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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E92466 it is the complementary color #16DB99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E92466. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E92466 shade: #EE2461, #FF3674, #FF4887, #FF5A9A and #FF6CAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E92466. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E92466 shade: #E92466, #D81253, #C70040, #B6002D and #A5001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E92466 shade: #E92466, #E92431 and #E92424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E92466 shade: #E92466, #E9249B, #E924D0, #CD24E9 and #9824E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E92466 shade matches the following richer shades: #E92466 and #FC1160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E92466 shade: #E92466, #D6386D, #C24B73, #AF5F79 and #9B7280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E92466 shade: #E924D2, #E9249E, #E92469, #E92435 and #E94824

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E92466 shade: #AA1044, #D01453, #E92466, #ED4A80 and #F06F9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E92466 shade: #E92466, #E9CB24 and #24B8E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E92466 shade: #E92466, #69E924 and #2469E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E92466 shade: #E92466, #E9CB24, #24E9A4 and #2442E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E92466 shade: #E92466, #CBE924, #24E9A4 and #4224E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

Complementary color

CMYK 90 / 0 / 30 / 14

HEX #16DB99

RGB 22 219 153

HSL 159.9, 0.82%, 0.47%

LAB 77.95, -59.28, 20.27

 

CMYK 0 / 85 / 59 / 7

HEX #EE2461

RGB 238 36 97

HSL 341.88, 0.86%, 0.54%

LAB 52.18, 74.63, 18.51

 

CMYK 0 / 79 / 55 / 0

HEX #FF3674

RGB 255 54 116

HSL 341.49, 1%, 0.61%

LAB 57.23, 76.09, 14.56

 

CMYK 0 / 72 / 47 / 0

HEX #FF4887

RGB 255 72 135

HSL 339.34, 1%, 0.64%

LAB 59.57, 72.27, 6.63

 

CMYK 0 / 65 / 40 / 0

HEX #FF5A9A

RGB 255 90 154

HSL 336.73, 1%, 0.68%

LAB 62.43, 67.53, -0.28

 

CMYK 0 / 58 / 32 / 0

HEX #FF6CAD

RGB 255 108 173

HSL 333.47, 1%, 0.71%

LAB 65.75, 62.11, -6.28

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 92 / 62 / 15

HEX #D81253

RGB 216 18 83

HSL 340.3, 0.85%, 0.46%

LAB 46.52, 71.31, 18.72

 

CMYK 0 / 100 / 68 / 22

HEX #C70040

RGB 199 0 64

HSL 340.7, 1%, 0.39%

LAB 42.02, 68.03, 24.03

 

CMYK 0 / 100 / 75 / 29

HEX #B6002D

RGB 182 0 45

HSL 345.16, 1%, 0.36%

LAB 38.08, 63.11, 30.28

 

CMYK 0 / 100 / 84 / 35

HEX #A5001A

RGB 165 0 26

HSL 350.55, 1%, 0.32%

LAB 34.14, 58.26, 36.38

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 85 / 79 / 9

HEX #E92431

RGB 233 36 49

HSL 356.04, 0.82%, 0.53%

LAB 50.46, 71.19, 44.42

 

CMYK 0 / 85 / 85 / 9

HEX #E92424

RGB 233 36 36

HSL 0, 0.82%, 0.53%

LAB 50.35, 70.86, 51.05

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 85 / 33 / 9

HEX #E9249B

RGB 233 36 155

HSL 323.76, 0.82%, 0.53%

LAB 52.9, 78.2, -15.47

 

CMYK 0 / 85 / 11 / 9

HEX #E924D0

RGB 233 36 208

HSL 307.61, 0.82%, 0.53%

LAB 55.22, 84.52, -42.75

 

CMYK 12 / 85 / 0 / 9

HEX #CD24E9

RGB 205 36 233

HSL 291.47, 0.82%, 0.53%

LAB 51.98, 83.29, -62.39

 

CMYK 35 / 85 / 0 / 9

HEX #9824E9

RGB 152 36 233

HSL 275.33, 0.82%, 0.53%

LAB 43.97, 75.32, -75.75

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 93 / 62 / 1

HEX #FC1160

RGB 252 17 96

HSL 339.83, 0.98%, 0.53%

LAB 53.96, 80.64, 21.99

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 74 / 49 / 16

HEX #D6386D

RGB 214 56 109

HSL 339.87, 0.66%, 0.53%

LAB 49.77, 63.99, 7.19

 

CMYK 0 / 61 / 41 / 24

HEX #C24B73

RGB 194 75 115

HSL 339.83, 0.49%, 0.53%

LAB 49.18, 51.19, 2.26

 

CMYK 0 / 46 / 31 / 31

HEX #AF5F79

RGB 175 95 121

HSL 340.5, 0.33%, 0.53%

LAB 50.31, 35.49, -0.05

 

CMYK 0 / 26 / 17 / 39

HEX #9B7280

RGB 155 114 128

HSL 339.51, 0.17%, 0.53%

LAB 52.47, 18.4, -1.33

 

CMYK 0 / 85 / 10 / 9

HEX #E924D2

RGB 233 36 210

HSL 307.01, 0.82%, 0.53%

LAB 55.32, 84.79, -43.73

 

CMYK 0 / 85 / 32 / 9

HEX #E9249E

RGB 233 36 158

HSL 322.84, 0.82%, 0.53%

LAB 53.01, 78.51, -17.08

 

CMYK 0 / 85 / 55 / 9

HEX #E92469

RGB 233 36 105

HSL 338.98, 0.82%, 0.53%

LAB 51.39, 73.91, 12.41

 

CMYK 0 / 85 / 77 / 9

HEX #E92435

RGB 233 36 53

HSL 354.82, 0.82%, 0.53%

LAB 50.5, 71.32, 42.25

 

CMYK 0 / 69 / 85 / 9

HEX #E94824

RGB 233 72 36

HSL 10.96, 0.82%, 0.53%

LAB 54.12, 60.33, 54.29

 

CMYK 0 / 91 / 60 / 33

HEX #AA1044

RGB 170 16 68

HSL 339.74, 0.83%, 0.36%

LAB 36.62, 59.29, 13.24

 

CMYK 0 / 90 / 60 / 18

HEX #D01453

RGB 208 20 83

HSL 339.89, 0.82%, 0.45%

LAB 44.99, 69.1, 16.38

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 69 / 46 / 7

HEX #ED4A80

RGB 237 74 128

HSL 340.12, 0.82%, 0.61%

LAB 56.55, 65.92, 6.02

 

CMYK 0 / 54 / 35 / 6

HEX #F06F9B

RGB 240 111 155

HSL 339.53, 0.81%, 0.69%

LAB 63.56, 53.96, 0.52

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 13 / 85 / 9

HEX #E9CB24

RGB 233 203 36

HSL 50.86, 0.82%, 0.53%

LAB 81.93, -4.74, 77.51

 

CMYK 85 / 21 / 0 / 9

HEX #24B8E9

RGB 36 184 233

HSL 194.92, 0.82%, 0.53%

LAB 69.85, -20.14, -34.82

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 55 / 0 / 85 / 9

HEX #69E924

RGB 105 233 36

HSL 98.98, 0.82%, 0.53%

LAB 82.6, -65.64, 75.01

 

CMYK 85 / 55 / 0 / 9

HEX #2469E9

RGB 36 105 233

HSL 218.98, 0.82%, 0.53%

LAB 47.45, 26.32, -70.46

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 0 / 13 / 85 / 9

HEX #E9CB24

RGB 233 203 36

HSL 50.86, 0.82%, 0.53%

LAB 81.93, -4.74, 77.51

 

CMYK 85 / 0 / 30 / 9

HEX #24E9A4

RGB 36 233 164

HSL 158.98, 0.82%, 0.53%

LAB 82.56, -61.16, 20.91

 

CMYK 85 / 72 / 0 / 9

HEX #2442E9

RGB 36 66 233

HSL 230.86, 0.82%, 0.53%

LAB 38.12, 50.55, -85.75

 

CMYK 0 / 85 / 56 / 9

HEX #E92466

RGB 233 36 102

HSL 339.9, 0.82%, 0.53%

LAB 51.32, 73.71, 14.14

 

CMYK 13 / 0 / 85 / 9

HEX #CBE924

RGB 203 233 36

HSL 69.14, 0.82%, 0.53%

LAB 87.53, -31.93, 81.19

 

CMYK 85 / 0 / 30 / 9

HEX #24E9A4

RGB 36 233 164

HSL 158.98, 0.82%, 0.53%

LAB 82.56, -61.16, 20.91

 

CMYK 72 / 85 / 0 / 9

HEX #4224E9

RGB 66 36 233

HSL 249.14, 0.82%, 0.53%

LAB 34.61, 66.78, -91.52

 

Description

Color code: HEX #E92466 | qconv.com Color code: HEX #E92466 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 36 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 36 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 56 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 56% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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