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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E910AA it is the complementary color #16EF55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E910AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E910AA shade: #EE10A5, #FF22B8, #FF34CB, #FF46DE and #FF58F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E910AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E910AA shade: #E910AA, #D80097, #C70084, #B60071 and #A5005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E910AA shade: #E910AA, #E9106F, #E91035 and #E91010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E910AA shade: #E910AA, #E910E5, #B310E9, #7810E9 and #3E10E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E910AA shade matches the following richer shades: #E910AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E910AA shade: #E910AA, #D524A2, #C13899, #AD4C91 and #986188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E910AA shade: #B310E9, #E910E6, #E910AC, #E91072 and #E91038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E910AA shade: #9C0A72, #C30D8E, #E910AA, #F032B9 and #F358C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E910AA shade: #E910AA, #E97910 and #10E9D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E910AA shade: #E910AA, #ACE910 and #10ACE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E910AA shade: #E910AA, #E97910, #10E94D and #1080E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E910AA shade: #E910AA, #E9BA10, #10E94D and #103FE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

Complementary color

CMYK 91 / 0 / 64 / 6

HEX #16EF55

RGB 22 239 85

HSL 137.42, 0.87%, 0.51%

LAB 83.21, -76.79, 59.41

 

CMYK 0 / 93 / 31 / 7

HEX #EE10A5

RGB 238 16 165

HSL 319.73, 0.87%, 0.5%

LAB 53.24, 83.11, -20.79

 

CMYK 0 / 87 / 28 / 0

HEX #FF22B8

RGB 255 34 184

HSL 319.28, 1%, 0.57%

LAB 57.91, 86.3, -24.45

 

CMYK 0 / 80 / 20 / 0

HEX #FF34CB

RGB 255 52 203

HSL 315.37, 1%, 0.6%

LAB 59.91, 84.97, -32.26

 

CMYK 0 / 73 / 13 / 0

HEX #FF46DE

RGB 255 70 222

HSL 310.7, 1%, 0.64%

LAB 62.44, 82.61, -39.08

 

CMYK 0 / 65 / 5 / 0

HEX #FF58F1

RGB 255 88 241

HSL 305.03, 1%, 0.67%

LAB 65.43, 79.37, -44.98

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 100 / 30 / 15

HEX #D80097

RGB 216 0 151

HSL 318.06, 1%, 0.42%

LAB 48.05, 78.53, -20.77

 

CMYK 0 / 100 / 34 / 22

HEX #C70084

RGB 199 0 132

HSL 320.2, 1%, 0.39%

LAB 43.96, 73.14, -15.8

 

CMYK 0 / 100 / 38 / 29

HEX #B60071

RGB 182 0 113

HSL 322.75, 1%, 0.36%

LAB 39.81, 67.69, -10.61

 

CMYK 0 / 100 / 43 / 35

HEX #A5005E

RGB 165 0 94

HSL 325.82, 1%, 0.32%

LAB 35.61, 62.19, -5.18

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 93 / 52 / 9

HEX #E9106F

RGB 233 16 111

HSL 333.73, 0.87%, 0.49%

LAB 50.5, 77.31, 7.51

 

CMYK 0 / 93 / 77 / 9

HEX #E91035

RGB 233 16 53

HSL 349.77, 0.87%, 0.49%

LAB 49.44, 74.38, 41.12

 

CMYK 0 / 93 / 93 / 9

HEX #E91010

RGB 233 16 16

HSL 0, 0.87%, 0.49%

LAB 49.17, 73.63, 58.5

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 93 / 2 / 9

HEX #E910E5

RGB 233 16 229

HSL 301.11, 0.87%, 0.49%

LAB 55.43, 90.09, -54.34

 

CMYK 23 / 93 / 0 / 9

HEX #B310E9

RGB 179 16 233

HSL 285.07, 0.87%, 0.49%

LAB 46.76, 82.61, -71.04

 

CMYK 48 / 93 / 0 / 9

HEX #7810E9

RGB 120 16 233

HSL 268.76, 0.87%, 0.49%

LAB 38.28, 75.97, -85.27

 

CMYK 73 / 93 / 0 / 9

HEX #3E10E9

RGB 62 16 233

HSL 252.72, 0.87%, 0.49%

LAB 32.43, 72.29, -95.15

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 83 / 24 / 16

HEX #D524A2

RGB 213 36 162

HSL 317.29, 0.71%, 0.49%

LAB 49.52, 74.59, -25.13

 

CMYK 0 / 71 / 21 / 24

HEX #C13899

RGB 193 56 153

HSL 317.52, 0.55%, 0.49%

LAB 47.58, 63.16, -23.04

 

CMYK 0 / 56 / 16 / 32

HEX #AD4C91

RGB 173 76 145

HSL 317.32, 0.39%, 0.49%

LAB 47.1, 48.06, -19.26

 

CMYK 0 / 36 / 11 / 40

HEX #986188

RGB 152 97 136

HSL 317.45, 0.22%, 0.49%

LAB 48.26, 28.44, -12.37

 

CMYK 23 / 93 / 0 / 9

HEX #B310E9

RGB 179 16 233

HSL 285.07, 0.87%, 0.49%

LAB 46.76, 82.61, -71.04

 

CMYK 0 / 93 / 1 / 9

HEX #E910E6

RGB 233 16 230

HSL 300.83, 0.87%, 0.49%

LAB 55.49, 90.23, -54.81

 

CMYK 0 / 93 / 26 / 9

HEX #E910AC

RGB 233 16 172

HSL 316.87, 0.87%, 0.49%

LAB 52.59, 82.87, -25.99

 

CMYK 0 / 93 / 51 / 9

HEX #E91072

RGB 233 16 114

HSL 332.9, 0.87%, 0.49%

LAB 50.58, 77.53, 5.79

 

CMYK 0 / 93 / 76 / 9

HEX #E91038

RGB 233 16 56

HSL 348.94, 0.87%, 0.49%

LAB 49.47, 74.47, 39.43

 

CMYK 0 / 94 / 27 / 39

HEX #9C0A72

RGB 156 10 114

HSL 317.26, 0.88%, 0.33%

LAB 35, 61.08, -19.06

 

CMYK 0 / 93 / 27 / 24

HEX #C30D8E

RGB 195 13 142

HSL 317.47, 0.88%, 0.41%

LAB 44.01, 72.18, -21.9

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 79 / 23 / 6

HEX #F032B9

RGB 240 50 185

HSL 317.37, 0.86%, 0.57%

LAB 56.4, 80.03, -27.58

 

CMYK 0 / 64 / 19 / 5

HEX #F358C6

RGB 243 88 198

HSL 317.42, 0.87%, 0.65%

LAB 61.75, 70.23, -26.73

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 48 / 93 / 9

HEX #E97910

RGB 233 121 16

HSL 29.03, 0.87%, 0.49%

LAB 62.54, 37.83, 67.07

 

CMYK 93 / 0 / 11 / 9

HEX #10E9D0

RGB 16 233 208

HSL 173.09, 0.87%, 0.49%

LAB 83.41, -51.52, -0.95

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 26 / 0 / 93 / 9

HEX #ACE910

RGB 172 233 16

HSL 76.87, 0.87%, 0.49%

LAB 85.55, -44.44, 81.93

 

CMYK 93 / 26 / 0 / 9

HEX #10ACE9

RGB 16 172 233

HSL 196.87, 0.87%, 0.49%

LAB 66.13, -14.83, -40.63

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 48 / 93 / 9

HEX #E97910

RGB 233 121 16

HSL 29.03, 0.87%, 0.49%

LAB 62.54, 37.83, 67.07

 

CMYK 93 / 0 / 67 / 9

HEX #10E94D

RGB 16 233 77

HSL 136.87, 0.87%, 0.49%

LAB 81.25, -76.15, 60.45

 

CMYK 93 / 45 / 0 / 9

HEX #1080E9

RGB 16 128 233

HSL 209.03, 0.87%, 0.49%

LAB 53.42, 10.73, -60.81

 

CMYK 0 / 93 / 27 / 9

HEX #E910AA

RGB 233 16 170

HSL 317.42, 0.87%, 0.49%

LAB 52.51, 82.65, -24.94

 

CMYK 0 / 20 / 93 / 9

HEX #E9BA10

RGB 233 186 16

HSL 47, 0.87%, 0.49%

LAB 77.57, 3.68, 77.84

 

CMYK 93 / 0 / 67 / 9

HEX #10E94D

RGB 16 233 77

HSL 136.87, 0.87%, 0.49%

LAB 81.25, -76.15, 60.45

 

CMYK 93 / 73 / 0 / 9

HEX #103FE9

RGB 16 63 233

HSL 227, 0.87%, 0.49%

LAB 37.02, 51.51, -87.58

 

Description

Color code: HEX #E910AA | qconv.com Color code: HEX #E910AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 16 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 16 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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