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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E93D6C it is the complementary color #16C293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E93D6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E93D6C shade: #EE3D67, #FF4F7A, #FF618D, #FF73A0 and #FF85B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E93D6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E93D6C shade: #E93D6C, #D82B59, #C71946, #B60733 and #A50020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E93D6C shade: #E93E6D, #E93E3E and #E93E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E93D6C shade: #E93E6D, #E93E9B, #E93EC9, #DB3EE9 and #AD3EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E93D6C shade matches the following richer shades: #E93E6D and #FA2C65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E93D6C shade: #E93E6D, #D84F74, #C6607C, #B57284 and #A4838C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E93D6C shade: #E93ECA, #E93E9C, #E93E6E, #E93E41 and #E9693E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E93D6C shade: #BF1543, #E51951, #E93E6D, #ED6389 and #F188A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E93D6C shade: #E93D6C, #E9DB3E and #3EB3E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E93D6C shade: #E93D6C, #6EE93E and #3E6EE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E93D6C shade: #E93D6C, #E9DB3E, #3EE9B9 and #3E4CE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E93D6C shade: #E93D6C, #C4E93E, #3EE9B9 and #633EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 54 / 9

HEX #E93D6C

RGB 233 61 108

HSL 343.6, 0.8%, 0.58%

LAB 53.75, 67.61, 13.89

 

Complementary color

CMYK 89 / 0 / 24 / 24

HEX #16C293

RGB 22 194 147

HSL 163.6, 0.8%, 0.42%

LAB 70.08, -51.14, 12.49

 

CMYK 0 / 74 / 57 / 7

HEX #EE3D67

RGB 238 61 103

HSL 345.76, 0.84%, 0.59%

LAB 54.55, 68.66, 18.11

 

CMYK 0 / 69 / 52 / 0

HEX #FF4F7A

RGB 255 79 122

HSL 345.34, 1%, 0.65%

LAB 60.12, 68.82, 15.03

 

CMYK 0 / 62 / 45 / 0

HEX #FF618D

RGB 255 97 141

HSL 343.29, 1%, 0.69%

LAB 63.12, 63.45, 8.22

 

CMYK 0 / 55 / 37 / 0

HEX #FF73A0

RGB 255 115 160

HSL 340.71, 1%, 0.73%

LAB 66.57, 57.5, 2.3

 

CMYK 0 / 48 / 30 / 0

HEX #FF85B3

RGB 255 133 179

HSL 337.38, 1%, 0.76%

LAB 70.38, 51.2, -2.83

 

CMYK 0 / 74 / 54 / 9

HEX #E93D6C

RGB 233 61 108

HSL 343.6, 0.8%, 0.58%

LAB 53.75, 67.61, 13.89

 

CMYK 0 / 80 / 59 / 15

HEX #D82B59

RGB 216 43 89

HSL 344.05, 0.69%, 0.51%

LAB 48.32, 66.88, 17.44

 

CMYK 0 / 87 / 65 / 22

HEX #C71946

RGB 199 25 70

HSL 344.48, 0.78%, 0.44%

LAB 43.18, 65.29, 21.77

 

CMYK 0 / 96 / 72 / 29

HEX #B60733

RGB 182 7 51

HSL 344.91, 0.93%, 0.37%

LAB 38.44, 62.57, 26.96

 

CMYK 0 / 100 / 81 / 35

HEX #A50020

RGB 165 0 32

HSL 348.36, 1%, 0.32%

LAB 34.2, 58.42, 32.92

 

CMYK 0 / 73 / 53 / 9

HEX #E93E6D

RGB 233 62 109

HSL 343.51, 0.8%, 0.58%

LAB 53.89, 67.37, 13.48

 

CMYK 0 / 73 / 73 / 9

HEX #E93E3E

RGB 233 62 62

HSL 0, 0.8%, 0.58%

LAB 53.08, 64.67, 40.04

 

CMYK 0 / 73 / 73 / 9

HEX #E93E3E

RGB 233 62 62

HSL 0, 0.8%, 0.58%

LAB 53.08, 64.67, 40.04

 

CMYK 0 / 73 / 53 / 9

HEX #E93E6D

RGB 233 62 109

HSL 343.51, 0.8%, 0.58%

LAB 53.89, 67.37, 13.48

 

CMYK 0 / 73 / 33 / 9

HEX #E93E9B

RGB 233 62 155

HSL 327.37, 0.8%, 0.58%

LAB 55.21, 71.59, -11.97

 

CMYK 0 / 73 / 14 / 9

HEX #E93EC9

RGB 233 62 201

HSL 311.23, 0.8%, 0.58%

LAB 57.06, 77.27, -35.84

 

CMYK 6 / 73 / 0 / 9

HEX #DB3EE9

RGB 219 62 233

HSL 295.09, 0.8%, 0.58%

LAB 56.47, 79.16, -55.06

 

CMYK 26 / 73 / 0 / 9

HEX #AD3EE9

RGB 173 62 233

HSL 278.95, 0.8%, 0.58%

LAB 49.75, 70.35, -66.22

 

CMYK 0 / 73 / 53 / 9

HEX #E93E6D

RGB 233 62 109

HSL 343.51, 0.8%, 0.58%

LAB 53.89, 67.37, 13.48

 

CMYK 0 / 82 / 60 / 2

HEX #FA2C65

RGB 250 44 101

HSL 343.4, 0.95%, 0.58%

LAB 55.14, 76.23, 20.49

 

CMYK 0 / 73 / 53 / 9

HEX #E93E6D

RGB 233 62 109

HSL 343.51, 0.8%, 0.58%

LAB 53.89, 67.37, 13.48

 

CMYK 0 / 63 / 46 / 15

HEX #D84F74

RGB 216 79 116

HSL 343.8, 0.64%, 0.58%

LAB 53.44, 56.55, 8.24

 

CMYK 0 / 52 / 37 / 22

HEX #C6607C

RGB 198 96 124

HSL 343.53, 0.47%, 0.58%

LAB 53.84, 43.53, 3.7

 

CMYK 0 / 37 / 27 / 29

HEX #B57284

RGB 181 114 132

HSL 343.88, 0.31%, 0.58%

LAB 55.61, 28.87, 1.27

 

CMYK 0 / 20 / 15 / 36

HEX #A4838C

RGB 164 131 140

HSL 343.64, 0.15%, 0.58%

LAB 58.05, 14.12, -0.03

 

CMYK 0 / 73 / 13 / 9

HEX #E93ECA

RGB 233 62 202

HSL 310.88, 0.8%, 0.58%

LAB 57.11, 77.41, -36.34

 

CMYK 0 / 73 / 33 / 9

HEX #E93E9C

RGB 233 62 156

HSL 327.02, 0.8%, 0.58%

LAB 55.25, 71.7, -12.51

 

CMYK 0 / 73 / 53 / 9

HEX #E93E6E

RGB 233 62 110

HSL 343.16, 0.8%, 0.58%

LAB 53.92, 67.44, 12.92

 

CMYK 0 / 73 / 72 / 9

HEX #E93E41

RGB 233 62 65

HSL 358.95, 0.8%, 0.58%

LAB 53.11, 64.8, 38.39

 

CMYK 0 / 55 / 73 / 9

HEX #E9693E

RGB 233 105 62

HSL 15.09, 0.8%, 0.58%

LAB 59.68, 46.98, 47.3

 

CMYK 0 / 89 / 65 / 25

HEX #BF1543

RGB 191 21 67

HSL 343.76, 0.8%, 0.42%

LAB 41.24, 63.78, 20.81

 

CMYK 0 / 89 / 65 / 10

HEX #E51951

RGB 229 25 81

HSL 343.53, 0.8%, 0.5%

LAB 49.43, 73.41, 24.27

 

CMYK 0 / 73 / 53 / 9

HEX #E93E6D

RGB 233 62 109

HSL 343.51, 0.8%, 0.58%

LAB 53.89, 67.37, 13.48

 

CMYK 0 / 58 / 42 / 7

HEX #ED6389

RGB 237 99 137

HSL 343.48, 0.79%, 0.66%

LAB 60.55, 56.56, 6.48

 

CMYK 0 / 44 / 32 / 5

HEX #F188A5

RGB 241 136 165

HSL 343.43, 0.79%, 0.74%

LAB 68.77, 43.21, 2.44

 

CMYK 0 / 74 / 54 / 9

HEX #E93D6C

RGB 233 61 108

HSL 343.6, 0.8%, 0.58%

LAB 53.75, 67.61, 13.89

 

CMYK 0 / 6 / 73 / 9

HEX #E9DB3E

RGB 233 219 62

HSL 55.09, 0.8%, 0.58%

LAB 86.17, -11.95, 73.81

 

CMYK 73 / 23 / 0 / 9

HEX #3EB3E9

RGB 62 179 233

HSL 198.95, 0.8%, 0.58%

LAB 68.86, -15, -36.33

 

CMYK 0 / 74 / 54 / 9

HEX #E93D6C

RGB 233 61 108

HSL 343.6, 0.8%, 0.58%

LAB 53.75, 67.61, 13.89

 

CMYK 53 / 0 / 73 / 9

HEX #6EE93E

RGB 110 233 62

HSL 103.16, 0.8%, 0.58%

LAB 82.88, -62.99, 68.14

 

CMYK 73 / 53 / 0 / 9

HEX #3E6EE9

RGB 62 110 233

HSL 223.16, 0.8%, 0.58%

LAB 49.57, 25.63, -66.97

 

CMYK 0 / 74 / 54 / 9

HEX #E93D6C

RGB 233 61 108

HSL 343.6, 0.8%, 0.58%

LAB 53.75, 67.61, 13.89

 

CMYK 0 / 6 / 73 / 9

HEX #E9DB3E

RGB 233 219 62

HSL 55.09, 0.8%, 0.58%

LAB 86.17, -11.95, 73.81

 

CMYK 73 / 0 / 21 / 9

HEX #3EE9B9

RGB 62 233 185

HSL 163.16, 0.8%, 0.58%

LAB 83.34, -53.86, 11.11

 

CMYK 73 / 67 / 0 / 9

HEX #3E4CE9

RGB 62 76 233

HSL 235.09, 0.8%, 0.58%

LAB 41.34, 46.64, -80.41

 

CMYK 0 / 74 / 54 / 9

HEX #E93D6C

RGB 233 61 108

HSL 343.6, 0.8%, 0.58%

LAB 53.75, 67.61, 13.89

 

CMYK 16 / 0 / 73 / 9

HEX #C4E93E

RGB 196 233 62

HSL 72.98, 0.8%, 0.58%

LAB 87.17, -33.76, 73.78

 

CMYK 73 / 0 / 21 / 9

HEX #3EE9B9

RGB 62 233 185

HSL 163.16, 0.8%, 0.58%

LAB 83.34, -53.86, 11.11

 

CMYK 58 / 73 / 0 / 9

HEX #633EE9

RGB 99 62 233

HSL 252.98, 0.8%, 0.58%

LAB 41.19, 58.52, -80.56

 

Description

Color code: HEX #E93D6C | qconv.com Color code: HEX #E93D6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 61 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 61 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 54 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 54% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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