.1, 81.24, -55.29

 

CMYK 0 / 61 / 71 / 4

HEX #F45E47

RGB 244 94 71

HSL 7.98, 0.89%, 0.62%

LAB 59.61, 56.28, 43.02

 

CMYK 66 / 0 / 71 / 4

HEX #53F447

RGB 83 244 71

HSL 115.84, 0.89%, 0.62%

LAB 85.5, -72.24, 67.44

 

CMYK 71 / 9 / 0 / 4

HEX #47DDF4

RGB 71 221 244

HSL 187.98, 0.89%, 0.62%

LAB 81.61, -31.67, -22.63

 

CMYK 5 / 71 / 0 / 4

HEX #E946F4

RGB 233 70 244

HSL 296.21, 0.89%, 0.62%

LAB 60.1, 81.24, -55.29

 

CMYK 0 / 40 / 71 / 4

HEX #F49247

RGB 244 146 71

HSL 26.01, 0.89%, 0.62%

LAB 69.64, 31.01, 54.06

 

CMYK 66 / 0 / 71 / 4

HEX #53F447

RGB 83 244 71

HSL 115.84, 0.89%, 0.62%

LAB 85.5, -72.24, 67.44

 

CMYK 71 / 31 / 0 / 4

HEX #47A9F4

RGB 71 169 244

HSL 206.01, 0.89%, 0.62%

LAB 66.71, -4.67, -45.68

 

Description

Color code: HEX #E946F4 | qconv.com Color code: HEX #E946F4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 70 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 70 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 71 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 71% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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