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Color name
HEX #E915C3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E915C3 it is the complementary color #16EA3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E915C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E915C3 shade: #EE15BE, #FF27D1, #FF39E4, #FF4BF7 and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E915C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E915C3 shade: #E915C3, #D803B0, #C7009D, #B6008A and #A50077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E915C3 shade: #E915C3, #E9158A, #E91551, #E91518 and #E91515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E915C3 shade: #E915C3, #D615E9, #9D15E9, #6415E9 and #2A15E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E915C3 shade matches the following richer shades: #E915C3 and #FD01D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E915C3 shade: #E915C3, #D42AB6, #C03EA8, #AB539B and #96688E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E915C3 shade: #9B15E9, #D415E9, #E915C6, #E9158D and #E91555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E915C3 shade: #9D0E84, #C312A3, #E915C3, #EC3BCD and #F061D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E915C3 shade: #E915C3, #E96315 and #15E9B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E915C3 shade: #E915C3, #C6E915 and #15C6E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E915C3 shade: #E915C3, #E96315, #15E938 and #159BE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E915C3 shade: #E915C3, #E9A215, #15E938 and #155CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

Complementary color

CMYK 91 / 0 / 74 / 8

HEX #16EA3C

RGB 22 234 60

HSL 130.75, 0.83%, 0.5%

LAB 81.48, -77.6, 66.84

 

CMYK 0 / 91 / 20 / 7

HEX #EE15BE

RGB 238 21 190

HSL 313.27, 0.86%, 0.51%

LAB 54.48, 85.38, -33.48

 

CMYK 0 / 85 / 18 / 0

HEX #FF27D1

RGB 255 39 209

HSL 312.78, 1%, 0.58%

LAB 59.26, 88.35, -36.69

 

CMYK 0 / 78 / 11 / 0

HEX #FF39E4

RGB 255 57 228

HSL 308.18, 1%, 0.61%

LAB 61.47, 87, -43.97

 

CMYK 0 / 71 / 3 / 0

HEX #FF4BF7

RGB 255 75 247

HSL 302.67, 1%, 0.65%

LAB 64.17, 84.66, -50.29

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 99 / 19 / 15

HEX #D803B0

RGB 216 3 176

HSL 311.27, 0.97%, 0.43%

LAB 49.25, 81.14, -33.78

 

CMYK 0 / 100 / 21 / 22

HEX #C7009D

RGB 199 0 157

HSL 312.66, 1%, 0.39%

LAB 45.05, 75.92, -29.29

 

CMYK 0 / 100 / 24 / 29

HEX #B6008A

RGB 182 0 138

HSL 314.51, 1%, 0.36%

LAB 40.86, 70.39, -24.52

 

CMYK 0 / 100 / 28 / 35

HEX #A50077

RGB 165 0 119

HSL 316.73, 1%, 0.32%

LAB 36.61, 64.78, -19.58

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 91 / 41 / 9

HEX #E9158A

RGB 233 21 138

HSL 326.89, 0.83%, 0.5%

LAB 51.49, 78.91, -7.43

 

CMYK 0 / 91 / 65 / 9

HEX #E91551

RGB 233 21 81

HSL 343.02, 0.83%, 0.5%

LAB 50.04, 74.93, 25.21

 

CMYK 0 / 91 / 90 / 9

HEX #E91518

RGB 233 21 24

HSL 359.15, 0.83%, 0.5%

LAB 49.41, 73.14, 55.7

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 8 / 91 / 0 / 9

HEX #D615E9

RGB 214 21 233

HSL 294.62, 0.83%, 0.5%

LAB 52.64, 87.12, -61.25

 

CMYK 33 / 91 / 0 / 9

HEX #9D15E9

RGB 157 21 233

HSL 278.49, 0.83%, 0.5%

LAB 43.64, 79.09, -76.28

 

CMYK 57 / 91 / 0 / 9

HEX #6415E9

RGB 100 21 233

HSL 262.36, 0.83%, 0.5%

LAB 36.23, 73.4, -88.74

 

CMYK 82 / 91 / 0 / 9

HEX #2A15E9

RGB 42 21 233

HSL 245.94, 0.83%, 0.5%

LAB 31.61, 70.48, -96.56

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 100 / 18 / 1

HEX #FD01D0

RGB 253 1 208

HSL 310.71, 0.99%, 0.5%

LAB 57.52, 91.79, -38.88

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 80 / 14 / 17

HEX #D42AB6

RGB 212 42 182

HSL 310.59, 0.67%, 0.5%

LAB 50.72, 75.58, -35.04

 

CMYK 0 / 68 / 13 / 25

HEX #C03EA8

RGB 192 62 168

HSL 311.08, 0.51%, 0.5%

LAB 48.86, 62.86, -29.98

 

CMYK 0 / 51 / 9 / 33

HEX #AB539B

RGB 171 83 155

HSL 310.91, 0.35%, 0.5%

LAB 48.52, 45.63, -23.06

 

CMYK 0 / 31 / 5 / 41

HEX #96688E

RGB 150 104 142

HSL 310.43, 0.18%, 0.5%

LAB 49.9, 24.83, -13.48

 

CMYK 33 / 91 / 0 / 9

HEX #9B15E9

RGB 155 21 233

HSL 277.92, 0.83%, 0.5%

LAB 43.34, 78.85, -76.77

 

CMYK 9 / 91 / 0 / 9

HEX #D415E9

RGB 212 21 233

HSL 294.06, 0.83%, 0.5%

LAB 52.3, 86.81, -61.81

 

CMYK 0 / 91 / 15 / 9

HEX #E915C6

RGB 233 21 198

HSL 309.91, 0.83%, 0.5%

LAB 53.96, 85.43, -38.99

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 91 / 64 / 9

HEX #E91555

RGB 233 21 85

HSL 341.89, 0.83%, 0.5%

LAB 50.12, 75.14, 22.87

 

CMYK 0 / 91 / 16 / 38

HEX #9D0E84

RGB 157 14 132

HSL 310.49, 0.84%, 0.34%

LAB 36.27, 63.04, -28.36

 

CMYK 0 / 91 / 16 / 24

HEX #C312A3

RGB 195 18 163

HSL 310.85, 0.83%, 0.42%

LAB 45.19, 74.13, -32.71

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 75 / 13 / 7

HEX #EC3BCD

RGB 236 59 205

HSL 310.51, 0.82%, 0.58%

LAB 57.43, 79.36, -37.51

 

CMYK 0 / 60 / 11 / 6

HEX #F061D6

RGB 240 97 214

HSL 310.91, 0.83%, 0.66%

LAB 63.28, 68.1, -33.43

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 58 / 91 / 9

HEX #E96315

RGB 233 99 21

HSL 22.08, 0.83%, 0.5%

LAB 58.32, 48.64, 62.94

 

CMYK 91 / 0 / 21 / 9

HEX #15E9B7

RGB 21 233 183

HSL 165.85, 0.83%, 0.5%

LAB 82.84, -57.69, 11.38

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 15 / 0 / 91 / 9

HEX #C6E915

RGB 198 233 21

HSL 69.91, 0.83%, 0.5%

LAB 87.16, -34.26, 83.28

 

CMYK 91 / 15 / 0 / 9

HEX #15C6E9

RGB 21 198 233

HSL 189.91, 0.83%, 0.5%

LAB 73.82, -28.07, -28.7

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 58 / 91 / 9

HEX #E96315

RGB 233 99 21

HSL 22.08, 0.83%, 0.5%

LAB 58.32, 48.64, 62.94

 

CMYK 91 / 0 / 76 / 9

HEX #15E938

RGB 21 233 56

HSL 129.91, 0.83%, 0.5%

LAB 81.14, -77.66, 67.79

 

CMYK 91 / 33 / 0 / 9

HEX #159BE9

RGB 21 155 233

HSL 202.08, 0.83%, 0.5%

LAB 61.21, -5.17, -48.38

 

CMYK 0 / 91 / 16 / 9

HEX #E915C3

RGB 233 21 195

HSL 310.75, 0.83%, 0.5%

LAB 53.81, 85.05, -37.48

 

CMYK 0 / 30 / 91 / 9

HEX #E9A215

RGB 233 162 21

HSL 39.91, 0.83%, 0.5%

LAB 71.7, 16.4, 72.68

 

CMYK 91 / 0 / 76 / 9

HEX #15E938

RGB 21 233 56

HSL 129.91, 0.83%, 0.5%

LAB 81.14, -77.66, 67.79

 

CMYK 91 / 61 / 0 / 9

HEX #155CE9

RGB 21 92 233

HSL 219.91, 0.83%, 0.5%

LAB 43.8, 33.82, -76.42

 

Description

Color code: HEX #E915C3 | qconv.com Color code: HEX #E915C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 21 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 21 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 16% 9% C M Y K

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Provide designers and agencies with accurate color values.

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