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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E92F0B it is the complementary color #16D0F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E92F0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E92F0B shade: #EE2F06, #FF4119, #FF532C, #FF653F and #FF7752

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E92F0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E92F0B shade: #E92F0B, #D81D00, #C70B00, #B60000 and #A50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E92F0B shade: #E92F0B and #E90B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E92F0B shade: #E92F0B, #E96B0B, #E9A70B, #E9E30B and #B4E90B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E92F0B shade matches the following richer shades: #E92F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E92F0B shade: #E92F0B, #D53C1E, #C24932, #AE5746 and #9A645A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E92F0B shade: #E90B60, #E90B25, #E92C0B, #E9670B and #E9A30B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E92F0B shade: #9A1F07, #C22709, #E92F0B, #F44A29 and #F66B50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E92F0B shade: #E92F0B, #9BE90B and #0B42E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E92F0B shade: #E92F0B, #0BE92C and #2C0BE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E92F0B shade: #E92F0B, #9BE90B, #0BC8E9 and #580BE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E92F0B shade: #E92F0B, #58E90B, #0BC8E9 and #9B0BE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

Complementary color

CMYK 91 / 15 / 0 / 4

HEX #16D0F4

RGB 22 208 244

HSL 189.73, 0.91%, 0.52%

LAB 77.17, -29.36, -29.48

 

CMYK 0 / 80 / 97 / 7

HEX #EE2F06

RGB 238 47 6

HSL 10.6, 0.95%, 0.48%

LAB 52.09, 69.31, 63.24

 

CMYK 0 / 75 / 90 / 0

HEX #FF4119

RGB 255 65 25

HSL 10.43, 1%, 0.55%

LAB 57.18, 69.3, 62.68

 

CMYK 0 / 67 / 83 / 0

HEX #FF532C

RGB 255 83 44

HSL 11.09, 1%, 0.59%

LAB 59.55, 63.43, 56.98

 

CMYK 0 / 60 / 75 / 0

HEX #FF653F

RGB 255 101 63

HSL 11.88, 1%, 0.62%

LAB 62.45, 56.67, 50.77

 

CMYK 0 / 53 / 68 / 0

HEX #FF7752

RGB 255 119 82

HSL 12.83, 1%, 0.66%

LAB 65.8, 49.32, 44.75

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 0 / 87 / 100 / 15

HEX #D81D00

RGB 216 29 0

HSL 8.06, 1%, 0.42%

LAB 46.28, 67.21, 59.74

 

CMYK 0 / 94 / 100 / 22

HEX #C70B00

RGB 199 11 0

HSL 3.32, 1%, 0.39%

LAB 41.82, 65.38, 55.9

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 0 / 95 / 95 / 9

HEX #E90B0B

RGB 233 11 11

HSL 0, 0.91%, 0.48%

LAB 48.99, 74.05, 59.9

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 0 / 54 / 95 / 9

HEX #E96B0B

RGB 233 107 11

HSL 25.95, 0.91%, 0.48%

LAB 59.76, 44.73, 66.18

 

CMYK 0 / 28 / 95 / 9

HEX #E9A70B

RGB 233 167 11

HSL 42.16, 0.91%, 0.48%

LAB 72.88, 13.63, 75.09

 

CMYK 0 / 3 / 95 / 9

HEX #E9E30B

RGB 233 227 11

HSL 58.38, 0.91%, 0.48%

LAB 88.11, -17.13, 86.21

 

CMYK 23 / 0 / 95 / 9

HEX #B4E90B

RGB 180 233 11

HSL 74.32, 0.91%, 0.48%

LAB 86.01, -41.46, 82.98

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 0 / 72 / 86 / 16

HEX #D53C1E

RGB 213 60 30

HSL 9.84, 0.75%, 0.48%

LAB 48.85, 58.21, 51.02

 

CMYK 0 / 62 / 74 / 24

HEX #C24932

RGB 194 73 50

HSL 9.58, 0.59%, 0.48%

LAB 47.58, 47.19, 38.64

 

CMYK 0 / 50 / 60 / 32

HEX #AE5746

RGB 174 87 70

HSL 9.81, 0.43%, 0.48%

LAB 47.31, 33.96, 26.18

 

CMYK 0 / 35 / 42 / 40

HEX #9A645A

RGB 154 100 90

HSL 9.38, 0.26%, 0.48%

LAB 47.91, 20.58, 14.67

 

CMYK 0 / 95 / 59 / 9

HEX #E90B60

RGB 233 11 96

HSL 337.03, 0.91%, 0.48%

LAB 49.99, 76.79, 15.97

 

CMYK 0 / 95 / 84 / 9

HEX #E90B25

RGB 233 11 37

HSL 352.97, 0.91%, 0.48%

LAB 49.13, 74.42, 49.49

 

CMYK 0 / 81 / 95 / 9

HEX #E92C0B

RGB 233 44 11

HSL 8.92, 0.91%, 0.48%

LAB 50.86, 68.7, 60.88

 

CMYK 0 / 56 / 95 / 9

HEX #E9670B

RGB 233 103 11

HSL 24.86, 0.91%, 0.48%

LAB 59.02, 46.64, 65.71

 

CMYK 0 / 30 / 95 / 9

HEX #E9A30B

RGB 233 163 11

HSL 41.08, 0.91%, 0.48%

LAB 71.92, 15.75, 74.41

 

CMYK 0 / 80 / 95 / 40

HEX #9A1F07

RGB 154 31 7

HSL 9.8, 0.91%, 0.32%

LAB 33.7, 48.91, 43.96

 

CMYK 0 / 80 / 95 / 24

HEX #C22709

RGB 194 39 9

HSL 9.73, 0.91%, 0.4%

LAB 42.67, 58.78, 52.76

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 0 / 70 / 83 / 4

HEX #F44A29

RGB 244 74 41

HSL 9.75, 0.9%, 0.56%

LAB 56.38, 63.21, 54.78

 

CMYK 0 / 57 / 67 / 4

HEX #F66B50

RGB 246 107 80

HSL 9.76, 0.9%, 0.64%

LAB 62.24, 51.61, 41.31

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 33 / 0 / 95 / 9

HEX #9BE90B

RGB 155 233 11

HSL 81.08, 0.91%, 0.48%

LAB 84.62, -50.73, 81.3

 

CMYK 95 / 72 / 0 / 9

HEX #0B42E9

RGB 11 66 233

HSL 225.14, 0.91%, 0.48%

LAB 37.57, 49.65, -86.67

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 95 / 0 / 81 / 9

HEX #0BE92C

RGB 11 233 44

HSL 128.92, 0.91%, 0.48%

LAB 81.03, -78.83, 71.11

 

CMYK 81 / 95 / 0 / 9

HEX #2C0BE9

RGB 44 11 233

HSL 248.92, 0.91%, 0.48%

LAB 31.02, 72.65, -97.54

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 33 / 0 / 95 / 9

HEX #9BE90B

RGB 155 233 11

HSL 81.08, 0.91%, 0.48%

LAB 84.62, -50.73, 81.3

 

CMYK 95 / 14 / 0 / 9

HEX #0BC8E9

RGB 11 200 233

HSL 188.92, 0.91%, 0.48%

LAB 74.36, -29.39, -27.89

 

CMYK 62 / 95 / 0 / 9

HEX #580BE9

RGB 88 11 233

HSL 260.81, 0.91%, 0.48%

LAB 34.39, 74.39, -91.83

 

CMYK 0 / 80 / 95 / 9

HEX #E92F0B

RGB 233 47 11

HSL 9.73, 0.91%, 0.48%

LAB 51.13, 67.94, 61.02

 

CMYK 62 / 0 / 95 / 9

HEX #58E90B

RGB 88 233 11

HSL 99.19, 0.91%, 0.48%

LAB 82.04, -70.38, 78.15

 

CMYK 95 / 14 / 0 / 9

HEX #0BC8E9

RGB 11 200 233

HSL 188.92, 0.91%, 0.48%

LAB 74.36, -29.39, -27.89

 

CMYK 33 / 95 / 0 / 9

HEX #9B0BE9

RGB 155 11 233

HSL 278.92, 0.91%, 0.48%

LAB 42.9, 80.17, -77.5

 

Description

Color code: HEX #E92F0B | qconv.com Color code: HEX #E92F0B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 47 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 47 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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